"A concise edition of the highly acclaimed Oxford Companion to the Book, this book features the 51 articles from the Companion plus 3 brand new chapters in one affordable volume. The 54 chapters introduce readers to the fascinating world of book history. Including 21 thematic studies on topics such
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as writing systems, the ancient and the medieval book, and the economics of print, as well as 33 regional and national histories of 'the book', offering a truly global survey of the book around the world, the Oxford History of the Book is the most comprehensive work of its kind. The three new articles, specially commissioned for this spin-off, cover censorship, copyright and intellectual property, and book history in the Caribbean and Bermuda." (Publisher description)
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"Das Buch spürt all den akustischen Zeugnissen nach, die das 20. Jahrhundert prägten. Ein Großteil unserer Orientierung in der Welt gewinnen wir über das Hören. Das Ohr nimmt vor allem den emotionalen Aspekt einer Information auf. Manche Geräusche sind lebenslang im Unterbewusstsein gespeicher
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t. Klänge können Erinnerungsorte sein und Identität stiften. Musik kann aufwühlen und erregen. In 100 Beiträgen werden Geräusche, Töne und Stimmen, der Sound des 20. Jahrhunderts, rekonstruiert und analysiert: die Klang- und Geräuschveränderungen im öffentlichen Raum, die verschiedenen Aufzeichnungsmedien und Tonträger, Jingles und Soundtracks in Radio, Film und Fernsehen, Meldungen und Reportagen sowie musikalische Schlüsselwerke der Moderne und epochale Filme. Dem Buch liegt eine DVD mit über 80 akustischen Zeugnissen des 20. und beginnenden 21. Jahrhunderts bei." (Verlagsbeschreibung)
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"Aquí está la historia de medio siglo de la televisión mexicana, desde su primera transmisión una misa, hasta los líos familiares para hacerse de su control. Por sus páginas desfilan lo mismo comediantes, cantantes, productores de telenovelas, conductores de noticieros, que presidentes de la R
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epública, gobernadores, jefes policiacos. Nación TVcuenta la historia de la televisión y del poder, sea éste partidista, presidencial, religioso o económico. Medio siglo de una televisión monopolizada cuyo espíritu se mantuvo inamovible: "entretener a los jodidos". Esta novela es, también, una reflexión sobre las relaciones entre padres e hijos, de tres generaciones de Azcárraga que quisieron imprimirle a su herencia un estilo personal para adueñarse de México." (Editorial)
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"As Europeans began to travel to all corners of the earth beginning in the 15th century, they were determined not only to conquer new lands but also to spread their faith. From Johann Gutenberg they had learned the power of the printed word, and were determined to use this revolutionary new technolo
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gy to christianize Asia. The impact of these efforts varied depending on a number of circumstances. The two most significant variables were the ability to wield control as a colonial power (e.g. in the Philippines, but not in Japan or China) and the pre-existence of a widespread print culture (e.g. in China), or lack thereof (e.g. in India and Malaya). This summary account of missionary printing also suggests that the principal difference between Roman Catholic and Protestant presses was the emphasis placed by the former on the exposition of Christian doctrine and the printing of catechetical treatises, and the early concentration by the latter on the preparation of partial or complete versions of the Bible in local languages." (Page 114)
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"Si hay algo que caracteriza a Cristóbal Coronel, y que podría decirse es casi su esencia, es sin duda su incesante y marcada pasión por la radio. Ondas que provocan. Radio Illimani, los Estados y el nacionalismo forma parte de esa envidiable y particular obsesión por lo radiofónico que tiene a
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trapado a este investigador. El relato provocativo que con este texto logra construir, para llevarnos por esa línea de tiempo cercano al siglo de existencia de la radiodifusión en Bolivia y en particular de la Radio Illimani, atraviesa una espesa red de acontecimientos políticos, económicos, sociales, culturales, tecnológicos y desde luego comunicacionales. Más allá del análisis histórico, Coronel deja imaginar tiempos, instantes, situaciones en los que se fue haciendo el medio sonoro estatal. El texto se constituye, no cabe duda, en una referencia obligatoria para quienes deseen conocer la trama del surgimiento de las tecnologías mediáticas y los entornos que se modifican con su llegada. Pero específicamente el contexto de la radio (estatal) en Bolivia." (Prólogo)
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"Cinema and Development in West Africa shows how the film industry in Francophone West African countries played an important role in executing strategies of nation building during the transition from French rule to the early postcolonial period. James E. Genova sees the construction of African ident
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ities and economic development as the major themes in the political literature and cultural production of the time. Focusing on film both as industry and aesthetic genre, he demonstrates its unique place in economic development and provides a comprehensive history of filmmaking in the region during the transition from colonies to sovereign states." (Publisher description)
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"Este trabajo busca discutir las relaciones que se han establecido en la sociedad paraguaya entre el Estado, la sociedad civil y los medios de comunicación como expresión de diversos intereses sociales, políticos y económicos. Al mismo tiempo, también se propone hurgar y desvendar por un lado,
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y por el otro, desarrollar una exégesis, sobre los distintos elementos y momentos históricos, a partir de los cuales se fue conformando, mínimamente, un pensamiento en el campo comunicacional paraguayo. La propuesta atraviesa diversas etapas históricas y se nutre en varios aspectos del desarrollo e impulso de las ciencias sociales paraguayas. Al mismo tiempo, se intenta establecer relaciones entre un pensamiento local, y otro desarrollado fuera del país –o a la inversa–, y que de alguna manera constituyen una propuesta de “rango medio” de lo que puede denominarse el despliegue de unas teorías de la comunicación. Analizando documentos producidos desde el poder durante la Primera República paraguaya (1811-1870), asimismo estudiando cuatro textos sobre el periodismo paraguayo publicados entre los años 1890-1911 (Parodi, Rodríguez Alcalá, Pane y E. Solano López), el presente libro intenta reconstruir y presentar el camino histórico recorrido por aquello que podría ser denominado un “borrador” del pensamiento comunicacional paraguayo." (Contratapa)
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"This thesis operates from the observation that "Decolonising the Mind", i.e. a cultural decolonisation process, was needed after the independence of African countries to support and flesh out political decolonisation. Culture, as shown, played a major role in the mobilisation of support for nationa
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list movements, but after independence nationalist culture was just one among many. In both cases presented here, the most pressing issue after political independence was how to deal with the different identities that had previously existed and were onyl partially cushioned by political and cultural nationalism. Now that the political kingdom had been attained, the different language, cultural and political groups started to ask questions about their place in this kingdom. Although many politicians shared the idea that "once you have a national identity, the question of culture becomes something which flows automatically", it soon turned out to be misguided. Media and education were seen to be the major tools in "decolonising the mind". However, a close analysis of the electronic media in the two cases presented here shows that the policies for promoting national unity in programmes were largely ineffective. Instead, radio programmes, both before and after independence, provided a space to negotiate issues of national identity. This space was sometimes more, sometimes less restricted, but listeners used it as much as they could.
Colonial media had, for all their focus on political control and censorship, accompanied and mediated social change. As described, this happened specifically in cultural programmes, where broadcasters were much freer in their work. However, Northern Rhodesian media were supposed to work as a catalyst to further the process of modernisation, and to help its listeners come to terms with the transition from being 'traditional' to becoming 'modern' Africans. In the Apartheid broadcasting system, culture was used consciously to construct a specific 'ethnic' identity, emphasising cultural traditions of the different language groups. But while the intentions were different, both broadcasting institutions were at the centre of negotiating ideas of tradition and modernity.
Both were also established because there was a need to legitimate the respective political system. Be it the Central African Federation or a 'democratic' "South West Africa/ Namibia", the political models promoted by the authorities could not just be imposed on the people. The radios were established to give reality to these constructs, to make listeners identify with a social, political and cultural space that had been defined by colonial authorities. As shown, colonial ideologies not only surfaced in obvious propaganda programmes but also significantly determined the technical and managerial setup of the stations. While radio infrastructure was formed and reformed to structure that space – by linking three territories with different political and social power structures or, following Apartheid ideology, by assigning each language group their own space according to the homeland system – culturally as well as geographically. As shown, infrastructure mirrored the proposed political models, not just in its technical aspects (i.e., the stations' footprints, transmitting posts and frequencies), but also in management structure. As the Federal Broadcasting Services were subdivided in European and African Services, respectively catering for the whole White or Black population of all three territories, the South West African Broadcasting Corporation separated first Black and White, then subdivided the three Departments in the several language Services, each broadcasting to the designated "homeland". This infrastructure not only formed the whole process of programme production and reception but was also part of it as it imparted ideological considerations. The first order of business for independent countries was therfore to restructure the radio according to the needs of the new nations." (Conclusion, page 274-275)
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"The book consists of six chapters on Slovenian media history. All the subjects (censorship, political struggles, the economic crisis, the Balkans, folk songs and racism) are as topical today as they were at the time when they were discussed. What has changed then? Obviously, “time” has changed,
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since “space” is more or less consistent. And yet, this is only partly true. Symbolic-geographical space is like an accordion that stretches and shrinks under the pressure of historical change. Furthermore, topicality depends on writing style, among other things: by combining traditional historical analysis and a journalistic-literary style, we have tried to relativize the image of the contemporary media landscape and lend it a historical dimension. To achieve this, we quoted interesting passages from old newspapers whose archaic discourse illustrates the language of Slovenian journalism of the time." (Pages 5-6)
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"There is a key and oft-repeated assumption that the book is not indigenous to Africa, and has a relatively short history here.1 Thus, to tell the story of the book in Africa, some would start with the coming of the first printing presses, brought to missions, colonies, and trading posts around the
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continent by Europeans. Others would argue that we should look at the first indigenous publishing initiatives, mostly newspapers set up by welleducated locals, which led to the inculcation of print into African cultures. But there is also a textual history that is around a thousand years older, the story of the writing, reading, and circulation of texts before the advent of movable type. Where we begin is also a question of location, and the geography of Africa is a complicating factor in any historical study. Borders have changed, peoples have migrated, and the transnational nature of trade and circulation has had a lasting impact on the continent. And “Africa” itself is a troublesome concept, often conceived of either as a monolithic whole or as broad swathes: sub-Saharan and North Africa, or black and Arab Africa, the linguistic and political categories of Anglophone and Francophone Africa, and so on. Moreover, while Adrian Johns argues that print has a role in transcending place, it is also important to look at the specifics of locale when examining book history in such a contested terrain. So there is great variety in both the places and times where the written word has been used, traded, printed, and dispersed in the African context. As a result, print and textual culture has had a differential impact in different parts of Africa, and for different groups." (Abstract)
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