"The sixth Forum on China-Africa Cooperation (FOCAC) co-hosted by China and South Africa in Johannesburg was historic in that it was an event to chart the next stage of China-Africa relations. The event was also symbolic in showcasing that FOCAC is co-owned by China and Africa. In view of the growin
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g China-Africa relationship under FOCAC, this study investigates how the media from four main regions in Africa framed this FOCAC. The voices that narrate the FOCAC story, dominant themes and tones were examined from the selected media in South Africa (The Star), Kenya (Daily Nation), Nigeria (Vanguard) and Egypt (Ahram Online). The findings shows that voices of Chinese officials dominated the media in South Africa and Kenya while African voices were given overwhelming focus in Nigeria and Egypt. Optimistic frames and themes were largely used by the media. On the whole, there is evident convergence of outcomes of FOCAC and the narratives in the media which suggests more balanced representation of the China-Africa relations. However, there is bias towards hard and event focused news at the expense of in-depth features that create understanding on fundamental issues such as how FOCAC interacts with the African development goals. Against this view, it is argued that the challenge for the media in Africa is to explore more approaches for effective narratives that dispel misrepresentations and resultant misunderstandings about FOCAC and the China-Africa relationship." (Abstract)
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"In this volume of essays edited by Anya Schiffrin, media capture is shown to be a growing phenomenon linked both to the resurgence of authoritarian governments as well as to the structural weaknesses presently afflicting media markets. In this environment, political figures and economic elites are
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colluding to undermine the independence of privately-owned media, and efforts to stop this collusion by activists, regulators, and the international community have proven to be ineffective." (Publisher description)
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"National and Regional Internet Governance Forums (NRIs) are the stars of the 2017 Global Information Society Watch. The story of NRIs began two years after the first global IGF held in 2006. In 2008, stakeholders from Kenya, Uganda, Tanzania and Rwanda organised national forums and a subsequent Eas
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t African IGF, to prepare for and discuss common concerns in anticipation of the global forum held later that year in Hyderabad. Soon after, many other national and regional initiatives emerged, impacting the global forum from the bottom up, enhancing inclusiveness and the broad engagement of multiple stakeholders. Today there is widespread agreement that national and regional forums constitute an important part of the IGF process, that their rise has added significance to the global forum and, at the same time, strengthened national and regional initiatives in their quest for inclusive, participatory decision making on their home turf. This GISWatch edition is the first comprehensive look at national and regional IGF initiatives from a critical, civil society perspective. In all, 54 reports are presented, including seven reports addressing cross-cutting themes, 40 covering national IGFs, and seven examining regional initiatives." (Preface)
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"The Republic of Korea has been successful in investing in its people and its talents. It is now investing in the potential for the youth to be great entrepreneurs. We hope that this report will be useful to developing countries and encourage them to look into new growth opportunities and sustainabl
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e development based on creative new industries. There is no one single model for success in the creative economy. What really matters is what can be achieved by developing and investing in a creative and innovative economy, new jobs, new export opportunities and a more inclusive society. The Creative Economy report for the Republic of Korea is structured in five chapters. Chapter 1 gives a general introduction of the country's economic growth and success and the reasons for a shift to a new economic model and the creation of new jobs. Chapter 2 introduces the creative economy promotion strategy of the Republic of Korea that utilizes its science, information and communications technology capacity, all of which are the country's strengths. Whilst addressing strategic added value. Chapter 3 addresses the government strategy which is oriented to promoting small and medium-sized industries and start-ups, particularly in the creative content industries. Chapter 4 describes the 'creative economy valley' which is a government driven strategy to support the 'convergence of science and technology with industry, the fusion of culture, and industry and creativity and entrepreneurship. Chapter 5 provides conclusions and recommendations for future steps." (Executive summary)
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"Currency research organisations, i.e. organisations conducting research into media use, whose results constitute a nationally valid standard (“currency”) for the advertising business, are of prime importance for developed media systems. In 2017, the global advertising market will reach a volume
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of more than 500 billion US dollars. Nearly a third of that is spent in the USA, but countries such as China, Brazil and Mexico are registering big increases too.(199) Therefore, currency organisations and their research findings contribute not only to the allocation of economically significant resources, but also determine the very existence of media companies and products. Their relevance is thus not only of an (advertising) economic nature, but indirectly bears a political dimension. First and foremost, however, the function of the currency organisations is to provide transparency for the advertisers in terms of the advertising media’s contact performance. The current situation of currency research organisations is heavily shaped on onehand by developments in the media markets, and on the other by historic circumstances and the institutionalisation of the media systems in the various countries. As a general rule, in countries with strongly libertarian institutionalised media such as the USA and Brazil it seems to be harder to establish nationally recognised currencies – in the USA this is even banned through anti-trust laws. Then again, the institutionalisation of currencies may also hit difficulties in a country such as South Korea, where the boundaries between the media and (the rest of) the economic system are somewhat fluid, as the major industry conglomerates have their own media and advertising agencies." (Conclusions)
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"The research in these pages covers the theory around multistakeholder participation in Internet governance through a review of relevant literature. It also analyses case studies from Kenya to Brazil, South Korea, and the Internet Governance Forum (IGF), which illustrate how multistakeholder approac
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hes to Internet governance are applied in practice in diverse places and on different issues. In two of these cases, the outcome had legal repercussions that advanced the role of the Internet in terms of respect for rights; in the other two, the impact was positive for wider norms and processes." (Foreword, page 6)
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"The report is based on a survey of more than 70,000 people in 36 markets, along with additional qualitative research, which together make it the most comprehensive ongoing comparative study of news consumption in the world. A key focus remains in Europe where we have added Slovakia, Croatia, and Ro
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mania for the first time – but we have also added four markets in Asia (Taiwan, Hong Kong, Malaysia, and Singapore) along with three additional Latin American countries (Argentina, Chile, and Mexico) [...] In particular we have focused on two areas: (1) the extent to which people are prepared to pay for news or the different ways journalism might be funded in the future, and (2) understanding more about some of the drivers of low, and in some cases declining, trust in the media. For the first time we’ve attempted to measure and visualise relative levels of media polarisation across countries and identify a link between media polarisation and trust. Another focus has been on the media’s relationship with platforms – in particular how news is discovered and consumed within distributed environments such as social media, search, and online aggregators." (Foreword)
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"Global Media Giants takes an in-depth look at how media corporate power works globally, regionally, and nationally, investigating the ways in which the largest and most powerful media corporations in the world wield power. Case studies examine not only some of the largest media corporations (News C
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orp, Microsoft) in terms of revenues, but also media corporations that hold considerable power within national, regional, or geolinguistic contexts (Televisa, Bertelsmann, Sony). Each chapter approaches a different corporation through the lens of economy, politics, and culture, giving students and scholars a thoughtful and data-driven guide with which to interrogate contemporary media industry power." (Publisher description)
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"This book is a broad and detailed case study of how journalists in more than 20 countries worldwide covered the Intergovernmental Panel on Climate Change (IPCC) Fifth Assessment (AR5) reports on the state of scientific knowledge relevant to climate change. Journalism, it demonstrates, is a key elem
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ent in the transnational communication infrastructure of climate politics. It examines variations of coverage in different countries and locations all over the world. It looks at how IPCC scientists review the role of media, reflects on how media relate to decision-making structures and cultures, analyzes how key journalists reflect on the challenges of covering climate change, and shows how the message of IPCC was distributed in the global networks of social media." (Publisher description)
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"The Africa–China media and communications field is a nascent but rapidly growing one. This paper provides an overview of the field, followed by a discussion of the theoretical pathways that can be considered as productive in taking the field forward. The paper argues for the need for rigorous the
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ory-building approaches, and makes some suggestions about how this field of study can be developed. The paper concludes with a discussion of potential further research issues." (Abstract)
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"This article examines the dynamic evolution of China's ideology work through the prism of journalism education. Official sensitivity about both student activism and the media makes journalism education a critical sector for observing how the Party attempts to instil ideology. The article interrogat
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es the process of negotiation of official ideology among authorities, educators and students at elite journalism schools. It demonstrates that alongside state-sanctioned media commercialization and globalization, official influence still looms large in journalism training. Ideological teachings continue to occupy a core place in the curricula, and the authorities deploy a mix of structural oversight, ad hoc surveillance and coercion to keep the educators in check. The effects of the official ideology work, however, are ambivalent, as educators and students engage in the active reinterpretation of the Party's media principles. While these practices do not directly undermine the Party's legitimacy, they demonstrate that official ideology has merely constructed what Yurchak terms a “hegemony of form,” highlighting a degree of vulnerability in China's mode of adaptive authoritarianism." (Abstract)
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"This edited volume discusses the theoretical, practical and methodological issues surrounding changes in journalism in the digital era. The chapters explore how technological innovations have transformed journalism and how an international comparative perspective can contribute to our understanding
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of the topic. Journalism is examined within Anglo-American and European contexts as well as in Asia and Africa, and comparative approaches and methods for journalism studies in the digital age are evaluated. In so doing, the book offers a thorough investigation of changes in journalistic norms, practices and genres in addition to providing an international and comparative perspective for understanding these changes and what they mean to journalism." (Publisher description)
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"Maria Repnikova reveals the webs of an uneasy partnership between critical journalists and the state in China. More than merely a passive mouthpiece or a dissident voice, the media in China also plays a critical oversight role, one more frequently associated with liberal democracies than with autho
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ritarian systems. Chinese central officials cautiously endorse media supervision as a feedback mechanism, as journalists carve out space for critical reporting by positioning themselves as aiding the agenda of the central state. Drawing on rare access in the field, Media Politics in China examines the process of guarded improvisation that has defined this volatile partnership over the past decade on a routine basis and in the aftermath of major crisis events. Combined with a comparative analysis of media politics in the Soviet Union and contemporary Russia, the book highlights the distinctiveness of Chinese journalist-state relations, as well as the renewed pressures facing them in the Xi era." (Publisher description)
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"Der Begriff "Weltmusik" war in den 1980er Jahren die gängige Beschreibung für Musikstile, die aus westlicher Perspektive "exotisch" wirkten. Er stand für unterschiedlichste musikalische Traditionen, die oftmals nicht viel mehr gemein hatten, als dass sie plötzlich für den westlichen Markt inte
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ressant und doch mit den dortigen Hörgewohnheiten kompatibel waren. Diesen Prozess der kulturellen Globalisierung und Aneignung bezeichnen Kritiker als koloniales Relikt, schreibt die Vermarktung von "Weltmusik" doch zuweilen die globalen asymmetrischen Machtverhältnisse fort. Nichtsdestotrotz haben es Labels, Privatleute und Communities geschafft, Hörern auf der ganzen Welt diverse Musiktraditionen näherzubringen und kulturelle Vermischungen und Transfers zu bewerkstelligen. Zusehends richtet sich der der Blick nun auf die vielfältigen, eigenständigen und unbequemen Sounds beispielsweise aus Afrika, Lateinamerika oder Asien und den hybriden Charakter vieler transnationaler Musikproduktionen, die eine "Weltmusik 2.0." oder einen "Global Pop" begründen. Dieses Buch stellt Konzepte und Diskurse sowie Akteure, Ausprägungen und Erscheinungsformen der abseits des Mainstreams bestehenden globalen Populärmusik vor und erhebt dabei nicht den Anspruch, die unermessliche Fülle regionaler Sounds zu dokumentieren oder gar zu systematisieren." (Verlagsbeschreibung)
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