"The article analyzes the changing position of the visual representation in the context of Islam from the starting point set up in the Qur’an and more specifically in the prophetic tradition to the theoretical positions of Islamic reformism and radicalism and the practice of Islamism movements. To
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understand this changing relationship is crucial for the research of ideology and propaganda of the contemporary Islamist movement. In the second part, the article illustrates this new position of images in the visual representations of Palestinian Islamist movements, specifically of Hamas – The Islamic Resistance Movement and its military wing the Brigades of the Martyr ‘Izz ad-Din al-Qassam, the Islamic Jihad Movement in Palestine and its military wing the Phalanges of Jerusalem and finally the Popular Resistance Committees and its military wing the Victorious Salah al-Din Brigades." (Abstract)
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"The civil war in Syria is the most important propaganda topic for Islamists in Germany at the moment. Even German youngsters have already followed the calls, left their homes to join the fight and have been killed. When recruiting new followers, the jihadists use videos as a central element for spr
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eading their Islamistic ideas and inciting to the armed struggle against 'non-believers'.
Platforms like Facebook and YouTube, very popular among young people, make these videos widely accessible even outside of the spectrum of Islamist movements. This in-creases the risk for children and youngsters of stumbling across Islamist's ideas, hatred and depictions of extreme violence. [...] Many videos rely on an emotionalizing effect with images of children suffering or dying. The use of close-ups of faces contorted by pain, serious injuries or even severed limbs is very common. The producers of these clips emotionally ap-peal to the empathy, sense of justice and protective instinct of the recipients. Very often, Islamists directly approach young men with slogans like 'Where are the lions? Where are the men? Where are you?' and try to make more young Muslims shoulder responsibility for 'their brothers and sis-ters' and support them in their fight.
The drastic images make the Muslim audience feel guilty: If they do not actively help in this crisis situation how should they stand trial before Allah? As the minimum form of sup-port, Islamists demand from them to become aware of their Muslim identity and to comply with the rules of the funda-mentalist groups." (Page 1)
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"Visual images have been a central component of propaganda for as long as propaganda has been produced. But recent developments in communication and information technologies have given terrorist and extremist groups options and abilities they never would have been able to come close to even 5 or 10
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years ago. There are terrorist groups who, with very little initial investment, are making videos that are coming so close to the quality of BBC [British Broadcasting Corporation] or CNN [Cable News Network] broadcasts that the difference is meaningless, and with access to the web they have instantaneous access to a global audience. Given the broad social science consensus on the power of visual images relative to that of words, the strategic implications of these groups' sophistication in the use of images in the online environment is carefully considered in a variety of contexts by the authors in this collection." (Publisher description)
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"Im Mittelpunkt dieses Bandes steht die Thematisierung des Islam im zeitgenössischen Spielfilm: konkret das Aufeinanderprallen von islamischer und westlicher Kultur, sowohl im arabischen Raum, in der Türkei oder im Nahen Osten als auch in Westeuropa. Im Zentrum steht damit auch das Spannungsfeld z
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wischen Islam und Moderne beziehungsweise die Frage nach der Artikulation muslimischer Identität im europäischen Kontext. Wie wird der Islam im Film thematisiert und wie kommen Muslime heute im Kino vor? Welcher Blick bestimmt die filmische Auseinandersetzung mit dieser Weltreligion? Welche Bilder sind überhaupt angemessen? Wie werden die tatsächlichen Konflikte angesprochen? Welche Rolle spielt dabei die Religion? Und was bedeutet das für die Beziehungen des Islam zu den anderen Religionen, insbesondere zum Christentum? Die jeweiligen Fragen werden sowohl aus kultur- beziehungsweise religionswissenschaftlicher als auch aus theologischer Sicht bearbeitet." (Verlagsbeschreibung)
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"The Lebanese paramilitary political party Hizbullah is the leading Islamist group in the world in terms of possessing a sophisticated image management strategy. This strategy is reliant on a number of components, from media outlets and products to public displays to the use of personified politics.
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Its purpose is to support Hizbullah’s political activities and cultivate legitimacy for the group among its target audiences. This paper focuses on Hizbullah’s image management strategy over the past five years. It examines the strategy’s purpose and components, showing how they have come together to transform Hizbullah into a brand. It also shows how Hizbullah has used this strategy to modify its image over the years to ensure political survival. Hizbullah’s most notable achievement in this regard has been the merger of credibility and adaptability, a key characteristic for brand longevity. But the Arab Spring has brought new challenges for the group, and it remains to be seen how Hizbullah’s image management strategy might deal with those challenges." (Abstract)
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"Within less than 20 years, the number of Arabic-language satellite channels has risen from zero to more than 500, including channels financed by the US, Russia, China, the UK and France. Some 50 of these channels label themselves as Islamic (and a handful are Christian), but Islamic programming is
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also present in many of the other channels, whether state-run or private. This massive proliferation of Islamic programming has also given rise to specifically Islamist and Salafist channels and programmes. This chapter will describe these developments and discuss their implications. Mass media and Islamic fundamentalism go back a long way in the Arab World." (Page 264)
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"Die Umbrüche in Ägypten 2011 haben gezeigt, dass Medien eine wesentliche Rolle für die Mobilisierung politischer Partizipation spielen. Die Muslimbruderschaft, einer der wichtigsten gesellschaftlichen Akteure Ägyptens, hat seit 2002 gezielt auf Internetmedien gesetzt, um das Regime Mubaraks her
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auszufordern. Unter Rückgriff auf Ansätze aus der Forschung zu sozialen Bewegungen und politischer Transformation ordnet die Autorin zunächst die Medienstrategien der Islamisten in die Strukturen des politischen Systems und des Mediensystems Ägyptens ein. Mittels einer Inhaltsanalyse der Website der Muslimbrüder, ikhwanonline.com, Interviews mit deren Produzenten sowie einer Nutzerbefragung wird überprüft, welches Potenzial islamistische Medien haben, zu einer Demokratisierung Ägyptens beizutragen." (Klappentext)
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"This article describes and analyzes a little understood Afghan Taliban propaganda tool: chants or taranas. These melodic refrains effectively use historical narratives, symbology, and iconic portraits. The chants are engendered in emotions of sorrow, pride, desperation, hope, and complaints to mobi
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lize and convince the Afghan population of the Taliban’s worldview. The chants represent culturally relevant and simple messages that are communicated in a narrative and poetic form that is familiar to and resonates with the local people. They are virtually impossible for the United States and NATO to counter because of Western sensitivities concerning religious themes that dominate the Taliban narrative space, not to mention the lack of Western linguistic capabilities, including the understanding and mastering the poetic nature of local dialects." (Abstract)
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"How does religious fundamentalism operate in modern global society? This two-volume series analyses the dynamics of fundamentalism and its relationship to the modern state, the public sphere and globalisation. This second volume explores the links between fundamentalism and communication: the rise
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of fundamentalism as a mass media phenomenon, fundamentalist communication in the public sphere, national cultural identities and the rise of a 'global society'. Expert scholars in the field address specific contemporary and past fundamentalist movements that have emerged from within mainstream Islam, Christianity, Baha'ism, Hinduism, Judaism and Buddhism." (Publisher description)
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"Around the developing world, political leaders face a dilemma: the very information and communication technologies that boost economic fortunes also undermine power structures. Globally, one in ten internet users is a Muslim living in a populous Muslim community. In these countries, young people ar
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e developing their political identities—including a transnational Muslim identity—online. In countries where political parties are illegal, the internet is the only infrastructure for democratic discourse. In others, digital technologies such as mobile phones and the internet have given key actors an information infrastructure that is independent of the state. And in countries with large Muslim communities, mobile phones and the internet are helping civil society build systems of political communication independent of the state and beyond easy manipulation by cultural or religious elites. This book looks at the role that communications technologies play in advancing democratic transitions in Muslim countries. As such, its central question is whether technology holds the potential to substantially enhance democracy. Certainly, no democratic transition has occurred solely because of the internet. But, as the book argues, no democratic transition can occur today without the internet. According to this book, the major (and perhaps only meaningful) forum for civic debate in most Muslim countries today is online. Activists both within diasporic communities and within authoritarian states—including Iran, Saudi Arabia, and Pakistan—are the drivers of this debate, which centers around issues such as the interpretation of Islamic texts, gender roles, and security issues. Drawing upon material from interviews with telecommunications policy makers and activists in Azerbaijan, Egypt, Tajikistan, and Tanzania and a comparative study of seventy-four countries with large Muslim populations, this book demonstrates that these forums have been the means to organize activist movements that have lead to successful democratic insurgencies." (Publisher description)
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"Since the mid-1990s, the influence of satellite television broadcasting in the Middle East has become central to the shaping of public attitudes in the region and beyond. While many of the main influential mainstream satellite channels are news-focused, entertainment and religious broadcasting are
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also significant. Religious Broadcasting in the Middle East offers a synopsis of a conference held at Cambridge in January 2010. It focuses on the discourses of a selection of Islamic, Christian and Jewish religious broadcasting channels, as well as the wider factors and structures that sustain them." (Back cover)
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"The Pak Institute for Peace Studies (PIPS) organized a series of policy dialogues to seek expert opinion on a PIPS research report titled ‘Understanding Militants’ Print Media in Pakistan and its Impact’. The report maps the militants’ media, its genesis and evolution, and impact on the Pak
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istani state and society. The report also profiles publications of the militants’ media, colloquially known as ‘jihad media’, along with publications of madrassas, sectarian groups and/or associated individuals, and mainstream media groups which support the narrative of the militants’ media. Besides content analysis of the four types of publications, the report also discusses at length the parallel propaganda campaign by militants in the form of leaflets and Shabnamas (night letters). The report finds that the militants’ media is gradually expanding its influence and outreach, having frustrated government efforts to close it down by continuously resurfacing under new names." (Page 1)
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"Osama" als Marke: Kommunikation und Handel durch Bilder von Bin Laden in Nigeria. Schon bald nach dem 11. September überschwemmten Bin-Laden-Waren die Straßen und Märkte des überwiegend muslimischen Nordnigeria. Später brachten Sänger und Filmemacher Lieder und Filme heraus, die die Kriege in
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Afghanistan und im Irak kommentierten. Während das Aufkommen solcher Produkte durch die kommerzielle Logik der "Politsploitation" (Armbrust) erklärt werden kann, bleiben die Bedeutung, die Bin Laden zugeschrieben wird, und die kommunikative Nutzung seines Bildes durch eine solche Erklärung weitgehend im Dunkeln. Um über das Konzept der "Politicsploitation" hinauszugehen, wird in diesem Essay eine Reihe von Bin Laden-inspirierten Produkten (Poster, Filme, Aufkleber) näher betrachtet und ihre Bedeutung in Bezug auf den breiteren nigerianischen Kontext interpretiert, in dem sie entstanden sind - zwischen 2001 und 2003, einer Zeit, die durch intensive politische und religiöse Debatten gekennzeichnet war. Ich behaupte, dass die lokalen Bedeutungen und die kommunikative Funktion der Bin-Laden-Bilder auf der Übertragung globaler Konfliktlinien - vereinfacht und reduziert auf "USA gegen Bin Laden" oder "Christen gegen Muslime" - auf lokale nigerianische Konflikte beruhen, die seit 1999 aufgrund der Wiedereinführung der Scharia in zwölf der nördlichen Bundesstaaten zwischen Muslimen und Christen ausgetragen werden. Für eine Reihe nigerianischer Muslime ist Bin Laden eine Ikone einer neuen und radikalen Form des Islam und eine Art "Ersatzprophet" geworden. In gewisser Weise hat Bin Ladens Bild, insbesondere sein Gesicht, eine Lücke in den neuen visuellen öffentlichen Räumen gefüllt, die in den nigerianischen Städten während des letzten Jahrzehnts entstanden sind und die von der Werbung für politische Ideologien und religiöse Überzeugungen dominiert werden. Wie anderswo auch, greift diese Art der visuellen Kommunikation auf die anthropologische Logik der Werbung für Ideen und Produkte durch die Gesichter bekannter religiöser oder politischer Persönlichkeiten zurück. Innerhalb dieser Logik entwickelte sich Bin Ladens Gesicht zu einem Markenzeichen des radikalen Islam und zu einer Ikone der gerechten und selbstlosen islamischen Führung und wurde als solches von Mitgliedern der muslimischen Massen genutzt, um eine neue radikale Identität sowohl gegenüber ihren christlichen Landsleuten als auch gegenüber ihren eigenen politischen und wirtschaftlichen Eliten zu vermitteln.° (Zusammenfassung)
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"A handful of members and persons close to Jemaah Islamiyah (JI), Indonesia’s most prominent extremist organisation, have developed a profitable publishing consortium in and around the pesantren (religious school) founded by Abu Bakar Ba’asyir and Abdullah Sungkar in Solo, Central Java. The cons
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ortium has become an important vehicle for the dissemination of jihadi thought, getting cheap and attractively printed books into mosques, bookstores and discussion groups. The publishing venture demonstrates JI’s resilience and the extent to which radical ideology has developed roots in Indonesia. The Indonesian government should monitor these enterprises more closely, but they may be playing a useful role by channelling JI energies into waging jihad through the printed page rather than acts of violence." (Executive summary)
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"There are many different kinds of sub-national conflicts across Asia, with a variety of causes, but since September 11, 2001 these have been increasingly portrayed as part of the global terrorist threat, to be dealt with by the War on Terror. This major new study examines a wide range of such confl
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icts, showing how, despite their significant differences, they share the role of the media as interlocutor, and exploring how the media exercises this role. The book raises a number of issues concerning how the media report different forms of political violence and conflict, including issues of impartiality in the media's relations with governments and insurgents, and how the focus on the 'War on Terror' has led to some forms of violence - notably those employed by states for political purposes - to be overlooked. As the issue of international terrorism remains one of the most pressing issues of the modern day, this is a significant and important book which will interest the general reader and scholars from all disciplines." (Publisher description)
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