"Historically, cinema in the Americas has been signed by a state of precariousness. Notwithstanding the growing accessibility to video and digital technologies, access to the material means of film production is still limited, affecting the spheres of production, distribution, and reception. Equally
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, questions about the precarious can be traced in cultural and archival policies, film legislations, as well as in thematic and aesthetic choices. While conventional definitions of the precarious have been associated with notions of scarcity and insecurity, this volume looks at precariousness from a non-monolithic angle, exploring its productivity and potential for original, critical approaches, with the aim of providing new readings to the variedly rich and complex cinemas of the Americas." (Publisher description)
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"From the punch card calculating machine to the personal computer to the iPhone and more, this in-depth text offers a comprehensive introduction to digital media history for students and scholars across media and communication studies, providing an overview of the main turning points in digital medi
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a and highlighting the interactions between political, business, technical, social, and cultural elements throughout history. With a global scope and an intermedia focus, this book enables students and scholars alike to deepen their critical understanding of digital communication, adding an understudied historical layer to the examination of digital media and societies. Discussion questions, a timeline, and previously unpublished tables and maps are included to guide readers as they learn to contextualize and critically analyze the digital technologies we use every day." (Publisher description)
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"This briefing summarises the proceedings of the third workshop in a project to stimulate dialogue between European and Arab stakeholders about European screen content for young children of Arab heritage who are living in Europe through forced migration." (Page 28)
"Introduite dès les années 1930 sur les terres africaines et durablement ancrée au lendemain de la Deuxième Guerre mondiale, la radio s’est peu à peu adaptée à l’environnement culturel, social et politique africain. Ses évolutions successives ont suivi la courbe des mutations culturelles
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et sociopolitiques qui ont traversé l’histoire contemporaine du continent. Car, comme le dit André-Jean Tudesq, « on ne peut séparer les médias des sociétés dans lesquelles ils se diffusent. Ils ne forment pas un système autonome, mais participent à la fois aux systèmes politique, économique et culturel locaux » (2009). Mais si l’on s’intéresse uniquement à la situation de ce début de siècle, on pourrait noter plusieurs changements par rapport à celle de la dernière décennie du XXe siècle." (Résumé)
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"According to Gartner IT Glossary (2012), "identity and access management (lAM) is the security discipline that enabled the right individuals to access the right resources at the right times for the right reasons." Simply put, it is making sure your users are who they say they are and only have acce
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ss to what you want them to have access to. In addition to preventing unauthorised parties from exploiting your organisation 's resources, lAM technologies can help manage subscriptions to online resources where cost is based on the number of users accessing protected content." (Page 2)
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"Las contribuciones reunidas en este volumen buscan dar un paso en el esfuerzo por exami-nar las condiciones y problemas que han rodeado y rodean la producción, circulación y usos del libro en un país poco conocedor de su historia libresca y editorial. Los textos reconstruyen diversos momentos en
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el desarrollo de una cultura impresa local, que se vio delineada por políticas estatales, movilidades transnacionales y no pocos agentes y producciones que activaron cambios de relevancia dentro del espacio cultural nacional. El libro plantea un recorrido que parte desde el siglo XVI, antes de la llegada de la imprenta al territorio neogranadino, y se extiende hasta los albores del siglo XXI para examinar las nuevas condiciones del mundo del libro. Entre ambas orillas, se analiza el dinamismo tomado por el mundo impreso y sus mediado-res durante el siglo XIX, así como lo ocurrido en el siglo XX, cuando se produjo el momento de mayor modernización editorial y expansión de los grupos lectores colombianos." (Descripción de la casa editorial)
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"What this chapter does is to see critical disourse analysis (CDA) as a method of critical enquiry in communication research that is beyond traditional academic analysis. The chapter looks at CDA as a Western-originated paradigm of social enquiry with a difference. As I will discuss in subsequent se
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ctions, CDA is concerned with the issues of inequality, management of power relations among elites, ideology and dominance expressed in linguistic forms. Following Fairclough (2016), Van Dijk (1993) and Resigl and Wodak (2016), CDA seeks to correct the ills of the society. It is a social movement that aims to correct the injustice meted against the poor and the powerless by deploying the power of language to draw attention to the issues of inequality, injustice and exploitation. As a method of critical enquiry, CDA is a level above a theory or research methodology. Why is this important for communication research in sub-Saharan Africa? Sub-Saharan Africa is faced with challenges related to governance, poverty, corruption and a host of other areas. The media itself is not insulated from these challenges. Studies by Williams (2014), Wasswa and Kakooza (2011), Ladamo and Skjerdal (2010), Yusha’u (2009, 2010a) and Skjerdal (2010), have shown how corruption, “freebees” and other forms of bribery plague the media industries in sub-Saharan Africa. To understand the causes of these challenges and how to solve them, CDA is a major platform." (Page 466)
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"Este Manual de edición busca guiar a todos los interesados a lo largo del proceso que conduce a la publicación de un libro tanto impreso como digital, desde el momento de su concepción hasta su venta. Manuel Gil y Martín Gómez analizan las similitudes y diferencias entre las cadenas de valor a
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nalógica y digital, exploran las posibilidades para la distribución de las obras que ofrecen los nuevos canales, así como también las estrategias de promoción y mercadeo que tienen en las redes sociales, entendidas como redes de recomendación, un activo fundamental. Se da cuenta, en suma, de los conocimientos que la industria editorial exige hoy al editor; conocimientos relacionados con el manejo de diferentes lenguajes de programación, la edición de contenidos para múltiples dispositivos, la gestión de comunidades en línea y el seguimiento y monitoreo de la información que arrojan las interacciones con los lectores en Internet." (Descripción de la casa editorial)
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"The 16th Afrika Film Festival Köln will present 75 new films from Africa – with a wider focus on migration within Africa Let’s start with some numbers: there are currently 68 million displaced people worldwide, most of whom now reside in countries bordering their homelands. The wide range of r
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easons for their displacement is well known: war, democratic defi cits and economic deprivation. Only a small percentage of the world’s refugees (around 17 percent) make it to the comparatively rich Europe, while 30 percent of all refugees live in sub-Saharan African countries. If we include the Maghreb, the percentage of the world’s refugees accommodated in Africa swells to around 50. Migration within Africa is one of the key focal points of this year’s Afrika Film Festival Köln, with 25 fi lms in the main programme and many others in the supporting events that directly or indirectly address the issue." (Introduction)
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"For over a thousand years, Chinese journalism was dominated by the official gazette called DiBao (Peking Gazette). This organ of the imperial state comprised edicts, news of government appointments and court affairs, and served a small privileged readership. It was not until 1815 that what could be
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considered the first modern periodical (though not strictly speaking a Chinese publication) was to appear in China. This was the work of two British missionaries, Robert Morrison and William Milne, and it marked the beginnings of a process, spanning the nineteenth century, in which a group of predominantly British and American Protestant missionaries pursued a strategy of evangelism centred on the development of journalism, publishing and printing enterprises in China. This chapter aims to provide a short outline of this process and some reflections on its wider cultural consequences." (Page 67)
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"Auf Glaubwürdigkeit und Vertrauen, auch auf die Allgemeingültigkeit grundlegender und verbindlicher Wertvorstellungen, gründet sich allerdings das Zusammenleben in der menschlichen Gesellschaft. Wo verbreitet Misstrauen herrscht, ist ein konstruktives Miteinander kaum noch möglich. Wenn Misstra
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uen sogar absichtlich geschürt wird, um zu polarisieren, gefährdet dies unsere Demokratie. Öffentliche Debatten werden in vielen Fällen aggressiver, falsche Aussagen verbreiten sich schneller denn je. Den klugen Umgang mit Informationen muss man lernen, möglichst schon in der Schule. Insofern ist Glaubwürdigkeit auch bedeutsam für die politische Bildung. Über ein so kontroverses Thema muss man mit überzeugenden Argumenten auf der Grundlage nachprüfbarer Informationen sprechen und auch streiten, um sich eine Meinung zu bilden. Dazu will dieser Band beitragen. Die Schwierigkeit – oder eher Kunst – bei einem so breit angelegten Thema liegt in der Beschränkung. Nach reiflicher Überlegung haben wir uns entschieden, „Glaubwürdigkeit“ in den drei gesellschaftlichen Feldern „Politik“, „Medien“ und „Gesellschaft“ aus verschiedenen Perspektiven zu beleuchten." (Editorial, Seite 8)
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"Roots of the New Arab Film deals with the generation of filmmakers from across North Africa and the Middle East who created an international awareness of Arab film from the mid-1980s onwards. These seminal filmmakers experienced the moment of national independence first-hand in their youth and reta
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ined a deep attachment to their homeland. Although these aspiring filmmakers had to seek their training abroad, they witnessed a time of filmic revival in Europe - Fellini and Antonioni in Italy, the French New Wave, and British Free Cinema. Returning home, these filmmakers brought a unique insider/outsider perspective to bear on local developments in society since independence, including the divide between urban and rural communities, the continuing power of traditional values and the status of women in a changing society. As they made their first films back home, the feelings of participation in a worldwide movement of new, independent filmmaking was palpable." (Publisher description)
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"This analysis of digital advertising technology and its relevance to disinformation online is designed to broaden the focus in the current public debate beyond Russian operatives buying ads on social media. The problem is much bigger than that and the issues of concern are more diverse. Our analysi
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s points to the core challenge of disentangling the alignment of interests between the commercial pursuits of digital platform companies and the success of disinformation-based political advertisers. It is a mistake to fixate on Russia. Russia is one of many online disinformation operators targeting Americans. Future disinformation campaigns may just as likely be run by domestic operators as foreign ones. These operators will most likely leverage the most dominant U.S. internet platforms to reach tens upon hundreds of millions of Americans. The full range of these disinformation campaigns could produce a grave public harm. In particular, they can progressively weaken the integrity of our democracy by separating citizens from facts and polarizing our political culture." (Conclusions)
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"El cine de cárceles ha desarrollado un lenguaje propio, casi como si de un género se tratase. Y lo ha hecho para presentarse ante la audiencia con muy diferentes intenciones: desde denunciar un sistema penal con serias imperfecciones a relatar historias de superación, pasando por descubrir injus
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ticias e implicarnos en trepidantes fugas. Pero ya sea con la intención de emocionarnos, sobrecogernos o incluso hacernos reír, cada vez que una cámara se ha colocado al otro lado de las rejas lo ha hecho para recordarnos el valor de un bien no siempre del todo apreciado: nuestra propia libertad." (Cubierta del libro)
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"Since their origins in the late 1950s, Latin American communication studies have become increasingly institutionalized and thematically diverse. This evolution, however, has circulated to a limited extent beyond borders, as noted by North American scholars in the 1990s. Attentive to this problem, t
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his article reviews how Latin America has featured in Communication Theory’s archive since 1992 and introduces a Special Issue that incorporates recent contributions from the region into the journal’s corpus. The analysis shows the extremely limited presence of Latin America in Communication Theory both in terms of substantial contributions to theory-building arising from the region, and of Latin American authorship. We argue that this state of affairs evidences the need for explicit editorial policies aimed at addressing the gap, and for increased cross-border interaction among scholars. The Special Issue hereby introduced contributes to resituating Latin America in international communication theory by foregrounding situated approaches generated in the region." (Abstract)
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"Tendo como pressuposto inicial a afirmação de que o ato de compra de um livro indica uma demanda cultural por parte do comprador ou do potencial leitor, e assumindo a correlata afirmação de que os títulos mais difundidos em determinada sociedade em dada época podem indicar suas dominantes cul
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turais, o livro Mercado Editorial Brasileiro analisa os livros de autores nacionais mais vendidos no Brasil nas décadas de 1960, 1970 e 1980. Para traçar as linhas gerais do perfil temático das escolhas voluntárias de aquisição de livros de 1960 a 1990 o trabalho utiliza três instrumentos: 1) dados quantitativos gerais sobre o mercado editorial brasileiro; 2) listagens anuais de livros mais vendidos publicadas em jornais e revistas- utilizados como vagos indicadores das temáticas e preocupações dominantes no setor da população que tem acesso a livro; 3) dados históricos e conjunturais que ajudam a esclarecer os dados de vendagem. O resultado é uma abordagem analítica das preferências dos leitores e suas correlações com os contextos social, político e cultural do pais entre 1960 e 1990." (Resumo)
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