"The Encyclopedia of Chinese Film, one of the first ever encyclopedias in this area, provides alphabetically organized entries on directors, genres, themes, and actors and actresses from mainland China, Hong Kong and Taiwan as well as 300 film synopses. Great care has been taken to provide solid cul
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tural and historical context to the facts. The alphabetical entries are preceded by a substantial historical section, incorporating material on the the main studios and analysing the impact of Chinese film abroad as well as at home in recent years." (Publisher description)
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"A report commissioned by the South African government's Department (now Ministry) of Arts, Culture, Science and Technology to research South Africa's cultural industries and propose strategies for their growth and development. The term "cultural industries" is used here to describe a wide variety o
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f cultural activities, most of which have commercial objectives as their prime motivating force, with activities taking a number of different forms, from the manufacture or creation of products to the marketing and distribution thereof. The cultural industries on which the report concentrated are the music industry, the craft industry, the publishing industry and the film and television industries. The methodology followed for the study is in the nature of an industry strategy analysis. Each sector report is principally an economic analysis, providing baseline data for each of the four sectors, and focusing on the economic and social contribution of each sector; the impediments to growth, and the opportunities for employment creation and competitive development. Each sector report concludes with strategic policy recommendations for interventions by both the public and private sector. The book publishing industry is covered in sector 4, electronic publishing in sector 5, and other sectors are devoted to an overall evaluation of the four segments of the industry, a SWOT analysis, and a final section devoted to an analysis of global trends in the publishing industry." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 1090)
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"Ces 200 pages retracent l'évolution de la presse en Afrique, depuis les origines au XVIIIe siècle jusqu'à l'émergence de la " nouvelle presse " privée audiovisuelle et écrite dans les années 1980 et 1990. Analyses par régions, encadrés consacrés à un journal, portraits de journalistes et
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d'hommes de presse, chronologies et index confèrent à cet ouvrage une dimension pratique pour ceux qui veulent mieux connaître les racines profondes de la presse africaine (hors Maghreb) d'aujourd'hui." (Dos de couverture)
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"The media industry in Tanzania has gone through four major phases. There were the German colonial media established to serve communication interests (and needs) of the German administration. By the same time, missionaries tried to fulfil their tasks by editing a number of papers. There were the med
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ia of the British administration established as propaganda tool to support the colonial regime, and later the nationalists’ media established to agitate for self-governance and respect for human rights. There was the post colonial phase where the then socialist regime of independent Tanzania sought to „Tanzanianize“ the media - the aim being to curb opposition and foster development of socialistic principles. There was the transition phase where both economic and political changes world-wide had necessitated change in the operation of the media industry. This is the phase when a private and independent press was established in Tanzania. Martin Sturmer goes through all these phases and comprehensively brings together what we have not had in Tanzania before: A researched work of the whole media history in Tanzania." (Preface)
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"[This book] puts basic skills of cultural analysis into the hands of ordinary persons, particularly those who gather with others guided by a religious tradition to worship God. These skills include: a rehtinking of the word culture itself; finding the usually anonymous names and faces behind any el
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ectronic communication; understanding how culture is produced; skill in decoding the iconic images we see and the metaphoric images by which we see; the ability to evaluate what we see and hear; new forms of personal and communal agency." (Back cover)
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"A collection of papers on academic journal publishing and scholarly communication in Africa, which aims to provide a better understanding of the nature, role, current status, and future prospects of journals in the African context. Papers address issues such as the challenges of editing scholarly j
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ournals in Africa, the significance of the new information technology for African journals, African journals in a digital environment, and journals marketing on the Internet. There is also a case study of the “tribulations” and problems encountered by a science journal published in Ethiopia. A paper on Latin America and the Caribbean rounds off the volume, and provides both comparisons and contrasts with Africa." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 1917)
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"Challenging the popular myth of a present-day 'information revolution', Media Technology and Society is essential reading for anyone interested in the social impact of technological change. Winston argues that the development of new media forms, from the telegraph and the telephone to computers, sa
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tellite and virtual reality, is the product of a constant play-off between social necessity and suppression: the unwritten law by which new technologies are introduced into society only insofar as their disruptive potential is limited." (Publisher description)
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"The theme of the 1998 Zimbabwe International Book Fair was ‘Books and Children’, and children were the main focus in all the deliberations, from policy debates to storytelling. This is a collection of 56 papers, report-backs and discussions that were presented at the Indaba. The papers are grou
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ped in five parts; those from the plenary sessions; Policy; Children’s Literature; Scholarship and Research; and Access and Technology." (Hans M. Zell, Publishing, Books & Reading in Sub-Saharan Africa, 3d ed. 2008, nr. 1705)
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