"This book is a collection of articles based on first-hand experiences in news media by eminent Indian media personalities. It is a comprehensive collection, exploring different kinds of news reporting across TV, print, and radio as also across different genres like sports, business, entertainment,
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war. Each essay is written as a primer yet with important tips from the foremost practitioners, which makes the business of reporting and news both a science and an art. Additionally, it also has essays on production and the news process. It is easily the first of a kind volume available within an Indian context. The volume illustrates how TV news reporting differs from the print, the importance of radio, the specific experiences in reporting business, crime, political, war stories. It also talks about the advantages of using the media for social marketing and many more engaging examples." (Publisher description)
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"Indigenous peoples from all corners of the globe continue to struggle for acknowledgement and recognition of their unique visions of water, both at home and in national, regional and international forums. But almost without exception, their voices remain obscured by a mainstream discourse rooted in
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the conception of water as a mere commodity. Water and Indigenous Peoples is based on the papers delivered on the occasion of the Second and the Third World Water Forums (The Hague in 2000 and Kyoto in 2003). It brings to the fore some of the most incisive indigenous critics of international debates on water access, use and management, as well as indigenous expressions of generosity that share community knowledge and insight in order to propose remedies for the global water crisis." (Back cover)
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"This book contains the presentations of a Roundtable of invited scholars organized by the FABC-Office of Social Communication (FABC-OSC) October 3-7, 2005 at Assumption University Huamak campus in Bangkok, in cooperation with the Graduate School of Philisophy and Religion of Assumption University a
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nd the Asian Research Center for Religion and Social Communication (ARC) at St. John's University, Bangkok. The concern of the roundtable with some 20 participants was a deeper understanding of Social Communication in Religious Traditions of Asia. Social Communication defined as the communication of and in human society is part and parcel of every religion. The question was: How is this seen and practiced in the different religious traditions of Asia? With the publication of this volume, we would like to make people, especially communication scholars and theologians, more aware of the communication dimenstion of religions in Asia. Communication is not just the use of technical means and instruments like the mass media. It is a dimension of human and spiritual life which should be essential for any religious thinking and practice. It is also because of this that we purposely maintained and use the Vatican II expression 'Social Communication' which refers to all communicative processes and practices in human society." (Publisher description)
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"With chapters on Indonesia, Malaysia, Singapore, Vietnam, Thailand, the Philippines, India, Sri Lanka, Bangladesh, Korea, Mainland China, Taiwan, Hong Kong and Japan, the book presents the most authoritative assessment of contemporary Asian cinema available. Each chapter describes the cultural aspe
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cts of popular film production, analyzing key films in the context of the national, the regional and the global. Topics covered include: film theory and Asian cinema, popular film genres, major industry figures, the "art film", connections between the state and commercial interests, cultural policies, representations of national identity, trends in international co-production, transnational and diasporic dimensions of Asian filmmaking and viewing, the politics of language choice, the impact of emerging technologies on filmmaking practice, and modes of exhibition." (Publisher description)
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"The purpose of this book is to provide a first step for anyone interested in discovering popular culture in India today. The chapters cover cinema, television, and radio; newspapers and magazines; music, theater, and literature; and sport, providing an explanation of the critical developments in ea
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ch of these fields. The book also explores the changing lifestyles in India, particularly in the areas of shopping, eating, and other forms of consumerism. Each chapter has its own list of the books, academic papers, and articles in the popular press that I found useful in the compilation of the book." (Preface)
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"This article gives a critical review of the evolution of the concept ''development communication'' in the 1970s under the influence of professor nora quebral. As part of this retrospective, we also reprint the original 1971 article ''development communication in the agricultural context'' by nora q
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uebral, with a new foreword by her." (Editor's note)
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"Un panorama du « cinéma engagé » sous deux de ses aspects : en première partie, onze auteurs examinent la façon dont le cinéma, dans différents pays et à différents moments de son histoire, aborde le plus chargé de tous les thèmes sociaux, celui de la guerre. La seconde partie entrepren
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d une tâche précieuse d’information à l’intention du cinéphile en faisant état de l’engagement tous azimuts qui caractériserait aujourd’hui tant de cinémas nationaux à travers le monde – à l’exception notable de la France." (Description de la maison d'édition)
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"The purpose of this book is primarily to provide a comprehensive reference and source of information for those who labour daily in the churches and organizations that make up the ecumenical movement. It is hoped that, beyond that circle, the book will also serve all who have a passion for, or an in
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terest in the movement. A Handbook of Churches and Councils – Profiles of Ecumenical Relationships replaces two earlier publications: the Handbook of WCC Member Churches, and the Directory of Christian Councils, both dating back to 1985." (Introduction)
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"Increasingly, Pentecostal, Buddhist, Muslim, Jewish, Hindu, and indigenous movements all over the world make use of a great variety of modern mass media, both print and electronic. Through religious booklets, radio broadcasts, cassette tapes, television talk-shows, soap operas, and documentary film
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these movements address multiple publics and offer alternative forms of belonging, often in competition with the postcolonial nation-state. How have new practices of religious mediation transformed the public sphere? How has the adoption of new media impinged on religious experiences and notions of religious authority? Has neo-liberalism engendered a blurring of the boundaries between religion and entertainment? The vivid essays in this interdisciplinary volume combine rich empirical detail with theoretical reflection, offering new perspectives on a variety of media, genres, and religions." (Publisher description)
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"The tsunami demonstrated that modern journalists can do more than just bring unfolding stories to the world. One of the biggest lessons of the tsunami that is unravelling is that the modern journalist can also help to heal communities, rebuild lives, keep families intact and raise funds. The media
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should also keep an eye on government and relief agencies, helping to ensure that aid gets to the people who need it, and that those who deliver the goods remain accountable to the donors and practice ethical standards of aid delivery. The question of media freedoms is also an important part of this equation. Beyond what journalists can do, there is also the matter of what authorities will allow them to do. In other words, the question of how much a responsible media will be allowed to do its job. It is in the rehabilitation or healing process that the media face the most challenging task. In this endeavour, democracy and freedom to gather and disseminate information may not be enough. In many parts of Asia and beyond, the mainstream media has been excessively commercialised. The tsunami became such a hot media issue around the world, because the dramatic pictures available were very attractive revenue making material for commercial broadcasters, but the rebuilding and healing process does not provide such pictures. It is in such an environment, that this book examines the challenge journalists face in reporting a process that may not provide dramatic pictures, but still needs to grab the audience/readers attention. Focusing more on the print media, many interesting issues dealing with the reconstruction and rehabilitation process are explored, with analysis and commentary on why some stories are not given the exposure they deserve and how these issues may be made newsworthy." (Publisher description)
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"Based on original research, this book draws on the author's personal observations and extensive discussions with film makers, media professionals and market players. It is backed by data from a variety of surveys, audit studies and annual reports. Derek Bose uses these sources to arrive at conclusi
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ons that place the issue of media convergence in the framework of film development." (Publisher description)
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The articles in this book have been adapted from contributions to the UNESCO-sponsored conference in Colombo, Sri Lanka marking World Press Freedom Day on May 3, 2006.