"This volume brings together scholars from different disciplines and nations to examine and assess the effectiveness of China's soft power initiatives in Africa. It throws light not only on China's engagement with Africa but also on how China's increasing influence is received in the African media."
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(Publisher description)
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"Das Thema Medien und Krieg wird in diesem Buch aus einer vierfachen Perspektive heraus behandelt. Es geht zum einen um die Frage nach der Berichterstattung über Kriege, zum zweiten um die Rolle von Medien im Krieg, drittens geht es darum, welche strukturellen Bedingungen von Krieg und Gesellschaft
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die Inhalte der Medien wie prägen und viertens um eine friedensstiftende Sicht auf diese Zusammenhänge. Das Fazit: Definitorisch gibt es kaum noch einen Unterschied zwischen medialer Kommunikation und Krieg." (Publisher description)
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"Circumvention tools designed to bypass online censorship such as simple web proxies, virtual private network service, and so on are frequently used in countries whose governments impose heavy Internet censorship. Around 18 million Internet users in China are currently using those tools to bypass th
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e Great Firewall and access unblocked online content. In a pioneering empirical investigation of unblocked information seeking in China's censored online environment, the present study systematically examines a wide range of macro-social and micro-individual factors which affect the use of circumvention tools to bypass Internet censorship under the guidance of the interactive communication technology adoption model. The results reveal that, with the exception of social trust, macro-social factors have only a modest influence on the use of circumvention tools. In contrast, micro-individual-level variables-including perceived technology fluidity, gratifications, and selected demographic variables-play a much larger role in our multivariate model. Theoretical and practical implications are discussed." (Abstract)
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"This first-ever comprehensive assessment of the media landscape in Mongolia was undertaken in 2013-2014 to determine the level of media development in the country. The assessment was carried out by UNESCO, in partnership with a network of organizations, including the Globe International Center, the
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Press Institute, the Confederation of Mongolian Journalists, and the NGO Transparency Fund. The UNESCO/IPDC Media Development Indicators (MDIs), which were used in the assessment, are an internationally recognized analytical tool that make possible a detailed overview of national media landscapes and related media development priorities. This assessment places special emphasis on issues affecting freedom of expression and press freedom; how current state legislation impacts on the media and how it can be amended to provide more space for self-regulation within the media; legislation regarding defamation; restrictions on the daily activities of media outlets; transparency in media ownership; standards of journalism, professional training and research; and labour relations and working rights affecting journalists in their daily activities." (Executive summary)
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"Ghost Movies in Southeast Asia and Beyond explores ghost movies, one of the most popular film genres in East and Southeast Asia, by focusing on movie narratives, the cultural contexts of their origins and audience reception. In the middle of the Asian crisis of the late 1990s, ghost movies became m
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ajor box office hits. The emergence of the phenomenally popular "J-Horror" genre inspired similar ghost movie productions in Korea, Thailand, Taiwan, Hong Kong, the Philippines and Singapore. Ghost movies are embedded and reflected in national as well as transnational cultures and politics, in narrative traditions, in the social worlds of the audience, and in the perceptual experience of each individual. They reflect upon the identity crises and traumas of the living as well as of the dead, and they unfold affection and attraction in the border zone between amusement and thrill, secular and religious worldviews. This makes the genre interesting not only for sociologists, anthropologists, media and film scholars, but also for scholars of religion." (Publisher description)
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"Die Autorin geht der Frage nach, welche deutschen Fernsehsendungen nach China importiert und wie diese in einer Gesellschaft aufgenommen werden, die kulturell vollkommen anders geprägt ist als die deutsche. Der Fokus der Arbeit liegt auf der Herausarbeitung von Kriterien für die Auswahl von Ferns
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ehsendungen für den chinesischen Markt. Gleichzeitig werden die Besonderheiten in Adaption und Rezeption konkreter deutscher Fernsehsendungen wie etwa Wissen macht Ah!, Mein Mann kann und Knallerfrauen in China herausgestellt." (Verlagsbeschreibung)
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"The Handbook of International Crisis Communication Research articulates a broader understanding of crisis communication, discussing the theoretical, methodological, and practical implications of domestic and transnational crises, featuring the work of global scholars from a range of sub-disciplines
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and related fields. It provides the first integrative international perspective on crisis communication; articulates a broader understanding of crisis communication, which includes work from scholars in journalism, public relations, audience research, psychology, political science, sociology, economics, anthropology, and international communication; explores the topic from cross-national and cross-cultural crisis communication approaches; includes research and scholars from countries around the world and representing all regions; discusses a broad range of crisis types, such as war, terrorism, natural disasters, pandemia, and organizational crises." (Publisher description)
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"Media concentration has been an issue around the world. To some observers the power of large corporations has never been higher. To others, the Internet has brought openness and diversity. What perspective is correct? The answer has significant implications for politics, business, culture, regulati
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on, and innovation. It addresses a highly contentious subject of public debate in many countries around the world. In this discussion, one side fears the emergence of media empires that can sway public opinion and endanger democracy. The other side believes the Internet has opened media to unprecedented diversity and worries about excessive regulation by government. Strong opinions and policy advocates abound on each side, yet a lack of quantitative research across time, media industries, and countries undermines these positions. This book moves beyond the rhetoric of free media and free markets to provide a dispassionate and data-driven analysis of global media ownership trends and their drivers. The book covers thirteen media industries, including television, newspapers, book publishing, film, search engines, ISPs, wireless telecommunication, and others across a 10- to 25-year period in thirty countries. After examining these countries, this book offers comparisons and analysis across industries, regions, companies, and development levels. It calculates overall national concentration trends beyond specific media industries, the market share of individual companies in the overall national media sector, and the size and trends of transnational companies in overall global media." (Publisher description)
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"International trade in creative industries showed sustained growth in the last decade. The global market for traded creative goods and services totaled a record $547billion in 2012, as compared to $302 billion in 2003. Exports from developing countries, led by Asian countries, were growing faster t
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han exports from developed countries. Among developed country regions, Europe is the largest exporter of creative goods. In 2012, the top 5 creative goods exporters included Germany, France, Switzerland, the Netherlands and Belgium. Exports of creative goods from developed economies grew during the period 2003 to 2012, with export earnings rising from $134 billion to $197 billion. Among developing countries, China is the largest exporter of creative goods. In 2012, the top 5 exporters were China, Hong Kong, China, India, Turkey and South Korea. Exports of creative goods from developing economies grew during the period 2003 to 2012, with export earnings rising from $87 billion to $272 billion. Developing countries are playing an increasingly important role in international trade in creative industries." (Executive summary)
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"Citizen Media and Public Spaces presents a pioneering exploration of citizen media as a highly interdisciplinary domain that raises vital political, social and ethical issues relating to conceptions of citizenship and state boundaries, the construction of publics and social imaginaries, processes o
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f co-optation and reverse co-optation, power and resistance, the ethics of witnessing and solidarity, and novel responses to the democratic deficit. Framed by a substantial introduction by the editors, the twelve contributions to the volume interrogate the concept of citizen media theoretically and empirically, and offer detailed case studies that extend from the UK to Russia and Bulgaria and from China to Denmark and the liminal spaces within which a growing number of refugees now live. A rich new domain of scholarship and practice emerges out of the studies presented. Citizen media is shown to embrace both physical and digital interventions in public space, as well as the sets of values and agendas that influence and drive the practices and discourses through which individuals and collectives position themselves within and in relation to society and participate in the creation of diverse publics." (Publisher description)
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"In 2006, Chinese officials revealed an extensive plan to increase the nation’s soft power in Africa through a number of initiatives to increase the presence and relevance of Chinese media in Africa. However, the question remains: Has China been successful in enhancing its soft power via its news
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media expansion in the African region? Although it is easy to find sweeping proclamations regarding the popularity of Chinese media throughout Africa, there have been limited efforts to systematically measure the effect of these media on African public opinion toward China. This study seeks to fill this void. Using Pew Global Attitudes Project data, I explore correlations between attitudes toward China and the extent of the Chinese media presence across six African nations in 2013. In addition, to better test for a causal effect of the post-2006 expansion, I employ a second analysis in which I compare these relationships in 2007 with these same relationships in 2013. By comparing changes in these relationships over time, this analysis provides tentative empirical support that the sweeping efforts undertaken to expand the reach and relevance of Chinese media in Africa have moved African public opinion in the desired direction." (Abstract)
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"With regards to professional role orientations, Chinese journalists found it most important to report things as they are, to provide analysis of current affairs, to support national development, to provide advice, orientation and direction for daily life, and to be a detached observer. The relevanc
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e of these “classic” roles such as “to report things as they are” and “to provide analysis of current affairs” was fairly undisputed among the interviewed journalists as the relatively low standard deviations indicate. Likewise, there was a strong consensus among the respondents over the importance of supporting national development. Still, a majority of journalists in China found it important to provide the kind of news that attracts the largest audience, to let people express their views, to influence public opinion, and to support government policy. The most disputative role is to be an adversary of the government (s=1.32), which is also the least supportive role. Another highly disputative role is to convey a positive image of political leadership (s=1.16). Except for the roles of supporting national development and supporting government policy, other politically more assertive roles were not widely supported, such as setting the political agenda, motivating people to participate in political activity, and monitoring and scrutinizing political leaders." (Journalistic roles, pages 1-2)
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"Hong Kong journalists treated as most important the roles of monitoring and scrutinizing political leaders, reporting things as they are, monitoring and scrutinizing businesses, providing analysis of current affairs, and letting people express their views. Given the emphasis on monitoring the power
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holders, “to be a detached observer” was treated as important only by slightly more than half of the respondents. Twelve of the 18 roles included in the questionnaire were treated as important by fewer than half of the respondents. About one-third saw the advocacy role of the press as important, and about three in ten saw setting the political agenda and motivating people to participate in politics as important. The Hong Kong journalists were least likely to see conveying a positive image of political leadership, supporting government policy, providing entertainment and relaxation, and supporting national development as important roles. However, the percentage of journalists seeing the press as an adversary of the government is also low (14.4%). It indicates that the Hong Kong journalists saw themselves as an independent watchdog without being an adversary to the power holders." (Journalistic roles, page 2)
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"The contributors to The Media and Religious Authority examine the ways in which new centers of power and influence are emerging as religions seek to "brand" themselves in the media age. Putting their in-depth, incisive studies of particular instances of media production and reception in Asia, Afric
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a, Latin America, and North America into conversation with one another, the volume explores how evolving mediations of religion in various places affect the prospects, aspirations, and durability of religious authority across the globe." (Publisher description)
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