"Trust in the news has fallen in almost half the countries in our survey, and risen in just seven, partly reversing the gains made at the height of the Coronavirus pandemic. On average, around four in ten of our total sample (42%) say they trust most news most of the time. Finland remains the countr
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y with the highest levels of overall trust (69%), while news trust in the USA has fallen by a further three percentage points and remains the lowest (26%) in our survey.
• Consumption of traditional media, such as TV and print, declined further in the last year in almost all markets (pre-Ukraine invasion), with online and social consumption not making up the gap. While the majority remain very engaged, others are turning away from the news media and in some cases disconnecting from news altogether. Interest in news has fallen sharply across markets, from 63% in 2017 to 51% in 2022.
• Meanwhile, the proportion of news consumers who say they avoid news, often or sometimes, has increased sharply across countries. This type of selective avoidance has doubled in both Brazil (54%) and the UK (46%) over the last five years, with many respondents saying news has a negative effect on their mood. A significant proportion of younger and less educated people say they avoid news because it can be hard to follow or understand – suggesting that the news media could do much more to simplify language and better explain or contextualise complex stories.
• In the five countries we surveyed after the war in Ukraine had begun, we find that television news is relied on most heavily – with countries closest to the fighting, such as Germany and Poland, seeing the biggest increases in consumption. Selective news avoidance has, if anything, increased further – likely due to the difficult and depressing nature of the coverage.
• Global concerns about false and misleading information remain stable this year, ranging from 72% in Kenya and Nigeria to just 32% in Germany and 31% in Austria. People say they have seen more false information about Coronavirus than about politics in most countries, but the situation is reversed in Turkey, Kenya, and the Philippines, amongst others." (Summary, page 10)
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"Drawing on an original dataset of survey responses collected in the summer of 2022 across four countries - Brazil, India, the UK, and the US - they examine the relationship between trust in news and how people think about news on digital platforms, especially Facebook, Google, WhatsApp, and YouTube
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, some of the most widely used platforms around the world. What they find is somewhat nuanced; how people think about information on platforms varies considerably. It depends on the platform, it depends on the country, it depends on the audiences within those countries, and it depends on the kinds of news those audiences are encountering in these varying spaces." (Executive Summary and Key Findings, page 3)
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"In the mid-1990s, the Taliban took control of Afghanistan for the first time. They banned photography, TV, music, and all forms of entertainment. Soon after, the Taliban banned the internet in early 2001, and then-Foreign Minister Mawlavi Wakil Ahmad Muttawakil famously stated, “We want to establ
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ish a system in Afghanistan through which we can control all those things that are wrong, obscene, immoral, and against Islam.”
After being dislodged from Afghanistan following the 2001 U.S. intervention, however, the Taliban’s approach to media changed dramatically. Over the course of the movement’s two-decade insurgency, the Taliban developed a complex media strategy that contributed significantly to its rapid military advance and takeover of Afghanistan by August 2021. Since then, their media strategy has shifted again as the movement attempts to transition from insurgency to a governing body. As such, the Taliban’s current strategy builds on the ideological foundation from the 1990s combined with a continuation of certain tactics and approaches adopted during two decades of insurgency. This article divides the Taliban’s media strategy into three phases accordingly: the movement’s first period of rule from 1996 to 2001, the 2001-2021 insurgency, and their return to power following the fall of Kabul in August 2021. It discusses each phases’ distinct characteristics, shared aspects with other phases, and what the evolution in the Taliban’s media strategy reveals about the future trajectory of the information environment in Afghanistan." (Page 1)
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"According to a survey conducted by Reporters without Borders (RSF) in December 2021, from 10,790 people working in Afghan media (8,290 men and 2,490 women) at the start of August 2021, only 4,360 (3,950 men and 410 women) were still working and the number may reduce even further. For this survey, d
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ata were collected through online and in-person manual surveys in May 2022. The questionnaire included 23 questions and was completed by 308 respondents in Dari (75.97%) and Pashto (24.03%). All 100 percent respondents were female. The survey largely represented reporters (54.87%), followed by journalists (19.16%), producers (9.74%), presenters (3.90%) and others (12.01%). [...] A majority of respondents (67.86%) reported that they have lost their jobs since the de facto authorties’ takeover of Afghanistan in August. The highest ratio of respondents having lost their jobs compared to the respondents interviewed were in Bamyan (100%), followed by Kandahar (91%), Balkh (85%), Badakhshan (68%) and Kabul (62%). 60.39% of respondents reported that they have felt ‘major changes’ since the collapse of the former government. In addition, 28.90% respondents reported changes in some cases. As for the level of restrictions imposed on reporting since the de facto authorities’ takeover of power, an astounding 80.52% of respondents reported the case to be ‘very restricted’. As far as the reporting autonomy is concerned, 45.13% respondents mentioned that ‘Government Interferences have Increased’, while 35.71% responded as ‘Bad’ meaning the independency in journalists’ reporting is bad.
46.75% of respondents mentioned that the de facto authorities’ spokespersons do not respond to female journalists, followed by 29.55% who mentioned that they do respond, but just in some cases. All 100% of the respondents reported that they have received some kind of threat since the de facto authorities have taken over the power, and reported the major threat against female journalists to be the new restrictions imposed by the de facto authorities (52.9%), followed by the gender-based discrimination (18.8%), and threats posed by extremist groups (16.9%). A majority of the respondents (55.19%) reported that they were restricted from their work specifically due to their outfit/sense of clothing and some (27.92%) reported that they have experienced the same but to some extent only." (Executive summary, pages 5-6)
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"After nearly 20 years of international investment and successful efforts to build a diverse media landscape and strengthen journalism standards, the Afghan media sector has fundamentally changed for the worse since the Taliban (also referred herein to as the de facto authorities) takeover on 15 Aug
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ust 2021. Before mid-August 2021, dedicated initiatives and investment focused on increasing the number of women working in the media across a diversity of roles, training and equipping them with valuable skills and expertise, as well as a substantive focus on women’s rights and gender equality in the media content, including on how gender inequality is a driver of conflict. The Taliban has sought to bring the Afghan media under its control, prohibiting broadcasts and publications that criticize Taliban rule and/or are incompatible with the group’s interpretation of Islamic and Afghan values. There is no universal experience across the changed media environment as the level of subnational variation is notable. The position of individual de facto leaders on media freedom varies according to their personal viewpoints and relationship to the media in the past, and their perception of the value of media to extend the credibility and authority of the Taliban in the eyes of the target audience. Despite subnational variations, nationwide trends are becoming increasingly discernible, clear and solidified. Although in some cases the level of discretion may be higher, rules and practices are consistent and congruent – continuous harassment, attacks, and detention of journalists, the requirement for women journalists to cover their face when on air, and various tactics which combined lead to self-censorship and exclusion of women from the media. This indicates a systematic and coherent effort to
muzzle the media and exclude women – their faces, perspectives, and experiences – from public spaces." (Summary)
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"Media, during Taliban five years period from 1996–2001, had been totally suffocated. Only limited number of print media would publish to spread the propaganda of Taliban Emirate under Sharia Law. Post-Taliban era, media landscape obtained new image with the establishment of democratic government.
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Independent media were allowed to operate in accordance with the formation of new constitution of 2004. Since the two decades of war after 9/11, media have still been maintaining its responsibility in Afghanistan to rise and promote the voice of right, equality and justice, defend human rights and spread public awareness in order to serve for social responsibilities. Despite continued challenges media outlets and journalists have made tremendous progress which it has resulted in harm of their personal life from time to time due to threats of insecurity, war, warlords, strongmen, corrupted actors in government as well as in attacks of Taliban and ISIS insurgents. Hence, media outlets and journalists have been carrying on their responsibilities despite of availed risks to them and their families. In this paper, it has been viewed the status of media freedom, process of development and continued challenges to media freedom and journalists." (Abstract)
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"The major earthquake that struck central Nepal in April 2015 inspired a flurry of literary and cultural production, including the creation and online publication of over 50 earthquake-related music videos. Although they share a common thematic focus, these videos’ representations of the earthquak
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e aftermath and the Nepali people’s response to the disaster diverge from one another in some important respects. Through a detailed analysis of the lyrical, musical and visual content of a selection of five of these videos, and drawing upon recent research on digital cultures, the article asks to what extent these divergences reflect an attempt by online content creators to address Nepali publics (whether domestic, diasporic, urban, rural or gendered) that they imagine and construct in different ways." (Abstract)
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"The book evaluates unique civic challenges, responsibilities, and opportunities for media worldwide, exploring pandemic social norms that media promote or discourage, and how media serve as instruments of social control and resistance, or of cooperation and representation. These chapters raise sign
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ificant questions about the roles mainstream or citizen journalists or netizens play or ought to play, enlightening audiences successfully about scientific information on COVID-19 in a pandemic that magnifies social inequality and unequal access to health care, challenging popular beliefs about health and disease prevention and the role of government while the entire world pays close attention." (Publisher description)
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"How did that impact the media's ability to tell this story? Did this period of protest have coverage that centred on survivors and the rights of women, or did the media fixate on voyeuristic representations of violence? Did the reports challenge rape myths and the culture of shame that demonstrator
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s spoke up against, or did they repeat sexist stereotypes that end up reinforcing gender inequality? And finally, how can media coverage of sexual violence be made more gender-sensitive and trauma-informed? These are some of the questions that the author attempted to answer in this paper." (Introduction)
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"The objective of this study is twofold –firstly to understand how women have found self-expression through community radio as a frugal technology and how, in turn, it has helped them serve the community and empower other women in the community to find their voices. Secondly, this study examines h
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ow radio stations in remote rural locations have enabled local communities to voice themselves which in turn has facilitated flow of information between the local authorities and the people during the pandemic. We have documented eight case studies of women broadcasters in different community radio stations across India. These case studies substantiate that women have overcome various societal and cultural barriers to associate themselves with community radio as a technology. These women act as agents of change in their communities and are followed as role models for other women and girls. It is observed that women in their roles as radio broadcasters feel enabled, empowered and are able to impact the community. All the women interviewed in this study felt comfortable using technology to record, edit and broadcast programmes. While they did not have any prior experience of using technology, they were quick to learn and adapt. Through our interviews we were able to infer that radio as medium supports frugal technology for its operation. Indeed, technology has the potential to empower people, it is evident that frugal technologies like community radio treat people as agents and not as mere users." (Abstract, page 6)
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"While community media audiences and broadcasters have themselves been the subject of research, how a sense of community identity is created through content production is less understood. This article details a critical discourse analysis of programming from ten different community radio stations wi
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thin the same geographic location. The findings of this research reveal the very different approaches that stations take to developing a mediatized community identity. Several stations approach identity expression by engaging in overt performances of ‘localness’, while the growing influence of commercialization was also observed among many stations. What this research highlights is that the performance of community identity on community radio is integral in shaping the listening communities, as well as delineating community radio from its commercial and state-run counterparts." (Abstract)
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"Indian Media Giants' is an analytical chronicle of six Indian mega media conglomerates' individual odyssey from their humble, incipient beginnings in the pre-independence era to their transformation into powerful business empires in the digitised world. The book traces Indian Media metamorphosis, t
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he birth, phase-wise contours of growth and development, travails and trajectories, organizational structures, editorial policies and business dynamics of print majors in India, namely, The Times Group, The Hindu Group, The Hindustan Times Limited, The Indian Express Group, Dainik Jagran Limited and DB Corp Limited. It unravels their understanding of the values of co-dependence, collaboration, and competition with their contemporaries. It is an untold story of how these organizations leapt over the perimeters of conventional greatness to achieve unmeasured success that spans the globe. The book analyses how innovations have been brought in the management policies of these print businesses, with respect to production, distribution, consumption, while accrediting the visionary leadership that drives each organisation forward in its endeavours. What the case studies also details, is the wide extent of strategic intent enunciation; the role of product lines, development and diversification into radio, TV, digital and other segments; geographical spread, expansion, regional penetration and international footprint; the role of technological advancements in throwing up unimaginably new business opportunities; strategic alliances, mergers, acquisitions, joint ventures and takeovers; manpower management policies; CSR activities and financial performance of these media giants. The theoretical implications of the growth of media organisations in terms of the nature of mass media and its products are also underlined. The book focuses on the theoretical framework of media management and pays attention on the changing media management practices from one era to another, gradually orienting and re-orienting the strategic positioning of respective media giants to the pulse of the media market and the opportunities under various regulatory regimes. It is replete with the meticulous analysis of the editorial values and business dynamics upon which their legacies are founded, changing business models adopted by the media moguls, the ripples they have created in the media world and how they are constantly being modified to suit the tastes of the modernising market. With this, and more, Indian Media Giants is a holistic compendium that offers multiple perspectives on how print media organizations in India have grown from strength to strength and have become platform agnostic. The book also details the changing media landscape in India and also underlines the efforts of media giants in retaining print while embracing the digital." (Publisher description)
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"Community radio plays an important role in the communication of a certain community and is a form of public-service broadcasting. It upholds the principles of participatory communication. The present study was conduct to know about the role of Radio Dhadkan, a community radio, in sensitizing and em
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powering the Sahariya tribe of Shivpuri district in Madhya Pradesh of India. Here mainly secondary sources of data have been used. There are some development gaps in meeting the needs of Sahariyas and other marginalized communities living in villages and urban slums of Shivpuri district. To fill these gaps, United Nations Children's Fund (UNICEF), in association with Sambhav Social Service Organization, has set up a community radio station – Radio Dhadkan. The present study reveals that Radio Dhadkan has been successful in promoting collective action through radio programs and has been instrumental in creating awareness and empowering the target communities. It has shown an extraordinary dynamism due to its diverse endeavors. It has really helped in connecting, entertaining and educating the Sahariyas in a way that was not possible through any other medium. It has also provided opportunity for employment generation and community capacity building. Thus, the Radio Dhadkan approach has potential applicability in achieving developmental goals." (Abstract)
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"This study is aimed at investigating the impact of security threats on the freedom of expression of Pakistani Television (TV) journalists. It has been observed that a growing trend of curtailment of freedom of expression is becoming new normal in the country. One of the significant problems related
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to freedom of expression in Pakistani media has been attacks against journalists. Pakistan Press Foundation recorded that 73 journalists have been killed since 2002 (IPEX, PPF and RIDH, 2017). This study has identified the sources and nature of security threats to Pakistani TV journalists. These security threats include threats from owners to threats from secret agencies. The study has been done under the conceptual umbrella of Social Responsibility Theory since Normative Theory deals with agents of control that also govern the laws and regulation and put check on the press freedom. The qualitative research method was adopted to conduct this research. The data was collected from a group of 25 journalists, belonging to major TV news channels of Pakistan through purposive sampling. Semi-structured in-depth interviews were conducted to gather responses. The data was analyzed through Interpretative Phenomenological Analysis technique. All responses were transcribed as verbatim, from which exploratory notes were prepared to derive emerging themes which were further categorized into sub-themes. The data revealed that the respondents not only had concerns regarding their job security rather they were also stopped from covering different packages. The research also presents recommendations to ensure maximum free expression for these journalists." (Abstract)
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"This document was produced by the IFJ and focuses on the following issues that the media faces in India: rise of government pressure and fear towards it, the growth of digital users, journalists´ lives lost during the pandemic, intimidation and harassment of the journalists across the country, the
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steady erosion of democratic institutions, the challenges for female journalists, raids towards journalists and media houses, escalation of internet shutdowns, rise of detentions, among other issues". (commbox)
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