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Countries
Authors & Publishers
Media focus
Publication Years
Methods applied
Journals
Output Type
Acerca del cine como medio expresivo
Valparaíso: Editorial Universidad de Valparaíso (2011), 252 pp.
"Esta investigación aporta a la comprensión del contexto histórico-social de la construcción del cine documental en Ecuador desde una visión que valora y entiende al cine documental como parte de la cultura visual ecuatoriana, el mundo de las imágenes, su vida social y las representaciones que
...
Zigeuner / Roma im Film
Hamburg: Universität Hamburg, Institut für Germanistik (2011), 10 pp.
The Language of Film from A-Z
Paderborn: Schöningh (2011), 104 pp.
Postnationalist African Cinemas
Manchester: Manchester University Press (2011), xii, 269 pp.
"Postnationalist African cinemas convincingly interrogates the ways in which African narratives locate postcolonial identities and forms beyond essentially nationalist frameworks. It investigates how the emergence of new genres, discourses and representations, all unrelated to an overtly nationalist
...
Os Moçambicanos perante o cinema e o audiovisual: Uma historia político-cultural do Moçambique colonial até à República de Moçambique (1896-2010)
Deep Insights
Maputo; Holsbeek: Dockanema; Afrika Filmfestival (2011), 677 pp.
"This is the first monograph on the history of film culture ever for lusophone Africa. It consists of three parts: the colonial period (1896-1974), the first years of independence (1975-1991) and the years of the liberalization of the media (1992-2010). In these three periods attention is given to t
...
Understanding Bollywood
In: The Handbook of Global Communication and Media Ethics
Chichester: Wiley Blackwell (2011), pp. 577-601
"This essay brings together four key elements of Bollywood cinema: 1. the lure of the mythological; 2. the allure of the Muslim courtesan, and Urdu, Bollywood's language of love; 3. the hegemony of melodrama; and 4. the persistence of song and dance." (Page 577)
Das Chinesische Kino nach der Kulturrevolution: Theorien und Analysen
Marburg: Schüren (2011), 454 pp.
"Seit dem Ende der Kulturrevolution 1976 hat das festlandchinesische Kino verschiedene Phasen durchlaufen und erstaunliche Entwicklungen vollzogen. Im Zentrum dieses Buchs stehen Analysen herausragender Spielfilme der Vierten bis Sechsten Generation sowie wichtiger Werke der Neuen Dokumentarfilmbewe
...
Roman Catholicism in Fantastic Film: Essays on Belief, Spectacle, Ritual and Imagery
Jefferson, NC: McFarland (2011), ix, 294 pp.
Cinema in Ghana: History, Ideology and Popular Culture
Bergen: University of Bergen (2011), 303 pp.
"Cinema in Ghana- History, Ideology and Popular Culture, is an attempt to start a dialogue about national cinema in Ghana. The primary purpose of this thesis is not simply to provide a historical account of cinema in Ghana, but rather to question and dialogue with the history in order to locate the
...
Untold Stories
Westminster Papers in Communication and Culture, volume 7, issue 2 (2010), pp. 31-50
"Since the mid 1990s the European Union (EU) and its member states, most prominently France and Germany, have encouraged cinematic co-productions between Europe and the Middle East. A large number of films were completed within various EU support and cooperation programmes, ranging from special inte
...
African Film: New Forms of Aesthetics and Politics
Munich et al.: Prestel Verlag (2010), 319 pp.
Animación: La magia en movimiento
Santiago de Chile: Pehuén Editores (2010), 201 pp.
In Need of Connection: Reflections on Youth and the Translation of Film in Tanzania
Stichproben: Wiener Zeitschrift für kritische Afrikastudien, issue 18 (2010), pp. 137-159
"The translation of films from languages such as English, Hindi/Urdu or Chinese into Swahili is a phenomenon that has quickly grown into a successful business in Tanzania in the last couple of years. The films are mainly products of the USA, of India and China, but also of countries such as Thailand
...
Online Filme produzieren: Geschäftsmodelle im Zeitalter der Digitalisierung
Konstanz: UVK (2010), 219 pp.
"Die Filmproduktion befindet sich im Umbruch: Die Anzahl der Marktteilnehmer und Distributionswege wächst, gleichzeitig sinkt aber das Produktionsvolumen der Sender für unabhängige Filmhersteller. Joachim Knaf analysiert die bestehenden Geschäftsmodelle der AV-Produzenten und stellt mit einem Fa
...
The African Filmmaker and Content of African Films: A Study of the Perspectives of the Nigerian Film Audience
Global Media Journal - African Edition, volume 4, issue 1 (2010), pp. 84-115
"This paper attempts to appraise African filmmaking and the content of African films from a Nigerian film audience perspective. The study specifically explores the disposition of the audience towards contemporary African filmmaking for home video and cinema entertainment as well as the content of Af
...
América Latina en 130 películas
Santiago de Chile: Uqbar Editores (2010), 277 pp.
Viewing African Cinema in the Twenty-First Century: Art Films and the Nollywood Video Revolution
Athens, Ohio: Ohio University Press (2010), vii, 248 pp.
Apuntes para una historia del video en Chile
Santiago de Chile: Ocho Libros Editores (2010), 244 pp.
Voices of Ethnic Minority Children: Participatory Video on Disaster Risk Reduction and Climate Change in Vietnam
Plan International (2010), 10 pp.
"This booklet documents the participatory video methodology as an affordable and easy-to-use video tool enabling community members to record their experience and strengthen their own knowledge on disaster risks and climate change, as well as to increase their capacity to act on that knowledge and se
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