"This review mission covers the period from the start of the Regional Training Programme in Environment Journalism and Communication in the Eastern African Region in February 2002 until September 2003. In other circumstances this would be referred as a pilot phase. The main conclusion of this review
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is that there are needs to focus, refine and reconsider objectives as well as the organizational structure and the development of quality in the implementation capacity of the programme to improve its efficiency and effectiveness." (Executive summary)
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"The book discusses how trauma presented in the media spills over national boundaries and can be found in images across divergent cultures in Africa, Asia, Australia, Europe and America." (Publisher description)
"The evidence of the Ghana and Nigeria experiences suggests that prospects of realising the right to information are more propitious if the challenge is civil society led and driven. The successful passage of a right to information act in any one country should also provide the necessary impetus for
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other countries to join the global wave of change towards greater disclosure and transparency." (Conclusion)
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"In this article I examine the elective affinity between Pentecostalism and the vibrant video-film industry that has flourished in the wake of Ghana’s adoption of a democratic constitution. I argue that, as a result of the liberalization and commercialization of the media, a new public sphere has
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emerged that can no longer be fully controlled by the state but that is increasingly indebted to Pentecostalism. Pentecostalism and video-films come together and articulate alternative, Christian imaginations of modernity. Seeking to grasp the blurring of boundaries between religion and entertainment, I examine the pentecostalite cultural style on which these alternative visions thrive. My main concern is to investigate the specific mode through which Pentecostal expressive forms go public, thereby transforming the public sphere." (Abstract)
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"Emphasizing post-independent films released since the 1950s and the burgeoning commercial film production of the last decade, Focus on African Films provides unique and pluralistic perspectives on filmmaking throughout Africa. As a whole, the collection highlights the distinct thematic, stylistic,
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and socioeconomic circumstances of African filmmaking. Individual essays show how conditions in Africa have generated a broad range of views and techniques, from the stylistically innovative documentaries of Jean-Marie Teno and Abderrahmane Sissako and the "documentary fiction" of Mahamat-Saleh Haroun to the vibrant art films of Jean-Pierre Bekolo and the new films from South Africa. Contributors also outline the direction of increasingly popular, less didactic sub-Saharan filmmaking in films such as Daniel Kamwa's Pousse-Pousse, Ngangura Mweze's La vie est belle, and Imungu Ivanga's Dôlé." (Publisher description)
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"Un guide introductif utile sur les droits des auteurs (et ceux de l'industrie musicale) et les principaux aspects de la législation sur le droit d'auteur en Afrique. L'auteur fournit une analyse comparative des aspects théoriques et pratiques du sujet, traite de la question de la rémunération e
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t offre une synthèse d'un point de vue africain. Il inclut une analyse de l'annexe VII de l'Accord de Bangui - de l'Organisation africaine de la propriété intellectuelle (OAPI) - dans le contexte des conventions internationales sur le droit d'auteur." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 1787)
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