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Countries
Authors & Publishers
Media focus
Publication Years
Methods applied
Journals
Output Type
Glauber Rocha e as culturas na América Latina
Frankfurt am Main: TFM (2011), 249 pp.
"Há trinta anos morria Glauber Rocha, porta-voz do Cinema Novo. A trajetória do artista, apontando novos caminhos para um cinema político, iniciara-se vinte anos antes, com Barravento, seu primeiro longa-metragem. A publicação deste livro, que reune artigos de alguns dos melhores especialistas,
...
El cine que fue: 100 años de cine chileno
Santiago de Chile: ARCIS (2011), 192 pp.
El presente libro está constituido por diecisiete ponencias y/o artículos que se presentaron en el coloquio "El cine que fue: 100 años de cine chileno".
Postnationalist African Cinemas
Manchester: Manchester University Press (2011), xii, 269 pp.
"Postnationalist African cinemas convincingly interrogates the ways in which African narratives locate postcolonial identities and forms beyond essentially nationalist frameworks. It investigates how the emergence of new genres, discourses and representations, all unrelated to an overtly nationalist
...
Os Moçambicanos perante o cinema e o audiovisual: Uma historia político-cultural do Moçambique colonial até à República de Moçambique (1896-2010)
Deep Insights
Maputo; Holsbeek: Dockanema; Afrika Filmfestival (2011), 677 pp.
"This is the first monograph on the history of film culture ever for lusophone Africa. It consists of three parts: the colonial period (1896-1974), the first years of independence (1975-1991) and the years of the liberalization of the media (1992-2010). In these three periods attention is given to t
...
"Be they musicals or melodramas, war movies or animation, Russian films have a long and fascinating history of addressing the major social and political events of their time. From Sergei Eisenstein’s anti-tsarist drama, Battleship Potemkin, to socialist realism, to the post-glasnost thematic explo
...
Cinema in Ghana: History, Ideology and Popular Culture
Bergen: University of Bergen (2011), 303 pp.
"Cinema in Ghana- History, Ideology and Popular Culture, is an attempt to start a dialogue about national cinema in Ghana. The primary purpose of this thesis is not simply to provide a historical account of cinema in Ghana, but rather to question and dialogue with the history in order to locate the
...
Understanding Bollywood
In: The Handbook of Global Communication and Media Ethics
Chichester: Wiley Blackwell (2011), pp. 577-601
"This essay brings together four key elements of Bollywood cinema: 1. the lure of the mythological; 2. the allure of the Muslim courtesan, and Urdu, Bollywood's language of love; 3. the hegemony of melodrama; and 4. the persistence of song and dance." (Page 577)
Piratages audiovisuels: Les voies souterraines de la mondialisation culturelle
Brussels: De Boeck (2011), 304 pp.
Souvent considéré comme une activité des plus nuisibles, le piratage des contenus audiovisuels n’en constitue pas moins, depuis des décennies, pour de nombreuses populations aux quatre coins du monde, un moyen majeur d’accéder aux produits des industries culturelles. Nourri d’enquêtes de
...
Acerca del cine como medio expresivo
Valparaíso: Editorial Universidad de Valparaíso (2011), 252 pp.
Film verstehen: Das Lexikon. Die wichtigsten Fachbegriffe zu Film und neuen Medien
Reinbeck: Rowohlt Taschenbuch Verlag (2011), 189 pp.
Public Funding for Film and Audiovisual Works in Europe
Strasbourg: European Audiovisual Observatory; Council of Europe (2011), 155 pp.
"From influential national film agencies to smaller-scale local initiatives, this report provides a unique overview of the geographical spread, scale and scope of direct public funding to the sector in 37 European countries. Focussing on film funds and their activities in support of film, television
...
Zigeuner / Roma im Film
Hamburg: Universität Hamburg, Institut für Germanistik (2011), 10 pp.
The Language of Film from A-Z
Paderborn: Schöningh (2011), 104 pp.
Filmsprache von A-Z
Paderborn: Schöningh (2011), 139 pp.
"Das Lexikon Filmsprache von A bis Z bietet verständliche Definitionen von wichtigen Begriffen zur Filmsprache und zum filmischen Erzählen für den schulischen und universitären Gebrauch. Die Zusammenstellung der Artikel ist aber auch für die filmische Praxis am Set und für den Einsatz in medie
...
Panorama del audiovisual chileno
Santiago de Chile: Pontificia Universidad Católica de Chile (2011), 127 pp.
From the Field: Co-Producing the Memory. Cinema Production Between Europe and the Middle East
Global Media Journal - German Edition, volume 1, issue 1 (2011), 13 pp.
"The media intervention programs and training initiatives for Arabs reflect hegemonies and dependencies. Taking into consideration the absence of a public cinema infrastructure in the Arab World and thus the lack of institutional representation or backing for film-makers leads one to question to wha
...
Kurdisches Kino: Vom akzentuierten Exil- und Diasporakino zum internationalen Film = Sínimay Kurdí: Le sínimay henderaní ú derekeyí erra fílmi nawneteweyí
Marburg: Schüren (2011), 223 pp.
"Die konkrete Annäherung an das Kurdische Kino gestaltet die Autorin über die Aufarbeitung des Dritten Kinos und die Erläuterung des Transnationalen Filmschaffens. Die neusten kurdischen Produktionen sprengen bestehende wissenschaftliche Theorien, indem sie neue Raum-Zeitkonfigurationen definiere
...
"Esta investigación aporta a la comprensión del contexto histórico-social de la construcción del cine documental en Ecuador desde una visión que valora y entiende al cine documental como parte de la cultura visual ecuatoriana, el mundo de las imágenes, su vida social y las representaciones que
...
Der brasilianische Film in Deutschland
In: Deutsch-brasilianische Kulturbeziehungen: Bestandsaufnahme, Herausforderungen, Perspektiven
Frankfurt am Main: Vervuert (2010), pp. 213-222
"Zwar haben große Filme wie “Central do Brasil” oder “Cidade de Deus” die Zuschauer für den brasilianischen Blick auf die Welt sensibilisiert; dennoch müssten die kleineren Produktionen durch die Möglichkeit der Koproduktion und eine intensive Verleihförderung mit einer guten Untertitel
...