"African Communication Systems and the Digital Age contextualizes communication by bringing to the table African contributions to the field, examining the importance of African indigenous forms of communication and the intersection of African communication systems and the digital age. The book cover
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s various concepts, models, theories and classifications of African communication systems, including instrumental communication, types of African music and their communication properties, indigenous writing systems, non-verbal communication, and mythological communication. Through careful analysis of communication in Africa, this book provides insights into the various modes of communication in use prior to the advent of traditional and new media as well as their continued relevance in the digital age." (Publisher description)
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"The study is based on the analysis of legends of 'Devon Ke Dev Mahadev', a mythological drama series that is shown on Indian television channel "Life OK" [...] The story revolves around Lord Shiva or Mahadev - the Lord of Lords as one of the three most powerful mythical characters. The serial is a
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popular serial because Hindu culture, like many other civilizations in the world, believes more in Devine power and the God and Goddess are the one supernatural entity. Mahadev is the obvious choice." (Page 19)
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"Postnationalist African cinemas convincingly interrogates the ways in which African narratives locate postcolonial identities and forms beyond essentially nationalist frameworks. It investigates how the emergence of new genres, discourses and representations, all unrelated to an overtly nationalist
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project, influences the formal choices made by contemporary directors. By foregrounding the narrative, generic, discursive, representational and aesthetic structures of films, this book shows how directors are beginning to regard film as a popular form of entertainment rather than political praxis. Tcheuyap investigates filmic genres such as comedy, dance, crime and epic alongside cultural aspects including witchcraft, sexuality, pornography and oracles." (Publisher description)
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"This essay brings together four key elements of Bollywood cinema: 1. the lure of the mythological; 2. the allure of the Muslim courtesan, and Urdu, Bollywood's language of love; 3. the hegemony of melodrama; and 4. the persistence of song and dance." (Page 577)
"This innovative, interdisciplinary collection of essays by scholars based in Europe and the United States offers stimulating approaches to the role played by religion in present-day South Asia." (Publisher description)
"Combining entertainment and education, India's most beloved comic book series, Amar Chitra Katha, or "Immortal Picture Stories," is also an important cultural institution that has helped define, for several generations of readers, what it means to be Hindu and Indian. Karline McLain worked in the A
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CK production offices and had many conversations with Anant Pai, founder and publisher, and with artists, writers, and readers about why the comics are so popular and what messages they convey. In this intriguing study, she explores the making of the comic books and the kinds of editorial and ideological choices that go into their production." (Publisher description)
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"This is the first book to offer a systematic overview of the themes, topics and methodologies in the emerging dialogue between anthropologists studying mass communication and media analysts turning to ethnography and cultural analysis. Drawing on dozens of semiotic, ethnographic and cross-cultural
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studies of mass media, it offers new insights into the analysis of media texts, offers models for the ethnographic study of media production and consumption, and suggests approaches for understanding media in the modern world system. Placing the anthropological study of mass media into historical and interdisciplinary perspectives, this book examines how work in cultural studies, sociology, mass communication and other disciplines has helped shape the re-emerging interest in media by anthropologists." (Publisher description)
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"A fascinating look at the role of the media in fostering nationalism, with a comparative approach that shows the interactions between American, Russian and German nationalism. Extreme nationalism is a subject of enormous contemporary significance today. Does patriotic pride inevitably develop into
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nationalistic aggression? Is this exacerbated by the global outreach of the media? And what is the relationship between mainstream politics and increasingly vocal far-right groups in Britain, the US, Germany and Russia? This book addresses these questions from a variety of angles, exploring topics ranging from the War on Terror to Holocaust denial, from the 'sanctity' of Rasputin to the 'martyrdom' of Rudolf Hess." (Publisher description)
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"Filming the Gods examines the role and depiction of religion in Indian cinema, showing that the relationship between the modern and the traditional in contemporary India is not exotic, but part of everyday life. Concentrating mainly on the Hindi cinema of Mumbai, Bollywood, it also discusses India'
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s other cinemas. Rachel Dwyer's lively discussion encompasses the mythological genre which continues India's long tradition of retelling Hindu myths and legends, drawing on sources such as the national epics of the Mahabharata and the Ramayana; the devotional genre, which flourished at the height of the nationalist movement in the 1930s and 40s; and the films made in Bombay that depict India's Islamicate culture, including the historical, the courtesan film and the 'Muslim social' genre. Filming the Gods also examines the presence of the religious across other genres and how cinema represents religious communities and their beliefs and practices. It draws on interviews with film stars, directors and producers as well as popular fiction, fan magazines and the films themselves. As a result, Filming the Gods is a both a guide to the study of film in religious culture as well as a historical overview of Indian religious film." (Publisher description)
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"Media Anthropology represents a convergence of issues and interests on anthropological approaches to the study of media. The purpose of this reader is to promote the identity of the field of study; identify its major concepts, methods, and bibliography; comment on the state of the art; and provide
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examples of current research." (Publisher description)
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"Die Autorin untersucht aktuelle Blockbuster-Filme, um zu allgemeingültigen Erfolgskriterien für Popularfilme zu gelangen. Dabei wird aufgezeigt, daß Blockbuster unsere Sehnsüchte, Wünsche und Ängste unter Zuhilfenahme mythisch-symbolischer Gestaltungselemente beantworten. Zudem fungieren die
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erfolgreichsten Filme als Substitut, indem sie unauffällig und sehr geschickt Funktionen traditioneller Religionen übernehmen. Sie etablieren ein eigenes Glaubenssystem und weisen in der Inszenierung religiöser Symbolwelten eine Kompetenz auf, die an den angestammten Orten der Religions-Inszenierung oft fehlt." (Verlagsbeschreibung)
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"Der Autor arbeitete als Lektor und Dramaturg. Er hat eine Professur an der Filmakademie Baden-Württemberg im Fachbereich Drehbuch inne. "In diesen Leitfaden fließen nicht nur Schneiders eigene Erfahrungen aus seiner zehnjährigen Lehrtätigkeit ein, sondern auch die Essenz der wichtigsten und for
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tgeschrittensten Drehbuchlehren [...] Mit diesem Buch ist Michael Schneider ein Ratgeber gelungen, dem weder ein Beigeschmack von Bevormundung noch von übertriebener Sachlichkeit anhaftet. Er hat Drehbuchrahmen vorgegeben, welche nicht die Kreativität des (werdenden) Autors behindern. Es ist kein Lehrbuch im üblichen Sinne, sondern vielmehr ein locker aneinander gefügtes, plausibel entwickeltes Kompendium mit thematischen Schwerpunkten. 'Vor dem Dreh kommt das Buch' ist eine sehr gelungene Mischung aus klassischer und neuer Filmdramaturgie, Filmanalyse, Filmkritik und Werkstatttexten." (Medien praktisch 2/03)
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"Die Autorin beschreibt die spezifische ästhetische Erscheinungsform des Fernsehens, die Vermittlungsstruktur seiner Inhalte, narrative Vermittlungsformen und seine kollektive mediale Wirkung. Dabei wird erstmals die Vielzahl der vorliegenden Publikationen zu Teilaspekten der Fernsehvermittlung in
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eine umfassende Darstellung integriert." (Verlagsbeschreibung)
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"Die Beiträge dieses Bandes suchen einen interdisziplinären Zugang zum Verhältnis von Fernsehen und Religion. Aus verschiedenen Fachperspektiven setzen sie sich mit der Frage auseinander, ob das Fernsehen Kommunikationsformen und Funktionen der Religion übernommen hat." (Verlagsbeschreibung)