"'Alternative Media' is the term used to describe non-mainstream media forms that are independently run and community focussed, such as zines, pirate radio, online discussion boards, community run and owned broadcasting companies, and activist publications such as Red Pepper and Corporate Watch. The
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book outlines the different types of 'alternative" (Publisher description)
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"This collection of writing on community media describes attempts at local media development and case studies of functioning projects. It presents a range of perspectives on grassroots media originating from community groups; research representing participant observation; hands-on community involvem
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ent; service on international boards of directors; content analysis; and ethical inquiries. The book draws on both theoretical and practical examples from Australia, Bangladesh, Belgium, Brazil, Canada, Germany, Ghana, India, Israel, Kazakhstan, Latin America, Native Americans, Singapore, Spain, Thailand, Turkey, and includes perspectives ranging from cyberdating to ethics and policy-making. Sections include Aboriginal/Indigenous Experiences, Current Case Studies, and Virtual Community Visions. It intends to appeal to a range of academic disciplines, community media groups, and people who work in their local cable television centres in order to provide an alternative voice to mainstream media." (https://www.comminit.com)
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"This book analyzes the different ways in which media are being used for community building and it also critically interrogates the concept of community itself. The authors do that from a variety of different perspectives, ranging from fundamental philosophical questions regarding community, to the
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role of journalism, the possibilities of community building on a local, national and global level, online media communities as means of empowerment for marginalized groups, the representation of communities in the media, and the formation of learning communities. Although there is a clear dominance in focusing on the chances and possibilities opened up by the Internet, the role of more traditional media like magazines, radio and television is being examined as well. Both sides, the media representations with the identity positions they offer as well as the interpretations and meaning productions that take place by the users of the media, are taken into account to cover the full range of media as cultural tools of connectivity." (Publisher description)
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"El programa CAESI ha sido el primer intento de trabajar un programa en conjunto entre ALER y AMARC, dos redes con mucha historia y momentos de rivalidad. Fue la primera vez en la historia que se hizo un proyecto de estas características. Se hizo en una región muy problemática, históricamente po
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stergada, invadida, fragmentada y empobrecida, con un desarrollo de medios comunitarios más rudimentario que en otras regiones del continente. Hubiera sido demasiado utópico esperar que un programa como éste resultara exitoso en todas sus dimensiones. Debe verse este primer período mucho más como un ensayo que como proyecto acabado con todas las garantías de efectividad. Por primera vez comunicadoras y comunicadores de radio centroamericanos han gestado juntos algo propio, por pequeño e inacabado que esto sea. Se ha creado por primera vez en la región un espacio propio, un tipo de consejo centroamericano de radios populares y comunitarias que en su misma práctica -y con muchos errores- está ensayando maneras participativas de tomar decisiones, de ejercer el poder, incorporando las miradas del género y de la interculturalidad. Es una experiencia inédita en el mundo de las radios comunitarias centroamericanas y excepcional dentro del mismo movimiento social de la región. Es una oportunidad que no debe soltarse con ligereza." (Lecciones aprendidas, páginas 34-35)
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"This book, compiled by South African experts in community broadcasting with the assistance of many key figures in the sector, traces the two-decade campaign for local-level television in South Africa. It highlights the development of policy, reviews existing international models and spells out the
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technical, financial and managerial challenges that face this nascent sector. Policy-makers, community television station managers and staff, development analysts and funders, media academics and students, press officers, organisations wishing to access local TV together with anyone interested in community media in the developing world generally, and community television specifically, will find this book important reading." (HSRC website)
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"Community radio is best understood against the background of the other forms of broadcasting, namely public service, and commercial or private broadcasting. Unlike these, community broadcasting is not state-owned, but rather community-owned and managed. Neither is it aimed at profit-making, but at
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facilitating communication in communities not specifically served by the mass media broadcasters. From simple death announcements to community mobilization to clean up market places or prevent crime, to promoting cross-gender dialogue, to civic education, community radio gives voice to rural and urban oft marginalized communities. This book traces the development of community radio in Europe and the Americas, and eventual rooting in Africa, all the wile noting its great contributions to development in communities. The author presents a continental overview, and an in-depth analysis of the broadcasting in Ghana, South Africa and Zambia, each with its specific legal, politico-historical milieus and community radio case studies." (Back cover)
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"The experience of establishing community stations in Afghanistan provides four distinct, but interrelated lessons [...] The project has demonstrated that international organizations can promote community stations in impoverished, war-tron societies that have had no experience of independent or comm
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ercial media. Second, community radio can provide not only news but also a stimulus for grassroots democracy and social networks [...] Third, the Afghanistan example also suggests that community radio stations can raise modest resources locally [...] Fourth, in a politically and economically fragile environment, most community stations may require long-term financial support." (Lessons and recommendations, page 270-271)
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"Creative Associates International (Creative) launched the Haiti Media Assistance and Civic Education Program in October 2001. Known by its Creole acronym, RAMAK, which means “Rassemblan Medya pou Aksyon Kominite” or Media Gathering for Community Action, the goals of the project were to increase
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awareness of citizens’ rights and responsibilities and strengthen journalists’ reporting abilities. The project pursued these objectives in collaboration with 40 community radio stations and 22 local and regional associations of journalists around Haiti." (Introduction)
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