"International trade in creative industries showed sustained growth in the last decade. The global market for traded creative goods and services totaled a record $547billion in 2012, as compared to $302 billion in 2003. Exports from developing countries, led by Asian countries, were growing faster t
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han exports from developed countries. Among developed country regions, Europe is the largest exporter of creative goods. In 2012, the top 5 creative goods exporters included Germany, France, Switzerland, the Netherlands and Belgium. Exports of creative goods from developed economies grew during the period 2003 to 2012, with export earnings rising from $134 billion to $197 billion. Among developing countries, China is the largest exporter of creative goods. In 2012, the top 5 exporters were China, Hong Kong, China, India, Turkey and South Korea. Exports of creative goods from developing economies grew during the period 2003 to 2012, with export earnings rising from $87 billion to $272 billion. Developing countries are playing an increasingly important role in international trade in creative industries." (Executive summary)
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"El libro Aire, no te vendas: la lucha por el territorio desde las ondas de Griselda Sánchez Miguel, es producto de su experiencia acumulada en años de cobertura, estudio y participación en diversos movimientos sociales de México y América Latina; en particular el estado mexicano de Oaxaca, del
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cual es originaria, terreno fértil por sus condiciones de inequidad para el surgimiento de movimientos sociales que han hecho de la radio una herramienta valiosa para la defensa del territorio. Radio Totopo y los procesos de organización comunitaria a los que contribuye la emisora, son el motivo que la autora escoge para hablarnos de la resistencia de los pobladores de Juchitán ante el embate de compañías productoras de energía eólica que bajo el amparo de autoridades locales, estatales y federales depredan uno de sus recursos naturales más preciados: el aire, lugar donde ‘habita’ el espacio radioléctrico. Es la relación social que las radios producen al interior de las comunidades lo que define su importancia; sin embargo, señala, no hay que perder de vista que para que una comunidad instale una radiodifusora una serie de procesos previos de organización son imprescindibles puesto que ésta debe de contar con una base social sólida, o de lo contrario la radio no cumplirá su cometido y fracasará. Ante la presión por individualizar la propiedad comunitaria, los comunicadores, indígenas o no, contribuyen no sólo a visibilizar la situación por la que atraviesan sus pueblos, sino también a la construcción y articulación de estrategias reales de defensa del territorio y del propio derecho a la vida. En un panorama de criminalización de la protesta, los medios comunitarios en general y Radio Totopo en particular, constituyen un bastión donde mediante la palabra se gesta la resistencia ante el modelo occidental de desarrollo y su crisis civilizatoria. De esta forma, y gracias a una construcción colectiva, el lector podrá encontrar en este libro cómo los pueblos zapotecos del Istmo de Tehuantepec se organizan para consolidar su autonomía." (Prólogo)
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"Los medios, ante la debilidad de los partidos e instituciones, lideran opinión y se tornan en inductores del pensamiento público, incluso contrapesando el poder de los gobiernos. ¿Cómo encontrar el equilibrio en un escenario tan violentamente polarizado en el que los dos extremos pretenden impo
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nerse?" (Cubierta del libro)
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"Im Februar 2015 hat Jayro Bustamante an den Filmfestspielen Berlin den Silbernen Bären für seinen ersten Spielfilm «Ixcanul» gewonnen. Gleichzeitig hat sich mit dem Film ein lateinamerikanisches Land auf der Landkarte des Kinos eingetragen. Walter Ruggle wirft einen Blick auf die Situation des
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Kinos in Guatemala, wo Jayro Bustamante sich auch für die Verbreitung von Filmen über das Projekt eines Kino-Busses engagiert." (Seite 31)
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"Mexico is one of the most dangerous places in the world for journalists, as more than 100 journalists have been murdered between 2000 and 2014, with almost half of those killed in the country's northern states. Through an analysis of in-depth interviews with journalists in northern Mexico, this qua
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litative study examines the relationship between an environment of violence and journalists' perceptions about professionalism. Utilizing the concepts of professional reflexivity and collective professional autonomy, the authors analyze and discuss the complexities and contradictions of professional identity among journalists during a time of unprecedented violence." (Abstract)
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"In diesem Beitrag wird kurz auf die Ursprünge des IFAI (Instituto Federal de Acceso a la Información y Protección de Datos) sowie auf seine Zusammensetzung und Funktionsweise eingegangen. Im Licht aktuell vorgeschlagener Reformdiskussionen werden die Perspektiven der Institution aufgezeigt und i
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hre Rolle als Garant eines Grundrechtes erklärt. Zudem wird erläutert, weshalb das IFAI keine Institution ist, mithilfe derer eine wirksame Rechenschaftsablage (accountabihiy) erreicht werden kann." (Seite 299)
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"El libro de Claudia Magallanes y José Manuel Ramos es fundamental para el debate sobre medios de comunicación indígena. Contiene el aporte colectivo de once capítulos, en los cuales autores de diferentes comunidades académicas ensayan nuevas perspectivas metodológicas de investigación. El te
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ma principal que recorre el texto es la praxis comunicacional de varios grupos indígenas en la disputa por la auto representación y visibilización de las identidades culturales. Esto se revela en el uso de las radios comunitarias y videos indígenas como medios para articular la resistencia y reivindicar su identidad. Estos median la plataforma cultural para defender la lengua autóctona, el cuidado de la naturaleza y del medio ambiente y resistir a las industrias o para representar a sus comunidades con los valores simbólicos propios, como un discurso autónomo de resistencia contra la hegemonía cultural." (Reseña por José Morán, en: Chasqui,, nr. 131, 2026, página 421)
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"Media concentration has been an issue around the world. To some observers the power of large corporations has never been higher. To others, the Internet has brought openness and diversity. What perspective is correct? The answer has significant implications for politics, business, culture, regulati
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on, and innovation. It addresses a highly contentious subject of public debate in many countries around the world. In this discussion, one side fears the emergence of media empires that can sway public opinion and endanger democracy. The other side believes the Internet has opened media to unprecedented diversity and worries about excessive regulation by government. Strong opinions and policy advocates abound on each side, yet a lack of quantitative research across time, media industries, and countries undermines these positions. This book moves beyond the rhetoric of free media and free markets to provide a dispassionate and data-driven analysis of global media ownership trends and their drivers. The book covers thirteen media industries, including television, newspapers, book publishing, film, search engines, ISPs, wireless telecommunication, and others across a 10- to 25-year period in thirty countries. After examining these countries, this book offers comparisons and analysis across industries, regions, companies, and development levels. It calculates overall national concentration trends beyond specific media industries, the market share of individual companies in the overall national media sector, and the size and trends of transnational companies in overall global media." (Publisher description)
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"Now in paperback for the first time, the Handbook is an academic adaptation of information contained in the Global Report on the Status of Women in News Media, a study commissioned by the International Women's Media Foundation. The book's editor was the principal investigator of the original study.
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This text draws together the most robust data from that original study, presenting it in 29 chapters on individual nations and three additional theoretical chapters. The book is the most expansive effort to date to consider women's standing in the journalism profession across the world. Contents organize nations in relation to their progress within newsrooms, with those most advanced in gender equality representing diversity in terms of region and national development. Contributing authors are, in most cases, the original researchers for their respective nations in the Global Report study." (Publisher description)
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"This chapter will analyze women’s access to and participation in Mexico’s news media. At the intersections of feminism and the political economy of communication, we will put into context the findings for Mexico in the Global Report on the Status of Women in the News Media (Global Report) (Byer
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ly 2011). Our purpose is to establish that the access and participation of women in Mexico’s news media are (a) identified by gender inequality, (b) subject to a structural problem and not just an accident or a circumstance exclusive of one industry, (c) marked by structural inequality, i.e., the higher the position, the wider the gap of gender inequality, and (d) defined by a gender division of labor that is a feature of the incorporation of women to these industries." (Abstract)
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"The 45 country reports gathered here illustrate the link between the internet and economic, social and cultural rights (ESCRs). Some of the topics will be familiar to information and communications technology for development (ICT4D) activists: the right to health, education and culture; the socioec
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onomic empowerment of women using the internet; the inclusion of rural and indigenous communities in the information society; and the use of ICT to combat the marginalisation of local languages. Others deal with relatively new areas of exploration, such as using 3D printing technology to preserve cultural heritage, creating participatory community networks to capture an “inventory of things” that enables socioeconomic rights, crowdfunding rights, or the negative impact of algorithms on calculating social benefits. Workers’ rights receive some attention, as does the use of the internet during natural disasters. Ten thematic reports frame the country reports. These deal both with overarching concerns when it comes to ESCRs and the internet – such as institutional frameworks and policy considerations – as well as more specific issues that impact on our rights: the legal justification for online education resources, the plight of migrant domestic workers, the use of digital databases to protect traditional knowledge from biopiracy, digital archiving, and the impact of multilateral trade deals on the international human rights framework. The reports highlight the institutional and country-level possibilities and challenges that civil society faces in using the internet to enable ESCRs. They also suggest that in a number of instances, individuals, groups and communities are using the internet to enact their socioeconomic and cultural rights in the face of disinterest, inaction or censure by the state." (Back cover)
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"El objetivo que se ha perseguido con esta antología es el de presentar el desarrollo histórico del cine mexicano durante 80 años, así como también el de dar a conocer la riqueza de los temas y géneros que caracteriza la producción cinematográfi ca de México, desde sus principios hasta las
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realizaciones más recientes. Al panorama que se ofrece aquí han contribuido 31 artículos dedicados a obras claves y emblemáticas. Cada uno de ellos vincula un análisis detallado con los contextos políticos, sociales, culturales y estéticos que infl uyen en las respectivas películas. La fase que abarcan en general va desde la llamada Edad de Oro, pasando por las décadas de los setenta y ochenta —marcadas por una profunda crisis económica y artística—, y los inicios de un nuevo cine independiente, en los años noventa, hasta llegar, fi nalmente, a los éxitos internacionales a partir del 2000. Tales tendencias y características del cine mexicano se presentan a la luz de varios paradigmas metodológicos e históricos, entre los cuales se hallan la sociología y el psicoanálisis, las ciencias culturales y los estudios de género. Así, entre contextualizaciones históricas, el lector encontrará también nuevos enfoques teóricos, conclusiones y observaciones que podrá profundizar con selecciones de bibliografías sobre las películas analizadas, con informaciones sobre sus directores, guionistas y actores, y en algunos casos, además, con aspectos relacionados con la producción y la recepción." (Introducción)
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"This article shows how results were merged from a study conducted in four countries-Australia, the Philippines, South Africa and Mexico-in which differently versioned television news stories about conflict were played to audiences, and their responses gathered through a mix of methods, to yield bot
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h quantitative and qualitative results. These versions were coded according to the Peace Journalism model, a set of distinctions in the representation of conflict, originally conceived by Johan Galtung. A Peace Journalism bulletin and a War Journalism bulletin were produced in each country. Viewer responses-both emotional and cognitive-showed significant differences, depending on which version they watched. This article compares selected stories in each country, which had the strongest measured effects in the original study, and identifies common thematic elements. The most significant of these is that, in the Peace Journalism version of each of the selected stories bar one, viewers were provided with the personal narrative of a carefully chosen individual protagonist, which prompted both their empathy and, through that, their cognitive engagement with counter-hegemonic arguments in favour of non-violent conflict responses." (Abstract)
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"With regards to professional role orientations, the vast majority of journalists in Mexico found it extremely or very important to report things as they are, followed in second place by the role of promoting tolerance and cultural diversity, and the role of advocating for social change in third pla
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ce. The fourth role to which Mexican journalist gave top importance in a most (5) to least (1) scale was to let people express their views, followed by the role of monitoring and scrutinizing political leaders in fifth place. The top roles show a rich mixture of adherence: from the classic Western roles of dissemination (reporting things as they are), to the roles more associated with mobilization and promotion of positive social outcomes (promoting tolerance or advocating for social change), followed by democratic roles such as serving as forum (let people express their views) and the watchdog function of the press (monitoring political leaders). There appears to be greater consensus around the ten most-popular roles, as shown by the relatively lower standard deviations, than in the bottom ten roles. This indicates the journalists who support those roles are unusual and the values they represent are a point of contention within the corps of journalists. For example, the least prioritized role was to convey a positive image of political leaders which however had a fairly high standard deviation, followed by the role of being an adversary to the government, which ranked in penultimate place in order of priority and had the second highest standard deviation of them all. This suggests some journalists consider both roles very important while others do not at all. The support of government policy was also the third least prioritized role, followed by that of providing entertainment and relaxation in fourth place and by the role of being a detached observer of events in fifth place of low priority, but which had the highest standard deviation of them all, suggesting very little agreement on how distant should journalists be from the stories they report on." (Journalistic roles, page 2)
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"Mediated Communities brings together a diverse, global cohort of academics and professional communicators to assess the current state of democratic mobilizing around the world and the ways in which protest movements are being transformed in the midst of a communication revolution. The volume’s co
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ntributors draw on a variety of international settings—from Greece to Lebanon, China to Argentina—to demonstrate the ways in which community organizing in the digital age relies increasingly on digital media to communicate, help participants find common ground, and fight for change. The contributors acknowledge the challenges that lie ahead for creating real and lasting democratic change but at the same time are able to draw attention to the potential that digital media hold for strengthening citizen voices around the globe." (Back cover)
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