"While acknowledging the contribution of the dominant Hindi Sanskritic narrative tradition to the shaping of popular Hindi cinema, this chapter aims to explore the alternative narrative streams that have governed storytelling in Hindi films, particularly the Perso-Arabic legacy of the qissa and dast
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an that has been erased or marginalised in the construction of national cinema. Through tracing the disruption of the dominant Hindu epic narratives by the Perso-Arabic qissa or dastan, it will show that it is the imbrication of the Perso-Arabic heritage with the Hindu Sanskritic that constructs the syncretic cinematic universe of the Hindi film." (Pages 183-184)
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"Cinema in Central Asia is the first comprehensive and up-to-date account of the cinema of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan and Uzbekistan from its origins to the present day. Bringing together specialists from Central Asia, Russia, Europe and the United States, this companion to the
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cinema of the region combines serious scholarly study with practical accessibility to construct an historical narrative, discuss aspects of film production and consider the impact of film. The book also offers a deeper understanding of Central Asian culture that is invaluable with the geopolitical and economic emergence of this exciting region. The book opens with a broad history, paying particular attention to the emergence and expansion of the film industry, competing visions of nationalism and distinct phases of the post-Soviet film experience. A series of incisive articles written by specialists on Central Asian film follows. They explain early film institutions and themes, the impact of the Second World War, expressions of identity and protest during the Soviet era, as well as regional variations of post-Soviet filmmaking and political involvement. The final section comprises biographical and filmographical entries on the principal figures of Central Asian cinema that offer a much-needed reference for scholars and filmgoers." (Publisher description)
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"In order to understand people’s needs and identify opportunities to communicate with them effectively, Climate Asia has analysed survey data from across the seven project countries – Bangladesh, India, Indonesia, Nepal, Pakistan, Vietnam, and China – and placed people into five discrete segme
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nts using a process called cluster analysis. Each segment varies in the factors that enable and prevent response. As such, each has different communication needs and can be supported in different ways. We have called these segments surviving, struggling, adapting, willing and unaffected. The proportions of these segments represent the extent to which people from the seven countries (regional analysis) perceive impacts and are taking action to respond to them. Across the region, the majority (78%) are currently feeling the impacts of changes in climate, the environment and resources now: surviving (17%), struggling (21%), adapting (20%) and willing (19%). The unaffected (23%) are feeling fewer impacts and are taking less action." (Page 2)
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"This report seeks to provide an immediate overview of the current insecure media environment in which Afghan journalists work and the threat scenario potentially facing them after the 2014 withdrawal of international troops. The aim of the report is to provide input into local and international dis
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cussions on what the focus of media development support should be in Afghanistan in future to ensure that Afghan media can play its crucial role in supporting peaceful and democratic development. The data presented in this report largely stems from on-going monitoring of media workers’ safety carried out by the local body Afghan Journalist Safety Committee (AJSC) and its safety coordinators and network of volunteers across Afghanistan. The AJSC implements the IMS-established, countrywide Afghan Journalism Safety Mechanism, a set-up that combines a number of components to enable local media workers to survive and provide the public with accurate, reliable information under the most challenging of circumstances." (Introduction, page 4)
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"Highlights the findings of the LSE students’ work undertaken between October 2012 and March 2013: a literature review and analysis of BBC Media Action data from Palestinian Territories and Bangladesh on use of social media and civic participation. Findings include: Use of social media is positive
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ly associated with political efficacy and offline participation in the BBC Media Action data. These findings imply that BBC Media Action should engage purposefully with social media as a catalysing complement to traditional TV and radio programming." (BBC Media Action website)
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"The current UIS Questionnaire on Media Statistics provides information for three UNESCO frameworks, namely the Media and Information Literacy Framework, the Media Development Indicators Framework and the Framework for Cultural Statistics. The questionnaire collects data for reporting global progres
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s on Action Lines C2, C3, C8 and C9 of the World Summit on Information Society (WSIS) in UNESCO’s fields of competencies. In particular, Action Line C9 recommends appropriate policies to foster and sustain media and information development. This document provides country profiles for each of the countries that participated in the two pilot surveys conducted in 2011 and 2012." (Background, page 3)
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"On the whole, it seems religious television viewing had moderate or no influence whatsoever at attitudinal level among Hindu and non-Hindu viewers. In the light of the analysis, it is argued that strongly held religious beliefs and cultural dictates would not get influenced by religious television
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viewing as it lacked religious and spiritual sanctity." (Page 17)
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"Recent times have seen an increasing number of reports about the plight of press systems in the Western hemisphere in contrast to the growing prospects of the print media in Asia, particularly in countries like India and China. While many attribute the success stories of the Indian and Chinese news
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paper sectors to the inherent strengths of their booming economies, some argue that there are visible and invisible trajectories of these success stories." (Introduction)
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"This book captures a snapshot of the contemporary role of online journalism in rapidly evolving post-Soviet, post-Colour Revolution political environments, exploring the wider journalistic and political context alongside the use and influence of online news sites. In particular, it aims to fill a g
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ap in the literature by undertaking qualitative work in the post-Colour Revolution nations which seeks to assess the views of active journalists on the role of online political journalism in those environments." (Publisher description)
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"It is argued that to identify an Indian theory of communication Rasa and Dhvani experience must be studied in multimedia and multicultural contexts of the contemporary media universe and that such a theory shall emerge better from an in depth study of Indian folk media. The study explores the world
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within which the Haridasi Kirtankar sees himself/herself performing because the media universe within which traditional folk artists are performing and presenting their art has changed dramatically over the past two decades." (Abstract)
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