"Mediated public diplomacy plays an important role in achieving foreign policy objectives by trying to influence public opinion in other countries. The Russia-based global TV channel RT serves as a central tool of Russian mediated public diplomacy. Its objective is not only to present the Russian pe
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rspective on different issues but also to propagate it. However, there is not much research on RT in general and none on the strategies RT employs to persuade its viewers of the rightness of the Russian stance. This article explores the use of persuasive strategies in the RT interview show Spotlight. A qualitative content analysis of 15 episodes, which discuss Russian relations to its Baltic neighbours Estonia, Latvia and Lithuania, revealed that Spotlight constructed a one-sided pro-Russian reality. Various strategies are employed to hedge this reality against doubts about its trueness as well as to support Russia's position in conflicts with the Baltic States. By this, RT aims to isolate the Baltic States internationally in order to help Russia in achieving its foreign policy objectives." (Abstract)
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"This report offers four recommendations for addressing some of the complex challenges of independent media in exile: donor groups should expand and formalize coordination of their exile-media support [...]; organizations providing international media training should actively seek to train exile-med
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ia journalists [...]; a formal international association of exile media should be established; the exile-media organizations themselves should take some of the initiative." (Executive summary, page 5)
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"The Handbook of Global Media and Communication Policy offers insights into the boundaries of this field of study, assesses why it is important, who is affected, and with what political, economic, social and cultural consequences. Provides the most up to date and comprehensive collection of essays f
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rom top scholars in the field includes contributions from western and eastern Europe, North and Central America, Africa and Asia; offers new conceptual frameworks and new methodologies for mapping the contours of emergent global media and communication policy; draws on theory and empirical research to offer multiple perspectives on the local, national, regional and global forums in which policy debate occurs." (Publisher description)
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"This paper examines the relationship between a broadcaster’s research methods and aspects of the environment in which it operates, specifically its accountability to its funders and the growth of interactivity by its users. It is concerned with (1) how the BBC World Service’s funding by the UK
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government’s Foreign & Commonwealth Office (FCO) means that it has to account for its activities to some extent in terms of the global conversation which it fosters; and (2) how the recent growth of interactive and social media enhances possibilities for worldwide engagement and conversation, but also increases the complexities of measurement. This is because users are dispersed across the globe (they are no longer confined to a geographical area of radio reception) and they are interactive: instead of merely listening or viewing, they talk back to the BBC, and they talk with one another. New tools and techniques are needed to measure these new flows and forms of interaction (and they also beg new professional and organisational practices). In a case study of the BBC’s Chinese service, the paper explores what the BBC knows of its audience or users; and, in a content analysis of online forums, it explores some of the issues and possibilities that arise in researching online interaction, the sort of research data and analysis that might be seen as necessary in the context of organisational accountability and the emerging interactive media environment." (Summary)
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"This book discusses the question of soft power and public diplomacy challenges in East Asian context. Both concepts originate in the West, and in a sense this book can therefore be seen as an exercise in critically assessing soft power and public diplomacy in a different geographical and cultural s
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etting." (Publisher description)
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"Die Medienbeziehungen zwischen der Türkei und Deutschland stehen alles andere als still. Vielmehr haben sie sich seit Mitte der neunziger Jahre des letzten Jahrhunderts drastisch verändert. Das Verhältnis der beiden Länder zueinander hat sich inzwischen derartig verdichtet, daß bei Medienberic
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hten nicht länger klar unterschieden werden kann, ob deutsche Innen- oder deutsche Außen- resp. türkische Innenoder Außenpolitik davon betroffen ist. Für die Entwicklung türkischer Medien innerhalb von Deutschland zeichnen sich mehrere Szenarien gleichzeitig ab: Zunahme von Medien von in Deutschland lebenden Türken, Bedeutungsverlust von aus der Türkei stammenden Medien und verschiedenartige sprachliche Formen (türkisch, deutsch, bi-lingual). Auch die deutsche Berichterstattung über türkische Migranten wird sich sehr unterschiedlich gestalten: Es wird genauso eine Zunahme von Toleranz und Empathie wie eine Zunahme von Rassismus nach dem Medienevent „Sarrazin“ geben." (Verlagsbeschreibung)
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"The 2009 presidential elections and the surrounding events represent one of the most dramatic moments in contemporary Iranian history. The massive demonstrations over the official election results soon evolved into a broad protest movement demanding civil rights and political change, confronting th
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e Islamic Republic with a significant crisis. When the Iranian regime responded with widespread repression, journalists were among its main targets – many were arrested, or pressurised, and some are still in prison; more than 100 have left their country in the biggest exodus of journalists since the Islamic Revolution of 1979. In this book, 12 Iranian journalists, exiled after the election crisis, deliver poignant accounts of the events and their personal experiences during those days. In their articles they describe the agitation during the election campaign and the initial protests as well as the period of repression and arrests that followed. Others analyse the key moments of the protest movement or reflect on their life and work in exile. All authors hail from a new generation of professional journalists deeply involved in the struggle for reform and the democratisation of Iran’s Islamic Republic. Their writings not only provide records of the turbulent developments after the elections, but also attest to a political culture that cannot fail to change their country." (Publisher description)
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"Building on rigorous research by the world-renowned Glasgow University Media Group, 'More Bad News From Israel' examines media coverage of the current conflict in the Middle East and the impact it has on public opinion. The book brings together senior journalists and ordinary viewers to examine how
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audiences understand the news and how their views are shaped by media reporting. In the largest study ever undertaken in this area, the authors focus on television news. They illustrate major differences in the way Israelis and Palestinians are represented, including how casualties are shown and the presentation of the motives and rationales of both sides. They combine this with extensive audience research involving hundreds of participants from the USA, Britain and Germany. It shows extraordinary differences in levels of knowledge and understanding, especially amongst young people from these countries." (Publisher description)
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"The media intervention programs and training initiatives for Arabs reflect hegemonies and dependencies. Taking into consideration the absence of a public cinema infrastructure in the Arab World and thus the lack of institutional representation or backing for film-makers leads one to question to wha
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t degree the director can control her/his story. Or in other words, to what extent the films, which are read as national works, can reflect debates or atmospheres in their country of origin at all? The decoding of films, not only from the Middle East, is in many cases national, as the case of Paradise Now showed. Critics’ reactions to Waltz with Bashir suggest that the reading of the film is connected to the actual political experience within the region versus political assumptions about it, a rather regional reading. An aspect entirely missing in the Western decoding process of films from the Middle East is the question who was involved in the encoding. The critics, who translate the film to the wider audience, focus on the films’ subjects or manipulations, rather than on the economic and institutional backing of the creation and thus interests behind it. After completing the film it is solely the director who has to defend the work as a statement from and about her/his country. Regardless of formal ownership and the involvement of co-producing states these films are marketed as documents from and about the country in which the story takes place. The majority of co-productions by directors from the Middle East, like the majority of films produced at all, get little attention. It is the films with international recognition, be it by box office numbers or debates that are remembered. One could easily assume that Paradise Now will become part of a Palestinian collective memory. Yet, without physical archives in the Arab countries, and Palestine not even being a state, how long will the co-produced movies be accessible as part of cultural heritage? In French and German archives the film rolls will be stored and made accessible, it is in Europe where Arabs will still have to look for their cultural memory in the distant future." (Conclusion, page 11-12)
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"Literature about China’s role in Africa suggests that China’s presence on the continent is often viewed in stark binary terms, as either an exploitative, predatory force or a benevolent, development partner. An analysis of attitudes in the South African media over the last three years (if De Be
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er & Schreiner’s 2009 study is included), suggest that overall a more balanced view of China is emerging. Individual reports may still take an either/or stance, but when considered on the whole and across a range of media platforms, China is not represented in either a starkly positive or starkly negative light. It would seem that a cautiously optimistic attitude characterizes South African media coverage. The overall balance between positive, negative and neutral statements may suggest an understanding that China’s role in Africa is a complex one, which cannot be pigeonholed as either a ‘bad’ or ‘good’ news story. South Africa’s association with China as a partner country in the BRICS formation might in future continue to shape positive coverage. The large component ‘neutral’ statements may also reflect the strong influence of the normative values of ‘objectivity’ and ‘balance’ on South African professional journalism practice." (Conclusion, page 16-17)
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"The overall aim of this thesis is to investigate how UK television shapes spectators’ experiences of distant Others. Specifically, I aim to build on and extend existing work in this field, and particularly the work of Lilie Chouliaraki in Spectatorship of Suffering, in three directions. Firstly,
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I argue that we can learn more about how spectators of UK television respond to distant Others if we expand our focus beyond ‘peak moments’ of news coverage of suffering to include a focus on routine coverage of all distant Others, suffering or otherwise, across a range of television genres. Secondly, I contend that it is important to preface investigations into how distant Others are mediated by television with a study of the extent to which people from Other countries even appear on UK television. Thirdly, I argue that in order to take seriously an understanding of mediation as a dialectical process, any analysis of media texts should be complemented by audience research that takes time to listen to the accounts of spectators. The results of a series of content analyses reveal that distant Others seldom appear on UK television, particularly those from certain parts of the world. My application of a modified version of Chouliraki’s analytics of mediation and the results of a series of focus groups and a diary study reveal that television news texts routinely offer spectators a position of indifference with respect to distant and dehumanised distant Others. My results also show that non-news factual television programming has greater capacity than news items for appealing to a more intense mediated experience of distant Others, even if this capacity is often not fully realised. I conclude by arguing that these findings have important implications for broadcasters, producers, policy makers, regulators and academics." (Abstract)
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"In 2007 nearly 17,000 people died because of natural disasters and more than 211 million others were directly affected. News media play a basic role in giving publicity to these numerous instances of global suffering as it is mainly through media reports that the world perceives international crise
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s. Drawing upon theories on distant suffering, this study investigates the mediated representation of international crises, with a focus on natural disasters occurring in Australia, Indonesia, Pakistan and the USA. Applying critical discourse analysis, this article explores how discourses of hierarchy and inequality are realised in news texts about distant suffering. The cases of analysis are nine news items that were broadcast on a public and a commercial Belgian television channel on 2 January 2006. The comparative analysis of these news texts reveals glaring differences that reflect global hierarchies of place and human life. Suffering in the West (USA and Australia) was portrayed as comprehensible and close to the spectator, who could identify with the distant sufferers as if they are like us. While being of a greater magnitude, the Indonesian disaster was in contrast presented as no cause for concern or action, which blocked the engagement with the distant sufferers who were portrayed as ‘Others’, with a capital ‘o’. Pakistan sufferers were also articulated as distant others, but close-ups of gazing children urged the spectator to care for them and potentially act on the represented misfortune. In general, the critical discourse analysis supports the claim that Western news media reproduce a certain kind of global hierarchy, mainly a Euro-American-centred world order, and that news discourse normalises inequalities. This article argues that mediated representations of international crises reflect and consolidate the power relations and divisions that characterise our contemporary world." (Abstract)
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"Using exclusive access to the BBC archive, the article examines how and why media coverage of Africa has been misleading and misinformed in the postcolonial period. It examines the extent to which the close relationship between media coverage and aid agencies has damaged the cause of informing the
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public. Aid agencies have seen a huge growth since the mid-1980s – partly precipitated by the power of media imagery. As media organizations have reduced their commitment to investing in reporting on Africa so journalists have in turn become more dependent upon aid agencies, which have filled a vacuum. This symbiotic relationship requires a degree of transparency otherwise there is a danger that it can compromise journalistic accountability." (Abstract)
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"During recent years, considerable attention has been paid to the negative portrayal of the African continent in the media of the so-called ‘global North’. Significantly less focus has been put on how to actually represent Africa in the news as more than the site of catastrophes or in other ways
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than through sunshine stories of the ‘struggling but smiling African’. The present article argues that the lack of a wide range of different genres in the North’s mediated representations of Africa is problematic, because the ‘hard news’ we receive is deficient in information about the background and context of news event. The article looks into different cultural expressions such as film, television entertainment and literature to explore how they can play a role in illustrating the concept of ‘Africa’ as both diverse and multifaceted. It argues that opening the northern mediascape to more content from the south would serve as an important backdrop and help in understanding a variety of messages from the African continent." (Abstract)
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