"This book examines the importance of participatory video as a catalyst for development. It shows how powerful video images have been used to promote changes in attitudes and social behaviour, helping communities identify development solutions that are within their reach. Video has been used to reac
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h policymakers, to empower women and to rescue the culture and heritage of indigenous people. As a mediation tool, the power of video has been used to resolve conflicts, achieve consensus and find common ground for collective action. This book brings together practical information on innovative experiences with the use of participatory video." (Publisher description)
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"Drawing on first-hand research in Hong Kong, Indonesia, Japan and Thailand—and employing comparative examples that include Burma, Malaysia and the Philippines—Duncan McCargo examines the various influences of the media as agents of stability, restraint and change. He also analyses pressures on
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the media from a range of state, non-state and market forces, and sets out to problematize simplistic readings of issues such as media freedom, ownership, partisanship, profitability, regulation and the public interest." (Publisher description)
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"This article is based on the analysis of 198 communication and media projects financed by the Japanese International Cooperation Agency (JICA). Nearly 80% of the projects were aimed at communication infrastructure and training for its maintenance." (commbox)
"This collection of conversations between journalists and federal officials aims to capture the tensions between the press and the government during wartime. They cover issues including military censorship and the difficulties of maintaining security in an era of satellite technology." (Publisher de
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scription)
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"India produces more films than any other country in the world, and these works are avidly consumed by non-Western cultures in Africa, Eastern Europe, the Middle East, and by the Indian communities in Australia, Britain, the Caribbean Islands, and North America. Jyotika Virdi focuses on how this dom
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inant medium configures the "nation" in post-Independence Hindi cinema. She scrutinizes approximately thirty films that have appeared since 1950 and demonstrates how concepts of the nation form the center of this cinema's moral universe. As a kind of storytelling, Indian cinema provides a fascinating account of social history and cultural politics, with the family deployed as a symbol of the nation. Virdi demonstrates how the portrayal of the nation as a mythical community in Hindi films collapses under the weight of its own contradictions--irreconcilable differences that encompass gender, sexuality, family, class, and religious communities. Through these film narratives, the author traces transactions among the various constituencies that struggle, accommodate, coexist uneasily, or reconstitute each other over time, and, in the process, reveal the topography of postcolonial culture." (Publisher description)
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