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Countries
Authors & Publishers
Media focus
Publication Years
Methods applied
Journals
Output Type
The Magic of Bollywood: At Home and Abroad
New Delhi; Thousand Oaks: Sage (2012), xviii, 334 pp.
"This anthology aims to portray the “soft” power of Bollywood, which makes it a unique and powerful disseminator of Indian culture and values abroad. The essays in the book examine Bollywood's popularity within and outside South Asia, focusing on its role in international relations and diplomacy
...
Cultura y communicación: La cooperación española e Iberoamérica
In: Políticas de comunicación y ciudadanía cultural iberoamericana
Barcelona: Gedisa (2012), pp. 345-360
Iranian Religious Film and Inter-Religious Understanding
Exchange: Journal of Missiological and Ecumenical Research, volume 41, issue 2 (2012), pp. 165-198
"The article deals with two recent Iranian films, al-Masih (Teh Messiah) by Nader Talebzadeh and Maryam al-Muqaddasah (Holy Mary) by Shahriar Bahrani. Both movies are about religious characters shared by Islam and Christianity: Zechariah, Mary and Jesus. The article explores the way the filmmakers h
...
Bollywood en Perú: Culturas populares y globalización de las emociones
Nueva Sociedad, issue 241 (2012), pp. 133-148
"En las décadas de 1970 y 1980 varias salas limeñas se llenaban de familias que iban a ver las largas y melodramáticas producciones de cine que llegaban desde la India. Hoy esas salas ya no existen, pero eso no impide que la incidencia del cine indio se haya mantenido –dvd piratas mediante– n
...
International Film Guide 2012: The Definitive Annual Review of World Cinema
Brighton: International Film Guide, 48th ed. (2012), 344 pp.
Studienhandbuch Filmanalyse: Ästhetik und Dramaturgie des Spielfilms
Paderborn: Fink (2012), 345 pp.
"Dieses Studienhandbuch stellt in kompakter Form das komplette Instrumentarium der Filmanalyse vor. Systematisch werden Filmgeschichte, Filmtheorie und das Zeichensystem des Films erläutert und durch Beispiele aus mehr als 100 Jahren Filmgeschichte veranschaulicht. Dabei werden auch neueste Entwick
...
Der Film als Seismograph der Gesellschaft: Themen und Tendenzen im aktuellen türkischen Kino
The Future of State Aid
IRIS Plus (European Audiovisual Observatory), issue 3 (2012), 43 pp.
The Language of Film from A-Z
Paderborn: Schöningh (2011), 104 pp.
Piratages audiovisuels: Les voies souterraines de la mondialisation culturelle
Brussels: De Boeck (2011), 304 pp.
Souvent considéré comme une activité des plus nuisibles, le piratage des contenus audiovisuels n’en constitue pas moins, depuis des décennies, pour de nombreuses populations aux quatre coins du monde, un moyen majeur d’accéder aux produits des industries culturelles. Nourri d’enquêtes de
...
Understanding Bollywood
In: The Handbook of Global Communication and Media Ethics
Chichester: Wiley Blackwell (2011), pp. 577-601
"This essay brings together four key elements of Bollywood cinema: 1. the lure of the mythological; 2. the allure of the Muslim courtesan, and Urdu, Bollywood's language of love; 3. the hegemony of melodrama; and 4. the persistence of song and dance." (Page 577)
Zigeuner / Roma im Film
Hamburg: Universität Hamburg, Institut für Germanistik (2011), 10 pp.
"Be they musicals or melodramas, war movies or animation, Russian films have a long and fascinating history of addressing the major social and political events of their time. From Sergei Eisenstein’s anti-tsarist drama, Battleship Potemkin, to socialist realism, to the post-glasnost thematic explo
...
Cinema in Ghana: History, Ideology and Popular Culture
Bergen: University of Bergen (2011), 303 pp.
"Cinema in Ghana- History, Ideology and Popular Culture, is an attempt to start a dialogue about national cinema in Ghana. The primary purpose of this thesis is not simply to provide a historical account of cinema in Ghana, but rather to question and dialogue with the history in order to locate the
...
Os Moçambicanos perante o cinema e o audiovisual: Uma historia político-cultural do Moçambique colonial até à República de Moçambique (1896-2010)
Deep Insights
Maputo; Holsbeek: Dockanema; Afrika Filmfestival (2011), 677 pp.
"This is the first monograph on the history of film culture ever for lusophone Africa. It consists of three parts: the colonial period (1896-1974), the first years of independence (1975-1991) and the years of the liberalization of the media (1992-2010). In these three periods attention is given to t
...
Reclams Sachlexikon des Films
Stuttgart: Reclam, 3., aktual. Aufl. (2011), 836 pp.
Kurdisches Kino: Vom akzentuierten Exil- und Diasporakino zum internationalen Film = Sínimay Kurdí: Le sínimay henderaní ú derekeyí erra fílmi nawneteweyí
Marburg: Schüren (2011), 223 pp.
"Die konkrete Annäherung an das Kurdische Kino gestaltet die Autorin über die Aufarbeitung des Dritten Kinos und die Erläuterung des Transnationalen Filmschaffens. Die neusten kurdischen Produktionen sprengen bestehende wissenschaftliche Theorien, indem sie neue Raum-Zeitkonfigurationen definiere
...
