"Founded on the 22nd of October, 1955, in Paris, by pioneers of Protestant film work, INTERFILM is an international network of Church film and media institutions as well as dedicated individuals with the goal of coordinating dialogues between Church and film. Directed by the terms and aims of the Wo
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rld Council of Churches (WCC), it includes members from the Churches of the Reformation and the Orthodox Churches, but also Jewish people and representatives from the Catholic tradition, insofar as these latter are not active in SIGNIS. The fact that INTERFILM exists is due to the steadfast engagement of far-sighted personalities, and it is high time to finally acknowledge their film-cultural activities with a separate publication. I am pleased that this is possible through international involvement and in different languages, even if we must do without a consistent translation of all of the contributions. It is aimed at focusing the attention of the current INTERFILM members and partners on the journey up to now and at reflecting on the present state of dialogue between Church and film." (Foreword, page 8)
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"Each of the eleven chapters in Quoting God pairs an academic and a journalist. First, the scholar holds forth, followed by a "View from the News Desk." Together, they represent many and diverse voices. Badaracco's book shows the relationship between media culture and spiritual culture, recognizing
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how news and religious values influence political life, and how science, modernity, and disbelief come together to suggest social fragmentation or consolidation. Through the media, audiences learn, often with passion, what they believe, what they resist religiously, how to respect other religious ideas, and how to construct their own religious identity in a world of both mediated and actual communities. The book's conceptual and theoretical frame addresses emerging religions as well as traditional faiths. The first four chapters focus on the legal and constitutional frames informing national identity and the ideological climates of newsrooms where journalists "construct the mediated religious public square" (Page 14). The next four chapters discuss cross-cultural reporting in which a reporter navigates between two (or more) cultures in the required roles of being fair and balanced. The next three chapters explore faith and reason, science and religion, and the complexity of religious issues. The volume concludes with Gustav Niebuhr, formerly with the New York Times and now a member of the academy at Syracuse University, summing up the care and commitment of the journalist who covers religion in American life." (https://www.h-net.org/reviews)
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"Der Schwerpunkt der Missionschronik 2006 ist Papua-Neuguinea. Neben dem Bildteil stellen auch viele Artikel Aspekte der missionarischen Situation vor sowie die Antworten, die die Steyler Ordensfamilie heute dort gibt." (Vorwort)
"In December 2000 the government of Kano State in Muslim northern Nigeria reintroduced shari’a and established a new board for film and video censorship charged with the responsibility to “sanitize” the video industry and enforce the compliance of video films with moral standards of Islam. Sta
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keholders of the industry took up the challenge and responded by inserting religious issues into their narratives, and by adding a new feature genre focusing on conversion to Islam. This genre is characterized by violent Muslim/pagan encounters, usually set in a mythical past, culminating in the conversion of the pagans. This article will first outline northern Nigerian video culture and then go on to explore local debates about the religious legitimacy of film and video and their influence upon recent developments within the video industry. By taking a closer look at video films propagating Islam it will focus on three points: first, videomakers’ negotiation between the opposing notions of religious education and secular escapism; second, inter-textual relations with other (film)cultures; and third, political subtexts to the narratives, which relate such figures as Muslim martyrs and pagan vampires to the current project of cultural and religious revitalization." (Abstract)
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"Esta pesquisa propõe-se a demonstrar como uma terceira onda de recatolização brasileira está sendo constituída, liderada por uma nova face da Renovação Carismática Católica: o catolicismomidiático, cujo emblema é o fenômeno Pe. Marcelo Rossi. O estudo identifica as mutações culturais
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que alavancam a consolidação dessa recatolização, suas semelhanças com o neopentecostalismo protestante e os conflitos intra-eclesiais gerados por essa ofensiva de reinstitucionalização, inspirada e legitimada no pontificado de João Paulo II. Alerta-se, também, para os traços - neointegristas - e - exculturados - que tendem a redesenhar outra fase do catolicismo, a qual vem fermentando nos últimos trinta anos. No âmago dessa discussão, encontram-se os dilemas e os paradoxos que emergem na relação histórica entre a Igreja e a modernidade, quando a primeira apropria-se da cultura midiática, através do uso religioso dos meios de comunicação de massa, no afã de adaptar-se aos sinais dos tempos. A tese consta de três partes: a primeira captura as interfaces da vertiginosa ascensão do jovem sacerdote com a cultura de consumo; a segunda esboça os traços do catolicismo midiático e a maneira como ele configura imaginários, subjetividades e sociabilidades religiosas, veiculando-as na rádio, televisão, internet e cinema, além de analisar os desdobramentos sociais dessas práticas pastorais; e a terceira aproxima o leitor à dinâmica interna de uma instituição milenar, experiente na arte de gerenciar diferenças, negociar hegemonias e de manter um equilíbrio sistêmico. No seu conjunto, esta reflexão ambiciona sugerir a relevância do fenômeno religioso na sociedade contemporânea." (Resumo)
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"The Blackwell Guide to Theology of Popular Culture outlines various general theories of popular culture, identifies theologians and theological concepts that are conducive to analyzing popular culture, and explores religious themes that are asserting themselves through popular movies, novels, music
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, television shows and advertising. Includes information on apocalypticism, Augustine, Accenture, Apple, Google, McDonalds, MTV, Starbucks, bricolage, confession, Disney, Dogma (film), existentialism, commodity fetishism, God, the Gothic, guilt, the holy, idols and idolatry, Jesus Christ, Immanuel Kant, The Life of God (as Told by Himself), Friedrich Nietzsche, divine providence, Puritans and puritanism, religious symbols, sin, Six Feet Under (HBO series), Paul Tillich, tattoos, body piercings and scarification, simularum, etc." (Publisher description)
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"Nicola Galliner, die Gründerin und Leiterin des Jewish Film Festival Berlin (JFFB), hat nun im Bebra Verlag den Jubiläumsband herausgegeben, um die Geschichte einer Dekade dieses in Deutschland einzigartigen Filmfestes zu gebührend zu würdigen. Verschiedenste Kulturschaffende und Wissenschaftle
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rInnen aus aller Welt, vornehmlich aus Deutschland, England, Amerika und Israel, wollen durch ein buntes Kaleidoskop an Artikeln - Erinnerungen, Nachrufe, Erfolgsgeschichten und Reaktionen - den LeserInnen die ca. 180 Filme des Jewish Film Festival Berlin ins Gedächtnis rufen sowie das "Jüdische Kino" zitieren. "Was macht einen Film jüdisch?" - das ist hier die Frage. PublizistInnen, SchriftstellerInnen, LeiterInnen jüdischer Filmfestivals und FilmkennerInnen versuchen, auf diese Frage Antworten zu finden. Die Auskünfte sind vielschichtig und unterschiedlich, witzig und nachdenklich: jüdisch ist der spezifische Humor oder ein jüdisches Publikum oder was nicht langweilig ist oder etwas, dass man, wenn man es sieht, erkennt... Alles in allem ist diese Dokumentation eine unterhaltsame Lektüre für die Zeit zwischen den Jewish Film Festivals Berlin. Viele noch nie gesehene Fotos, Originalplakate der Kinofilme, ein Glossar hebräischer und jiddischer Begriffe sowie Kurzbiographien der einzelnen AutorInnen und eine Auflistung aller gezeigten Filme machen dieses Buch ganz sicher lesens- und stöbernswert." (https://www.aviva-berlin.de)
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"This book moves beyond sensationalism to consider how the evangelical movement has effectively targeted Americans—as both converts and consumers—since the 1970s. Thousands of products promoting the Christian faith are sold to millions of consumers each year through the Web, mail order catalogs,
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and even national chains such as Kmart and Wal-Mart. The author explores the vast industries of film, video, magazines, and kitsch that evangelicals use to spread their message. Focusing on the center of conservative evangelical culture—the white, middle-class Americans who can afford to buy “Christian lifestyle” products—she examines the industrial history of evangelist media, the curious subtleties of the products themselves, and their success in the religious and secular marketplace. To garner a wider audience, evangelicals have had to carefully temper their message, but in so doing, they have painted themselves into a corner. In the postwar years, evangelical media wore the message of salvation on its sleeve, but as the evangelical media industry has grown, many of its most popular products have been those with heavily diluted Christian messages." (Publisher description)
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