"The size of China’s State-owned media’s operations in Africa has grown significantly since the early 2000s. Previous research on the impact of increased Sino-African mediated engagements has been inconclusive. Some researchers hold that public opinion toward China in African nations has been im
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proving because of the increased media presence. Others argue that the impact is rather limited, particularly when it comes to affecting how African media cover China-related stories. This article contributes to this debate by exploring the extent to which news media in 30 African countries relied on Chinese news sources to cover China and the COVID-19 outbreak during the first-half of 2020. By computationally analyzing a corpus of 500,000 written news stories, this paper shows that, compared to other major global players (e.g. Reuters, AFP), content distributed by Chinese media (e.g. Xinhua, China Daily) is much less likely to be used by African news organizations, both in English and French speaking countries. The analysis also reveals a gap in the prevailing themes in Chinese and African media’s coverage of the pandemic. The implications of these findings for the sub-field of Sino-African media relations, and the study of global news flows are discussed." (Abstract)
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"The geopolitical implications of the Covid-19 pandemic, which has dislocated global life, shaken economies and caused over 4 million deaths, continue to play out. For China’s ruling Communist Party (CCP), China’s status as the virus’ origin posed political risks, heightened by international s
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peculation about the disease’s origins and criticism of Chinese authorities’ early handling of the outbreak. But with the virus relatively quickly brought largely under control at home, the pandemic has also offered the CCP political opportunities. With Xi Jinping (General Secretary since 2012) determined to reinvigorate Party rule and lead China to the centre of the world stage in what he has dubbed a ‘New Era’, Beijing has acted decisively both to mitigate the risks and seize the strategic opportunities created by the pandemic [...] › In Africa, Beijing has positioned itself as the solution to the virus, rather than its origin. It has provided medical supplies in a broad-based, ongoing campaign; donors include not only government entities but also Chinese companies and diaspora groups. Chinese medics with experience of treating the Coronavirus have been mobilised to share expertise with African counterparts. China has provided upwards of 16 million doses of Chinese produced vaccines to 31 African countries, often as donations (including as ‘samples’ ahead of potential sales). The delivery of this support has been designed for maximum visibility, with high-level handover ceremonies and media coverage used by Chinese ambassadors to promote CCP talking points. Just as importantly, Beijing has sought to shape narratives, speaking through a multifaceted messaging apparatus developed in Africa in recent years to ‘tell China’s stories’ to African audiences, both elite and popular. Africa was the first step in a major global expansion of Chinese Party-State media, with Africa-focused television, radio and text output. State media are increasingly joined by Africa-based diplomats taking to social media such as Twitter and Facebook – where some have adopted the strident voice of China’s so-called ‘Wolf Warrior diplomacy’." (At a glance, page 2)
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"To what extent do structures and conduct of leading news media correspond with requirements of contemporary democracies? Based on a root concept of democracy and several empirical indicators, the Media for Democracy Monitor (MDM) delivers a panorama of the news media’s performance regarding freed
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om, equality, and control across several countries. In 2011, the MDM analysed 10 democracies. Ten years later, it covers 18 countries worldwide and pinpoints essential strengths and weaknesses during this decade of digitalisation. Around the globe, news are highly attractive to users, and the journalistic ethos of watchdogs and investigators is paramount. On the downside, journalistic job security eroded over time, and gender gaps both in content and employment patterns remain strikingly excessive in most countries. Volume two contains all countries analysed for the first time in 2021: Belgium (Flanders), Canada, Chile, Denmark, Greece, Hong Kong, Iceland, Italy, and South Korea." (Publisher description)
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"The playbook approach consists of how to (1) identify ongoing information manipulation campaigns; (2) develop real-time and short-term responses; and (3) build long-term resilience to information manipulation. While we outline three distinct steps in this playbook, the process for combating informa
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tion manipulation is circular, with each step overlapping and reinforcing the others. Planning timelines will vary based on context, but—if at all possible—we encourage proactive rather than reactive planning to effectively counter electoral information manipulation. The playbook’s three-part strategy can help you develop rapid and real-time responses, as well as establish long-term and sustainable approaches to building resilience in order to maintain the integrity of elections and strengthen democratic processes." (Page 3)
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"In Game Production Studies, an international group of established and emerging researchers takes a closer look at the everyday realities of video game production, ranging from commercial industries to independent creators and cultural intermediaries. Across sixteen chapters, the authors deal with i
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ssues related to labour, game development, monetization and publishing, as well as local specificities. As the first edited collection dedicated solely to video game production, this volume provides a timely resource for anyone interested in how games are made and at what costs." (Publisher description)
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"China is an increasingly major player in the latest global economic configuration. As a formerly developing nation, China has the potential to view the world through a lens distinctive from current Western hegemonies in its news media and soft power strategies. China has already invested heavily in
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the African continent and South Africa specifically, including in its news media. Some research has suggested that non-Western, non-democratic countries might have a different approach to international news coverage, including more positive and constructive coverage that diverges from Western news coverage (which is often seen as unnuanced and unequal). A content analysis of Chinese print news media thus examined if Chinese news media's construction of South African reality differs from previous Western social constructions. The research analysed China Daily, a newspaper closely a liated with the Chinese Communist Party, as well as South China Morning Post (SCMP), an independent, privately-owned publication from Hong Kong. It investigated whether these papers use constructive journalism to cover South Africa, and how their coverage diverged and overlapped. The research found that there are observable differences on an ontological scale, and that both papers have different foci of interest and affective slant which diverge from Western news sources. However, similar to Western sources, both papers are largely not constructive on topics relating to South Africa, and are overall disinterested in local events in South Africa, reproducing the same inequalities in news reportage that exist with the current global hegemonic order." (Abstract)
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"The emergence of digital platforms has attracted considerable scholarly attention among media theorists. Yet, much of this scholarship has taken Western platforms such as Facebook, Google, Twitter, Instagram, Netflix, Uber, and so on, as exemplars. In this article, we seek to contribute to the proj
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ect of de-Westernizing and reregionalizing Internet studies through an analysis of Chinese platforms. Seeking to avoid dichotomizing China and the West, we identify similarities and four overlapping areas of difference between U.S. Internet platforms and Chinese platforms that need to be accounted for as part of a project of de-Westernizing platform studies. Understanding such differences, we argue, is crucial given the hegemonic roles platforms now play in a multipolar world." (Abstract)
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"To arrive at a careful evaluation of impact, this report concentrates on how the tactics of China’s influence operations have evolved during the first year of the pandemic. Looking at China’s key priority of information control, the first section conceptualizes the adaptation of influence opera
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tions to align with this preference while taking advantage of the global reach of social media. Building on this understanding, section two explores the ways in which Chinese influence operations have attempted to systematically exploit carve-outs that have emerged from how social media have regulated official statements and newsworthy content. Section three analyzes in more detail the integrated messaging apparatus China has sought to develop, in particular in respect of the specific roles that China’s diplomatic network, state media, and fake social media accounts play in creating, shaping, and promoting narratives. Unpacking China’s attempts to distinguish its endeavor of narrative control from disinformation campaigns, section four examines China’s responses to accusations of disinformation and steps taken by social media companies and by targeted states to address this specific tactic. The report concludes with evaluating the potential implications of China’s influence operations in terms of their immediate objective to shape international perceptions of China’s actions during the pandemic and raises attention about the capabilities developed in this process and their potential deployment in case of a further deterioration of relations with China." (Executive summary, page 4-5)
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"China has used Covid to benefit its global image through the activation of existing media dissemination channels overseas and the use of new tactics such as disinformation and misinformation. China’s largescale medical diplomacy campaign has also provided propaganda wins in many developing countr
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ies, burnishing Beijing’s image as a reliable partner. Anecdotal reports indicate that Beijing has stepped up its content offerings, in particular by tailoring content including disinformation for specific countries and translating state-run messages into local languages. In some countries, China was also seen as the purveyor of the most accurate information about the new coronavirus, showing its growing influence over global narratives. For Beijing, Covid diplomacy clearly offers another means through which it can exert its influence. This research shows that countries that are recipients of China’s Covid vaccine clearly have more positive coverage of China, but it cannot draw conclusions as to the factors behind that. This strategy has largely been acceptable to global journalists, who — judging by the results of our focus groups in three separate countries — do not perceive China’s advances as a threat at a national level. Such views are in part due to the incremental nature of the changes, the clumsiness of China’s propaganda effort and the irrelevance of much of the material provided to local audiences. However, the survey does reveal that when viewed globally, there does appear to be more concern about China’s influence, in particular in the Asia Pacific region. The survey indicates that the overall impact of Beijing’s outreach is a redrawing of the global media landscape — one story at a time, one country at a time — shifting the China coverage in a more positive direction. China is using a multi-pronged approach to redraw the information landscape to benefit its own global image. In 2020, Beijing effectively shut down journalistic access to China, through visa denials and freezes, partly driven by international border closures. This had the effect of creating a vacuum in China coverage, creating a demand for stories from China, which could then be filled with statesponsored content already available through content-sharing agreements." (Conclusions, page 7)
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"This practical guide aims to provide journalists with concrete legal tools to deal with online harassment, be it to identify punishable offences, to seek help from appropriate organisations, to efficiently gather evidence and to take steps should they decide to file a complaint against the perpetra
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tors. Where appropriate, it also presents examples of litigation initiated by journalists who were victims of online harassment. It covers online harassment of journalists in Australia, Brazil, Finland, France, Germany, India, Ireland, Japan, Kenya, the Netherlands, Sweden, the United Kingdom (England and Wales) and the United States. Although none of these countries provide specific provisions sanctioning online harassment of journalists, they all offer civil and criminal law provisions that make it possible to apprehend, punish and compensate all or part of the most common abuses committed against journalists. In addition to the comprehensive presentation of the legal tools available for journalists in each of these jurisdictions, this guide aims to provide journalists with an overview of the solutions available to combat situations of online harassment, in order to enable them to choose the best legal forum to exercise their rights." (Introduction)
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"How does Chinese central media represent Africa through its environmental news? This article argues that the way in which Chinese central media organisations have reported environmental issues across the African continent has altered from a reactive “charm defensive” towards the promotion of a
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developmental model: “Ecological Civilisation”. Based on a critical discourse analysis of headline African news published by the Xinhua News Agency, this research illustrates the emergence of this new, unexpected turn in Chinese representations of Africa, as well as highlighting the coherencies and tensions within this discourse. Questioning why this change in the emphasis of content has occurred, it investigates explanations at the macro-, mezzo-, and micro-levels of analysis, concluding that the evidence indicates that Xinhua’s content remains closely linked to the soft power goals of the Chinese Communist Party. However, the presence of risk discourses in some reports indicates that the hegemonic discourse is altering. This could potentially be the result of Xinhua’s own commercial objectives in Africa, or of the subjectivities of individual Xinhua journalists seeping into reports." (Abstract)
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"The collection of stories presented here aims to highlight the impact of the MDP's (Multi-Donor Programme on Freedom of Expression and Safety of Journalists) MDP’s actions over the course of this challenging year. Through testimonies from beneficiaries and partners who aspire to improve freedom o
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f expression and access to information locally, you will learn about the MDP’s multifaceted emergency response to the COVID-19 crisis. Through capacity building, the MDP supported journalists in several countries to learn how to protect their physical and mental health while reporting on the pandemic. This emergency response also involved ensuring local communities’ access to reliable information through support to community media, bolstering citizens’ resilience to the disinfodemic through Media and Information Literacy programmes, as well as journalism education through a global MOOC on debunking disinformation and reporting on the health crisis in a factual, scientific manner." (Editorial, page 2)
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"Based on a literature review through January 2021, evaluated at an expert seminar, this policy brief provides a baseline analysis of changing tactics, narratives, and distribution strategies in Russian and Chinese information operations (IOs) relating to the covid-19 pandemic. Key findings: China c
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opied Russia’s tactics, spreading disinformation globally for the first time, particularly on the virus’s origins. But it lacks Russia’s skillset. The Chinese Communist Party (CCP) turned to destructive and conspiratorial narratives in an attempt to blunt criticism of its initial failure to contain Covid-19. China’s previous approach built economic ties and influence with political elites, whereas Russia’s lies and disruption targeted broader public opinion. Russia’s approach evolved little; it recycled previous narratives, spreading a broad range of covid-19 disinformation. Evidence supports the theory that Russia seeks to strengthen itself in relative terms by weakening the West, while China seeks to strengthen itself in absolute terms. Collaboration agreements between state media and circular amplification of narratives during the pandemic do not (yet) amount to evidence of strategic Sino-Russian coordination." (Executive summary)
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"The global film industry has witnessed significant transformation in the past few years. Regions outside the US have begun to prosper while non-traditional production companies, such as Netflix have assumed a larger market share, and online movies adapted from literature have continued to gain in p
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opularity. How have these trends shaped the global film industry? This book answers this question by analysing an increasingly globalised business through a global lens. Development of the Global Film Industry examines the recent history and current state of the business in all parts of the world. While many existing studies focus on the internal workings of the industry such as production, distribution, and screening, this study takes a 'big picture' view encompassing the transnational integration of the cultural and entertainment industry as a whole, and paying more attention to the coordinated development of the film industry in the light of influence from literature, television, animation, games and other sectors." (Publisher description)
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"K-pop pedagogy is an operational term that points to a set of practices and methods of enhancing digital media literacy through the critical analysis of K-pop and its global circulation.1 K-pop is more than a music genre; it has emerged as a global cultural phenomenon that comprises various compone
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nts, such as digital media, fandom and the media industry. Indeed, the K-pop phenomenon has been reliant on the South Korean music industry’s extensive engagement with global digital media platforms, whereby audiences’ participation has been facilitated. K-pop’s proactive deployment of digital technologies and literacies has made it an interesting pedagogical resource, as shown in a few experimental projects. The K-pop phenomenon as a global and digital wave offers an engaging case for learning and teaching how transnational cultural content is circulated through digital platforms while reaching out to global audiences. The global–local conjunction through digital platforms has enabled viral and global flows of K-pop. Teaching and learning digital media through the analysis of the K-pop phenomenon contributes to critiquing the western-centric framework of media studies and exploring the meanings of digital media technology as an environment of pedagogy. Furthermore, K-pop pedagogy can help overcome the divide between micro-level cultural analysis (of cultural texts or audiences) and macro-level political economic analysis." Pages 183-184)
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"This book frames digital sovereignty as a right to be claimed and a process constantly in the making, as a condition of the ability to critically partake in the digital transformation. Emphasizing a political and transformative significance of the term, this interdisciplinary publication gathers sc
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holars, activists, artists and human rights advocates who develop practices or provide spaces and structures to foster sophisticated means of digital involvement. Its aim is to identify diverse facets of what it means to be digitally sovereign, but also to critically discuss the viability of the term, especially in the light of modern-day crises and for the many future challenges yet to come. The positions assembled in this volume analyze new opportunities for social participation and policy making and recommend alternative technological and social practices utilized by various groups and collectives – both before and after COVID-19." (Introduction, page 13)
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