"Nicola Galliner, die Gründerin und Leiterin des Jewish Film Festival Berlin (JFFB), hat nun im Bebra Verlag den Jubiläumsband herausgegeben, um die Geschichte einer Dekade dieses in Deutschland einzigartigen Filmfestes zu gebührend zu würdigen. Verschiedenste Kulturschaffende und Wissenschaftle
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rInnen aus aller Welt, vornehmlich aus Deutschland, England, Amerika und Israel, wollen durch ein buntes Kaleidoskop an Artikeln - Erinnerungen, Nachrufe, Erfolgsgeschichten und Reaktionen - den LeserInnen die ca. 180 Filme des Jewish Film Festival Berlin ins Gedächtnis rufen sowie das "Jüdische Kino" zitieren. "Was macht einen Film jüdisch?" - das ist hier die Frage. PublizistInnen, SchriftstellerInnen, LeiterInnen jüdischer Filmfestivals und FilmkennerInnen versuchen, auf diese Frage Antworten zu finden. Die Auskünfte sind vielschichtig und unterschiedlich, witzig und nachdenklich: jüdisch ist der spezifische Humor oder ein jüdisches Publikum oder was nicht langweilig ist oder etwas, dass man, wenn man es sieht, erkennt... Alles in allem ist diese Dokumentation eine unterhaltsame Lektüre für die Zeit zwischen den Jewish Film Festivals Berlin. Viele noch nie gesehene Fotos, Originalplakate der Kinofilme, ein Glossar hebräischer und jiddischer Begriffe sowie Kurzbiographien der einzelnen AutorInnen und eine Auflistung aller gezeigten Filme machen dieses Buch ganz sicher lesens- und stöbernswert." (https://www.aviva-berlin.de)
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"This new electronic edition reproduces the thoroughly revised second edition which contained much new material including two completely new chapters – on information needs and existing responses in African communities, and on ideas and experiments for new information services to the whole communi
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ty. This substantially altered the emphasis of the book, so that it dealt more directly with information and libraries for the people of Africa. The Quiet Struggle contains not only a programme for a more relevant approach to conventional library service in Africa, but also a more thoroughly worked-out rationale for informal information services to the local community. This is based on new research on communication at village level in Malawi, and investigations into initiatives in information work in Senegal and Zimbabwe." (Back cover)
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"The Routledge Handbook of Family Communication offers a comprehensive exploration and discussion of current research and theory on family interaction. Integrating the varying perspectives and issues addressed by family researchers, theorists, and practitioners, this volume offers a unique and timel
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y view of family interaction and family relationships. With a synthesis of research on issues key to understanding family interaction, as well as an analysis of many theoretical and methodological choices made by researchers studying family communication, Family Communication serves to advance the field by reframing old questions and stimulating new ones. The contents are comprised of chapters covering: zheoretical and methodological issues influencing current conceptions of family; research and theory centering around the family life course; communication occurring in a variety of family forms; individual family members and their relationships; dynamic communication processes taking place in families; family communication embedded in social, cultural, and physical contexts." (Publisher description)
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"Das Kinderfernsehen in Deutschland verzichtet in seinen Sendungen weitgehend auf Religion und religiöse Inhalte. David Biesinger beurteilt diesen Mangel aus der Perspektive der Zuschauer, also der Kinder, und klärt, welche Auswirkungen dies auf den Sozialisationsprozess und das religiöse Lernen
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hat. Er spricht sich deutlich für eine vermehrte Präsenz religiöser Inhalte im Kinderfernsehen aus und zeigt Entwicklungsperspektiven für das Kinderfernsehen auf. Selbst Theologe und Journalist, stößt Biesinger einen Dialog zwischen Religionspädagogik und Kinderfernsehen an, der bislang kaum geführt worden ist." (Verlagsbeschreibung)
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"An analysis of the book markets in Kenya, providing general background, details of the education system, together with overviews of the general, academic and professional, and school book markets, and supported by a wide range of appendices and tables." (Hans M. Zell, Publishing, Books & Reading in
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Sub-Saharan Africa, 3d ed. 2008, nr. 589)
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"Alongside other measures such as funding of public broadcasting services, regulation of relations between broadcasters and producers and the implementation of tax incentive schemes, direct funding is one of the most traditional and important ways in which public authorities support the film and aud
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iovisual industry. Virtually all European States, as well as territorial communities, regions, some municipalities, the European institutions (Council of Europe, European Community) and various intergovernmental organisations have set up direct aid mechanisms that provide around EUR 1,3 billion of funding for the industry each year. The European Audiovisual Observatory's KORDA database, an important source of information for this report, lists more than 170 support bodies and around 600 different aid programmes. Backed up with facts and figures, this study illustrates the enormous diversity of these mechanisms: diversity in terms of legal foundations, the tasks fulfilled by national support bodies, funding, methods of intervention and, in particular, the sums involved. Despite this variety, which results from the history and political and administrative structure of each European state, the support bodies are keen to find common conceptual ground for their policies, based on the notion that film and audiovisual creativity cannot be governed solely by the rules of the market and that funding is justified by the need for cultural diversity. The European Commission does not question this principle, although it does have to ensure that funding does not disrupt the correct functioning of the common market. The report describes how this whole issue has evolved since 1963 up to the recent European Commission Communication of 16 March 2004. The report covers recent events up to spring 2004: reform of Eurimages, new laws in Germany, Italy, Hungary, draft laws in Poland and Portugal, etc. Finally, Olivier Debande, an expert at the European Investment Bank, analyses the role of private investors and intervention by the banking sector in three countries using distinct models (USA, United Kingdom, France)." (Back cover)
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"This is a historical and cultural survey of Indian cinema written by a social scientist and a film historian. The reader is provided with the social, political, religious and cultural context of India over nine decades [...] it is low on theory and high on description." (European Journal of Communi
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cation 14(2) June 1999 on the 1st ed.)
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"Charts the planning and implementation of a digital publishing programme over a three-year period at the Human Sciences Research Council, a large South African social science research body. The case study is contextualised in the need to overcome the digital divide to give African scholars a real v
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oice in the global community. It deals with the challenges faced by African scholarly publishers and organizations wanting to use digital media to disseminate their research findings: the importance of strategic choices, finding the right mix of technologies, managing the technical and organizational process of getting a digital publishing programme up and running, and putting effective promotional and distribution strategies in place to ensure the success of a digital publishing programme. The case study also examines how applicable its findings are to other countries in Africa and, in particular, explores the limitations of digital dissemination in a South African context and identifies the ways in which a multi-pronged approach, using digital, print, e-mail and fax, can most effectively reach a wider market. It concludes that such a multi-pronged approach can be an effective way of ensuring the international reach of Africa scholarship." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 2069)
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"For a long period, Sida has been the main donor for textbook production and distribution in Tanzania. After several years of stagnation in the sector (despite generous support), the shortage of textbooks in schools had become alarming, and the Government of Tanzania (GoT) and Sida agreed upon a new
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start. The New Textbook Policy (of 1991) abolished the state monopoly in textbook production, and a new curriculum for primary school was ready to be launched. Accordingly, there was a need for new textbooks in all subjects. In addition, the former single-textbook system was to be replaced by a multitextbook system, with free choice of textbooks in school (in accordance with the New Textbook Policy). The Pilot Project for Publishing (PPP), 1993-2000, was started as an instrument for implementing the new policy and helping to strengthen the textbook sub-sector. The main aim was to smooth the transition from monopoly to market system in the textbook sector. Thus, the task of the PPP was to transfer responsibility for textbook publishing and distribution step-by-step to local commercial publishers and booksellers. The overall objective of the project was to find new ways to improve the quality of education. The private actors that were introduced into and involved in the project were intended to achieve supply of cheap and good quality textbooks. The purpose of this evaluation is to show whether and, if so, how the quality, availability and cost of school textbooks have been improved by the PPP." (Executive summary, page vii)
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"The growth of educational publishing in Kenya depends heavily on the disposable income of its customers. This article looks at the incomes of both actual and potential customers, and how they prioritize their spending. The findings are based on extensive research carried out by the author between 1
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997 and 2000 (see also entry 624 above), revised and updated in 2003. In selecting the areas to conduct the research, socio-economic factors, geographical conditions and level of development were considered. It was found that most textbook purchasers think that textbooks are very expensive in comparison with their income levels. The study also demonstrated that the rate at which textbook prices increase is higher than the increase in income levels, and, as a result, there will always be a shortage of textbooks in schools, and in the homes of consumers as they will always choose their own priorities: "Textbooks will always be the last of the priorities of most Kenyans, as they will search for the essential commodities of life first. Although the government is planning to purchase textbooks for primary schools, the problem will still persist as the books bought for use in schools will be only the recommended textbooks, while parents will still be buying supplementary textbooks." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 625)
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"A short but succinct four page overview of the book publishing industry in Nigeria, which has been in steady decline since the 1980s: "At one stage, prospects for the book industry in Nigeria appeared rosy. The Federal Government established paper and pulp making industries, and an elaborate plan w
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as drawn up for achieving self- sufficiency in the production of books for the nursery/primary, secondary, and tertiary tiers of education. Unfortunately all that, or most of it, collapsed following the nation's economic downturn of the 1980s. Book famine descended on Nigeria." The author examines various initiatives to improve the state of the book sector to make it meet the needs of the educational system, government decrees regarding indigenous publishing, national book policies (or the lack of it rather at the present time), a national book development council (which has been dormant for years), and other interventions." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 799)
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"Biblionef SA is the South African branch of an international book assistance organization for children’s books. The author describes the background of the organization, its principal aims, the methods of distribution of its book donations, and some of its other activities, which includes publishi
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ng and reprinting of select titles, and promotion of children’s literature in indigenous languages. While Biblionef SA receives book donations, most of its stock is purchased from South African publishers, at reduced prices. An important principle of Biblionef is that it exclusively distributes new children's books." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 1424)
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"Une communication présentée à la 70e Conférence générale de l'IFLA qui s'est tenue à Buenos Aires en août 2004, qui fait le point sur la collaboration internationale entre la France et les pays d'Afrique dans le domaine de l'édition de livres pour enfants et de l'accès aux livres par les
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enfants en Afrique. L'article aborde également le développement des services de bibliothèques publiques, la promotion de la lecture, la formation aux métiers du livre, la production et la distribution de livres pour enfants en Afrique. Il décrit certaines initiatives et activités menées par des organisations et agences françaises impliquées dans ce domaine, propose un certain nombre de recommandations pour renforcer la collaboration future et souligne la nécessité d'établir d'autres partenariats pour assurer l'accès aux « livres pour tous » en Afrique. L'auteur est l'un des rédacteurs de la revue Takam Tikou." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 1662)
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