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Language
Document type
131
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Countries
Authors & Publishers
Media focus
Publication Years
Methods applied
Output Type
Visual Methods in Social Research
London et al.: Sage (2001), xvi, 201 pp.
"This book aims to provide a brief account of some of the ways in which social scientists can incorporate visual images (of various kinds) into their research, together with a discussion of why they might wish to. The emphasis is very much on the use of visual materials as one among several research
...
Die Medien und die Ethik: Grundzüge einer brauchbaren Medienethik
Freiburg; München: Alber (2001), 258 pp.
"Um eine brauchbare Medienethik entwerfen zu können, versucht der Autor zuerst ein grundlegendes Verständnis des Phänomens Medien, indem er die Medien als Raum bereift, in dem z.B. ein Blatt Papier oder eine Webpage präsent wird; aufzeigt, dass deren Inhalte nicht isoliert existieren, sondern mi
...
Associated Press Guide to Photojournalism
New York et al.: McGraw-Hill, 2nd ed. (2001), 223 pp.
"Written by noted AP photographer and photoeditor Brian Horton, this is an insider's manual to one of the most glamorous and exciting media professions. Emphasizing the creative process behind the photojournalist's art, Brian Horton draws upon his three decades of experience, as well as the experien
...
Video Production Handbook
Oxford et al.: Focal Press, 3rd ed. (2001), xiv, 297 pp.
"This practical sourcebook has been specially prepared to give you an at-a-glance guide to quality video program-making on a modest budget. Emphasis throughout is on excellence with economy; whether you are working alone or with a small multi-camera group. The well-tried techniques detailed here wil
...
Writing for Radio
Manchester; New York: Manchester University Press (2001), 276 pp.
Du manuscrit au lecteur: Guide de l'editeur
Key Guides
Bamako; Bonn: Editions Jamana; Deutsche Stiftung für Internationale Entwicklung (DSE) (2001), 183 pp.
The Complete Idiot's Guide to Screenwriting
Alpha (2001), xviii, 365 pp.
"This guide is for anyone who has ever thought of screenwriting. Written by someone who has "been there, done that," and lived to tell the tale, it reveals the most popular genres, explains how stories need to be structured for feature films and TV movies, offers the freshest look at workshops and o
...
O circo eletrônico: Fazendo TV no Brasil
Key Guides
Rio de Janeiro: Jorge Zahar Editor (2001), 359 pp.
"Como sao feitos os programas de televisao? Quem sao os profissionais que trabalham na TV e o que fazem? Como funciona a engrenagem desse circo eletronico? Nossa televisao e uma das melhores do mundo, mas quase nao temos livros que expliquem como ela funciona. Daniel Filho - um dos maiores diretores
...
Televisión: Pantalla e identidad
Quito: Friedrich-Ebert-Stiftung (FES); El Conejo (2001), 299 pp.
El discurso y la programación radiofónica
La Paz: ERBOL; Universidad Católica Boliviana (2001), 111 pp.
Schlüsselwerke für die Kommunikationswissenschaft
Wiesbaden: Westdeutscher Verlag (2001), 480 pp.
Introduction to Indexing and Abstracting
Greenwood Village: Libraries Unlimited, 3rd ed. (2001), xii, 283 pp.
Las telenovelas: Cómo son, cómo se escriben
Lima: Pontificia Universidad Católica del Perú (2001), 262 pp.
Manual del comunicador radiofónico
Barcelona: CIMS (2001), 247 pp.
Manual de radiojornalismo: Produção, ética e internet
Rio de Janeiro: Campus, 4th ed. (2001), 185 pp.
Nachrichten-Journalismus: Anleitungen und Qualitätsstandards für die Medienpraxis
Wiesbaden: Westdeutscher Verlag (2001), 298 pp.
"Die Regeln des Nachrichten-Journalismus werden in diesem Buch systematisch vermittelt und durch ca. 300 Praxisbeispiele illustriert. Das Buch ist das Nachfolgewerk von "Nachrichtenschreiben" (1988 ff.). Die jetzige Version widmet sich auch den "hybriden" Darstellungsformen, die sich unter dem Einfl
...
Medienökonomik: Einführung in eine ökonomische Theorie der Medien
München: Oldenbourg (2001), 492 pp.
Einführung in die Medienethik
München: Fink (2001), 358 pp.
Rádio: O veículo, a história e a technica
Porto Alegre: Sagra luzzatto, 2nd ed. (2001), 375 pp.