"Betty la Fea, the phenomenally popular Colombian telenovela, has been exported as both canned (e.g. either dubbed or unaltered) programming and format to approximately 70 countries, including the recent US prime-time hit Ugly Betty. Guided by an examination of the extended global success of this Co
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lombian production, this article explores the telenovela as a cultural product that is successful because of its appeal on both the local and global level, and as an economic product traversing a global industry. Popular telenovelas succeed as both canned programming and formats because they combine universally appealing stories (rags-to-riches) and style (melodrama) with localizable specifics with which viewers can easily identify. While telenovelas are localized products produced to first achieve domestic success, the cross-ownership structure of and multinational flows that mark the telenovela industry render any conception of telenovelas as South-to-North contra-flows of culture inherently problematic. Instead, this article argues that telenovelas can best be understood as localizable yet universally appealing cultural products traversing global networks of capitalist cultural concerns." (Abstract)
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"In the past few years China has rapidly become an important player in the media sector in many African countries in at least three ways. First, its economic success and the impressive growth of media outlets and users within China have quietly promoted an example of how the media can be deployed wi
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thin the larger political and economic strategies of developing states, moving beyond the democratization paradigm promoted in the West. It has shown that heavy investments in media and information and communication technologies can go hand-in-hand with a tight control over them, posing a lesser challenge to local governments and to political stability. Second, the Chinese government, and its associated companies, have enhanced their direct involvement in the telecommunication and media markets in Africa. Chinese companies have started winning large bids on the continent, as exemplified by the 1.7 billion dollars project won by the Chinese telecom giant ZTE to overhaul Ethiopia's telecommunication system. At the same time, the Chinese government has provided significant support to state broadcasters in selected countries, such as Kenya and Zambia. Third, China's public diplomacy strategy has been stepped up through expanding the reach and content of its international broadcasters including China Central Television-CCTV and China Radio International-CRI. There has also been a heavy investment in the growth of the government news agency, Xinhua. Cultural diplomacy has been growing through the continued establishment of Confucius institutes. And programmes that offer scholarships for foreign students and journalists to study in China have been expanded." (Executive summary)
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"Since the mid 1990s the European Union (EU) and its member states, most prominently France and Germany, have encouraged cinematic co-productions between Europe and the Middle East. A large number of films were completed within various EU support and cooperation programmes, ranging from special inte
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rest documentaries to Oscar-nominated movies like Paradise Now (2005) or Ajami (2010). As Arab Middle Eastern countries do not have a cinemafunding system of their own, the film-makers depend on cooperation with Europe. While the European partners pride themselves on the success of supported films, the Middle Eastern side is increasingly denouncing a ‘new colonialism’. The displeasure derives from the assertion that the subjects of supported films are limited to Western stereotypes of the Middle East, as well as the fact that a core condition of nearly all financial support is the employment of European crews. Within this scope, how can stories be told, and which ones remain untold?" (Abstract)
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"Welches Bild konstruieren die drei ecuadorianischen Tageszeitungen El Universo, El Comercio und Hoy von der EU? Welches sind die häufigsten Themen in Zusammenhang mit der Europäischen Union und welche Aspekte der EU-Berichterstattung könnten noch verbessert werden? Die EU wird in Ecuador als Vor
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bild für eigene Staatengemeinschaften, andererseits als protektionistischer Verbund gesehen. Nach einem Überblick über die EU-Bilderforschung in Europa, die Einstellungsforschung und die Nachrichtenwerttheorie werden die großen überregionalen Tageszeitungen Ecuadors auf ihre Darstellung inhaltsanalytisch und mit Expertenbefragungen von Journalisten untersucht. Bislang die einzige deutsche Arbeit, die sich mit dem EU-Bild in Lateinamerika beschäftigt." (Verlagsbeschreibung)
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"Die Auslandskorrespondenten des bekanntesten arabischen Nachrichtensenders Al-Jazeera sind in ihrer Arbeit in Europa mit widerstreitenden Anforderungen konfrontiert. Sie müssen gleichermaßen den professionellen Standards der Nachrichtenproduktion wie den Repräsentanzansprüchen seitens der arabi
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schsprachigen Community vor Ort gerecht werden. Auch ihre Rolle als kulturelle Übersetzer ist nicht immer konfliktfrei, insbesondere wenn es gilt, Themen wie gleichgeschlechtliche Partnerschaften für ein arabisches Zielpublikum aufzubereiten. Die Autorin begleitet die Auslandskorrespondenten in Berlin und Paris bei ihrer Arbeit und untersucht aus ethnologischer Perspektive, welche ethischen Maßstäbe und professionellen Selbstbilder der journalistischen Praxis zugrunde liegen." (Klappentext)
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"Global Crisis Reporting: Journalism in the Global Age sets out to better understand the media’s role in the circulation and communication of these global challenges to humanity as well as the conflicts and contentions that surround them. Concerned as we are with crises that transcend national bor
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ders, whether in terms of impact or intervention, this book seeks to move beyond narrow national frameworks and nationally focused methodologies. In today’s globalizing world, where crises can be transnational in scope and impact, involve supranational levels of governance and become communicated in real time via global media, so national frames of reference and earlier research preoccupations are being superseded. The study of global crisis reporting, necessarily, needs to be situated and theorized in the context of journalism practised in the global age. As we shall explore, contemporary news media occupy a key position in the public definition and elaboration of global crises and are often far more than just conduits for their wider public recognition. In exercising their symbolic and communicative power, the media today can variously exert pressure and influence on processes of public understanding and political response or, equally, serve to dissimulate and distance the nature of the threats that confront us and dampen down pressures for change. In such ways, global crises become variously constituted within the news media as much as communicated by them." (Page 2)
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"Almost entirely rewritten and updated, Global Journalism addresses the most pertinent issues and problems in today's global journalism and media environments, whilst providing an extensive overview of journalism throughout the world. This new edition recognizes the vast and rapid changes taking pla
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ce in international journalism. Its three interlinking parts first offer a thorough discussion of global media theoretical approaches; then survey the main issues confronting journalists, media organizations, audiences, and others in the media world, and thirdly focus on the media of the world's eight major regions." (Publisher description)
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"A collection of essays by top international correspondants in print, broadcasting, and photojournalism, International News Reporting offers an introduction to journalism written by the people who have made the profession what it is today. Contributors identify the major areas of professional practi
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ce which students and young journalists need to know in order to work safely in, and understand fully, the field of international news gathering. It looks at events from conflicts to humanitarian disasters. The book covers crucial topics such as how to report stories about the developing world, how to avoid stereotyping, the uses and abuses of blogging, and risk assessment for journalists in conflict zones." (Publisher description)
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"This study sets out to historically contextualize Chinese support to the African mediascape, arguing that contemporary Chinese media interventions in Africa must be seen as part of China's long history of anti-colonial and anti-imperial struggle in its project of national and international identifi
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cation. The study concludes that current Chinese support to Africa's media takes the tripartite form of infrastructural realignment, ideological expurgation and cultural reproduction. It ends with a call for a critical-theoretical trajectory for understanding Sino-African media relations, suggesting a triangulated theoretical approach that draws on a critical cultural studies tradition. Key to this theoretical project is the need to study China in Africa's mediascape in terms of how its influence will, if at all, reconfigure African media production, representation, identity, consumption and regulation." (Abstract)
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"Following economists and scientists, politicians of various European countries have realized that a modern society with a declining birthrate is in need of immigrants. What can journalists contribute, in order to enable migrants to feel at home in their receiving country? What can be missed and rui
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ned by journalists and media with regard to the integration of ethnic minorities? Scholars from Austria, Canada, France, Germany, Russia, Switzerland, The Netherlands, and the U.S. present their findings on the matter of media integration of migrants. Can European media learn from experiences in the classic countries of immigration in North America?" (Publisher description)
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"We have argued throughout this book that the various versions of the cultural convergence thesis are deeply flawed, whether one has in mind the ‘media imperialism’ argument that was fashionable during the 1970s, the ‘Coca-colonization’ claim that was popular during the 1990s, or contemporar
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y approaches advocating ‘cultural protectionism.’ The convergence thesis rests on the premise that repeated exposure to the ideas and images transmitted by CNN International, MTV, and Hollywood will gradually undermine indigenous values and norms. Consequently, many deeply conservative cultures fear that opening the floodgates to the American or Western media will erode faith in religion, respect for marriage and the family, and deference toward traditional sources of authority. But earlier chapters demonstrated how lack of access to globalized mass communications persists in many poor nations, limiting the diffusion of Western ideas and images. This book has documented the existence of multiple firewalls that prevent the mass media from penetrating parochial societies and thus influencing the culture in these places." (Page 261)
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"This book examines US foreign policy toward the so-called 'rogue states' and the products of the Hollywood film industry in relation to these states, which promises to make a significant contribution to our understanding of the 'soft power' that is popular culture." (Publisher description)
"This collection of essays by internationally-acclaimed scholars from around the world aims to stimulate a debate about the imperatives for internationalizing media studies by broadening its remit, including innovative research methodologies, taking account of regional and national specificities and
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pedagogic necessities warranted by the changing profile of students and researchers and the unprecedented growth of media in the non-Western world." (Publisher description)
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