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Authors & Publishers
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Journals
Output Type
The Documentary Handbook
London: Routledge (2010), viii, 422 pp.
"The Documentary Handbook is a critical introduction to the documentary film, its theory and changing practices. The book charts the evolution of documentary from screen art to core television genre, its metamorphosis into many different types of factual TV programme and its current emergence in for
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Documentales para la transformación: Guía para la elaboración de documentales sociales participativos
Madrid: ACSUR Las Segovias (2010), 48 pp.
"El objetivo de la Guía es acompañar procesos de formación en teoría y técnica audiovisual, así como en comunicación alternativa, que permitan a colectivos sociales la realización de documentales sociales participativos. La Guía se inserta bajo el paraguas de la comunicación alternativa qu
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TV China
Bloomington, Indiana: Indiana University Press (2009), vi, 259 pp.
"If radio and film were the emblematic media of the Maoist era, television has rapidly established itself as the medium of the "marketized" China and in the diaspora. In less than two decades, television has become the dominant medium across the Chinese cultural world. TV China is the first antholog
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La comunicación mediatizada: Hegemonías, alternatividades, soberanías
Buenos Aires: Consejo Latinoamericano de Ciencias Sociales (CLACSO) (2009), 239 pp.
Media, Memory, and Human Rights in Chile
New York: Palgrave Macmillan (2009), x, 186 pp.
"Sorensen investigates the manner in which Chilean media and public culture discuss human rights violations committed during the dictatorship of General Augusto Pinochet (1973-1990) as well as human rights problems which still exist." (Publisher description)
Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music
Amsterdam; Boston; Amsterdam et al.: Focal Press; Elsevier ScienceDirect (2009), ix, 326 pp.
Producing with Passion: Making Films That Change the World
Studio City, Calif.: Michael Wiese Productions (2008), xviii, 266 pp.
"Documentary filmmaker Fadiman chronicles her more than 30 years of experience searching out practical approaches to get her productions funded, finished, and seen, balancing inspiration and commitment with financing, shooting, editing, and promotion." (Publisher description)
Global Television: Co-Producing Culture
Philadelphia: Temple University Press (2008), xi, 211 pp.
Documentary Film: A Very Short Introduction
New York: Oxford University Press (2007), xi, 158 pp.
"Documentary Film is organized to present an overview of central issues and then to discuss different subgenres. I particularly wanted to use categories that could address concerns about objectivity, advocacy, and bias that have always swirled around documentary but with renewed vigor since the brea
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Violência e pobreza no cinema brasileiro recente: Reflexões sobre a idéia de espetáculo
Novos Estudos, issue 78 (2007), pp. 113-128
"O artigo analisa obras recentes de ficção ou documentário que acentuaram a presença visual de cidadãos pobres, negros, moradores de favelas e bairros de periferia no cinema e na televisão brasileiros. Ao trazer esse universo à atenção pública, esses filmes intensificaram e estimularam uma
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Reloaded – Internationaler Dokumentarfilm
iz3w, issue 302 (2007), pp. 16-37
"Dokumentarfilme boomen: In den vergangenen Jahren schafften es nicht nur viele ins Kino, auch die FilmtheoretikerInnen brachten ihnen eine erhöhte Aufmerksamkeit entgegen. Dies ist vor allem darauf zurückzuführen, dass Dokumentarfilme das starre Korsett, Repräsentationen der Wirklichkeit zu sei
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El reportero en acción: Noticia, reportaje y documental en televisión
Barcelona: Universitad de Barcelona (2007), 245 pp.
"Uno de los reporteros con más experiencia de España cuenta todos sus trucos y recursos para hacer noticias y documentales en televisión. Desde la selección del material hasta la nota de prensa final, "El reportero en acción" cubre todas las fases del proceso de realización. Si el anterior tí
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Chinese Documentaries: From Dogma to Polyphony
London; New York: Routledge (2007), ix, 255 pp.
"In China, unlike in Western cinema, documentary film, rather than fiction film, has been the dominant mode since 1949. In recent years, documentary TV programmes have experienced a meteoric rise. Arguing that there is a gradual process of 'democratization' in the media, in which documentaries play
...
Writing, Directing, and Producing Documentary Films and Videos
Carbondale; Edwardsville: Southern Illinois University Press, 4th ed. (2007), xvi, 418 pp.
"As Alan Rosenthal states in the preface to this new edition of his acclaimed resource for filmmakers, Writing, Directing, and Producing Documentary Films and Videos is “a book about storytelling—how to tell great and moving stories about fascinating people, whether they be villains or heroes.
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Communicating Disasters: An Asia Pacific Resource Book
Deep Insights
Bangkok; Nugegoda (LK): UNDP Regional Centre in Bangkok; Television for Education Asia-Pacific (TVE Asia-Pacific) (2007), x, 150 pp.
"Our 21 contributors -– most of them from Asia, and representing media, development or humanitarian sectors -- do not engage in mere theoretical discussions. In 19 chapters of this book, they draw on their rich and varied experience working in either preparing disaster resilient communities or res
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Kabul, Teheran 1979ff: Filmlandschaften, Städte unter Stress und Migration
Berlin: b_books (2006), 395 pp.
"1979: Im Iran wird der Schah gestürzt, die islamische Republik entsteht; parallel eskaliert mit dem sowjetischen Einmarsch der Bürgerkrieg in Afghanistan. Bilder über Afghanistan waren seither zumeist Bilder der Zerstörung. Diesen Außenansichten setzt ›Kabul/ Teheran 1979 ff‹ Perspektiven
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Filme machen: Technik, Gestaltung, Kunst, klassisch und digital
Frankfurt am Main: Zweitausendeins (2005), 521 pp.
"Seit leistungsfähige digitale Videokameras und Computer zum Schneiden preisgünstig zu erwerben sind, kann prinzipiell jeder zum Filmproduzenten und Filmemacher werden. Manch einer spricht gar von einer „Demokratisierung“ des Mediums: Jede und jeder wird zum Autorenfilmer. Aber die Erfahrung,
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