"Tendo como pressuposto inicial a afirmação de que o ato de compra de um livro indica uma demanda cultural por parte do comprador ou do potencial leitor, e assumindo a correlata afirmação de que os títulos mais difundidos em determinada sociedade em dada época podem indicar suas dominantes cul
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turais, o livro Mercado Editorial Brasileiro analisa os livros de autores nacionais mais vendidos no Brasil nas décadas de 1960, 1970 e 1980. Para traçar as linhas gerais do perfil temático das escolhas voluntárias de aquisição de livros de 1960 a 1990 o trabalho utiliza três instrumentos: 1) dados quantitativos gerais sobre o mercado editorial brasileiro; 2) listagens anuais de livros mais vendidos publicadas em jornais e revistas- utilizados como vagos indicadores das temáticas e preocupações dominantes no setor da população que tem acesso a livro; 3) dados históricos e conjunturais que ajudam a esclarecer os dados de vendagem. O resultado é uma abordagem analítica das preferências dos leitores e suas correlações com os contextos social, político e cultural do pais entre 1960 e 1990." (Resumo)
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"Integrado por 95 ideas, frases y posicionamientos sobre las realidades, los cambios y las aportaciones de este medio en los últimos cien años, Transformaciones en la radio es el resultado del emocionado conocimiento y la gran experiencia de amigas y amigos de la radio que desde la investigación,
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la enseñanza o la realización radiofónica comparten sus perspectivas. El manifiesto reúne siete miradas que provocan a los lectores para que desde el primer momento sean conscientes de cómo la radio ha dejado de ser sólo un aparato –casi un mueble- y ha pasado, de ser el último reducto de la tecnología analógica, a una plataforma digital mediante la cual se producen, distribuyen y consumen nuevos contenidos sonoros cuya narratividad es la de los nuevos tiempos, que exige y apela al cambio en el pensamiento y la escucha por parte de las audiencias, que se suman a la construcción de esas nuevas formas sonoras." (Página 4-5)
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"This volume offers an up-to-date analysis of film and television co-production in Europe. It brings together the voices of policy professionals, industry practitioners and media industry scholars to trace the contours of a complex practice that is of increasing significance in the global media land
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scape. Analysis of the latest production statistics sits alongside interviews with producers and the critical evaluation of public film policies. The volume incorporates contributions from representatives of major public institutions - Eurimages, the European Audiovisual Observatory and the European Commission - and private production companies including the pan-European Zentropa Group. Policy issues are elucidated through case studies including the Oscar-winning feature film Ida, the BAFTA-winning I am not a Witch and the Danish television serial Ride Upon the Storm. Scholarly articles span co-development, co-distribution and regional cinemas as well as emerging policy challenges such as the digital single market." (Publisher description)
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"This book showcases current research on language in new media, the performing arts and music in Africa, emphasising the role that youth play in language change and development. The authors demonstrate how the efforts of young people to throw off old colonial languages and create new local ones has
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become a site of language creativity. Analysing the language of ‘new media’, including social media, print media and new media technologies, and of creative arts such as performance poetry, hip-hop and rap, they use empirical research from such diverse countries as Cameroon, Nigeria, Kenya, the Ivory Coast and South Africa." (Publisher description)
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"Articulando pesquisas de campo e investigações mais teóricas, os oito capítulos presentes no vol. 5 dedicam-se a aprofundar conceitos que problematizam situações evidenciadas na contemporaneidade e que passam a fazer parte da agenda permanente das Teorias da Comunicação e do Jornalismo. Ent
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endemos que os capítulos do livro são olhares múltiplos para as teorias do jornalismo adentrando em propostas diferenciadas, mas essenciais para o despertar do conhecimento na área comunicacional." (Resumo)
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"This handbook attempts to fill the gap in empirical scholarship of media and communication research in Africa, from an Africanist perspective. The collection draws on expert knowledge of key media and communication scholars in Africa and the diaspora, offering a counter-narrative to existing Wester
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n and Eurocentric discourses of knowledge-production. As the decolonial turn takes centre stage across Africa, this collection further rethinks media and communication research in a post-colonial setting and provides empirical evidence as to why some of the methods conceptualised in Europe will not work in Africa. The result is a thorough appraisal of the current threats, challenges and opportunities facing the discipline on the continent." (Publisher description)
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"This chapter examines how the Aide aux cinemas du monde fund and the Produire au Sud workshop aim at strengthening France’s central position in the co-production of world cinemas. The Aide aux cinemas du monde provides funding to French co-producers of films from all over the world, while the Pro
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duire au Sud workshop, linked to the Festival des 3 Continents in Nantes, works towards developing cooperation between European film professionals and emerging film-makers from the South. Drawing on an analysis of film policy documents and data, field observation and recent film festival studies, this chapter describes how both initiatives support co-production, in parallel to developing and exporting professional practices and discourses that shape the co-production culture developed in France since the 1980s." (Abstract)
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"This is a must-read how-to guide if you are planning to embark on a scholarly digitisation project. Tailored to the specifications of the British Library’s EAP (Endangered Archives Programme) projects, it is full of sound, practical advice about planning and carrying out a successful digitisation
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project in potentially challenging conditions. From establishing the scope of the project, via practical considerations about equipment, work routines, staffing, and negotiating local politics, to backing up your data and successfully completing your work, Remote Capture walks you through every stage. Bursting with helpful hints, advice and experiences from people who have completed projects everywhere around the globe from Latin America to Africa to Asia, this book offers a taste of the challenges you might encounter and the best ways to find solutions. With a particular focus on the process of digitisation, whether using a camera or a scanner, Remote Capture is invaluable reading for anybody considering such a project." (Back cover)
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"Endangered life is often used to justify humanitarian media intervention, but what if suffering humanity is both the fuel and outcome of such media representations? Pooja Rangan argues that this vicious circle is the result of immediation, a prevailing documentary ethos that seeks to render human s
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uffering urgent and immediate at all costs. Rangan interrogates this ethos in films seeking to "give a voice to the voiceless," an established method of validating the humanity of marginalized subjects, including children, refugees, autistics, and animals. She focuses on multiple examples of documentary subjects being invited to demonstrate their humanity: photography workshops for the children of sex workers in Calcutta; live eyewitness reporting by Hurricane Katrina survivors; attempts to facilitate speech in nonverbal autistics; and painting lessons for elephants. These subjects are obliged to represent themselves using immediations-tropes that reinforce their status as the "other" and reproduce definitions of the human that exclude non-normative modes of thinking, being, and doing. To counter these effects, Rangan calls for an approach to media that aims not to humanize but to realize the full, radical potential of giving the camera to the other." (Publisher description)
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"Das klassische Marketing wird heutzutage durch verschiedene Möglichkeiten der Internetkommunikation und der digitalen Medien ergänzt, die über alle Sparten hinweg in zunehmendem Masse relevant werden. Im vorliegenden Band, der den Titel 'Verlagsmarketing' von Ulrich Huse in idealer Weise ergänz
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t, werden nicht nur zentrale Begriffe des Online-Marketings und E-Commerce für Verlage und den verbreitenden Buchhandel erläutert, sondern auch derzeit virulente und zukünftige Problemstellungen kenntnisreich und praxisnah diskutiert." (Verlagsbeschreibung)
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"Nonfiction authors often use existing materials in their works: A historian excerpts a soldier’s letters to a loved one; an art critic reproduces a telling detail in a painting; a scientist quotes from a well-known article. Readers of nonfiction works expect new writing to reference and incorpora
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te other works; indeed, the quality and integrity of nonfiction works frequently depend on the author’s skillful use of such materials. Although drawing from other works is common, it can often seem difficult to know when (and how much) unlicensed copying is permissible and whether certain unlicensed uses of another’s work put you at risk of copyright infringement. Sometimes, authors need to seek permission or pay for a license to use copyrighted materials. An author may even need a license to use her own works because she signed over her copyrights to her publisher. But not always. In some situations, unlicensed use may be legally permitted by virtue of the “fair use” doctrine, a well-known (but oft-misunderstood) limitation to copyright in the United States. Fair use is a powerful tool, but unfortunately many nonfiction authors find it tricky to know when to rely on fair use and when to seek permission. That’s where this guide comes in. In addition to providing background information on copyright law and fair use, this guide identifies three common situations that nonfiction authors encounter when incorporating existing materials into their works and then discusses general fair use principles and limitations that apply in these situations. This guidance is based on broadly shared norms found in the leading fair use statements of best practices, as well as existing case law." (Introduction)
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"Language is one of the main ways that discrimination is enacted. In the discourse of discrimination there is a set of key words that denote the processes of prejudice. This book discusses the lexical semantics of this field of words and how, as a cognitive process, they underlie insults, hate speec
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h, slurs, derogatory phrases, terms of abuse and other linguistic acts of discrimination. Stollznow presents a semantic analysis employing reductive paraphrase, using data sourced from naturally occurring examples and corpora. Relevant semantic phenomena are also examined, such as synonymy, polysemy, metaphor, euphemism and dysphemism, semantic shift, pejoration, amelioration and reclamation. This book examines the way people enact racism, sexism, ageism and other forms of discrimination in language." (Publisher description)
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"[The author] underscores how important an analytical category the rural is: rather than a dismissed backwater of a normative urban, the rural emerges here as a vibrant space, a pregnant category, a pressing concern. The elements of a critical theory of the rural presented here underscore how comple
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x such a space is, shaped by market forces, policy initiatives, technological development, demographic shifts, and community identities. Media regulation and media content are central to a rich understanding of the rural. Nonetheless, as Chris importantly points out, a critical theory of rural communication must avoid romanticizing the rural—as many have done with the local—and eschew media centrism." (Introduction by Marwan M. Kraidy, page 2)
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"Vor allem aus wirtschaftlichen Erwägungen heraus warb die DDR Ende der 1970er Jahre tausende Vertragsarbeiter aus Mosambik an. Die jungen Frauen und Männer aus dem vom Bürgerkrieg zerrissenen sozialistischen Bruderstaat, die voller Hoffnung auf eine gute Ausbildung nach Deutschland kamen, hatten
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es nicht leicht: Sie mussten nicht nur rassistische Anfeindungen ertragen, sondern wurden zudem als Hilfsarbeiter finanziell ausgebeutet. Nichtsdestotrotz war die DDR für viele Mosambikaner zur neuen Heimat geworden. Nach der Wiedervereinigung konnten jedoch nur die wenigsten in Deutschland bleiben, da die Arbeits- und Aufenthaltserlaubnis nur in Ausnahmefällen verlängert wurde. Die meisten "Madgermanes" - so nennen sich die aus der DDR zurückgekehrten Mosambikaner in Anspielung auf das Label "Made in Germany" - warten bis heute auf einen Großteil des Lohns, um den sie die mosambikanische Regierung betrogen hat. Diese wenig beachtete Episode deutsch-afrikanischer Geschichte arbeitet Birgit Weyhe, die als Kind in Ostafrika lebte, in der Graphic Novel auf. Sie verknüpft afrikanische und europäische Bildsprachen, um das Leben dreier Protagonisten zwischen zwei Welten darzustellen und stößt dabei immer wieder auf die Frage: Was ist Heimat?" (Klappentext)
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"A partir de una perspectiva antropológica, este análisis debate acerca de la construcción de la imagen delimitada por el contexto cultural y la incidencia de este proceso en el lugar social de las personas. Asimismo, comparte propuestas para el desarrollo de una comunicación intercultural a tra
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vés de la comprensión de la figura del otro." (Reverso)
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"Interviews are routinely carried out when projects and programmes are planned, monitored or evaluated. Interviews may be carried out face-to-face or through remote media. They may be carried out with individuals or groups. They may be unstructured, semi-structured or structured. And they may be inf
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ormal or formal. Different types of interviews are appropriate in different circumstances." (Introduction)
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