"This paper provides one of the first studies on the role of social media in articulating individuals’ experiences and memories and (re-)shaping collective memory in contemporary China. It investigates how social media enable and facilitate the participation of ordinary citizens in distributing an
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d accumulating alternative narratives and memories of the past against the authoritarian version by taking the debate over China’s Great Famine – a topic long considered a political taboo – on Sina Weibo, one of the country’s most popular social media sites, as the case study. This study demonstrates that weibo provides people with an alternative communicative sphere for sharing previously suppressed, marginalised, “unofficial” memories as civil disobedience and accumulating them into an alternative collective memory that is relevant to the changing socio-political context of China." (Abstract)
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"Clandestine broadcasts are politically-motivated broadcasts produced by groups opposed to the government of the target country. Other target broadcasts can be produced by either governmental or non-governmental organisations and are targetted at zones of regional or local conflict." (Page 508)
"Despite being a heavily-censored society, China has over 560 million active internet users, more than double that of the USA. In this book, social media expert and China-watcher Liz Carter tells the story of how the internet in China is leading to a coming together of activists, ordinary people and
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cultural trendsetters on a scale unknown in modern history. News about protests and natural disasters, or gossip and satirical jokes, are practically uncensorable and spread quickly through Weibo – the Chinese Twitter - and the Chinese internet underground. More than that, a grassroots, foundational shift of assumptions and expectations is taking place, as Chinese men and women cast off the communist era ‘stability at all costs’ mantra and find new forms of selfexpression, creativity and communication with the world." (Publisher description)
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"Video games have become a global industry, and their history spans dozens of national industries where foreign imports compete with domestic productions, legitimate industry contends with piracy, and national identity faces the global marketplace. This volume describes video game history and cultur
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e across every continent, with essays covering areas as disparate and far-flung as Argentina and Thailand, Hungary and Indonesia, Iran and Ireland. Most of the essays are written by natives of the countries they discuss, many of them game designers and founders of game companies, offering distinctively firsthand perspectives. Some of these national histories appear for the first time in English, and some for the first time in any language." (Back cover)
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"In many ways what is identified today as "cultural globalization" in Eastern Europe has its roots in the Cold War phenomena of samizdat ("do-it-yourself" underground publishing) and tamizdat (publishing abroad). This volume offers a new understanding of how information flowed between East and West
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during the Cold War, as well as the much broader circulation of cultural products instigated and sustained by these practices. By expanding the definitions of samizdat and tamizdat from explicitly political, print publications to include other forms and genres, this volume investigates the wider cultural sphere of alternative and semi-official texts, broadcast media, reproductions of visual art and music, and, in the post-1989 period, new media. The underground circulation of uncensored texts in the Cold War era serves as a useful foundation for comparison when looking at current examples of censorship, independent media and the use of new media in countries like China, Iran, and the former Yugoslavia." (Book cover)
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"We see the smartphone more clearly as the defining device for digital news with a disruptive impact on consumption, formats, and business models. Our data suggest it provides an environment dominated by a few successful brands, with others struggling to reach a wider audience, both via apps and bro
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wsers. The move to online video, new visual formats, and social media coincides in many countries with a fall in audiences for traditional TV bulletins. The trend is most pronounced amongst the under 35s. We see a strengthening in the role played by Facebook in finding, discussing and sharing news. Facebook-owned Instagram and WhatsApp are playing a big role amongst younger groups." (Executive summary)
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"Das Material für die nordkoreanische Literatur schöpft sich zum allergrößten Teil aus Kim Il Sungs bewaffnetem Revolutionskampf gegen Japan. Schriftsteller und Künstler lassen die Schauplätze der antijapanischen Revolution wiederauferstehen und deren Geist wiederaufleben [...] Dabei hat der I
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nhalt der Literatur - wie auch der Musik und der Kunst - stets Priorität. Die künstlerische Gestaltung ist sekundär. Abstraktion, Phantasie oder Imagination sind nicht möglich. Literatur wird nur dann geschätzt, wenn sie einen gesellschaftlichen Beitrag leistet und im Einklang mit der Parteipolitik steht." (Fazit, Seite 619)
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"Tatsächlich erfreuen sich koreanische Fernsehserien und Filme sowie die koreanische Popmusik (K-pop) im Ausland, insbesondere in Ost- und Südostasien, ganz unerwartet großer Beliebtheit. In Südkorea selbst ist man stolz darauf, es - zumindest in der eigenen Wahrnehmung - endlich geschafft zu ha
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ben, in der Welt als "Kulturnation" zu gelten. Die öffentliche Hallyu-Debatte ist dabei allerdings stark von nationalistisch inspirierten Selbstbehauptungsdiskursen geprägt. Ein Strang der südkoreanischen Debatte kreist um Hallyu als Wirtschaftsfaktor. Dieser stützt sich weniger auf reale Effekte, sondern auf Erwartungen und Hoffnungen, die mit besseren Exportchancen, vor allem mit der Aufwertung des internationalen Images Südkoreas verbunden sind." (Fazit, Seite 401)
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"A Moving Faith captures the dynamic shift of Christianity to the South and portrays a global movement that promises prosperity, healing, empowerment, and gender equality by invoking neo-Pentecostal and Charismatic resources. It postulates that neither North America nor Europe is the current center
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of the Christian faith. The book provides a detailed overview of how migration of Christians from the South enriches the North, for instance, Pope Francis brings newness, freshness, and the vigor characteristic of the South. While describing Christianity’s growth in the South, it suggests that, in fact, there is no center for this global faith. It explores this great move of Christianity by focusing on representative mega churches in South Korea, Brazil, Peru, Ghana, Nigeria, Australia, India, and the Philippines." (Publisher description)
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"Modernisation becomes a hegemonic ideology in Chinese society, while China faces enormous environmental problems. Investigative Journalism, Environmental Problems and Modernisation in China argues that investigative journalism has constructed a discourse of environmental risk that is in contrast wi
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th the discourse of modernisation encouraged by Chinese governments for over half a century. By constructing the discourse of environmental risk, investigative journalism exposes the true nature of modernisation on the one hand, and on the other hand, it reveals the connection between social and environmental injustice and inequality. The bifurcation between the two discourses reflects the rift between environment and modernisation as well as the divergence between people and the state. Investigative journalism demonstrates a counter-hegemonic force against the hegemonic discourse of modernisation to a certain extent. The book starts with an overview of the relationship between the emergence of environmental problems and China's modernisation and focuses on the agendas and practices of environmental investigative journalism, the discourse of environmental risk and the challenges and chances offered by the Internet." (Publisher description)
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"We asked writers and researchers to examine the quality of coverage and to highlight reporting problems as well as good work. The conclusions from many different parts of the world are remarkably similar: journalism under pressure from a weakening media economy; political bias and opportunism that
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drives the news agenda; the dangers of hate-speech, stereotyping and social exclusion of refugees and migrants. But at the same time there have been inspiring examples of careful, sensitive and ethical journalism that have shown empathy for the victims. In most countries the story has been dominated by two themes – numbers and emotions. Most of the time coverage is politically led with media often following an agenda dominated by loose language and talk of invasion and swarms. At other moments the story has been laced with humanity, empathy and a focus on the suffering of those involved." (Introduction, page 5-6)
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"This is a book about free speech narratives. Stories about how imagination and rational thinking in wildly different cultures capture, imagine, and conceptualize what freedom of speech means. 1989 and 2011 are only two recent (in historic perspective) turning points when freedom of speech and freed
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om of the press emerged, or at least powerful efforts were made to support its emergence, although disheartening backlashes followed in several countries. This book also tells many other free speech narratives that emerged, or evolved outside the frames of 1989 and 2011, also with several troublesome repercussions. The fall of the Berlin wall in 1989, the year of largely velvet revolutions (in the words of Vaclav Havel), brought freedom of speech to Central Europe and Eastern Europe. It also increased the hope that freedom of speech and democracy can prevail in more and more countries on the earth. This book examines, in some historic perspective, to what extent this hope has become reality since and prior to 1989, also in light of the Arab revolutions of 2011." (Introduction, page 1)
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"As only Japanese comics output has received close and by now voluminous scrutiny, Asian Comics tells the story of the major comics creators outside of Japan. Lent covers the nations and regions of Bangladesh, Cambodia, China, Hong Kong, India, Indonesia, Korea, Malaysia, Myanmar, Nepal, the Philipp
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ines, Singapore, Sri Lanka, Taiwan, Thailand, and Vietnam. Organized by regions of East, Southeast, and South Asia, Asian Comics provides 178 black and white illustrations and detailed information on comics of sixteen countries and regions – their histories, key creators, characters, contemporary status, problems, trends, and issues. One chapter harkens back to predecessors of comics in Asia, describing scrolls, paintings, books, and puppetry with humorous tinges, primarily in China, India, Indonesia, and Japan." (Publisher website)
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"Collectively known as Hallyu, Korean music, television programs, films, online games, and comics enjoy global popularity, thanks to new communication technologies. In recent years, Korean popular culture has also become the subject of academic inquiry. Whereas the Hallyu's impact on Korea's nationa
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l image and domestic economy, as well as on transnational cultural flows, have received much scholarly attention, there has been little discussion of the role of social media in Hallyu's propagation. Contributors to Hallyu 2.0: The Korean Wave in the Age of Social Media explore the ways in which Korean popular cultural products are shared by audiences around the globe; how they generate new fans, markets, and consumers through social media networks; and how scholars can analyze, interpret, and envision the future of this unprecedented cultural phenomenon." (Publisher description)
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