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Countries
Authors & Publishers
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Publication Years
Methods applied
Journals
Output Type
Offenes Erzählen: Experimente im zeitgenössischen indischen Dokumentarfilm
Bielefeld: transcript Verlag (2017), 203 pp.
"Der Dokumentarfilm gilt in Indien als kommerziell schwer auswertbares Genre - und stellt dennoch ein Feld dar, in welchem Experimente entstehen können. Angesichts der gegenwärtigen gesellschaftlichen Umbrüche untersucht Ulrike Mothes den aktuellen indischen Dokumentarfilm hinsichtlich seiner fil
...
What Do Young People in the Arab World Want from Their National Broadcasters?
MedMedia (2017), 18 pp.
"This report captures of the findings of the “Youth on Screen” initiative, which was born out of a growing desire amongst youth civil society groups and broadcasters in the Southern Mediterranean Region to tackle the issue of youth representation on television head on. The report not only looks
...
Filosofía y cine: De Friedrich Nietzsche a David Lynch
Buenos Aires: Teseo (2017), 233 pp.
Bilder des Alters und des Alterns in Film und Fernsehen: Eine Arbeitsbibliographie
Medienwissenschaft Berichte und Papiere, issue 175 (2017), 29 pp.
"Die folgende kleine Bibliographie versammelt Arbeiten, die sich mit den Dramaturgien und Konzeptionen der Altersdarstellung in Film und Fernsehen befassen. Es finden sich keine Untersuchungen zum rezeptivven oder produktiven Mediengebrauch Älterer. Die zahlreichen bis heute vorliegenden Inhaltsana
...
15. Afrika Film Festival Köln, 21. September bis 01. Oktober 2017. Fokus: Landgrabbing & Migration
Cologne: FilmInitiativ Köln (2017), 163 pp.
"Going to the cinema means going on a journey” reads one of the banners in Ouagadougou that have been put up to promote the legendary pan-African FESPACO film festival. Afrika Film Festival Köln has also been taking its guests on audiovisual journeys through African cinescapes for 25 years. More
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International Perspectives on the Funding of Public Service Media Content for Children
Media International Australia, volume 163, issue 1 (2017), pp. 42-55
"Funding original children’s television has never been easy because this is rarely a commercially attractive proposition unless you target a global audience and tap into ancillary revenues from licenced merchandise. As a case of market failure, policy makers who wish to ensure the production of a
...
Children's TV and Digital Media in the Arab World: Childhood, Screen Culture and Education
Deep Insights
London; New York: Tauris (2017), xiii, 248 pp.
"Children, defined internationally as under-18s, account for some 40 per cent of Arab populations and the proportion of under-fives is correspondingly large. Yet studies of children's media and child audiences in the region are as scarce as truly popular locally produced media content aimed at child
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Provision, Protection or Participation? Approaches to Regulating Children’s Television in Arab Countries
Media International Australia, volume 163, issue 1 (2017), pp. 31-41
"Free-to-air channels for Arabic-speaking children expanded alongside the emergence of a few Arab national regulatory agencies with varying degrees of independence from government and powers that could potentially influence children’s channels. Even so, the rationales that inform production and ac
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Guatemalas Durst nach Filmen
Eine Welt (DEZA), issue 2 (2016), pp. 31-33
"Im Februar 2015 hat Jayro Bustamante an den Filmfestspielen Berlin den Silbernen Bären für seinen ersten Spielfilm «Ixcanul» gewonnen. Gleichzeitig hat sich mit dem Film ein lateinamerikanisches Land auf der Landkarte des Kinos eingetragen. Walter Ruggle wirft einen Blick auf die Situation des
...
Public Financing for Film and Television Content: The State of Soft Money in Europe
Strasbourg: European Audiovisual Observatory, Council of Europe (2016), 108 pp.
"In total, a yearly average of EUR 2.53 billion went to the 214 funds in a sample including 33 countries (Albania and Russia could not be tracked for this indicator) between 2010 and 2014 (a proportioned average of 196.2 funds a year, since not all the funds tracked existed over the entire period).
...
Animation in China: History, Aesthetics, Media
London; New York: Routledge (2016), xix, 252 pp.
"By the turn of the 21st century, animation production has grown to thousands of hours a year in the People's Republic of China (PRC). Despite this, and unlike American blockbuster productions and the diverse genres of Japanese anime, much animation from the PRC remains relatively unknown. This book
...
Slums on Screen: World Cinema and the Planet of Slums
Edinburgh: Edinburgh University Press (2016), ix, 283 pp.
"Combining approaches from the social sciences and the humanities, the book provides an interdisciplinary perspective while outlining a transnational history of films that either document or fictionalise the favelas, shantytowns, Elendsviertel, gecekondu, barrios populares or chawls of our diverse '
...
La vida en la pantalla: Del cine a la sociedad digital
México, DF: Buena Prensa (2016), 126 pp.
"Con mirada contemplativa, el espectador de cine e internet es capaz de encontrar 'al otro' en la pantalla. Hoy es necesario conmoverse, detenerse ante el prójimo y poner los ojos en la periferias visuales. No importa de qué lado de la pantalla estemos. Cinéfilo y jesuita, el autor de este libro
...
Diversity and the Film Industry: An Analysis of the 2014 UIS Survey on Feature Film Statistics
Montreal: UNESCO Institute for Statistics (2016), 39 pp.
"Based on data collected from 97 countries through the UIS 2014 Survey on Feature Film Statistics, the following observations on diversity can be made: In 2012, the number of feature films greatly increased throughout the world, and the following year a new production record was hit: 7,610 movies. H
...
Arab Cinema Travels: Transnational Syria, Palestine, Dubai and Beyond
London: Palgrave Macmillan; British Film Institute (bfi) (2016), ix, 221 pp.
"Starting with the inventive traditions of Arabic travelogues, the text traces the manifold pathways that converge in the cinemas of Syria, Palestine and Dubai. Syrian production bursts out of long-held practices of studying abroad, this time in the film schools of the Eastern Bloc. Palestinian movi
...
SIGNIS and Cinema: Looking for God Behind the Screen
Opole (PL); Brussels: Uniwersytet Opolski, Wydzial Teologiczny; Signis Europe (2016), 85 pp.
Kurdish Documentary Cinema in Turkey: The Politics and Aesthetics of Identity and Resistance
Newcastle-upon-Tyne: Cambridge Scholars Publishing (2016), xii, 269 pp.
"Documentary film is proving to be a particularly complex tool for the Kurdish social and political existence, as Kurds lack the official tools of history-writing and cultural preservation that are categorically associated with the capacities of a state. By delving into Kurdish documentary films as
...
Cine y cuidado de la casa común: Manual de cine foros sobre ambiente
Key Guides
Quito: Asociación Católica Latinoamericana y Caribeña de Comunicación (SIGNIS ALC) (2016), 212 pp.
"En este manual se ofrecen herramientas y estrategias de comunicación para la capacitación, además de una riquísima selección de alrededor de 200 películas recomendadas para los procesos de reflexión y debate sobre la urgencia de cuidar y defender la naturaleza. Este manual es fruto de varios
...
