"In this ground-breaking two-volume set, world-leading experts produce a rich, authoritative depiction of the world's press, its freedom, and its limits. We want press freedom but we also want freedom from the press. A powerful press may expose corrupt government or aid it. It may champion citizens
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or unfairly attack them. A vulnerable press may lack supporters and succumb to conformity. It may resist, and overcome tyranny. According to common belief, press freedom involves social responsibilities to equip public debate and render government transparent. Is this attitude valid given that the press is usually a private, commercial actor? Globally, the health, authority, and viability of the press varies dramatically. These patterns do not conform to traditional divisions between North and South, East and West. Instead, they are much more complex. How do we measure successful press regulation? What concessions can the state and/or society demand of the press? What constitutes the irreducible core of press freedom? The contributions in Volume 1 look at key jurisdictions in Europe; whereas Volume 2 goes beyond Europe to analyse the situation in key jurisdictions in Asia, Africa, the Americas and Oceania." (Publisher description)
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"The study attempts to understand how Pakistani journalists perceive Post-Traumatic Stress Disorder (PTSD) and resilience in the wake of covering traumatic events. Qualitative interviews of 32 Pakistani journalists were conducted who had covered military operations against militants. The findings in
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dicated that most of the journalists were not able to comprehend the impact of covering traumatizing events as they were war-excited. Conflict journalists perceived PTSD as depression, anxiety, insomnia, and intrusive recollection of events after exposure to traumatic events. Journalists who were exposed to beheadings and events involving killing of women and children felt more vulnerable and perceived PTSD as having a numbing effect on them. Dependence on family and friends was considered more crucial for dealing with the after effects of exposure to trauma than seeking therapy. Non-availability of medical insurance and funds from the media organizations were termed as important reasons for avoiding therapy. Resilience for conflict reporters was mostly perceived as the ability to “cope up” and to contribute to the wellbeing of others along with the ability to revisit trauma sites to report follow-up stories. Resilience was considered more achievable in the presence of organizational acknowledgement, compensation, and recognition of work." (Abstract)
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"Drawing from nation-branding as a recent development in contemporary globalization, and new middle power theory that examines hierarchies of nations, we used thematic textual analysis to examine business press coverage of the IBSA (India, Brazil, South Africa) consortium for business news represent
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ations and the positioning of IBSA nations in the global arena. Analysis of coverage in India’s The Financial Express, Brazil’s Valor Econômico and South Africa’s Business Day revealed that regional economic leadership, strengths in trade and technology, development aid and the consortium’s collective engagement in global activism inform the business press’ positioning of the IBSA countries as new middle powers." (Abstract)
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"Saad Mohseni, chairman and CEO of Moby Group, Afghanistan's largest media company, charts a twenty-year effort to bring a free press to his country after years of Taliban rule, and how that effort persists even after the Taliban's return to power in 2021. In the heady early days of the American occ
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upation, Mohseni returns to Kabul which he had last seen as a child before the Soviet invasion. Casting about for ways to be involved in the dawn of a new Afghanistan, Mohseni makes what seems like a quixotic decision to leave the comforts of a career in international banking to start a Kabul radio station with his three siblings. This unlikely venture quickly blossoms into a burgeoning television empire, bringing Mohseni and his family and employees into sometimes uncomfortable contact with everyone who has a stake in the country-from the government of Hamid Karzai to White House officials. Moreover, their radio and television networks soon become a necessary beacon for millions of Afghans, who rely on them not just for independent news but for joyful pleasures like soap operas and Afghan Star, a beloved national singing competition in a country whose previous rulers had banned (and would again ban) music. Mohseni's position at Moby affords him unique insights into this extraordinary yet troubled country, the youngest in the world outside of Sub-Saharan Africa, and his powerful account captures the spirit and resilience of the Afghan people-notably the hundreds of men and women still working in Moby's Kabul office today, who, once again under Taliban rule, create programs, report the news, and educate the public. Radio Free Afghanistan is a stunning, vibrant portrait of a nation in turmoil, poised between despair and hope." (Publisher description)
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"This handbook critically analyzes cross-border news production and "transnational journalism cultures" in the evolving field of cross-border journalism. As the era of the internet hasfurther expanded the border-transcending production, dissemination and reception of news, and with transnational co-
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operations like the European Broadcasting Union and BBC World News demonstrating different kinds of cross-border journalism, the handbook considers the field with a range of international contributions. It explores cross-border journalism from conceptual and empirical angles and includes perspectives on the the systemic contexts of cross-border journalism, its structures and routines, changes in production processes, and the shifting roles of actors in digital environments. It examines cross-border journalism across regions and concludes with discussions on the future of cross-border journalism, including the influence of automation, algorithmisation, virtual reality and AI." (Publisher description)
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"This study discusses the relationship among the various dimensions of populism, hate speech, and disinformation within the political discourse on X (formerly Twitter) in India and Pakistan. Employing manual content analysis, we examined 7,141 posts from both populist and non-populist political lead
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ers in both countries. Our findings reveal a significant correlation among these three challenging concepts, indicating that posts exhibiting higher levels of populism also tend to score higher on both hate speech and disinformation. Although certain aspects of populism, such as a pro-people and anti-elite approach, are not inherently harmful, our study emphasizes that Manicheanism is a problematic concept in political discourses because of its close association with hate speech and disinformation." (Abstract)
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"Since August 2021, almost 50% of media outlets have ceased their operations in Afghanistan. An estimated 90% of women journalists have lost their jobs, with many more media workers having fled the country or been forced into hiding. Replying to a call from over hundred anonymous journalists for con
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tinued assistance inside the country, UNESCO’s response focused on the provision of lifeline resources to support the Afghan media sectors while restoring longer term media viability. It is in this context that the EU-funded project “Support to Afghan Media Resilience to Foster Peace and Security”, implemented from November 2022 to April 2024, has played a key role in addressing and mitigating Afghan media challenges, while fostering continued access to information of the Afghan population, especially conflict sensitive reporting, humanitarian information and educational broadcasting, with a specific focus on women journalists, youth and minority groups." (Back cover)
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"While most adult Afghans have access to some form of media platform, only around one in three have access to internet, with less than half of mobile users owning a smartphone. Men exhibit higher usage of radio and internet compared to women (52% male vs 43% female for radio and 36% vs 29% for inter
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net). Use of TV, however, is nearly identical among men and women. Men predominantly use media in the evenings between 7 to 10 pm, while women use media during the day, with an increase in women’s TV usage during daylight hours compared to findings from our previous survey (March 2021). With increased limitations on women’s movement, work and education; media and the internet have become essential lifelines for women, serving as their main source of news and information." (Key findings, page 2)
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"This study delves into the intricate realm of gender and artificial intelligence (AI) through an examination of DALL-E 2-generated images within the Indian context. It takes a methodological approach that focuses on assessing images generated in response to prompts such as ‘a farmer cultivating c
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rops in rural Punjab’ to reveal the dynamics of gender performativity within professions. The generated images were thematically analysed using dress as a phenomenon to visualise Indian man, Indian woman and ambiguous Indian. The study concludes that DALL-E 2 reinforces the binary gender norms, leaving no space for ambiguous Indian in its responses. Although the generated image is centred on female professions, it is frequently employed in ‘male’ surroundings. Hindu religious symbols are largely used among male professionals to denote religious and gender predominance. A brown complexion reflects demographics regardless of gender, while female professionals tend to undergo a process of aesthetic enhancement, suggesting societal beauty standards." (Abstract)
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"The Taliban retook control of Afghanistan on Aug. 15, 2021 after two decades of fighting on the ground and manipulating narratives online, particularly on social media. Their tactical use of social media was more evident in 2021 when they were advancing their territorial gains and posting on social
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media to promote the idea of their impending return to power. This study aims to understand the (ab)use of social media by the resurgent Taliban 2.0 and to suggest ways young Afghans can utilize social media to navigate their lives under the new regime. The authors undertook a critical review of the literature to analyze the Taliban’s social media tactics in manipulating public narratives to portray themselves as the legitimate rulers of Afghans. The study finds that the Taliban’s adaptation of social media tools helped them retake control of Afghanistan by influencing public narratives in their favor. This study recommends promoting critical thinking abilities among young Afghans to utilize social media to express dissent and advocate for their rights." (Abstract)
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"Women in Afghanistan continue to have less access to information than men, particularly through TV and the internet. At least 33% of women (more in rural areas) rely on family as a key source of information, while men prioritise other information sources. Yet Afghan women’s information needs have
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never been more pronounced – due to restrictions on their activities, many are confined to their homes. Women in Afghanistan with media access rely on this more than ever to keep updated on issues that concern them, and spend more time accessing and using media: "Now women are in the confines of their homes… The virtual space is the only window for us to learn about what is happening." (Female FGD participant, Herat).
Two-thirds (65%) of female survey respondents say that the media is “very important” in their daily lives, compared with half (51%) of male respondents. Despite various efforts to cater to female audiences, 67% of female and male respondents feel that Afghan media only “somewhat” or “rarely” meets women’s needs. Reflecting restrictions on media content, respondents complain that domestic media contains too much religious content and not enough entertainment. However, educational content is still allowed, providing women and girls who are denied access to schooling with a vital source of education.
Respondents are more satisfied with the balance of content in international media and media run by Afghans in exile, and they are more likely to watch some types of entertainment, such as movies, on international than domestic TV. However, a number of international media outlets are inaccessible from Afghanistan. Journalists inside Afghanistan are banned from working with international TV/radio channels or news sites, and some have been arrested for doing so.
87% of respondents say the presence of women in the media in Afghanistan has decreased since August 2021. Only 41% could name a female presenter or journalist. Almost all of those named by respondents worked in the media before 2021, or currently work from outside Afghanistan. Audience members support women featuring in news and educational programmes but are less supportive of them featuring in comedy and sports content. Over half (54%) of the general survey respondents say they would support a female relative to work as a journalist. A further 12% would support a female relative under certain conditions, including wearing the hijab and travelling with a mahram (women cannot leave their home without a male chaperone)." (Executive summary, page 6)
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"The study seeks to understand consumers’ and decisionmakers’ perspectives on how current entertainment media treats themes of faith, religion and spirituality in its narratives and characters, if there is a market for more accurate and diverse representation of faith, and what opportunities exi
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st for improving these portrayals. HarrisX surveyed nearly 10,000 entertainment consumers across 11 countries as well as 30 in-depth interviews with entertainment industry leaders. Consumers say they learn about other religions through entertainment and see the potential for faith-inclusive content to create understanding and dialogue in society. Yet, respondents share that when they see their religion or faith - and others - included in mainstream entertainment, they feel it’s often sensationalized or that the portrayal leans on stereotypes. Similarly, entertainment industry professionals also highlighted an opportunity to reach and connect with an underserved audience. They noted that producing this content not only represents a good business opportunity, but also provides the opportunity to demystify what consumers know about other faiths and create understanding between people of different belief systems." (Introduction)
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"Across time, in a variety of forms and spaces -from homes and workplaces to digital domains of social media- women have become victims of sexual harassment. Over the last couple of years, the world has witnessed appalling cases followed under the #MeToo campaign that has inspired an increasing numb
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er of women to share their experiences of sexual harassment in different contexts. Nevertheless, social and family pressures may discourage female journalists operating in conservative societies to express their concerns and experiences. The case of Pakistan is noteworthy. While women constitute a major proportion of the Pakistani society, the country’s men hold power in all major sectors and institutions. Sexual harassment can hinder women’s professional lives in any sector. However, female journalists’ experiences of sexual harassment are hardly documented in the academic literature about the Pakistani news media. Thus, informed by the framework of postcolonial feminist theory and intersectionality, this study aims to contribute an analysis of how sexual harassment is experienced by the Pakistani female journalists in the country’s mainstream, as well as ethnic news media. To achieve this aim, this study uses qualitative methods of in-depth interviews and focus group discussions and offers a thematic analysis of data." (Abstract)
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"Across markets, only around a fifth of respondents (22%) now say they prefer to start their news journeys with a website or app – that’s down 10 percentage points since 2018. Publishers in a few smaller Northern European markets have managed to buck this trend, but younger groups everywhere are
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showing a weaker connection with news brands’ own websites and apps than previous cohorts – preferring to access news via side-door routes such as social media, search, or mobile aggregators.
• Facebook remains one of the most-used social networks overall, but its influence on journalism is declining as it shifts its focus away from news. It also faces new challenges from established networks such as YouTube and vibrant youth-focused networks such as TikTok. The Chinese-owned social network reaches 44% of 18–24s across markets and 20% for news. It is growing fastest in parts of Asia-Pacific, Africa, and Latin America.
• When it comes to news, audiences say they pay more attention to celebrities, influencers, and social media personalities than journalists in networks like TikTok, Instagram, and Snapchat. This contrasts sharply with Facebook and Twitter, where news media and journalists are still central to the conversation.
• Much of the public is sceptical of the algorithms used to select what they see via search engines, social media, and other platforms. Less than a third (30%) say that having stories selected for me on the basis of previous consumption is a good way to get news, 6 percentage points lower than when we last asked the question in 2016. Despite this, on average, users still slightly prefer news selected this way to that chosen by editors or journalists (27%), suggesting that worries about algorithms are part of a wider concern about news and how it is selected.
• Despite hopes that the internet could widen democratic debate, we find fewer people are now participating in online news than in the recent past. Aggregated across markets, only around a fifth (22%) are now active participators, with around half (47%) not participating in news at all. In the UK and United States, the proportion of active participators has fallen by more than 10 percentage points since 2016. Across countries we find that this group tends to be male, better educated, and more partisan in their political vie ws.
• Trust in the news has fallen, across markets, by a further 2 percentage points in the last year, reversing in many countries the gains made at the height of the Coronavirus pandemic. On average, four in ten of our total sample (40%) say they trust most news most of the time. Finland remains the country with the highest levels of overall trust (69%), while Greece (19%) has the lowest after a year characterised by heated arguments about press freedom and the independence of the media." (Summary, page 10)
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"This paper has used a series of historical sources, mainly in the Persian language, to explore the one-century history of Afghanistan’s media. The country has 150 years of media history, of which a century has occurred during the monarchy's political system. This study explains the chronological
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order and structure of the media from the first newspaper, Shams-u-Nahar, which was founded in 1873 during the reign of Amir Shir Ali Khan. In addition, it explains the press's role in the war for the independence of Afghanistan. It also explores the media’s situation during King Zaher Shah’s (1933-1973) reign, when a diverse media environment emerged; simultaneously, systematic political repression was carried out and derailed the diversity. Taking the length of this centenary history into account, it seems that an article might not be enough to cover such a topic. However, so far, the researchers have not found an academic paper that has studied this era in English. Hence, this paper will be the first of its kind to cover this issue in detail to fill this gap and pave the way for researchers to know more about Afghanistan's media history." (Abstract)
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"Television has a prime role to play in the formation of discursive domains in the everyday life of South Asian publics. This book explores various television media practices, social processes, mediated political experiences and everyday cultural compositions from Bangladesh, India, Nepal, Pakistan
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and Sri Lanka. With the help of country-specific case studies, it captures a broad range of themes which foreground the publics and their real-life experiences of television in the region. The chapters in this book discuss gendered television spaces, women seeking solace from television in pandemic, the taboo in digital TV dramas, television viewership and localizing publics, changing viewership from television to OTT, news and public perception of death, redefining ‘the national’, theatrical television and post-truth television news, among other key issues." (Publisher description)
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