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Self-Deprecating Cyberculture on TikTok: Experiences of Young Indonesians
International Journal of Communication, volume 18 (2024), pp. 2201-2223
"The TikTok self-deprecating (SD) cyberculture is built on the exchange of SD memes among users who deprecate aspects of themselves on a daily basis. Predominantly composed of young people, SD memes on Indonesian TikTok reflect discourses on the daily struggles faced by young Indonesians. To explore
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Bridging awareness and resistance: Using algorithmic knowledge against controversial content
Big Data & Society, issue October–December (2024), 13 pp.
"Political and moral/religious contents are increasingly popular on TikTok, and the concerns associated with them create the premises for a re-exploration of the user–machine agency negotiation. Using algorithmic awareness as a process, this research examines the relationship between users’ awar
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Safer TikTok: Strategien im Umgang mit Antisemitismus und Hassrede auf TikTok
Frankfurt am Main: Bildungsstätte Anne Frank (2023), 53 pp.
"Verschwörungstheoretiker*innen, Antisemit*innen und Rassist*innen haben sich ein Standbein auf TikTok gebaut – das berichten Expert*innen und bildungspolitische Akteur*innen immer wieder. Besonders in Krisenzeiten hat diese Art Content Konjunktur – so etwa während der Corona-Pandamie oder der
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This is Africa: How Young African TikTok Trends Challenged Afropessimism During COVID-19
Journal of African Media Studies, volume 15, issue 2 (2023), pp. 161-177
"Afropessimism, or the western media tradition of covering Africa in stereotypically negative ways, has continually served to strip the continent of representational nuance and agency. While Africa experienced its own COVID-19 challenges during the pandemic, the Afropessimistic outlook of total coll
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Generation Z in Chile, Colombia, México, and Panama: Interests and New Digital Consumption Habits. Their Use of Instagram and TikTok
Profesional de la Información, volume 32, issue 2 (2023), 15 pp.
"In a reality that combines the virtual with the physical and in a context of information saturation, there are consumers who are more critical, demanding, and less loyal. In this context, it is timely to know the new habits of the Centennials, so as to understand their behaviors and consumption tre
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Soft News in Original Videos: Adaptation to TikTok of the Main Spanish Online Media
Profesional de la Información, volume 32, issue 2 (2023), 17 pp.
"Since the beginning of 2020, media around the world have started and intensified their TikTok activity to gain notoriety and reach young people, their main user group. However, as with other previously popularized social media, such as Facebook or Twitter, the platform’s logic is different from t
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The Propagation of Misinformation in Social Media: A Cross-Platform Analysis
Amsterdam: Amsterdam University Press (2023), 246 pp.
"In a cross-platform analysis of Google Web Search, Facebook, YouTube, Reddit, Twitter, Instagram, 4chan and TikTok, we found that hyperpartisan web operators, alternative influencers and ambivalent commentators are in ascendency. The book can be read as a form of platform criticism. It puts on disp
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The Routledge Handbook of Media Education Futures Post-Pandemic
London; New York: Routledge (2023), xxvi, 531 pp.
"Combining an innovative mix of traditional chapters, autoethnography, case studies, and dialogue within an intercultural framework, the handbook focuses on the future of media education and provides a deeper understanding of the challenges and affordances of media education as we move forward. Topi
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War in the Age of TikTok
Russian Analytical Digest, issue 280 (2022), pp. 17-19
"The rise of social media has revolutionized information-sharing and the way in which people learn about important events. As evidenced by the use of TikTok in the ongoing Russian invasion of Ukraine, social media has the ability to connect people from conflict zones to individuals around the world.
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CANnual Report 2022: Trend Radar. The Latest in Advertising, Media and Consumer Behavior in Central and Eastern Europe
WeCAN Communications (2022), 125 pp.
"The CANnual Report 2022 follows a slightly different editorial concept than before. Since 2016, the publication featured one central topic which all creative agencies wrote about. This year however, weCAN experts write about twelve of the hottest topics in communication across the region. Five of t
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TikTok Intifada: Analyzing Social Media Activism Among Youth
Online Media and Global Communication, volume 1, issue 2 (2022), pp. 287-314
"This study uses TikTok as a novel medium to extend the literature on online activism. It adds to the emergent body of knowledge about playful political participation among youth. It also explores how creative micro-videos can be a force to create momentum and shape opinions around social and politi
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Born in the Fire: What We Can Learn from How Digital Publishers in the Global South Approach Platforms
Oxford: Reuters Institute for the Study of Journalism (2022), 33 pp.
"Based on interviews with a strategic sample of 11 publishers in eight low- and middle-income countries, the authors of this report analyse how various digital publishers across a range of Global South countries approach digital platforms: both big platform companies such as Google and Meta; rapidly
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Digital 2022: Global Overview Report
We Are Social; Hootsuite (2022), 300 slides
"Double-digit annual growth has taken the global social media user figure to 4.62 billion, and current trends indicate that it will equal 60 percent of the world’s total population within the next few months. COVID-19 continues to hamper research into internet adoption though, resulting in reporti
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The Debunking Effect: Recent and Upcoming Challenges for Fact-Checking Organizations
Deep Insights
Budapest: Center for Media, Data and Society (CMDS) (2022), 50 pp.
"The CEU Democracy Institute's Center for Media, Data and Society (CMDS) embarked in November 2020 on a one-year project aimed at mapping and analyzing the work of the world's fact-checking groups, with a focus on their challenges, needs and successes. The project started with a survey of 30 fact-ch
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How Publishers Are Learning to Create and Distribute News on TikTok
Oxford: Reuters Institute for the Study of Journalism (2022), 35 pp.
"This report sets out data on the extent of publisher adoption alongside motivations for joining TikTok; pulls together top tips from TikTok creators and discuss the metrics most commonly used to evaluate success; explores different strategies for engaging users on the platform, highlighting case st
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Redefining Global Citizenship Through Young African Digital Narratives: African Digital Cosmopolitanism on Instagram and TikTok
Africa No Filter (2022), iii, 14 pp.
"The trending hashtags analysed in this study all appeared at the onset of the Covid-19 pandemic in 2020, when a range of Western media suggested that the African continent would be hit worst. However, as Western nations (such as the US and the UK) struggled under increased disease burden, content s
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Why’s Everyone on TikTok Now? The Algorithmized Self and the Future of Self-Making on Social Media
Social Media + Society, volume 8, issue 1 (2022), pp. 1-11
"The video-sharing social media platform TikTok has experienced a rapid rise in use since its release in 2016. While its popularity is undeniable, at the first glance, it seems to offer features already available on previously existing and wellestablished platforms such as Instagram, YouTube, and Fa
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The Covid-19 Pandemic as a Challenge for Media and Communication Studies
London; New York: Routledge (2022), xvi, 238 pp.
"The book answers two interrelated questions: how media and communication reality changed during the first wave of the COVID-19 pandemic, and how media and communication were effectively studied during this time. The book presents changes in media and communication in three areas: media production,
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