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Countries
Authors & Publishers
Media focus
Publication Years
Methods applied
Journals
Output Type
How Karunamayudu (1978) Became an Evangelistic Tool: Implications for Understanding Evangelicals and Media
Exchange: Journal of Missiological and Ecumenical Research, volume 41, issue 2 (2012), pp. 120-143
"It has not been uncommon in the history of Jesus in film for commercial movies of Jesus' life to be conscripted for Christian evangelism around the world. Cecil B. DeMille's The King of Kings (1927), John Krish and Peter Sykes' Jesus (1979), better known today as The Jesus Film, and Mel Gibson's Th
...
Les cinémas d'Afrique des années 2000: Perspectives critiques
Paris: L'Harmattan (2012), 439 pp.
Studienhandbuch Filmanalyse: Ästhetik und Dramaturgie des Spielfilms
Paderborn: Fink (2012), 345 pp.
"Dieses Studienhandbuch stellt in kompakter Form das komplette Instrumentarium der Filmanalyse vor. Systematisch werden Filmgeschichte, Filmtheorie und das Zeichensystem des Films erläutert und durch Beispiele aus mehr als 100 Jahren Filmgeschichte veranschaulicht. Dabei werden auch neueste Entwick
...
The Future of State Aid
IRIS Plus (European Audiovisual Observatory), issue 3 (2012), 43 pp.
A Dialogue on Children's Television
Communication Research Trends, volume 31, issue 3 (2012), pp. 3-31
Iranian Religious Film and Inter-Religious Understanding
Exchange: Journal of Missiological and Ecumenical Research, volume 41, issue 2 (2012), pp. 165-198
"The article deals with two recent Iranian films, al-Masih (Teh Messiah) by Nader Talebzadeh and Maryam al-Muqaddasah (Holy Mary) by Shahriar Bahrani. Both movies are about religious characters shared by Islam and Christianity: Zechariah, Mary and Jesus. The article explores the way the filmmakers h
...
Les cinémas du Maghreb et leurs publics
Paris: L'Harmattan (2012), 344 pp.
Cultura y communicación: La cooperación española e Iberoamérica
In: Políticas de comunicación y ciudadanía cultural iberoamericana
Barcelona: Gedisa (2012), pp. 345-360
Contemporary Indonesian Film: Spirits of Reform and Ghosts from the Past
Leiden: KITLV Press (2012), 239 pp.
Postcolonial Cinema Studies
London; New York: Routledge (2012), xviii, 250 pp.
"This collection of essays foregrounds the work of filmmakers in theorizing and comparing postcolonial conditions, recasting debates in both cinema and postcolonial studies. Postcolonial cinema is presented, not as a rigid category, but as an optic through which to address questions of postcolonial
...
The Magic of Bollywood: At Home and Abroad
New Delhi; Thousand Oaks: Sage (2012), xviii, 334 pp.
"This anthology aims to portray the “soft” power of Bollywood, which makes it a unique and powerful disseminator of Indian culture and values abroad. The essays in the book examine Bollywood's popularity within and outside South Asia, focusing on its role in international relations and diplomacy
...
International Film Guide 2012: The Definitive Annual Review of World Cinema
Brighton: International Film Guide, 48th ed. (2012), 344 pp.
Spanish Cooperation in Culture and Communication: An Overview of a Decade of Exchanges with Ibero-America
Global Media and Communication, volume 8, issue 1 (2012), pp. 65-80
"The article presents the main results of the investigation, ‘Current Situation and Prospects of Spanish Cooperation in Culture and Communication with the Rest of Ibero-America, 1997–2007’. The text offers an overview of the initiatives which took place during the period studied, by country, c
...
Storytelling in World Cinemas. Vol. 1: Forms
London; New York: Wallflower Press (2012), xi, 208 pp.
Film als Mittel der Befreiung und der Einheit Afrikas
In: 50 Jahre afrikanische Un-Abhängigkeiten: eine (selbst)-kritische Bilanz
Bonn: Bundeszentrale für politische Bildung (bpb) (2012), pp. 170-179
Bollywood en Perú: Culturas populares y globalización de las emociones
Nueva Sociedad, issue 241 (2012), pp. 133-148
"En las décadas de 1970 y 1980 varias salas limeñas se llenaban de familias que iban a ver las largas y melodramáticas producciones de cine que llegaban desde la India. Hoy esas salas ya no existen, pero eso no impide que la incidencia del cine indio se haya mantenido –dvd piratas mediante– n
...
Cine latinoamericano: Producción y mercados en la primera década del siglo XXI
Buenos Aires: Directores Argentinos Cinematográficos (DAC) (2012), x, 346 pp.
I Got It! What Children Get Out of an Educational Programme: Reception of a Co-Production from 9 Southeast Asian Countries for 9 Southeast Asian Countries
Televizion, issue 25 (2012), pp. 23-25
"An study among 1,564 children from Cambodia, Thailand, and the Philippines tested the increase of knowledge among viewers of the Southeast Asian programme "I Got It". Initiated by why the Goethe Institutes in Southeast Asia, this first regional knowledge programme for children was produced in 9 Asi
...
A Bibliography of Academic Work on Nigerian and Ghanaian Video Films
Journal of African Cinemas, volume 4, issue 1 (2012), pp. 99-133
"This reckoning of the academic work that has been published on Nigerian and Ghanaian video films does not include theses and dissertations, of which many have been written. I have included as many books on the subject as possible whatever their character, but in order to make the project manageable
...
