"Western, especially British interventions in Afghanistan, parallel the long history of photography. This article examines the resulting archive and considers its ongoing influence on the traditions of conflict photography through the concept of the ‘Feedback Loop’ coined by photographer Tim Het
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herington. Hetherington’s work is used as a departure point for an examination of the archival legacy of the male-gendered western gaze in ongoing western incursions. It focusses on Hetherington and contemporary practitioners to position and understand a repetitive cycle of photographic witnessing informed by the archive. Its perspective is on western traditions in the context of picturing Afghanistan and explores what underpins such traditions and how contemporary practitioners are rethinking, rememorizing and now restaging Afghanistan as a site of post-imperial ‘conflict’. It argues that what Hetherington identified as a ‘feedback loop’ is part of a much older tradition of picturing conflict and the combatants at its heart." (Abstract)
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"This article presents and discusses results from an exercise in comparative content analysis of news articles about issues of conflict produced by Afghan journalists before and after participating in an internationally sponsored training and mentorship programme in Peace Journalism. The programme w
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as part of a Preventing Violent Extremism (PVE) project, intended to create community resources for resilience, in the information sphere, towards conflict issues contributing to recruitment by non-state armed groups such as Islamic State–Khorasan Province (IS–KP). Peace Journalism is familiar as the basis for media development aid in contexts of conflict; however, its use in an intervention aimed specifically at PVE is relatively new. The results showed that the programme was effective, it is argued, in terms of benefits transferred to and applied by participating journalists. A sample of articles after the training showed a markedly higher Peace Journalism quotient than a baseline sample of articles by the same journalists before it. This suggested that the training and mentorship had successfully stimulated and enabled journalistic agency, taking account of constraints imposed by media structures and wider political and social contexts. The latter have become steadily more onerous under the Islamic Emirate (Taliban) government, in power since August 2021, according to international monitoring organisations. Implications are considered, in light of the findings, for future media development aid to Afghanistan." (Abstract)
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"This article presents and discusses data from two research methods on journalism in Afghanistan before the Taliban takeover of power in August 2021. News reports from the time of the intra-Afghan peace talks in September 2020 were analyzed using the Peace Journalism model. These were found to be pr
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edominantly War Journalism, leaving audiences cognitively primed for violent conflict responses and likely to overlook or fail to value peace initiatives. Interviews with 16 Afghan journalists revealed this pattern to be at odds with their aspirations and role perceptions. They wanted to report more in the style of Peace Journalism: revealing backgrounds and contexts; highlighting successes and achievements; giving a voice to all rival parties, and covering peace initiatives from whatever level. The constraints they identified, as impeding their preferred reporting approaches, were categorized using Reese and Shoemaker’s Hierarchy of Influences model. Some were attributed to the commercial competitive market structure of Afghan media under the internationally supported government, after an initial infusion of development aid was reduced. In any such intervention in future, it is argued, news can play a positive role in building a constituency for peace—but only if aid interventions ensure that media are not left to operate on a purely commercial basis." (Abstract)
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"Due to the increasing number of journalists being killed, kidnapped, and imprisoned across the globe, the safety of journalists seems to be deteriorating. The level of violence against journalists varies over time and from area to area, even within the same country. This article analyzes the violen
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ce faced by journalists in the conflict areas of Iraq, Syria, and Afghanistan. The collected data were analyzed thematically using the research question themes, namely threats and challenges affecting journalists; gender-specific risk; the number of affected journalists; types of risk factors involved in conflict reporting; and the recommendations for promoting conflict reporting and peace journalism education. Semi-structured questionnaires were designed, which entailed questions that were best suited in terms of the objectives of the study. Responses from the selected respondents (80) were recorded and then data from 1992 to 2020 were statistically analyzed. In conflict areas (Iraq, Syria, and Afghanistan), the highest number of deaths were recorded due to crossfire (45.8%). The findings illustrate that among three countries Iraq had the highest number of male (48.4%) and female (4.2%) journalists in terms of gender-specific risk. Further results show that military officials and political groups are the deepest risk factors causing threats to the lives of journalists. In conclusion, a journalist's geographic location, workplace environment, religion, and culture can influence their moral behavior, sense of judgment, general mindset, and psychological disposition, all of which influence journalists’ overall behavior and attitude. However, adopting safety measures by journalists does not always reduce the challenges of conflict areas." (Abstract)
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"This study aims to identify the challenges of women journalists in Afghanistan and their impact on the intention to leave the job. To achieve the objectives of this study, a mixed-method (qualitative and quantitative) has been used. In the qualitative section, 15 in-depth interviews were conducted
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with female journalists in Afghanistan using purposive sampling. The interview data were analyzed using “NVivo 12.” In the quantitative section, Maslach’s burnout theory was integrated with job demands, family job conflict, organizational support, and society job conflict scales as influential factors on the intention to leave the job. Quota sampling was used to send an online questionnaire to 350 female journalists in Afghanistan. As a result, 183 questionnaires were obtained, of which 157 were completed. Pearson correlation coefficients and multilinear regression tests with 95% confidence level (P*<*0.05) were used to analyze the data using “SPSS 25.” Emotional exhaustion, depersonalization, family job conflict, society job conflict, and intention to leave the job are all found to have a positive and significant relationship in this study. In contrast, this study found a significant negative relationship between the perception of organizational support and the intention to leave the job." (Abstract)
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"Following seminal study on journalistic attitudes towards wars and peace journalism, in this study we investigated the perceptions of conflict reporters in the three most deadly countries in the world including Iraq, Afghanistan and Pakistan. A total of 317 journalists participated in this study. T
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hough generally we found support for the earlier study, the analysis shows journalists engage in wider practices than predicted that overlap war and peace journalism approaches. A closer examination showed that journalists favored active war journalism practices and passive peace journalism practices. Finally, we did not find that journalistic experience and contextual factors influenced preferences towards war and peace journalism substantially." (Abstract)
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"This article examines the ways in which cinematic film underscores the latency of structural violence in its visualization of peace, specifically through the juxtaposition of the life world of the two main protagonists in the Danish film A War (2016): Captain Claus Pedersen who serves as a Danish s
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oldier in Afghanistan and his wife Maria who takes care of the family in peaceful Denmark. The analysis centers on the internationally acclaimed film A War, directed by Thomas Lindholm, which received an Oscar nomination for Best Foreign Language film. In contrast to many other films about war in general and the Afghanistan war in particular, it intimately portrays how the young family struggles with the consequences of a war taking place in faraway country and right in the middle of their life." (Abstract)
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"This study examines disinformation and propaganda in war in the age of information particularly through social media. It analyzes Twitter's posts of the Afghan government and the Taliban, from January to March 2018. For understanding disinformation, 952 tweets of both parties were crosschecked with
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four national media outlets and a civilian protection advocacy group; and to recognize how the belligerents tried to present and propagate, their contents were analyzed to identify terms that dominate their outbound information. The study found discrepancy in information disseminated by the warring parties and mainstream media. Terrorism and Jihad were dominant frames of government and the Taliban, respectively. The findings could contribute to a greater body of literature regarding propaganda in operationalization of social media in the conflict zone." (Abstract)
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"Afghan journalists have been experiencing a deteriorating situation, due to a multitude of threats. They operate in a situation of low popular literacy, as well as low media literacy. Threats from Taliban and other insurgents cause many journalists to live in constant fear. This article is based on
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interviews with 28 Afghan journalists. They report that they are less willing to take risks than before, their editors even less so. Routines are far from always in place in media institutions, and quite a few journalists have not received necessary security equipment. Almost all report experiencing post-traumatic stress syndrome, some have even experienced physical harm. We conclude by stating that Afghan journalists are caught in a balancing act, facing powerful violent insurgents, oppressive authorities and media owners." (Abstract)
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"In international conflict correspondence safety mechanisms are unequally employed to protect local news-staffs in contrast to international staffs. Arguably, this has had the greatest impact on image production from war zones, exposing local photojournalists to increased dangers. But it also raises
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the possibility that local photographers from conflict-torn countries may represent conflicts to international audiences differently than do international photographers. This possibility is explored in this study using the case of Afghanistan. Based on photojournalists’ perceptions and comparisons of international and locally produced images, we explore potential effects of the shifting reliance on local rather than international photojournalists on how distant wars come to be pictured to international audiences. This study advances an argument for giving increased protection to local photojournalists in conflict zones." (Abstract)
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"In this article, I seek to inform Peace Journalism (PJ) education and training in conflict-affected countries in particular. Based on a case study of the professional experiences of Afghan photojournalists, I offer insights into the acceptability and adoptability of PJ practice by journalists from
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conflict-affected countries. I present six key findings of a larger study on Afghan photojournalists in this article and discuss the lessons they hold for PJ training in conflict-affected countries." (Abstract)
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"In this article, I seek to inform Peace Journalism (PJ) education and training in conflict-affected countries in particular. Based on a case study of the professional experiences of Afghan photojournalists, I offer insights into the acceptability and adoptability of PJ practice by journalists from
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conflict-affected countries. I present six key findings of a larger study on Afghan photojournalists in this article and discuss the lessons they hold for PJ training in conflict-affected countries. In sections 1, 2, 3, 4 and 5, I provide some important theoretical, contextual and methodological background. In section 6, I discuss three professional adversities faced by Afghan photojournalists and evaluate the obstacles that implementation of PJ faces as a result of them. In section 7, I describe one professional motivator for Afghan photojournalists and discuss the opportunity it presents for PJ adoption. In section 8, I describe two other constraints faced by Afghan photojournalists related specifically to donor-funded media development in post-2001 Afghanistan and discuss their implications for PJ training. Finally in section 9, while noting the limitations of the current study, I offer two ways forward for PJ training in conflict-affected countries like Afghanistan." (Abstract)
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"Examines how policymakers, the donor community, and the private sector have prioritized and sequenced ICT initiatives in the aftermath of conflict. Case studies look at countries at different stages of post-conflict reconstruction in Afghanistan, Liberia, Rwanda and Timor-Leste, and postrevolution
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in Tunisia. In addition, the report proposes a conceptual framework to understand how ICTs can contribute to improving service delivery and assisting with nation-building. The opening of the report gives an overview of the relationship between conflict, reconstruction, and the role of ICTs. It builds on experience within the Bank as well as on a wide range of practitioner, academic, and other literature. The second seeks to establish a framework for understanding the ways in which ICTs interact with societies in transition from violence to stability, and for leveraging their potential to further that transition. The roots of this lie in understanding two fields of study, policy and practice: analysis of conflict and post-conflict reconstruction, and analysis of ICTs and the development of an information society. three then analyses the relationship between these two fields and proposes a framework for analysis and policy development. The fourth makes a number of recommendations to the World Bank Group, to other donors and development actors, as well as to the governments of countries emerging from violent conflict, and suggests areas for further research." (Back cover)
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"Picturing Afghanistan is an in-depth account of the Euro-American visualization of the conflict in Afghanistan. Comparing images in public affairs, psychological warfare, journalism and the photobook, the author argues that there are no strong boundaries between photography in war and photography a
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bout war. He shwos how and when the media have adopted, extended and counterframed the public affairs discourse of militarism and humanitarianism, and how and when public affairs rely on the aesthetic codes of photojournalism. Instead of enforcing a unified interpretation, the author considers photography's ambiguous and contradictory aspects. It is argued that, even within the conventionalized genre of photojournalism, photographs of conflict do not merely promote unity and social cohesion but express anxieties associated with the breakdown of imagined communities." (Back cover)
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"Since the fall of the Taliban in 2001, the Afghan media sector has experienced dramatic growth in all areas: television, radio, print, internet, mobile phones. As such, the sector holds tremendous potential for making significant contributions to peacebuilding in the country. However, the media sec
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tor also confronts numerous challenges that impede its ability to realize this potential – which can only be addressed through the combined efforts and attention of international and domestic stakeholders alike. Among the most pressing challenges is resolving the tension between information operations and counterinsurgency, on the one hand, and developing a viable, credible media sector on the other. All too often efforts to counter extremist messages through expanded military and government access to the airwaves (via purchased air time and proliferating “radio in a box” broadcasts from military outposts) have had a negative impact on both media market economics and media credibility. Sustainability is also a significant issue. A glut of media outlets has arisen that are privately licensed yet sustained by international donor funds and strategic communications money. This has had a deleterious effect on the perception of media, and its effectiveness as a guardian of public interests. The shortcomings of state-owned RTA as a public broadcaster further contribute to this, leading many experts to call for greater investment in long-term training and mentoring as well as regulatory reform to limit government manipulation of the airwaves." (Summary)
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"This book explores the journalism coming out of the Afghan war from the frontline and from the greater comfort of the library. It is an unusual hybrid: the testimony of some of the best frontline correspondents of our era, much of it placed in appropriate historical contexts, alongside detailed aca
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demic analysis – and much more. It ranges from the poppy fields of Helmand province to New York via the Iraq War and the modern rebirth of “embedding”. It mixes action, reflection and analysis and focuses on some of under-reported groups such as women and the humanitarian effort in Afghanistan.
It has its origin in a conference in Coventry in March 2010 put on as part of the university’s Coventry Conversations series (with financial support from the Pro Vice-Chancellor and the Dean of Business) in conjunction with the BBC College of Journalism and journalism.co.uk (the website forum for digitally active journalists). All of that conference can be seen and heard on bbc.co.uk/journalism and Coventry.ac.uk/itunesu. Many of the contributors to this book took part in that conference though some extra pieces have been specially commissioned. The war in Afghanistan will soon be coming up to its tenth anniversary.
Operation Enduring Freedom started on 7 October 2001 as a response to the 9/11 al-Qaeda attacks on the Twin Towers in New York. Freedom in Afghanistan has far from endured in that decade. There are today 100,000-plus US troops, 10,000-plus British troops and 17,000 from ISAF allies – including Germany, France, Italy, Poland and Canada.
US intelligence admit that there are now fewer than 100 al-Qaeda (the reason for invading in the first place) fighters left in the country and that the Taliban could fight on for ever. British Prime Minister David Cameron told the House of Commons on 14 June 2010 after his return from his first official visit to Afghanistan that it was only the presence of the ISAF troops that kept al-Qaeda from returning to Afghanistan in numbers. The West is fighting a phantom and desperately searching for an exit strategy. The trouble is they will leave behind an Afghan government scarred by illegitimacy, corruption and more. The Killing Fields will continue for a while yet. Journalism has escaped comparatively lightly – just nine Western journalists killed in Afghanistan since 2001.
Like all big stories, this war has attracted the cream of British journalistic talent especially the broadcast reporters. TV awards have been won on the field of battle by the new Brahmins – the war corrs parachuted in and out of Helmand. The idea for the conference and for the book took hold when I judged the Royal Television Society News Programme of the Year Awards for 2009. All entries featured front line action from their stars. Many of them have contributed to this book." (Pages 3-4)
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"This article argues that Johan Galtung’s theory on peace journalism can serve as a fruitful supplement to theory-building in the field of war and peace journalism, and critically reviews the scholarly debate on peace journalism. By using examples from Norwegian media coverage of the war in Afghan
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istan and examples of research on the Norwegian media coverage of the war, the author argues that Galtung’s theory on peace journalism can also serve as a useful platform for teaching and journalism training in the field of conflict and war reporting." (Abstract)
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"The development of media in post-Taliban Afghanistan has been relatively successful (compared with both the Taliban regime and other countries subject to international intervention) in establishing free and responsible expression despite the lack of electricity, harsh terrain, absence of viable med
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ia outlets during the Taliban regime, and a conservative religious society that subordinates women. However, Afghanistan’s media development remains incomplete. Since it still faces many challenges, the international community must continue to assist and support it. Three main processes contributed to Afghanistan’s initial media success: the proliferation of local media, especially radio; the government’s increased capacity to communicate; and international media that filled gaps that otherwise might have become problematic. This three-pronged approach in Afghanistan may provide useful lessons for other societies emerging from conflict." (Summary)
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"This article analyzes the framing of Norwegian media coverage of the war against terror in Afghanistan with special emphasis of the coverage of the Norwegian military presence in Afghanistan. Two main issues are discussed: 1. How was the start of the war covered in the media in October 2001? 2. In
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what context was the Norwegian military presence covered? The two newspapers analyzed are Aftenposten and VG. The choice of these two newspapers was made to include Norway’s largest and potentially most influential morning paper (Aftenposten) and its largest tabloid, as well as largest newspaper (VG). Quantitative as well as qualitative methods are used to analyze the coverage. Both Aftenposten’s and VG’s coverage on the first day of the war in Afghanistan are dominated by pro-US framing and the use of Western sources. The pro-US framing is more obvious in Aftenposten than in VG." (Abstract)
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