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Countries / Regions
Authors & Publishers
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Methods applied
Journals
Output Type
Reclams Sachlexikon des Films
Stuttgart: Reclam, 3., aktual. Aufl. (2011), 836 pp.
Cinema in Ghana: History, Ideology and Popular Culture
Bergen: University of Bergen (2011), 303 pp.
"Cinema in Ghana- History, Ideology and Popular Culture, is an attempt to start a dialogue about national cinema in Ghana. The primary purpose of this thesis is not simply to provide a historical account of cinema in Ghana, but rather to question and dialogue with the history in order to locate the
...
"Be they musicals or melodramas, war movies or animation, Russian films have a long and fascinating history of addressing the major social and political events of their time. From Sergei Eisenstein’s anti-tsarist drama, Battleship Potemkin, to socialist realism, to the post-glasnost thematic explo
...
Das Chinesische Kino nach der Kulturrevolution: Theorien und Analysen
Marburg: Schüren (2011), 454 pp.
"Seit dem Ende der Kulturrevolution 1976 hat das festlandchinesische Kino verschiedene Phasen durchlaufen und erstaunliche Entwicklungen vollzogen. Im Zentrum dieses Buchs stehen Analysen herausragender Spielfilme der Vierten bis Sechsten Generation sowie wichtiger Werke der Neuen Dokumentarfilmbewe
...
Postnationalist African Cinemas
Manchester: Manchester University Press (2011), xii, 269 pp.
"Postnationalist African cinemas convincingly interrogates the ways in which African narratives locate postcolonial identities and forms beyond essentially nationalist frameworks. It investigates how the emergence of new genres, discourses and representations, all unrelated to an overtly nationalist
...
Roman Catholicism in Fantastic Film: Essays on Belief, Spectacle, Ritual and Imagery
Jefferson, NC: McFarland (2011), ix, 294 pp.
El cine que fue: 100 años de cine chileno
Santiago de Chile: ARCIS (2011), 192 pp.
El presente libro está constituido por diecisiete ponencias y/o artículos que se presentaron en el coloquio "El cine que fue: 100 años de cine chileno".
"Esta investigación aporta a la comprensión del contexto histórico-social de la construcción del cine documental en Ecuador desde una visión que valora y entiende al cine documental como parte de la cultura visual ecuatoriana, el mundo de las imágenes, su vida social y las representaciones que
...
From the Field: Co-Producing the Memory. Cinema Production Between Europe and the Middle East
Global Media Journal - German Edition, volume 1, issue 1 (2011), 13 pp.
"The media intervention programs and training initiatives for Arabs reflect hegemonies and dependencies. Taking into consideration the absence of a public cinema infrastructure in the Arab World and thus the lack of institutional representation or backing for film-makers leads one to question to wha
...
Outside the Machine? Donor Values and the Case of Film in Tanzania
In: Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution
Athens, Ohio: Ohio University Press (2010), pp. 160-177
The African Filmmaker and Content of African Films: A Study of the Perspectives of the Nigerian Film Audience
Global Media Journal - African Edition, volume 4, issue 1 (2010), pp. 84-115
"This paper attempts to appraise African filmmaking and the content of African films from a Nigerian film audience perspective. The study specifically explores the disposition of the audience towards contemporary African filmmaking for home video and cinema entertainment as well as the content of Af
...
A Literature Review: Nigerian and Ghanaian Videos
Journal of African Cultural Studies, volume 22, issue 1 (2010), pp. 105-120
"The main purpose of this review of the published academic literature on Nigerian and Ghanaian video films is to foster self-awareness in this new field of study. This literature has been produced on three continents and out of many academic disciplines; in consequence, scholars tend to make few ref
...
Voices of Ethnic Minority Children: Participatory Video on Disaster Risk Reduction and Climate Change in Vietnam
Plan International (2010), 10 pp.
"This booklet documents the participatory video methodology as an affordable and easy-to-use video tool enabling community members to record their experience and strengthen their own knowledge on disaster risks and climate change, as well as to increase their capacity to act on that knowledge and se
...
La TV que queremos: Una televisión de calidad para chicos y adolescentes
Buenos Aires: Paidós (2010), 133 pp.
Untold Stories
Westminster Papers in Communication and Culture, volume 7, issue 2 (2010), pp. 31-50
"Since the mid 1990s the European Union (EU) and its member states, most prominently France and Germany, have encouraged cinematic co-productions between Europe and the Middle East. A large number of films were completed within various EU support and cooperation programmes, ranging from special inte
...
Animación: La magia en movimiento
Santiago de Chile: Pehuén Editores (2010), 201 pp.
Online Filme produzieren: Geschäftsmodelle im Zeitalter der Digitalisierung
Konstanz: UVK (2010), 219 pp.
"Die Filmproduktion befindet sich im Umbruch: Die Anzahl der Marktteilnehmer und Distributionswege wächst, gleichzeitig sinkt aber das Produktionsvolumen der Sender für unabhängige Filmhersteller. Joachim Knaf analysiert die bestehenden Geschäftsmodelle der AV-Produzenten und stellt mit einem Fa
...
International Film Guide 2010: The Definitive Annual Review of World Cinema
London; New York: Wallflower Press, 46th ed. (2010), 460 pp.
In Need of Connection: Reflections on Youth and the Translation of Film in Tanzania
Stichproben: Wiener Zeitschrift für kritische Afrikastudien, issue 18 (2010), pp. 137-159
"The translation of films from languages such as English, Hindi/Urdu or Chinese into Swahili is a phenomenon that has quickly grown into a successful business in Tanzania in the last couple of years. The films are mainly products of the USA, of India and China, but also of countries such as Thailand
...
African Film: New Forms of Aesthetics and Politics
Munich et al.: Prestel Verlag (2010), 319 pp.
