"This article explores the role that nongovernmental organizations play in the changing landscape of international news. Drawing on archival analysis and 65 interviews with nongovernmental organization professionals, it examines the resource commitments and values guiding research at leading humanit
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arian and human rights nongovernmental organizations. It finds that staff size, country coverage, and reporting capacity have increased substantially over time and now rival the resources found in major news organizations. Interviews reveal that nongovernmental organization work is guided by values of accuracy, pluralism, advocacy, and timeliness. These values overlap with and sometimes extend commonly held journalistic values, but they are not reducible to them. Findings suggest that nongovernmental organizations provide important ‘boots on the ground’ coverage of international affairs, even as their imbrication with journalistic practices raises important normative questions for nongovernmental organizations, journalists, and news audiences." (Abstract)
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"In contrast to the contemporary media perception the government aid provided to Ethiopia was pretty much existing money that was reconfigured and, despite appearances, there was no ‘new money’. The UK Government rejected any longer term ongoing engagement and was just concerned with short-term
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emergency relief, appearing to be generous in reaction to disturbing media images. Furthermore Ministers were concerned that the relief that was provided (airdrops of food by RAF planes) should garner the maximum possible domestic political benefit and reap the best political dividend vis-à-vis Cold War adversaries. It is apparent from this analysis that the ability of the media coverage to produce change in official policy and official assistance was less apparent than might first have appeared. Ultimately the impact of the coverage was far more significant upon driving public opinion and (with the advent of Band Aid) in the way it changed the nature of charitable giving and private philanthropy. So that in terms of policy effects the media on this occasion appears to have a greater effect upon the policies and institutions of the voluntary sector and NGOs. If the 1980s is considered the ‘decade of the NGO’, then the response to the media coverage of Ethiopia played a key part in this expansion. Thus, we can see that in response to the media coverage of the Ethiopian famine the ability of news coverage to push official policy was far less substantial than may have appeared at the time. When in successive academic debates the Ethiopian famine is considered historically as a case of a ‘strong CNN effect’ that is not strictly speaking true. Public policy did not shift as a result of powerful media coverage of suffering. Official humanitarian assistance was severely limited and there was no change of heart about development aid." (Conclusions)
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"Through a case study of Kiva.org, the world's first person-to-person microlending website, and other microfinance organizations, the book argues that international development efforts have an affective dimension. This is fostered through narrative and visual representations, through the performance
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of development rituals and through bonds of fellowship between Northern donors and Southern recipients. These practices constitute people in the global North as everyday humanitarians and mobilize their affective investments, which are financial, social and emotional investments in distant others to alleviate their poverty. This book draws on ethnographic material from the US, India and Indonesia and the anthropological and development studies literature on humanitarianism, affect and the public faces of development. It opens up novel avenues of research into the formation of new development subjects in the global North." (Publisher description)
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"At present, INGOs, development agencies and media producers who attempt to engage audiences in issues of international development and social change operate in an increasingly saturated media environment, which is content rich but time poor. This leads to a search for innovative, web 2.0-native way
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s of presenting these often complex and challenging issues such as is interactive web documentary -a format that combines digital, interactive and social media with the documentary form. In this article I consider how interactive web documentary might affect audience engagement with issues of international development and social change via audience surveys and interviews based on two cases of idocs. Three modes of engagement appear to be enhanced by the format: active, emotional and critical engagement. Barriers to engagement -access, audience interest and tensions between discourses of gaming and issues of international development and social change- must be negotiated for the format to succeed in its aims." (Abstract)
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"Natürlich ist Grundlage unserer Arbeit auch der Pressekodex. Darüber hinaus haben wir überlegt, was ist das Besondere von uns als katholisches Lateinamerika-Hilfswerk, als „Adveniat“. Wie spielt das mit rein in unsere Bildethik, unsere Ethik in der Öffentlichkeitsarbeit, die Ethik unserer B
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erichterstattung. Die Grundlage für uns ist der Mensch als Ebenbild Gottes mit seiner unveräußerlichen Würde. Notleidende Menschen und Menschen in Krisensituation wollen wir daher immer auch als Subjekte ihres Handelns darstellen und nicht als Opfer. Ganz wichtig ist außerdem: Wir akzeptieren das Recht auf das eigene Bild. Es gibt bei uns auch keine gestellten Bilder, selbst wenn das möglicherweise auf Kosten der Bildauswahl geht, die hinterher zur Verfügung steht. Wenn zum Beispiel ein Journalistenteam in einem Armenviertel für uns ein Projekt, das von „Adveniat“ unterstützt wird, recherchiert und dazu Familien in diesem Viertel besucht, dann werden nur mit Einwilligung dieser Menschen Fotos gemacht. Wenn eine Familie sich also schämt für ihre ärmliche Hütte und nicht möchte, dass man drinnen Bilder macht, dann gibt es eben nur ein Bild vor der Hütte – und damit müssen wir auskommen. Es kommt durchaus vor, dass wir Bilder, die wir gerne gesehen hätten, nicht bekommen. Möglicherweise gibt es dann am Ende sogar mal kein Motiv, bei dem wir sagen, das ist richtig plakattauglich oder es muss lange darum gerungen werden, weil kein entsprechendes Bild verfügbar ist." (S439-440)
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"Understanding how the British media has framed British aid efforts to Afghanistan is imperative to successfully campaign for continued public support for the long term development of the country. This is especially important given the scheduled troop withdrawal in 2014, which many commentators have
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cautioned is likely to result in a decrease in media interest on Afghanistan. This report investigates Afghanistan in the British print media from December 2008 to November 2013. Specifically, it focuses on the British print media’s portrayal of British aid efforts in Afghanistan in 2013. The report aims to provide the British and Irish Agencies Afghanistan Group (BAAG) with an understanding of the amount of coverage Afghanistan has received, how the British print media has framed British aid efforts in Afghanistan in 2013, the obstacles and influences that journalists face in reporting on Afghanistan, and how journalists perceive this narrative to unfold given the political developments ahead. The findings of this report are drawn from a Nexis UK search, a content analysis and interviews conducted with key journalists reporting on Afghanistan." (Executive summary)
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"Building a body of empirical evidence about why and how journalists use such multimedia and the consequences of this for journalism, NGO-work and those represented, is the central focus of this thesis. Unlike previous research on news coverage of Africa and journalists’ use of NGO-provided multim
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edia that tends to focus on the coverage of ‘disasters’ or ‘humanitarian emergencies’, this study analyses journalists’ use of NGO-provided multimedia about Africa during a very different news-making period – what journalists call a ‘quiet news week’.
The research involved sixty semi-structured interviews with those whose decisions shaped the production of six media items, which were also subject to qualitative content analysis. These items were about a range of topics and African countries: all of which were published or broadcast in news readily available to British audiences. But why and how journalists used NGO-provided multimedia was shaped most powerfully by the ‘moral economies’ (Sayer 2007) structuring each news outlet. These moral economies were found to have brought about a ‘quiet revolution’: leading to the emergence of a number of heterogeneous, normatively-laden coalitions between NGOs and news outlets, often hidden from the view of audiences. Consequently, journalists’ use of NGO-provided multimedia was found to have limited progressive potential: for it inhibited collective reasoning by preventing critical scrutiny, as well as systematically excluding the political value of ‘voice’ in ways which further marginalised the disadvantaged and powerless (Sen 2010)." (Abstract)
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"Through the efforts of increasingly media-aware NGOs, people in the west are bombarded with images of poverty and inequality in the developing world. Representations of Poverty is the first comprehensive study of the communications and imagery used by international NGOs to represent the developing
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world. In this meticulously researched and original book, Nandita Dogra examines the full cycle of representation - integrating analyses of the public messages of international development NGOs in the UK with the views of their staff and audiences. Exploring the Europeanised discourses inherent in appeals to this notion of a 'common humanity', she argues for a greater acknowledgment of NGOs as significant mediating institutions which can expand understandings of global inequalities and their historical causation." (Publisher description)
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"Through its accessible and provocative chapters, Popular Representations of Development introduces the idea that while the issue of 'development' - defined broadly as problems of poverty and social deprivation, and the various agencies and processes seeking to address these - is normally one that i
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s discussed by social scientists and policy makers, it also has a wider 'popular' dimension. Development is something that can be understood through studying literature, films, and other non-conventional forms of representation. It is also a public issue, one that has historically been associated with musical movements such as Live Aid and increasingly features in newer media such as blogs and social networking. The book connects the effort to build a more holistic understanding of development issues with an exploration of the diverse public sphere in which popular engagement with development takes place." (Publisher description)
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"This study critically reflects on a schism evident in debates surrounding ‘humanitarian communication’. On one hand, it is approached as embodying an ideal of ethical practice. On the other, ideal humanitarianism is deployed as the grounds for a critique, whereby ‘humanitarian practice’ is
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seen as compromised by exigencies and political-economic influence. Drawing on the testimony of humanitarian communication practitioners within major international agencies, we argue this also reflects a felt tension within the field, where practitioners are very aware of the practical constraints and material influences to which they are subject. In both cases, however, an assumed opposition between the ‘practical’ and the ‘ethical’ tends to position ‘humanitarian ethics’ as an ahistorical ideal that stands apart from, and acts as a check on, instrumental action. This paper argues that a more historically grounded analysis suggests a more complex interrelationship between ethical and instrumental concerns." (Abstract)
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"In diesem Kapitel geht es um die Rolle der Medien in der humanitären Hilfe und um das Zusammenspiel von Medien und humanitären Akteuren bei der Katastrophenberichterstattung und der damit verbundenen Spendenwerbung. Dabei wird insbesondere der Frage nachgegangen, wie Medien und Hilfsorganisatione
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n auf die Darstellung von humanitären Katastrophen einwirken und in welchem Abhängigkeitsverhältnis Medien und humanitäre Hilfsorganisationen stehen. Dazu werden Hintergründe, ob und wie Katastrophen in den Medien Aufmerksamkeit finden und was die NRO ihrerseits unternehmen, um die Medienaufmerksamkeit zu lenken, diskutiert. Auch die Rollenverteilung der humanitären Hilfsorganisationen als Informationsanbieter und Spendensammler sowie der Medien als „Beschaffer“ von Nachrichten, Informationsvermittler und Multiplikatoren für Information und Spendengewinnung wird näher betrachtet. Ebenso wird der dritte Akteur, der Konsument, in seiner Doppelfunktion als Nachrichtenrezipient und potenzieller Spender in die Ausführungen einbezogen. Bei dieser Betrachtungsweise ist zu betonen, dass es „die Medien“ genauso wenig gibt wie „die Hilfsorganisationen“. Im Folgenden werden Zusammenhänge beschrieben, die auf einen Großteil der Akteure im Kontext humanitärer Katastrophen zutreffen. Einen weiteren Aspekt bilden dabei auch der Einsatz und die zunehmende Arbeit mit den sog. neuen Medien." (Zusammenfassung)
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"The purpose of this paper is to understand how intergovernmental organizations and international non-governmental organizations have evaluated their communication activities and adhered to principles of evaluation methodology from 1995–2010 based on a systematic review of available evaluation rep
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orts (N = 46) and guidelines (N = 9). Most evaluations were compliant with principle 1 (defining communication objectives), principle 2 (combining evaluation methods), principle 4 (focusing on outcomes) and principle 5 (evaluating for continued improvement). Compliance was least with principle 3 (using a rigorous design) and principle 6 (linking to organizational goals). Evaluation was found not to be integrated, adopted widely or rigorously in these organizations." (Abstract)
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"This article considers research approaches often associated with media and journalism studies as complementary assessment strategies to inform decisions associated with evaluating foreign aid. In order to do so, the case of British foreign aid towards Colombia in the context of the War on Drugs is
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examined as a case study. The authors explore the relationship between aid giving and the receipt of aid by focusing on how the media can be used as a peacebuilding indicator. There is a dearth of academic inquiry into these issues. This article attempts to flesh out some future lines of scholarly enquiry using the UK–Colombia case study example. It uses research interviews with state officials, multilateral organizations and NGO representatives as well as a review of press coverage in Colombia over a two-year period. The article argues that media could potentially be used as an important indicator of peacebuilding success and failure in the context of aid giving and receipt but that to achieve that there are specific pre-conditions and issues to be addressed by the different parties." (Abtrtact)
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"This article critically examines Unicef’s campaign in Slovenia, aimed at helping children in Ruanda, which caused huge public support in terms of the raised finances and visibility, but it also provoked a serious opposition from African people living in Slovenia and some academics. The article in
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vestigates the role of negative stereotypical consequences of such African images. The method of our research was a detailed visual analysis of the campaign including profound interviews with different parties that gave us their point of view. The campaign was financially very successful, especially because of the big media coverage. The marketing company had no ethical hesitations in designing this campaign, although they received some hindrances from the Slovenian African Centre. The main goal was to raise as much money as possible to help these children, but helping in this way has never enabled Africa to develop into an independent continent. One article, which may present a true image of a certain area, is not problematic, but a continuous representation of only one image can lead to stereotypes that trigger discrimination. The Slovenian public received a confused, muddled and incomplete picture of Africa, because the images were taken out of context and portray the whole continent as helpless and in need of the ‘West’ to prosper. The used images consolidate the status quo of the European superiority. Overall, that kind of analysis can provide useful insights into some of the strategies for a more positive image of Africa in the future." (Abstract)
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"Discussion of the visual politics of solidarity, in relation specifically to the representation of suffering and development, has been grounded in analysis of images. This paper seeks to expand this debate by exploring the organizational politics that shape and are shaped by these images. The paper
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is inspired by production studies in the cultural industries and draws on interviews with 17 professionals from 10 UK-based international development and humanitarian organizations, who are engaged in planning and producing imagery of international development and humanitarian issues. It discusses how power relations, tensions, and position-taking shape the arguments and choices made by NGOs producing images of suffering and development. I focus on two arenas of struggle about how to visualize solidarity: (a) intra-organizational politics - specifically tensions within NGOs between fundraising and/or marketing departments, and communications, campaign and/or advocacy departments, and (2) inter-organizational politics: the competing tendencies towards convergence, cohesiveness, and collective identity of the humanitarian sector, and competition, distinction, and divergence between organizations on the other. I show that NGOs' visual production is an area of conflict, negotiation and compromise, and argue for the crucial need for attention to organizational politics in the production of visual representations of distant suffering in order to uncover diverse and competing motivations, and the forces driving current humanitarian and development communications." (Abstract)
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"‘Killer facts’ are those punchy, memorable, headline-grabbing statistics that make reports special. They cut through the technicalities to fire people up about changing the world. They are picked up and repeated endlessly by the media and politicians. They are known as ‘killer’ facts becaus
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e if they are really effective, they ‘kill off’ the opposition’s arguments. The right killer fact can have more impact than the whole of a well-researched report."
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"The analysis deals with the presentation of hunger and related emergencies in the mass media. It focuses on problems and structures of journalistic production processes and symbiotic relationships between the media and the aid industry. Mass media often create the impression that “hunger” occur
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s unexpectedly and abruptly. In this way media and journalists produce their own news value, which they need for selling the topic. Bad weather, climate change and natural disasters fit into the concept of mass media, their news selection processes as well as their production structures much better than the fact that hunger is a political phenomenon mostly, at heart, a major political scandal. Such scandals require profound analysis, investigation and a high level of journalistic independence and know-how." (Abstract)
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"Para la elaboración de una información veraz sobre Cooperación y los países del Sur, es necesario un empleo adecuado de la terminología, objetivo que Farmamundi pretende con el glosario de conceptos presentado en este documento, sin olvidar que hay tener en cuenta una serie de principios que c
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ontribuyen a que la información pueda ser lo más fiel posible a la realidad de los hechos sobre los que se informa. Por ello, dentro de esa idea de que ONGD y Medios de Comunicación aúnen esfuerzos para crear una conciencia social que persiga un mundo algo más justo y humano, se exponen a continuación algunas ideas que pueden servir de referencia para una labor comunicativa más instructiva." (Página 7)
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