"En términos sencillos, un avalúo es el proceso mediante el cual se determina cuánto vale algo. Es como una especie de radiografÃa financiera que se hace a un objeto, propiedad o incluso a un proyecto, para entender su valor en términos monetarios [...] Si eres un artista, escritor, músico o c
...
ualquier tipo de creador, el avalúo es crucial para entender el valor de tu obra en el mercado. ¿Cuánto estarÃan dispuestos a pagar por tu pintura en una galerÃa de arte? ¿Qué valor tiene esa novela que escribiste en términos de derechos de autor? Estas son preguntas que un buen avalúo puede ayudar a responder. Un avalúo no es una ciencia exacta y puede involucrar varios factores, como el valor de uso y el valor simbólico que ya discutimos. También puede considerar aspectos como la demanda del mercado, el costo de producción y hasta el valor emocional que la gente le da a lo que has creado. Entonces, la próxima vez que te encuentres preguntándote cuánto vale tu obra, recuerda que el avalúo es tu mejor amigo. Es la herramienta que te permite ponerle un valor cuantificable a tu talento y creatividad, permitiéndote navegar el mundo del arte y la cultura con un poco más de certeza y confianza." (Página 20-22)
more
"This book examines the diffusion of digitalization and Industry 4.0 technologies in Malaysia by focusing on the ecosystem critical for its expansion. The chapters examine the digital proliferation in major sectors of agriculture, manufacturing, e-commerce and services, as well as the intermediary o
...
rganizations essential for the orderly performance of socioeconomic agents. The book incisively reviews policy instruments critical for the effective and orderly development of the embedding organizations, and the regulatory framework needed to quicken the appropriation of socioeconomic synergies from digitalization and Industry 4.0 technologies. It highlights the importance of collaboration between government, academic and industry partners, as well as makes key recommendations on how to encourage adoption of IR4.0 technologies in the short- and long-term." (Publisher description)
more
"Entertainment and media (E&M) revenue across South Africa, Nigeria and Kenya grew strongly in 2021 as all three markets, like the rest of the world, recovered from the effects of the COVID-19 pandemic. Industries that were more severely impacted in 2020, such as live music and B2B trade shows, made
...
strong comebacks and sectors such as video games and OTT video rose to new heights after thriving under lockdown conditions [...] Internet access is the largest E&M segment in South Africa, more than three times the size of the traditional TV and home video segment. Over the next five years, this hierarchy is set to change, with Internet advertising expected to overtake traditional TV and home video in 2026 ..." (Key report findings, page 6)
more
"This study aims to understand the experiences of digital creatives in Kampala, Uganda, through a gendered lens. There is a large gap in the availability of data and knowledge on the digital creative industry in Uganda and this paper aims to address some of these blindspots. To understand these expe
...
riences, this body of work explores a number of sector wide concerns through exploratory qualitative research methodologies around issues of access and use of digital technologies by digital creatives, the role of emerging technologies on the sector and finally, the policy ecosystem governing the creative industry in Uganda. The paper also draws from existing literature on the traditional creative industries in Uganda given the limited scholarship on the digital creative industries in the country. Key findings of the paper include a need to clearly define the digital creative industry, which at present is largely informal. Creatives face a number of structural barriers such as negative or harmful perceptions, policies and practices which hinder the growth of the sector. The study also found a significant discriminatory and sexist trend towards women digital creatives. Lastly, the research identifies a number of untapped opportunities which have the potential to leapfrog Uganda's digital creative sector. The paper concludes by making recommendations to different key stakeholders in the sector." (Executive summary, page 1)
more
"This report looks at the implications for the Creative Economy of the rapid changes in automated technology and advanced internet communication that came to be known as Industry 4.0. Conservative estimates put the Creative Economy’s contribution to global gross domestic product at about 3 per cen
...
t, roughly in line with its contribution to world trade. This contribution is expected to be strengthened by a surge in digitalization and advanced technologies that characterise Creative Industry 4.0. Among the many observations that this report makes, ones that are important from the perspective of sustainable and inclusive development especially that of small developing countries are that: (1) Creative Industry 4.0 can speed-up the transfer of technology; (2) the size of the domestic market will no longer be a limit when it comes to developing a product; (3) new niche market opportunities are emerging. Another key observation is that the availability of adequate technology is not sufficient; it must be made available to stakeholders. The report highlights a series of policy options aimed at harnessing the potential of Creative Industry 4.0 for economic and social development." (Abstract)
more
"This research explored the utility and viability of digital technologies in the production and promotion of critical audio-visual content by creatives. More specifically, it sought to establish regional trends in the creative sector with regard to uptake of technology in the development of critical
...
content; highlight policy and regulatory frameworks for digital technologies and their implication to production, promotion and consumption of critical content in East Africa; identify opportunities for policy development and stakeholder engagement in the use of digital technologies in the production and promotion of critical content and provide recommendations to increase uptake of digital technologies for the production of critical audio visual content by makers especially during the COVID-19 pandemic." (Executive summary, page 4)
more
"Over the last 20 years, the power of cultural and creative industries (CCIs) as enablers and drivers of sustainable development has been broadly recognised. They are viewed as critical to social cohesion, social and economic transformation, and political stability. For this reason, it is important
...
to explore and analyse what kind of CCIs supporting strategies, programmes and projects are in place in SubSaharan Africa, how they are working and their practical impacts. Furthermore, to deeply understand these dynamics and be able to provide accurate recommendations, this research looked not only at the practical cases of programmes developed multilaterally by the EU but also those developed individually by European countries’ cultural institutions. The authors show how, where and why CCIs programmes are implemented and put forward a case for more sustainable projects with a stronger focus on local ownership." (Back cover)
more
"The Routledge Handbook to the Culture and Media of the Americas charts the pervasive, asymmetrical flows of cultural products and capital and their importance in the development of the Americas. The volume offers a comprehensive understanding of how inter-American communication is constituted, fram
...
ed and structured, and covers the artistic and political dimensions that have shaped literature, art and popular culture in the region. Forty-six chapters cover a range of inter-American key concepts and dynamics, divided into two parts: 'Literature and Music' deals with inter-American entanglements of artistic expressions in the Western Hemisphere, including music, dance, literary genres and developments. 'Media and Visual Cultures' explores the inter-American dimension of media production in the hemisphere, including cinema and television, photography and art, journalism, radio, digital culture and issues such as freedom of expression and intellectual property." (Publisher description)
more
"Relying on individual contributions coordinated by social media to finance cultural production (and carry out promotional tasks) is a significant shift, especially when supported by morphing public policies, supposedly enhancing cultural diversity and accessibility. The aim of this book is to propo
...
se a critical analysis of these phenomena by questioning what follows from decisions to outsource modes of creation and funding to consumers. Drawing on research carried out within the ‘Collab’ programme backed by the French National Research Agency, the book considers how platforms are used to organize cultural labour and/or to control usages, following a logic of suggestion rather than overt injunction. Four key areas are considered: the history of crowdfunding as a system; whose interests crowdfunding may serve; the implications for digital labour and lastly crowdfunding’s interface with globalization and contemporary capitalism. The book concludes with an assessment of claims that crowdfunding can democratize culture." (Back cover)
more
"This paper sets out to challenge the dominant narrative of the creative economy as a new option for developing countries. The much-vaunted growth rates proclaimed by UNCTAD’s Creative Economy Programme have slowed, and are seen to apply to a particular kind of manufactured good, as well as being
...
overwhelmingly dominated by Asia, and especially China. This paper tries to unpick the dominant creative economy model of entrepreneurship, creative human capital and open market opportunity and suggests that – other than in East Asia – it is business as usual for the Global North. The creative economy not only fails to deliver its promise of development but has profound consequences for local cultures, caught up in an ever more global web of exploitation driven by the new digital platforms. We need to return to the earlier concerns of ‘culture and development’ now fully aware of the downsides, as well as the potential, of cultural economies in an uncertain global landscape." (Page 1)
more
"The results of the study indicate that copyright industries make a significant contribution to the national economy of Botswana. In 2016, these industries contributed 5.46 per cent to value added and 2.66 per cent to the total labor force; meanwhile, in foreign trade they contributed 1.28 per cent
...
to exports and 3.47 per cent to imports, yielding a negative trade balance of 1,988.80 million Botswana Pula, as imports exceeded exports by this amount [...] The contribution of the copyright industries in Botswana compares well with that of other countries, especially in Africa, that have undertaken similar studies. They contribute 5.46 per cent to value added compared to 11.1 per cent in the USA, which is the global highest. In Africa, Botswana’s contribution is the highest, followed by Kenya’s at 5.3 per cent. In terms of employment, the highest contribution is 11.1 per cent in the Philippines and the lowest is 1.9 per cent, in Ukraine, while Botswana’s contribution stands at 2.66 per cent. Compared to other African countries, Botswana contributes the least to employment." (Executive summary, page 7)
more