"Journalists in Mexico face hundreds of attacks each year, ranging from online harassment and physical intimidation to outright murder. The official narrative typically claims that murdered journalists are the victims of general criminal violence. This article finds that despite the rampant violence
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in Mexico, the murder of journalists cannot be attributed to the country's general criminal violence problem alone. Instead, the evidence points to the targeting, and even political targeting of journalists. First, journalists are at a much higher risk of being murdered than the general population. Second, the divergence between homicide rates among the general population and among journalists varies considerably between Mexican states. While recent scholarship has shown that subnational governments can successfully remain authoritarian despite democratization at the central or federal level, this literature has largely ignored the use of political killings in subnational undemocratic regimes. This article attempts to understand the murder of journalists not just as a problem of criminal violence, but also of political violence, and thereby connects the findings to the existing scholarship on subnational authoritarianism." (Abstract)
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"This volume explores the recent 'adolescent turn' in contemporary Latin American cinema, challenging many of the underlying assumptions about the nature of youth and distinguishing adolescence as a distinct and vital area of study. Its contributors examine the narrative and political potential of t
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eenage protagonists in a range of recent films from the region, acknowledging the distinct emotional registers that are at play throughout adolescence and releasing teenage subjectivities from restrictive critical and theoretical emphases on theories of childhood. As the first academic study to examine the figure of the adolescent in contemporary Latin American film, New Visions of Adolescence in Contemporary Latin American Cinema thus presents a timely and innovative analysis of issues of sexuality and gender, political and domestic violence and social class." (Publisher description)
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"A partir de la experiencia de investigación participativa y la construcción de un programa de formación de técnicos comunitarios en México, en este texto se problematizan las características, retos y posibilidades de la comunicación indígena. La invitación que hacemos es a reflexionar sobr
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e las distintas formas de articulación entre los actores involucrados en proyectos de comunicación indígena, que pueden pertenecer a las comunidades o ser externos a ellas. En general, queremos presentar un planteamiento epistemológico y metodológico de los aprendizajes obtenidos a través de todo ese proceso, tomando en consideración los resultados obtenidos gracias a la colaboración de todos los participantes." (Resumen)
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"Narrativas del miedo: Terror en obras literarias, cinemáticas y televisivas de Latinoamérica es una colección de ensayos escritos en inglés y en español en los que se analizan distintas representaciones del miedo como un elemento estructural y simbólico en obras literarias, teatrales y visual
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es de Argentina, Chile, Brasil, Colombia, Costa Rica, República Dominicana y Venezuela. Este libro ofrece una coherente y comprensiva visión de conjunto que abre una discusión sobre una de las más problemáticas consecuencias de la violencia: el miedo. A los largo de los últimos dos siglos, los países de América Latina han experimentado numerosos conflictos tales como guerras, revoluciones, dictaduras, narcotráfico, desplazamientos, exilios, etc. Existen abundantes estudios críticos sobre estas problemáticas, así como también sobre sus representaciones literarias y cinematográficas. Sin embargo, es muy poco lo que se ha dicho sobre el miedo que distintos tipos de violencia infligen en la sociedad, los individuos y sobre cómo estos fenómenos condicionan las representaciones artísticas y literarias. El valor y la originalidad de este volumen yace en el hecho de que enfoca su atención en esta fuerza emocional tan profundamente integrada en la producción de novelas, cuentos, teatro, películas y cómics en América Latina." (Descripción de la casa editorial)
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"The use of social media for news has started to fall in a number of key markets after years of continuous growth. Usage is down six percentage points in the United States, and is also down in the UK and France. Almost all of this is due to a specific decline in the discovery, posting, and sharing o
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f news in Facebook. At the same time, we continue to see a rise in the use of messaging apps for news as consumers look for more private (and less confrontational) spaces to communicate. WhatsApp is now used for news by around half of our sample of online users in Malaysia (54%) and Brazil (48%) and by around third in Spain (36%) and Turkey (30%). Across all countries, the average level of trust in the news in general remains relatively stable at 44%, with just over half (51%) agreeing that they trust the news media they themselves use most of the time. By contrast, 34% of respondents say they trust news they find via search and fewer than a quarter (23%) say they trust the news they find in social media. Over half (54%) agree or strongly agree that they are concerned about what is real and fake on the internet. This is highest in countries like Brazil (85%), Spain (69%), and the United States (64%) where polarised political situations combine with high social media use. It is lowest in Germany (37%) and the Netherlands (30%) where recent elections were largely untroubled by concerns over fake content." (Key findings, page 9)
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"Reúne los relatos sobre el devenir de la investigación en comunicación en América Latina que se presentaron en el coloquio homónimo el cual, dirigido a participantes del XIII Congreso de la Asociación Latinoamericana de Investigadores de la Comunicación, se realizó en la UNAM en octubre de
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2016. En palabras de su coordinadora Delia Crovi Druetta, se trata de un tejido común "armado a partir de fibras particulares, de experiencias diversas, de condiciones histórico-sociales disímiles, en las que a pesar de todo existen rasgos y retos comunes [...] Identificamos similitudes y diferencias, pero emerge la necesidad de seguir invirtiendo esfuerzos conjuntos sobre el pasado, el presente y el futuro de la investigación en comunicación en América Latina, su organización, sus protagonistas y los temas que interesan o preocupan". (Descripción de la casa editorial)
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"This edited collection provides a unique survey of the ways in which news media organizations across Latin America and the Caribbean cover global, regional and local environmental issues and challenges. There is growing recognition within academia, governments, industries, NGOs and civil society ab
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out the importance of strategic communication and the news media in informing current societal and policy discussions about environmental issues. With this in mind, this volume explores the content of reporting as well as the structural and individual contests faced by media organizations and journalists, with a focus on the very unique political, social, cultural and environmental conditions that affect the countries individually. The book provides a survey of the most relevant and current environmental issues that have attracted public attention across the region and within countries in Latin America and the Caribbean in the first part of the 21st century." (Publisher description)
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"Die kommunikationswissenschaftliche Öffentlichkeitsforschung hat sich in den vergangenen Jahren verstärkt mit transnationalisierten Formen von Öffentlichkeit beschäftigt. Allerdings gehen nur wenige empirische Arbeiten über die (mögliche) Entstehung einer europäischen Öffentlichkeit hinaus.
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Daher analysieren wir anhand der medienöffentlichen Debatten in 15 Ländern über die Klimapolitik – ein Thema, das oft als möglicher Kristallisationspunkt für die Entstehung transnationaler oder gar „globaler“ Öffentlichkeiten dargestellt wird – inwieweit die Akteursensembles in der Berichterstattung von Qualitätstageszeitungen, Regional- und Boulevardzeitungen transnationalisiert sind und welche Reichweite eine etwaige Transnationalisierung aufweist. Die Analyse zeigt eine beträchtliche Transnationalisierung, die teils über eine Europäisierung hinausgeht. Allerdings ist die Berichterstattung je nach Untersuchungsdimension unterschiedlich transnationalisiert: Transnationalisierte Bezüge zeigen sich eher in „schwacher“ als in „starker“ Form: Ausländische oder supranationale Akteure werden häufiger in der Berichterstattung erwähnt, als dass sie selbst zu Wort kommen. Zudem ist die horizontale Transnationalisierung stärker ausgeprägt als die vertikale: Bezüge auf Akteure aus anderen Ländern finden sich häufiger als Bezüge auf supranationale politische Organisationen. Die Analyse zeigt zudem Länder- und Medienunterschiede, die grosso modo die Befunde der Forschung zu Klimawandel-Kommunikation und europäischer Öffentlichkeit bestätigen: In wirtschaftlich von Klimaschutzmaßnahmen betroffenen Ländern ist die Berichterstattung stärker national geprägt. In Qualitätstageszeitungen ist die Berichterstattung stärker transnationalisiert als in Boulevard- und Regionalmedien." (Zusammenfassung)
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"Publics around the world overwhelmingly agree that the news media should be unbiased in their coverage of political issues, according to a new Pew Research Center survey of 38 countries. Yet, when asked how their news media are doing on reporting different political issues fairly, people are far mo
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re mixed in their sentiments, with many saying their media do not deliver. And, in many countries, there are sharp political differences in views of the media – with the largest gap among Americans. To build off Pew Research Center’s earlier findings about U.S. news media habits and attitudes, this new cross-national survey begins to study these dynamics globally. The survey finds that a median of 75% across 38 countries say it is never acceptable for a news organization to favor one political party over others when reporting the news. Just 20% say this is sometimes okay. People in Europe show the greatest opposition to political bias in their news." (Page 3)
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"Historically, cinema in the Americas has been signed by a state of precariousness. Notwithstanding the growing accessibility to video and digital technologies, access to the material means of film production is still limited, affecting the spheres of production, distribution, and reception. Equally
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, questions about the precarious can be traced in cultural and archival policies, film legislations, as well as in thematic and aesthetic choices. While conventional definitions of the precarious have been associated with notions of scarcity and insecurity, this volume looks at precariousness from a non-monolithic angle, exploring its productivity and potential for original, critical approaches, with the aim of providing new readings to the variedly rich and complex cinemas of the Americas." (Publisher description)
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"This Yearbook is divided into three parts. The first is an introduction chapter, containing a comparative synthesis of fiction in the Obitel countries. This comparison is made from a quantitative and qualitative point of view, which makes possible to observe the development of fiction in each count
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ry, highlighting their main productions, as well as the theme of the year. The second part consists in 11 chapters, one for each country, with an internal structure of fixed topics, but with new additions every year. The sections that compound each chapter are the following: 1) Country’s audiovisual context: this section presents general information about the audiovisual sector regarding the production of television fiction, such as history, trends and relevant events. 2) Analysis of premiere fictions: it is made through quantitative tables that show specific data about national and Ibero-American TV fictions released in each country. In this section the ten most watched titles of the year are highlighted. Since 2017, the Yearbook also brings the five most watched national productions of the year in an effort to enhance and deepen the issue of national identities in each country. 3) Transmedia reception: this section presents and exemplifies what channels offer to the audience fiction on the internet, as well the description of the audience’s behavior when watching, consuming and interacting with their fictions through websites, social networks and other platforms. 4) Highlights of the year: the most important productions not only in terms of audience (rating), but also for their sociocultural impact and for generating innovation in television fiction production or reception. 5) Theme of the year, which this year is Ibero-American TV fiction on video on demand platforms. This theme converges with the interests of Obitel, which for years has been following the trajectory of Ibero-American television fiction by rapidly changing scenarios. Multiple screens, transmissions, new formats, pay TV, UGC, among other topics, have been monitored and analyzed theoretically by each Obitel country research group. In this Yearbook, the proposal is to discuss production on video on demand platforms (VoD), addressing new forms of distribution and consumption. The objective was to verify the panorama of VoD production and consumption in the Obitel countries and the presence of national fiction on these platforms. In order to do so, we attempted to identify the reconfigurations that are occurring in the television scenario of each country in the face of new platforms of production, distribution and audiovisual consumption. Such reconfigurations take place from production to reception, from narrative forms to business models, to debates on legislation and regulation." (Pages 21-22)
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"Cross-national research has identified crime, corruption, and human rights abuses as explanations for threats against journalists in democracies and authoritarian hybrids plagued by antipress violence. In-depth studies additionally suggest gender or occupational characteristics such as risky newsbe
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ats increase the likelihood of being threatened. We overcome data limitations in many of these studies by analyzing work-related threats reported by journalists in Mexico, a territorially uneven democracy. Findings confirm that contexts of criminal insecurity are the strongest predictor of threats but only for journalists who are frequently harassed. For the infrequently threatened, democratic normative commitments are a stronger predictor. Subnational government corruption is another important predictor of threat but operates counter to expectations. We believe this is because clientelism sufficiently controls journalists without the need for threat. Neither occupational traits nor gender were individually important predictors. Findings suggest future research should compare threat and harassment across lower and higher risk contexts, and measure public insecurity and clientelism at the local level where journalists actually work. Measurement improvements might better reveal the gender dynamics of threat. More broadly, comparative research and policy-making in democracies and authoritarian hybrids should focus on how local authoritarians limit journalists’ democratic normative aspirations." (Abstract)
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"With regards to professional role orientations, journalists in El Salvador found it most important to report things as they are, to monitor and scrutinize political leaders, to educate the audience, and to let people express their views. The relevance of these roles was fairly undisputed among the
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interviewed journalists as the relatively low standard deviations indicate.
Still, a majority of journalists in El Salvador found it important to support national development, to promote tolerance and cultural diversity, to advocate for social change, to provide information people need to make political decisions, to influence public opinion, and to set the political agenda. Political roles like supporting government policy, conveying a positive image of political leadership, and acting as an adversary of the government were supported by only a minority of respondents." (Journalistic roles, pages 1-2)
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"Latin American women filmmakers have achieved unprecedented international prominence in recent years. Notably political in their approach, figures such as Lucrecia Martel, Claudia Llosa and Bertha Navarro have created innovative and often challenging films, enjoying global acclaim from critics and
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festival audiences alike. They undeniably mark a 'moment' for Latin American cinema. Bringing together distinguished scholars in the field - and prefaced by B. Ruby Rich - this is a much-needed account and analysis of the rise of female-led film in Latin America. Chapters detail the collaboration that characterises Latin American women's filmmaking - in many ways distinct from the largely 'Third Cinema' auteurism from the region - as well as the transnational production contexts, unique aesthetics and socio-political landscape of the key industry figures. Through close attention to the particular features of national film cultures, from women's documentary filmmaking in Chile to comedic critique in Brazil, and from US Latina screen culture to the burgeoning popularity of Peruvian film, this timely study demonstrates the remarkable possibilities for film in the region. This book will allow scholars and students of Latin American cinema and culture, as well as industry professionals, a deeper understanding of the emergence and impact of the filmmakers and their work, which has particular relevance for contemporary debates on feminism." (Publisher description)
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"Frente a la tendencia regional y global que lleva a gobiernos y a proveedores de servicio a acumular una cantidad cada vez mayor de información sobre sus usuarios, este estudio intenta una aproximación comparada a la manera en que las legislaciones de México, Brasil, Colombia, Perú, Argentina y
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Chile abordan la retención de datos y el registro de teléfonos móviles, de cara a sus obligaciones y compromisos internacionales en el marco interamericano, y en particular en relación a los proyectos legislativos que en Chile buscan realizar cambios al actual marco regulatorio de las telecomunicaciones." (Resumen)
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