"The purpose of this document is to provide researchers, especially those working in smaller organisations that might not have extensive resources or experience in data protection requirements, with general guidance on their responsibilities within a global data protection framework to ensure that d
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ata subjects retain control over their personal information. The specific framework used was developed by the Organisation for Economic Co-operation and Development (OECD). This framework includes a set of eight principles for use in designing programs to ensure privacy and protect personal data: Collection limitation, Data quality, Purpose specification, Use limitation, Security safeguards, Openness, Individual participation, Accountability." (Page 4)
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"This article examines the depiction of three impoverished Lagosian slums in the controversial British Broadcasting Corporation (BBC) documentary, Welcome to Lagos, which highlights the negative impacts of globalised capitalism on urban culture in Nigeria’s commercial centre and biggest city. In r
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ecent times scholarship on postcolonial urbanisation has been marked by an important shift in focus from economic concerns to interest in the peculiar cultural dimensions of life in postcolonial cities. As this article argues, however, dominant depictions of postcolonial cities continue to highlight ways in which cultural responses to the harsh effects of late capitalism in such cities reflect economic strategies of what Mike Davis calls “informal survivalism." (Abstract)
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"The Dictionary of the Bible and Ancient Media is a convenient and authoritative reference tool, introducing specific terms and concepts helpful to the study of the Bible and related literature in ancient communications culture. Since the early 1980s, biblical scholars have begun to explore the pote
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ntials of interdisciplinary theories of oral tradition, oral performance, personal and collective memory, ancient literacy and scribality, visual culture and ritual. Over time these theories have been combined with considerations of critical and exegetical problems in the study of the Bible, the history of Israel, Christian origins, and rabbinics. The Dictionary of the Bible and Ancient Media responds to the rapid growth of the field by providing a source of reference that offers clear definitions, and in-depth discussions of relevant terms and concepts, and the relationships between them. The volume begins with an overview of 'ancient media studies' and a brief history of research to orient the reader to the field and the broader research context of the book, with individual entries on terms and topics commonly encountered in studies of the Bible in ancient media culture. Each entry defines the term/ concept under consideration, then offers more sustained discussion of the topic, paying particular attention to its relevance for the study of the Bible and related literature." (Publisher description)
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"People who exercise their right to freedom of expression through journalism should be able to practice their work without restrictions. They are, nonetheless, the constant targets of violence and threats. In an era of globalization and digitization, no single party can alone carry the responsibilit
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y for protection of journalism and freedom of expression. Instead, this responsibility must be assumed jointly by the state, the courts, media companies and journalist organizations, as well as by NGOs and civil society – on national as well as global levels. To support joint efforts to protect journalism, there is a growing need for research-based knowledge. Acknowledging this need, the aim of this publication is to highlight and fuel journalist safety as a field of research, to encourage worldwide participation, as well as to inspire further dialogues and new research initiatives. The contributions represent diverse perspectives on both empirical and theoretical research and offer many quantitatively and qualitatively informed insights. The articles demonstrate that a new important interdisciplinary research field is in fact emerging, and that the fundamental issue remains identical: Violence and threats against journalists constitute an attack on freedom of expression." (Abstract)
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"At a UNESCO research conference on the safety of journalists during the celebrations of World Press Freedom Day in Helsinki, Finland on 3 and 4 May 2016, UNESCO declared “that the Safety of Journalists paved the way for academic research cooperation”. To advance such cooperation the Centre for
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Freedom of the Media (CFOM), University of Sheffield, UK, supported by UNESCO, announced the launch of a journalism safety research network (JSRN). The network is hosted by CFOM (http://www.cfom.org.uk) and scholars, media workers and others have been invited to sign up for future academic networking opportunities and to the prospect for greater research communication and collaboration in the area of journalism safety." (Abstract)
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"To thrive in a marketplace that is increasingly competitive, slower-growing, and dependent on personal recommendations, companies must develop strategies that engage, grow, and monetize their most valuable customers — i.e., their fans. To do so, they must combine excellent content with breadth an
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d depth of distribution, and then bring it all together in an innovative user experience, in which the content is discoverable easily on an array of screens and at an attractive price. Simply capturing the natural growth in consumers and their uptake of services and content with existing approaches is no longer sufficient. Across the industry, the resulting quest to create the most compelling, engaging, and intuitive user experiences is now the primary objective for growth and investment strategies — and technology and data lie at their center." (Executive summary)
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"Das Handbuch begründet Popkultur als inter- und transdisziplinäres Forschungsfeld sowie als eigenständige Wissenschaftsdisziplin. Es informiert in über 60 Beiträgen über die wichtigsten Erscheinungsformen und Diskurszusammenhänge der Popkultur und unterscheidet diese grundsätzlich von denen
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der Hoch- sowie Populärkultur. Die Beiträge widmen sich den Begriffen und Konzepten der Popkultur, der Bedeutung der Popkulturforschung in unterschiedlichen Wissenschaftsdisziplinen sowie den Medien und Gattungen der Popkultur - vom Rock 'n' Roll über Soul, Punk, Techno bis hin zu Pop-Art, TV-Serien, B-Movies, Social Media u.v.a. Das Handbuch bietet international erstmalig einen systematischen Überblick über das gesamte Wissensfeld der Popkultur und stellt die Popkulturforschung auf ein historisches und theoretisches Fundament." (Verlagsbeschreibung)
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"What is intercultural communication? How does perspective shape a person’s definition of the key tenets of the term and the field? These are the core questions explored by this accessible global introduction to intercultural communication. Each chapter explores the topic from a different geograph
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ic, religious, theoretical, and/or methodological perspective, with an emphasis on non-Western approaches, including Buddhist, South American, Muslim, and Chinese perspectives." (Back cover)
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"This report described a pilot study using the VOTO Interactive Voice Response (IVR) platform to 1) distribute content and 2) collect quantitative and qualitative monitoring and evaluation data regarding a media program in Rwanda. In addition to showing that the VOTO system worked well as a distribu
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tion tool (though expensive) – our findings suggest great potential for the use of IVR as an M&E tool. Unfortunately, we cannot recommend a particular system as yet having the capacity to offer an efficient and cost-effective system for NGOs looking to collect qualitative and quantitative data cheaply and accurately." (Discussion, page 13)
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"Combining approaches from the social sciences and the humanities, the book provides an interdisciplinary perspective while outlining a transnational history of films that either document or fictionalise the favelas, shantytowns, Elendsviertel, gecekondu, barrios populares or chawls of our diverse '
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planet of slums', exploring the way accelerated urbanisation has intersected with an increasingly interconnected global film and media culture. From Jacob Riis's How The Other Half Lives (1890) to Danny Boyle's Slumdog Millionaire (2008), the volume provides a number of close readings of slum representations of different historical periods and regions to outline how contemporary film and media practices relate to their past predecessors. It focuses thereby particularly on the way filmmakers, both north and south of the equator, have repeatedly grappled with, rejected or continuously modified documentary and realist modes of representation to convey life in our 'planet of slums'." (Publisher description)
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"In hard-hitting accounts of Auschwitz, Bosnia, Palestine, and Hiroshima's Ground Zero, comics display a stunning capacity to bear witness to trauma. Investigating how hand-drawn comics has come of age as a serious medium for engaging history, Disaster Drawn explores the ways graphic narratives by d
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iverse artists, including Jacques Callot, Francisco Goya, Keiji Nakazawa, Art Spiegelman, and Joe Sacco, document the disasters of war. Hillary L. Chute traces how comics inherited graphic print traditions and innovations from the seventeenth century and later, pointing out that at every turn new forms of visual-verbal representation have arisen in response to the turmoil of war. Modern nonfiction comics emerged from the shattering experience of World War II, developing in the 1970s with Art Spiegelman's first 'Maus' story about his immigrant family's survival of Nazi death camps and with Hiroshima survivor Keiji Nakazawa's inaugural work of 'atomic bomb manga,' the comic book Ore Wa Mita (I Saw It), a title that alludes to Goya's famous Disasters of War etchings. Chute explains how the form of comics - its collection of frames - lends itself to historical narrative. By interlacing multiple temporalities over the space of the page or panel, comics can place pressure on conventional notions of causality. Aggregating and accumulating frames of information, comics calls attention to itself as evidence. Disaster Drawn demonstrates why, even in the era of photography and film, people understand hand-drawn images to be among the most powerful forms of historical witness." (Publisher description)
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"Was macht Archive so wichtig? Als politisches und kulturelles Gedächtnis initiieren und beherbergen sie zum einen Forschung, zum anderen führen sie den öffentlichen Dialog. Die Idee des Archivs und die Institution, Theorie und Praxis, Begriff und Metapher des Archivs werden im Handbuch ausführl
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ich erfasst die heutigen Funktionen öffentlicher Archive in Deutschland und Westeuropa im globalen Kontext betrachtet. Interessant: der Vergleich mit privaten Praktiken des Sammelns und Erschließens." (Verlagsbeschreibung)
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