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Countries
Authors & Publishers
Media focus
Publication Years
Methods applied
Journals
Output Type
Taking Nigeria to the Movies: The Innovative Regulatory Role of the National Film and Video Censors Board
Journal of African Media Studies, volume 5, issue 3 (2013), pp. 261-274
"The National Film and Video Censors Board (NFVCB) of Nigeria [...] has powers that go beyond film classification and censorship. This has been manifested especially through its attempt to regularize film distribution in Nigeria through the introduction of a distribution framework. Many resented thi
...
Storytelling in World Cinemas. Vol. 1: Forms
London; New York: Wallflower Press (2012), xi, 208 pp.
Spanish Cooperation in Culture and Communication: An Overview of a Decade of Exchanges with Ibero-America
Global Media and Communication, volume 8, issue 1 (2012), pp. 65-80
"The article presents the main results of the investigation, ‘Current Situation and Prospects of Spanish Cooperation in Culture and Communication with the Rest of Ibero-America, 1997–2007’. The text offers an overview of the initiatives which took place during the period studied, by country, c
...
I Got It! What Children Get Out of an Educational Programme: Reception of a Co-Production from 9 Southeast Asian Countries for 9 Southeast Asian Countries
Televizion, issue 25 (2012), pp. 23-25
"An study among 1,564 children from Cambodia, Thailand, and the Philippines tested the increase of knowledge among viewers of the Southeast Asian programme "I Got It". Initiated by why the Goethe Institutes in Southeast Asia, this first regional knowledge programme for children was produced in 9 Asi
...
Les cinémas du Maghreb et leurs publics
Paris: L'Harmattan (2012), 344 pp.
A Dialogue on Children's Television
Communication Research Trends, volume 31, issue 3 (2012), pp. 3-31
Cine
Santiago de Chile: Consejo Nacional de la Cultura y las Artes (2012), 14 pp.
Contemporary Indonesian Film: Spirits of Reform and Ghosts from the Past
Leiden: KITLV Press (2012), 239 pp.
Global Nollywood: The Nigerian Movie Industry and Alternative Global Networks in Production and Distribution
Global Media and Communication, volume 8, issue 2 (2012), pp. 117-134
"While Nollywood, Nigeria’s video industry, is largely separate from dominant global cultural industry networks of production inputs and distribution, it is an industry that is still globally linked in a number of ways. In this article, I investigate the nature and layout of these connections via
...
Señales contra el olvido: Cine chileno recobrado
Santiago de Chile: Editorial Cuarto Propio (2012), 207 pp.
Esta obra presenta la situación del cine chileno antes del golpe de estado y las relaciones que se establecieron con Alemania, con personas e instituciones que se interesaron en preservar y difundir este acervo fílmico chileno en tiempos del régimen militar. Posteriormente, estos materiales regre
...
Algerian National Cinema
Manchester: Manchester University Press (2012), viii, 198 pp.
"This book, via an analysis of cinema, provides a discussion on some misunderstandings and assumptions about Algeria, which remains to a large extent underrepresented or misrepresented in the UK media. It is about Algerian national cinema and illuminates the ways in which the official mythologising
...
South African Cinema 1896-2010
Bristol; Chicago: intellect (2012), 307 pp.
Les cinémas d'Afrique des années 2000: Perspectives critiques
Paris: L'Harmattan (2012), 439 pp.
Film als Mittel der Befreiung und der Einheit Afrikas
In: 50 Jahre afrikanische Un-Abhängigkeiten: eine (selbst)-kritische Bilanz
Bonn: Bundeszentrale für politische Bildung (bpb) (2012), pp. 170-179
Bollyworld Neukölln: MigrantInnen und Hindi-Filme in Deutschland
Konstanz; München: UVK (2012), 312 pp.
»Bollyworld Neukölln« ist nicht nur die erste umfassende Studie zum Hindi-Kino in Deutschland, die spezifische, inoffizielle und migrantische Rezeptionswege mitberücksichtigt, sondern zeigt auch neue empirische Perspektiven auf Migranten und Medien auf. Anstatt MigrantInnen unreflektiert nach be
...
Cine latinoamericano: Producción y mercados en la primera década del siglo XXI
Buenos Aires: Directores Argentinos Cinematográficos (DAC) (2012), x, 346 pp.
Dialogue Through Film: A Handbook
London: Conciliation Resources (2012), 58 pp.
"Dialogue Through Film is a unique initiative bringing together young Armenians from Nagorny Karabakh and Azerbaijanis to make short films about the conflict that divides them. Over 30 young film-makers have taken part, and thousands of Armenians and Azeris have watched their films. This handbook of
...
Postcolonial Cinema Studies
London; New York: Routledge (2012), xviii, 250 pp.
"This collection of essays foregrounds the work of filmmakers in theorizing and comparing postcolonial conditions, recasting debates in both cinema and postcolonial studies. Postcolonial cinema is presented, not as a rigid category, but as an optic through which to address questions of postcolonial
...
A Bibliography of Academic Work on Nigerian and Ghanaian Video Films
Journal of African Cinemas, volume 4, issue 1 (2012), pp. 99-133
"This reckoning of the academic work that has been published on Nigerian and Ghanaian video films does not include theses and dissertations, of which many have been written. I have included as many books on the subject as possible whatever their character, but in order to make the project manageable
...
How Karunamayudu (1978) Became an Evangelistic Tool: Implications for Understanding Evangelicals and Media
Exchange: Journal of Missiological and Ecumenical Research, volume 41, issue 2 (2012), pp. 120-143
"It has not been uncommon in the history of Jesus in film for commercial movies of Jesus' life to be conscripted for Christian evangelism around the world. Cecil B. DeMille's The King of Kings (1927), John Krish and Peter Sykes' Jesus (1979), better known today as The Jesus Film, and Mel Gibson's Th
...
