"The current UIS Questionnaire on Media Statistics provides information for three UNESCO frameworks, namely the Media and Information Literacy Framework, the Media Development Indicators Framework and the Framework for Cultural Statistics. The questionnaire collects data for reporting global progres
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s on Action Lines C2, C3, C8 and C9 of the World Summit on Information Society (WSIS) in UNESCO’s fields of competencies. In particular, Action Line C9 recommends appropriate policies to foster and sustain media and information development. This document provides country profiles for each of the countries that participated in the two pilot surveys conducted in 2011 and 2012." (Background, page 3)
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"Freedom House has conducted a comprehensive study of internet freedom in 60 countries around the world. This report is the fourth in a series and focuses on developments that occurred between May 2012 and April 2013. The previous edition, covering 47 countries, was published in September 2012. 'Fre
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edom on the Net 2013' assesses a greater variety of political systems than its predecessors, while tracing improvements and declines in the countries examined in the previous editions. Over 70 researchers, nearly all based in the countries they analyzed, contributed to the project examining laws and practices relevant to the internet, testing the accessibility of select websites, and interviewing a wide range of sources. Of the 60 countries assessed, 34 have experienced a negative trajectory since May 2012." (Page 2)
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"Though Facebook’s near-ubiquitous lead might indicate that the global social network landscape is simplifying, it quickly becomes clear this is not the case. This report aims to help marketers assess the social network landscape in 27 countries by briefly examining four key factors: top social ne
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tworks, usage, social media advertising and mobile social trends." (Executive summary)
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"The first component of this report focuses on the improvement of the performance of public sector broadcasters. Based on evidence that the team gathered during field research, and the preparatory survey of the existing body of knowledge, 23 main problems were identified in this component [...] The
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second component deals with media self-regulation. Although the push to strengthen selfregulation is high on the agenda of the media communities in the region, such institutions have either not been established or the existing ones need to be overhauled and strengthened [...] Component three concentrates on judicial practices in freedom of expression cases and capacity building of the judiciary in this regard [...] Component four assesses the options for the introduction of an EU award for investigative journalism in the Southeast Europe IPA region." (Executive summary, page 9)
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"The present analytical list of the most common clichés, stereotypes and examples of inaccurate (or reasonably questioned) information in the media of Armenia and Azerbaijan is based on the findings of a number of joint studies, administered by Yerevan Press Club and “Yeni Nesil” Journalists’
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Union of Azerbaijan. It also reflects the observations made of Azerbaijani and Armenian media in 2001-2010 by the two organizations." (Page 3)
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"The essays explore the role and function of image making to highlight the ways in which the images "speak" and what visual languages mean for the construction of Islamic subjectivities, the distribution of power, and the formation of identity and belonging. Visual Culture in the Modern Middle East
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addresses aspects of the visual in the Islamic world, including the presentation of Islam on television; on the internet and other digital media; in banners, posters, murals, and graffiti; and in the satirical press, cartoons, and children's books." (Publisher description)
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"The story of Kazakhstani media is of two contrasting dynamics: the increasingly controlled and innovation-shy offline space, and the vibrant, less-restricted digital environment. The rise of digital media has yielded benefits for citizens and democracy, albeit these are limited by the dominance of
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one political party and its leader. Nevertheless, media remain constrained and state interference remains prominent. As opportunities for working directly with policymakers in Kazakhstan are limited, the report calls for civil society organizations to step up their awareness-raising efforts and bring the threats stemming from restrictive legislation and the lack of regulatory independence to public and international attention. It also calls for a debate about the need to reform publicly funded broadcasters so that they serve the public interest." (Open Society Foundations website)
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"The advent of digital television has accelerated the elaboration of regulation and related processes in the countries of the region. Some countries adopted changes in their broadcasting statutes (Ukraine in 2006; Armenia in 2008 and 2010; Kazakhstan in 2012) or their mass media statute (Russia in 2
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011). One country laid the foundations for the switchover in a presidential decree (Uzbekistan in 2012), while the rest have opted for governmental ordinances and executive orders. Some changes made in the process go beyond merely adjusting the legal framework to digital technology." (Conclusion)
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"Cinema in Central Asia is the first comprehensive and up-to-date account of the cinema of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day. Bringing together specialists from Central Asia, Russia, Europe and the United States, this companion to the
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cinema of the region combines serious scholarly study with practical accessibility to construct an historical narrative, discuss aspects of film production and consider the impact of film. The book also offers a deeper understanding of Central Asian culture that is invaluable with the geopolitical and economic emergence of this exciting region. The book opens with a broad history, paying particular attention to the emergence and expansion of the film industry, competing visions of nationalism and distinct phases of the post-Soviet film experience. A series of incisive articles written by specialists on Central Asian film follows. They explain early film institutions and themes, the impact of the Second World War, expressions of identity and protest during the Soviet era, as well as regional variations of post-Soviet filmmaking and political involvement. The final section comprises biographical and filmographical entries on the principal figures of Central Asian cinema that offer a much-needed reference for scholars and filmgoers." (Publisher description)
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"Premiering in 2006, Ugly Betty, the award-winning US hit show about unglamorous but kind-hearted Betty Suarez (America Ferrera), is the latest incarnation of a worldwide phenomenon that started life as a Colombian telenovela, Yo soy Betty, la fea, back in 1999. The tale of the ugly duckling has sin
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ce taken an extraordinary global journey and become the most successful telenovela to date. This groundbreaking book asks what the Yo soy Betty, la fea / Ugly Betty phenomenon can tell us about the international circulation of locally produced TV fictions as the Latin American telenovela is sold to, and/or re-made-officially and unofficially-for different national contexts. The contributors explore what Betty has to say about the tensions between the commercial demands of multimedia conglomerates and the regulatory forces of national broadcasters as well as the international ambitions of national TV industries and their struggle in competitive markets. They also investigate what this international trade tells us about cultural storytelling and audience experience, as well as ideologies of feminine beauty and myths of female desire and aspiration. TV's Betty Goes Global features original interviews with buyers and schedulers, writers, story editors and directors, including the creator of Yo soy Betty, la fea, Fernando Gaitan." (Publisher description)
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"Die Chefredakteurin des oppositionellen Magazins „ADAM reader’s“ berichtet, wie sie arbeitet und warum sie die Hoffnung auf Demokratie noch nicht aufgegeben hat." (Einleitung)