"Der vorliegende Band nähert sich dem Wandel der Familien im Spiegel von aktuellen Film- und Fernsehproduktionen. Zum einen geht es darum, wie Filme von «realistischen» Familien erzählen – im Alltag, aber auch in Extremsituationen, Krisen und Konflikten, zum anderen werden in den Figuren auch
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Idealvorstellungen von Familie und Lebensglück artikuliert. Im ersten Teil werden allgemeine Überlegungen zu Entwicklungsprozessen und Konflikten in der Familie aus psychologischer Sicht und zum spezifischen Wandel der Familienwerte entfaltet. Der Hauptteil konzentriert sich auf die Analyse einzelner Filme: HÖHERE GEWALT von Ruben Östlund, ELTERN von Robert Thalheim, DIE FRAU DES POLIZISTEN von Philip Gröning oder SCHWESTERN von Anne Wild, wobei zu den beiden letzten Filmen ausführliche Interviews mit dem Regisseur bzw. der Regisseurin geboten werden. In populären TV-Serien wird das Familienthema in Bezug auf die Gegenwart in der TV-Soap GUTE ZEITEN, SCHLECHTE ZEITEN und in historischer Perspektive in der populären britischen Serie DOWNTON ABBEY untersucht. Ein spezieller Blick wird auf Familien in Kurzfilmen geworfen. Überlegungen zur Bedeutung des Films für die pastorale Arbeit der Kirche runden das Themenspektrum ab." (Verlagsbeschreibung)
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"This article critically assesses the possibilities and limitations of strategic communication initiatives to enhance cultures of governance among youth in Northern Ghana. The analysis is embedded within contemporary debates about communication and social change, with particular focus upon dynamics
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between citizen media development, youth-centred citizen journalism, and processes of community mobilisation and development. Findings suggest that the project has opened up to dynamic, youth-led social change processes, evidenced by the creative, proactive enactment of citizen engagement. Youth changed not only their self-perception around agency and ability to act, but also influenced community development in a variety of ways." (Abstract)
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"This Global Detention Project Special Report is aimed at improving our understanding of how people use social media during their migration journeys, with a special emphasis on their use in the context of detention and migration control in North Africa and the Mediterranean. Part I, “Exposing the
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‘Crisis,’” charts the historical relationship between migration and social media, reviewing the various tech responses to the "crisis" and highlighting the importance of human-centred design of new technologies." (Summary)
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"This study explores the influence of social media on the (re)formation of social memory and the production of historical knowledge in society. It takes several contested debates over historical events and figures on Weibo, one of the most widely used social media, as the case to investigate how soc
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ial media enable people to articulate previously unspoken experiences and memories, question the authenticity and accuracy of official history, and shape social recollection in China. This study argues that social media embrace a wide variety of diverse individuals as subjects who contribute to various mnemonic practices, facilitate the crowdsourcing and aggregation of alternative or counternarratives of the past, and cultivate the production of historical knowledge as a retrievable and reactivatable process. The contestation facilitated by social media over mnemonic knowledge transcends what happened in history and memory and sheds light on the complex political and cultural contentions in contemporary China." (Abstract)
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"The television broadcasting culture of Pakistan was changed dramatically in 2002. The President, General Pervez Musharraf, introduced a policy of liberalisation that enabled controversial issues such as honour killings, adultery, stoning to death, domestic violence, marriage after divorce and homos
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exuality to be increasingly depicted on screen. Women and TV Culture in Pakistan is the first in-depth analysis of this change in television content. Munira Cheema focuses on how 'gender issues' are dealt with on TV and examines the impact this has on female viewers. In Pakistan, television is often the only way in which women can access the public sphere (except through male guardians) and this book evaluates how TV content allows them to navigate their intersecting identities as Muslims, women and Pakistanis. At a time when religious conservatism is on the rise in the country, this book investigates why producers choose to focus on gender-based issues and the extent to which religion dictates social behaviour and broadcasting choices. Based on interviews with women viewers in Karachi as well as industry professionals including writers, directors and ratings experts, the research is a much-needed and original contribution to global television studies and gender studies." (Publisher description)
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"The road ahead is uphill: today worldwide some 327 million fewer women than men have a smartphone and can access the mobile Internet. Women are under-represented in ICT jobs, top management and academic careers and, as shown in this report, men are four times more likely than women to be ICT specia
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lists. At 15 years of age, on average, only 0.5% of girls wish to become ICT professionals, compared to 5% of boys. Women-owned start-ups receive 23% less funding and are 30% less likely to have a positive exit compared to male-owned businesses. This report explores a range of factors that underpin the digital gender divide, bolsters the evidence base for policy making and provides policy directions for consideration by all G20 governments. It has been prepared by the OECD at the request of the Australian Government to support advancement of the 2017 G20 Roadmap for Digitalisation: Policies for a Digital Future, in particular its aim to support the equitable participation of women in the digital economy. It complements the initiative of the 2018 Argentinian G20 Presidency to share policies, actions and national practices that have had a significant and measurable impact in bridging the digital gender divide, while supporting Argentina’s mainstreaming of gender across the G20 agenda. The report finds that hurdles to access, affordability, lack of education as well as inherent biases and sociocultural norms curtail women and girls’ ability to benefit from the opportunities offered by the digital transformation. In addition, girls’ relatively lower educational enrolment in disciplines that would allow them to perform well in a digital world – such as science, technology, engineering and mathematics, as well as information and communication technologies – coupled with women’s and girls’ more limited use of digital tools could lead to widening gaps and greater inequality. Acting now to reverse these trends can pay off: the reports finds that greater inclusion of women in the digital economy and increased diversity bring value, both social and economic. For instance, inventions arising out of mixed teams are more economically valuable and have higher impact than those in which only men are involved. Co-ordinated policy action can help narrow the digital gender gap. This requires raising a wareness and tackling gender stereotypes; enabling enhanced, safer and more affordable access to digital tools; and stronger cooperation across stakeholders to remove barriers to girls and women’s full participation in the digital world." (Foreword, page 5)
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"In this chapter we have offered an interpretation of the first twenty years of mobile telephony in marginal zones in Africa. With case-studies from central Mali, anglophone Cameroon and south-east Angola, we focused on the changes in both communication and mobility patterns, specifically in connect
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ion with marginality and social hierarchies. We started the chapter with a discussion of the concepts of marginality and mobility. The two next sections offered both positive evaluations of mobile telephony and more balanced or even negative views. Our subsequent discussion of social hierarchies made it clear that the mobile phone has indeed offered possibilities for marginalised people in Africa. Yet at the same time, social hierarchies have been reinforced through the new means of communication, and in some cases even deepened. We then showed that the changes in the realm of mobility have not overcome the patterns of inequality. Social hierarchies may even be exported into new contexts, and the possibilities therefore have not increased." (Conclusion, page 237)
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"The revised edition of 20 Questions about Youth and the Media is an updated and comprehensive guide to today's most compelling issues in the study of children, tweens, teens and the media. The editors bring together leading experts to answer the kinds of questions an undergraduate student might ask
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about the relationship between young people and media. In so doing, the book addresses a range of media, from cartoons to the Internet, from advertising to popular music, and from mobile phones to educational television. The diverse array of topics include government regulation, race and gender, effects / both prosocial and risky,, kids' use of digital media, and the commercialization of youth culture. This book is designed with the undergraduate youth/children and media classroom in mind, and features accessible writing and end-of-chapter discussion questions and exercises." (Publisher description)
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"Despite having a robust child protection framework and a burgeoning media, child rights abuse still occurs in Uganda. This takes the form of child neglect, defilement, torture, trafficking. The researchers set out to investigate media coverage of child rights issues in Uganda. A triangulation of me
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thods was used, and as will be shown later, reporting on child rights abuses is not systematic due to fragmentation of actors. The researchers found out that 185 child abuse stories were published in The New Vision in 2015. Most of the published stories were from the country’s capital – Kampala. The other obstacles to effective child rights reporting identified are as follows: concentration of reporters in urban areas, lack of special training in child rights reporting and commercial interests of media houses. The researchers recommend recruiting and training journalists to specifically report on issues of child rights and empowering upcountry reporters where many cases are committed." (Abstract)
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"IsiZulu is one of South Africa’s Lingua francas and has two successful news publications, iLanga and iSolezwe, both written in isiZulu but vastly different in how they convey, craft and package news. This article aims to examine how iSolezwe, an isiZulu-language tabloid, used two editorials to sh
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ape its stance on the May 2008 xenophobic riots. Through the editorials agenda-setting execution, we are able to analyse the tabloids ideology; even when the news reports, and photo-journalistic pieces offered ‘impartially full’ accounts, but, metaphors stray from headline to headline, photographs that are meaningless in themselves become significant when juxtaposed to a piece of text (Fowler 1991: 225) [...] ISolezwe’s coverage began with ambivalence, exhibiting sympathy towards the frustrated South African perpetrators, but was shocked at the level of violence. The news reports were more ‘balanced’ in their coverage, without assuming a position in contrast to the editorials. Examining the entire coverage, a theme is evident, from ambivalent editorials, to news reports that were more balanced. The second editorial dovetailed from the then president of the African National Congress (ANC) Jacob Zuma’s condemnation of the violence but the tabloid did not condemn the xenophobic riots outright, and its reporting ends with a repatriation theme and the tabloid never explored notions of integration." (Abstract)
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"La Comisión de Verdad y Reconciliación no solo documentó la violencia política de las décadas del ochenta y noventa, sino que también le dio a los peruanos una oportunidad única para examinar las causas y la naturaleza de esa violencia. En El arte después de un pasado fracturado peruano, ac
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adémicos y artistas desarrollan el trabajo de la Comisión, argumentando a favor de ampliar la definición del testimonio para incluir diversas formas de producción artística como evidencia documental. Su enfoque innovador en la representación ofrece perspectivas nuevas y convincentes sobre cómo los peruanos experimentaron esos años y cómo han intentado adaptarse a los recuerdos y legados de la violencia. Los análisis abarcan el arte, la memoria y la verdad que resuenan en toda América Latina tras las “guerras sucias” del último medio siglo. Explorando diversas obras de arte, incluidos monumentos conmemorativos, dibujos, teatro, películas, canciones, retablos y ficción, así como una aclamada novela gráfica, los colaboradores muestran que el arte, no limitado por la verdad literal, puede generar nuevas oportunidades para la comprensión empática y solidaria." (Casa editorial)
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