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Countries / Regions
Authors & Publishers
Media focus
Publication Years
Methods applied
Journals
Output Type
Cinemas of the Mozambican Revolution: Anti-Colonialism, Independence and Internationalism in Filmmaking, 1968-1991
Suffolk: Boydell & Brewer (2020), xvi, 292 pp.
"In one of the first cultural acts to follow independence in 1975, Frelimo's new socialist government of Mozambique set up a National Institute of Cinema (the INC). In a country where many people had little previous experience of cinema, the INC was tasked to "deliver to the people an image of the p
...
Documentary Filmmaking in Contemporary Brazil: Cinematic Archives of the Present
New York: Oxford University Press (2019), viii, 265 pp.
"This work examines the vibrant field of documentary filmmaking in Brazil from the transition to democracy in 1985 to the present. Marked by significant efforts toward the democratization of Brazil's highly unequal society, this period also witnessed the documentary's rise to unprecedented vitality
...
L'audiovisuel africain et la capitalisme global
Politique Africaine, issue 153 (2019), pp. 7-159
"Ce dossier se concentre sur ces transformations plus récentes afin d’analyser leur impact sur l’économie et la politique de la production et de la distribution audiovisuelle en Afrique, tout en mettant en question les cadres théoriques et méthodologiques que nous adoptons en tant que cherch
...
African Cinema and Human Rights
Bloomington: Indiana University Press (2019), x, 314 pp.
"Bringing theory and practice together, 'African Cinema and Human Rights' argues that moving images have a significant role to play in advancing the causes of justice and fairness. The contributors to this volume identify three key ways in which film can achieve these goals: documenting human rights
...
Formas de ver en el cine latinoamericano
La Paz: Plural Editores (2019), 440 pp.
"Revisar y recorrer el cine latinoamericano actual mediante 23 películas es, de hecho, un reto. Keith Richards ha tomado la opción inusual de analizar la cinematografía de una región entera mediante el prisma de las películas seleccionadas ("mirar el cine por derecho propio"). Lo más interesan
...
Medienraum Diaspora: Verortungen zeitgenössischer iranischer Diasporafilme
Wiesbaden: Springer VS (2019), 276 pp.
"Alena Strohmaier diskutiert in diesem Open-Access-Buch die komplexen Konfigurationen von Diaspora, deren soziopolitische und kulturelle Aspekte und unternimmt eine theoretische Dimensionierung des Begriffs, indem sie diesen als sowohl räumliche als auch filmische Kategorie versteht. Als Bindeglied
...
Manual de crítica de cine
Madrid: CEU Ediciones (2019), 257 pp.
" Es cierto que el crítico de cine es por encima de todo un espectador, pero en palabras de François Truffaut, es «un espectador que tiene la necesidad de analizar el propio placer y describirlo». Un crítico de cine es mucho más que alguien que aconseja o desaconseja una película. Debe ser aq
...
Video- und Filmproduktion im indigenen Mesoamerika
Indigenous Agency Through Visual Narratives in the Sierra Nevada de Santa Marta, Colombia
Journal of Alternative and Community Media, volume 4, issue 3 (2019), pp. 14-27
"This article focuses on the Wiwa community in the Sierra Nevada de Santa Marta, Colombia. This community has been reviving its traditional music as part of an effort to reconstruct its social network. Moreover, its members have recently embraced visual arts as a versatile medium in the context of t
...
The Grounds of Circulation: Rethinking African Film and Media
Politique Africaine, issue 153 (2019), pp. 105-126
"The aesthetic form and financial infrastructures of African popular film has transformed in recent years leading to a revision of the paradigms for thinking African screen media. This paper assesses that rethinking. It examines three things. First, I argue the analysis of the technical, financial,
...
Les cinémas berbères: De la méconnaissance aux festivals nationaux
Paris: Karthala (2019), 210 pp.
"Cet ouvrage est le premier à traiter l'ensemble de la production cinématographique berbère. Des histoires qui nous viennent des mythes, de l’histoire contemporaine, des personnages dramatiques ou comiques, qui participent à la représentation et à l’auto-perception d’être Imazighen/Berb
...
Global Media and Cultural Policy: The European Union and Audiovisual Industries in the Global South
Ann Arbor, MI: University of Michigan, Doctoral Thesis (2019), viii, 193 pp.
"This dissertation explores audiovisual assistance programs through an examination of the largest such program: the EU’s ACPCultures+, which since 2008 has awarded over 50 million Euros to nearly 60 audiovisual training programs, distribution initiatives, and production projects in sub-Saharan Afr
...
Kritik, Aktivismus und Prospektivität: Politische Strategien im postjugoslawischen Dokumentarfilm
Marburg: Schüren (2019), 368 pp.
"Während des kriegerischen Zerfalls von Jugoslawien und der Bildung neuer Nationalstaaten entstand in der Region ein reges Dokumentarfilmschaffen, das sich den dominanten Rhetoriken der Politik entgegenstellte. Anhand dieses Filmkorpus untersucht die Studie die Bedingungen der Filmproduktion und -r
...
Bilder einer besseren Welt: Die Utopie im nichtfiktionalen Film
Marburg: Schüren (2019), 424 pp.
Yangon Film School’s Advanced Filmmaking Course Project: Independent Evaluation
Helsinki: Vikes (2019), 64 pp.
El vídeo indígena en la comunidad Embera Chamí: Nuevas estéticas y sistemas de circulación
Luciérnaga, volume 11, issue 22 (2019), pp. 95-111
"El texto es un análisis visual sobre varios videos de dos grupos de música del resguardo Emberá Chamí del municipio de Pueblo Rico Risaralda, Bidika y Ibanafarag, estos grupos cuentan con características especiales en su concepción que logran permear en sus canciones, en la construcción est
...
Rethinking Testimonial Cinema in Postdictatorship Argentina: Beyond Memory Fatigue
Bloomington: Indiana University Press (2019), 272 pp.
"By critically examining how trauma theory and subaltern studies have previously been applied to testimonial cinema, Garibotto rereads Argentinian films produced since 1983 and calls for an alternate interpretive framework at the intersection of semiotics, theories of affect, scholarship on hegemony
...
Guía práctica y herramientas para el impacto: Del arte al impacto
Key Guides
London et al.: Doc Society (2019), 237 pp.
"El objetivo de esta guía va más allá de presentar herramientas y recursos, pretende crear comunidad. Igual que sucede con el proceso de evaluación, vimos una oportunidad para aprender cómo se produce el impacto y hacer un seguimiento de cómo las películas están catalizando el cambio social.
...
O guia de campo: Kit der ferramentas para o impacto. Da arte ao impacto
Key Guides
London et al.: Doc Society (2019), 238 pp.
"Nós oferecemos ideias e abordagens para que você não tenha que lidar com um obstáculo que alguém já ultrapassou e, com isso, concentrar-se nos desafios próprios de seu projeto. Disponibilizamos todas as nossas colaborações, conversas, acordos e desentendimentos com equipes de filmagem incr
...
The Impact Field Guide and Toolkit: From Art to Impact [in Arabic]
Key Guides
London et al.: Doc Society, 2nd ed. (2019), 238 pp.