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Journals
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Algerian National Cinema
Manchester: Manchester University Press (2012), viii, 198 pp.
"This book, via an analysis of cinema, provides a discussion on some misunderstandings and assumptions about Algeria, which remains to a large extent underrepresented or misrepresented in the UK media. It is about Algerian national cinema and illuminates the ways in which the official mythologising
...
Global Nollywood: The Nigerian Movie Industry and Alternative Global Networks in Production and Distribution
Global Media and Communication, volume 8, issue 2 (2012), pp. 117-134
"While Nollywood, Nigeria’s video industry, is largely separate from dominant global cultural industry networks of production inputs and distribution, it is an industry that is still globally linked in a number of ways. In this article, I investigate the nature and layout of these connections via
...
Señales contra el olvido: Cine chileno recobrado
Santiago de Chile: Editorial Cuarto Propio (2012), 207 pp.
Esta obra presenta la situación del cine chileno antes del golpe de estado y las relaciones que se establecieron con Alemania, con personas e instituciones que se interesaron en preservar y difundir este acervo fílmico chileno en tiempos del régimen militar. Posteriormente, estos materiales regre
...
Cine latinoamericano: Producción y mercados en la primera década del siglo XXI
Buenos Aires: Directores Argentinos Cinematográficos (DAC) (2012), x, 346 pp.
A Dialogue on Children's Television
Communication Research Trends, volume 31, issue 3 (2012), pp. 3-31
The Magic of Bollywood: At Home and Abroad
New Delhi; Thousand Oaks: Sage (2012), xviii, 334 pp.
"This anthology aims to portray the “soft” power of Bollywood, which makes it a unique and powerful disseminator of Indian culture and values abroad. The essays in the book examine Bollywood's popularity within and outside South Asia, focusing on its role in international relations and diplomacy
...
Contemporary Indonesian Film: Spirits of Reform and Ghosts from the Past
Leiden: KITLV Press (2012), 239 pp.
Bollyworld Neukölln: MigrantInnen und Hindi-Filme in Deutschland
Konstanz; München: UVK (2012), 312 pp.
»Bollyworld Neukölln« ist nicht nur die erste umfassende Studie zum Hindi-Kino in Deutschland, die spezifische, inoffizielle und migrantische Rezeptionswege mitberücksichtigt, sondern zeigt auch neue empirische Perspektiven auf Migranten und Medien auf. Anstatt MigrantInnen unreflektiert nach be
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International Film Guide 2012: The Definitive Annual Review of World Cinema
Brighton: International Film Guide, 48th ed. (2012), 344 pp.
Storytelling in World Cinemas. Vol. 1: Forms
London; New York: Wallflower Press (2012), xi, 208 pp.
How Karunamayudu (1978) Became an Evangelistic Tool: Implications for Understanding Evangelicals and Media
Exchange: Journal of Missiological and Ecumenical Research, volume 41, issue 2 (2012), pp. 120-143
"It has not been uncommon in the history of Jesus in film for commercial movies of Jesus' life to be conscripted for Christian evangelism around the world. Cecil B. DeMille's The King of Kings (1927), John Krish and Peter Sykes' Jesus (1979), better known today as The Jesus Film, and Mel Gibson's Th
...
Postcolonial Cinema Studies
London; New York: Routledge (2012), xviii, 250 pp.
"This collection of essays foregrounds the work of filmmakers in theorizing and comparing postcolonial conditions, recasting debates in both cinema and postcolonial studies. Postcolonial cinema is presented, not as a rigid category, but as an optic through which to address questions of postcolonial
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Cultura y communicación: La cooperación española e Iberoamérica
In: Políticas de comunicación y ciudadanía cultural iberoamericana
Barcelona: Gedisa (2012), pp. 345-360
Spanish Cooperation in Culture and Communication: An Overview of a Decade of Exchanges with Ibero-America
Global Media and Communication, volume 8, issue 1 (2012), pp. 65-80
"The article presents the main results of the investigation, ‘Current Situation and Prospects of Spanish Cooperation in Culture and Communication with the Rest of Ibero-America, 1997–2007’. The text offers an overview of the initiatives which took place during the period studied, by country, c
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Der Film als Seismograph der Gesellschaft: Themen und Tendenzen im aktuellen türkischen Kino
The Future of State Aid
IRIS Plus (European Audiovisual Observatory), issue 3 (2012), 43 pp.
Cine
Santiago de Chile: Consejo Nacional de la Cultura y las Artes (2012), 14 pp.
Bollywood en Perú: Culturas populares y globalización de las emociones
Nueva Sociedad, issue 241 (2012), pp. 133-148
"En las décadas de 1970 y 1980 varias salas limeñas se llenaban de familias que iban a ver las largas y melodramáticas producciones de cine que llegaban desde la India. Hoy esas salas ya no existen, pero eso no impide que la incidencia del cine indio se haya mantenido –dvd piratas mediante– n
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