"This study applies the framing model of Semetko and Valkenburg (2000) to analyze media coverage of the Chilean social protests of 2019, with a particular emphasis on differences between radio and television coverage. This model uses 20 distinct questions to identify specific frames used in news rep
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orting. These findings indicate that the predominant frame across all protest coverage was Attribution of Responsibility, though this frame was even more prevalent for radio. For television, the results suggest a lower focus on the protesters’ demands, with a tendency to portray the events as a political conflict." (Abstract)
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"Radio machen ist etwas für Alleskönner: Sie erklären in 30 Sekunden die Lage der Welt und erfüllen wenig später den Musikwunsch einer Hörerin. Sie interviewen Bürgermeister, Popstars und befragen Wildfremde auf der Straße. Sie lassen aus Klängen Bilder entstehen und fangen mit dem Mikro ei
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n, was eigentlich nur zu sehen ist. Sie bedienen Mischpulte und arbeiten mit Schnittsystemen. Kurzum: Sie sind Texter, Sprecherin, Reporter, Moderatorin, Interviewer, Technikerin und Journalist. All das kann man nur Schritt für Schritt werden. Die ersten Schritte erklärt dieses Buch: Wie schreibt man eine Hörfunkmeldung? Wie textet man fürs Sprechen? Wie macht man eine Umfrage? Wie baut man einen Beitrag? Wie schneidet man aufgenommenes Material? Wie kommt man am Mikro gut rüber? Wie behält man live auf Sendung Nerven und Überblick? Radio machen begleitet Einsteiger durch die ersten Aufgaben in Praktikum, Volontariat und freier Mitarbeiterschaft. Sandra Müller zeigt dabei mit vielen Beispielen, worauf es ankommt. Tipps aus ihrem langjährigen Radioalltag helfen, typische Anfängerfehler zu vermeiden." (Verlagsbeschreibung)
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"Este artigo tem por objetivo identificar de que maneira a tecnologia pode afetar a produção radiojornalística local. Para isso, realizou-se a análise sistemática do programa RBV Notícias da cidade de Videira (SC) durante dez dias do ano de 2021. Como resultados, observou-se que o programa RBV
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Notícias está progredindo em termos de desenvolvimento tecnológico, o que colaborou com a qualidade de transmissão dos conteúdos e aumentou a área de abrangência de acesso, porém, não houve a priorização dos conteúdos jornalísticos locais." (Resumo)
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"In recent decades, speech-based radio stations in Spain, whose programmes have been aimed at the general public, have transformed their on-demand content broadcasting strategy by incorporating audio processes in the form of podcasts, followed by transmission through websites, aggregators and applic
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ations. The overall objective of this article is to provide a detailed account of the evolution and scope of the podcast as an on-demand distribution channel for speech-based Spanish radio broadcasters, and to reveal how this format is changing the approaches taken by the most prominent national radio stations [Cadena SER, COPE, Onda Cero, and Radio Nacional de España (RNE)], with special emphasis on prime-time morning shows. The methodology employed combines quantitative and qualitative techniques along with an analysis of the content uploaded to the website of these morning programmes, which are part of the weekly programming cycle, together with semi-structured interviews using closed-ended questions that have been given to the main heads of programming and digital areas of the broadcasters under study. The results show that radio stations have incorporated podcast distribution into their usual routine in order to give new life to the content emitted, with the aim of serving both traditional users as well as new generations of digitised native listeners. In addition, they process daily content in an increasingly systematic way, on the basis of a model of mixed management coordination between programmes and digital areas. Similarly, broadcasters have made considerable progress in the measurement and analysis of the time-shifted audience, as well as in broadcast multiplication techniques using push notifications, social media, and monetisation." (Abstract)
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"Making Radio and Podcasts is a practical guide for anyone who wants to learn how to make successful programmes in the digital era. It examines the key roles in audio and podcasting: announcing, presenting, research, copywriting, producing, marketing and promotions. It also outlines what is involved
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in creating different types of programmes: news and current affairs, music, talkback, comedy and features, podcasts, as well as legal and regulatory constraints. With contributions from industry experts, the fully updated fourth edition is global in focus and reflects the impact of podcasts and digital radio, including multi-platform delivery, listener databases, social media and online marketing. It also examines how radio stations have reinvented their business models to accommodate the rapid changes in communications and listener expectations." (Publisher description)
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"Als die Tonstudios, 1963, noch voll verkabelt sind, beginnt Klaus Jürgen Schmidt, sich durch die Strukturen der Öffentlich-Rechtlichen zu schlagen. Die biografische Erzählung ist ein Einblick hinter die Kulissen von Radio Bremen, aber auch in das Leben des Autors, der immer wieder für sein Idea
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l des Journalismus kämpft. Zahlreiche Anekdoten schildern humorvoll Schmidts Weg vom Tontechniker zum Gründer der Radio Bridge Overseas in Zimbabwe. »Stimmen des Südens für Ohren im Norden« war Idee des Projektes, das afrikanischen Rundfunk-Autoren half, der Welt ihre eigenen Geschichten zu erzählen. Zu Hause gab es dafür eine »Brücken-Sperre«, dennoch bleibt für ihn öffentlich-rechtlicher Rundfunk Voraussetzung für die Möglichkeit, den Horizont sowohl der Stimmen als auch der Hörer zu erweitern und zwar abseits von passgenauen Stücken und unsozialen Netzwerken." (Verlagsbeschreibung)
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"Enseñar y aprender la Radio en América Latina y el Caribe. Radiografías de este presente, es un libro que logra recoger el pensamiento, la reflexión y el proceso pedagógico de 63 docentes de 12 países que imparten la asignatura de Radio en distintas universidades de estas regiones. Cada coord
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inador por país, además de compilar la información de sus colegas profesores, ofrece un panorama histórico y contemporáneo de la realidad que enfrenta el medio radiofónico en su territorio desde las perspectivas culturales, jurídicas, sociales, tecnológicas y académicas. A través de las respuestas, los docentes externan preocupación, interés, pero sobre todo, una gran pasión por la enseñanza de la Radio. El medio sonoro renace ante la mirada analítica y comprometida de profesionales de la enseñanza de distintas generaciones, que miran con alegría, pero otras con desazón el desapego y apatía, respectivamente, de los alumnos por la asignatura radiofónica. En el texto se logra observar la evolución del medio a través de la enseñanza. Algunos profesores imparten sus cátedras con base en procesos de producción analógicos, en tanto, otros, están en el territorio de la experimentación e innovación sonora; en el podcast, la transmedialidad sonora, la estética acústica y las nuevas narrativas con el uso de formatos y géneros híbridos." (Tapa posterior del libro)
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"Du 21 au 23 novembre 2018, huit chargés de communication d’Afrique francophone du Comité international de la Croix-Rouge (CICR) dont le mandat est de venir en aide aux populations affectées par les conflits armés, se sont réunis à Dakar pour échanger leurs expériences d’utilisation de l
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a radio comme outil de communication humanitaire, apprendre à évaluer l’impact de leurs programmes avec l’aide d’Adrien Zerbini, formateur de la Fondation Hirondelle. Organisation suisse à but non-lucratif, la Fondation Hirondelle fournit de l’information à des populations confrontées à des crises, pour leur permettre d’agir dans leur vie quotidienne et citoyenne. En décembre 2017, le CICR et la Fondation Hirondelle ont signé un accord de partenariat (MOU) pour favoriser les collaborations entre leurs équipes sur le terrain. Cet atelier fut l’un des fruits de cet accord de partenariat. A son issue, nous voulons garder une trace écrite des bonnes pratiques en la matière et vous proposer deux parties simples, didactiques, dont le but est d’être facilement utilisables: les «dix règles d’or pour une bonne production radio» et le «choix de la bonne production radiophonique et son évaluation»." (Introduction)
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"Mike Daka's story is a fascinating account that is at once the story of an extraordinary journalist, and rich insight into the history of the media and journalism in Zambia and Southern Africa. Born into humble circumstances, his journey took him into journalism as reporter and editor and then to s
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haping and leading the Zambia Institute of Mass Communication which taught generations of journalists through changing political circumstances. Never one to shy away from a challenge, Daka retired from Zamcom to start Breeze FM in Chipata, a radio station that became internationally renowned for its unique character as a commercial operation that provides community and public service." (Publisher description)
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"The information ecosystem in DRC is fragmented and fragile. It is characterised by a great number of media outlets, however their level of professionalism is low and their vulnerability to partisan capture is high. This fragility is replicated in the online space. The Congolese population rely heav
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ily on informal sources of information such as word of mouth, interpersonal communication with family and friends. The scarcity of reliable information open avenues for the rumours and misinformation to spread. This context presents serious challenges for the promotion of good governance and accountability that requires well informed citizens. To better address those challenges, it is necessary to understand the main sources and dynamics of information flows both offline and online, and through media and non-media channels. A consortium composed of Fondation Hirondelle (FH), Demos, Harvard Humanitarian Initiative (HHI) and the Institut Congolais de Recherche en Développement et Etudes Stratégiques (ICREDES) was created in order to provide a more holistic view of the Congolese information ecosystem and to identify opportunities for entry. Due to the limited time and resources of the study, and because of the pre-existing networks and capacities of the consortium in this region, its focus is on North Kivu. To identify the voices, networks and themes that dominated this information ecosystem in this region, three levels of analysis were chosen: 1. The sources and level of information of the local populations. This analysis was provided by HHI that implemented household surveys of large samples of populations in Eastern DRC; 2. The sources of information of local journalists. This analysis was provided by FH that surveyed a network of 18 local radios in North Kivu; 3. The network and content analysis of digital and social media provided by DEMOS [...] Findings: Radio is the primary media source of information for the population of Eastern DRC (78% of the sample listens to it occasionally and 43% daily [...] The main sources of information depend on the context and the nature of the information people are seeking [...] The results highlight the lack of reliability of information sources (46% of respondents expressed a moderate to high level of confidence in local radio, and 39% for national radio) ..." (Executive summary)
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"Préparer une émission de radio, rechercher l’info pertinente, savoir la traiter et la mettre en forme dans le respect des règles de la profession, afin d’attirer l’attention de son auditoire et de l’informer au plus près de sa réalité : tout un art qui s’apprend certes dans les éco
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les de journalisme, mais surtout sur le terrain, sur le tas, auprès de journalistes engagés plus avant dans le métier. C’est un peu ce rôle de « grand frère » qu’ambitionne de jouer cet ouvrage. Écrit par un journaliste expérimenté, formateur dans de nombreux pays africains, il entend contribuer à renforcer les capacités de tous ceux qui œuvrent dans les radios associatives et/ou communautaires, et qu’on surnomme affectueusement en Afrique les « radioteurs ». Largement documenté auprès des écrits des confrères et illustré de nombreux exemples concrets, ce guide apporte des notions essentielles pour tout journaliste radio. Outre les recommandations sur les techniques spécifiques à ce métier de l’oralité, il attire également l’attention sur l’éthique et la déontologie des médias dans le contexte africain." (Dos de couverture)
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"Das von uns unter anderem vorgestellte Qualitätsmodell QMB (Qualitätsmanagement in Bürgermedien) beinhaltet beispielsweise die Aufforderung zu definieren, welche Vision den Sender oder das Radio leitet. Wie stellt man sich in der Redaktion „gelungenes Radio“ vor? Eine spannende Frage, die vi
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ele interessante Antworten bringt. Diese Auseinandersetzung mit Qualität endet nicht, Qualität ist nie fertig, denn Qualität verändert sich. Die Verständigung muss also immer wieder stattfinden. Wie haben sich die Rahmenbedingungen (zum Beispiel die Anforderungen und Bedürfnisse der Hörer) verändert? Was bedeutet das für die Definition von gelungenem Radio? Im Praxisbericht zum Modell QMFBplus weist die Autorin Colleen Sanders, darauf hin, dass es zu den vordringlichsten Aufgaben gehört, diesen Verständigungsprozess sinnvoll in den Alltag zu integrieren." (Seite 12)
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"For six months between November 2012 and April 2013, fifty citizen watchdog monitors carefully noted incidents of hate speech and dangerous speech broadcast by five radio stations in Kenya. It was part of Internews in Kenya’s Free and Fair Media (FFM) programme aimed at working with the media to
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ensure that they covered the General Election of 2013 fairly and responsibly. Known as Citizen Watchdog, the exercise was not so much one of policing as one of accountability – to check incidents of hate speech and dangerous speech on air in the run-up to the 2013 General Election, during the election, and afterwards. Citizen Watchdog ran parallel to Internews’ support to the media through its Free and Fair Media journalism training activities focused on conflict sensitive journalism practices. The five radio stations included KBC Radio Taifa (Kenya Broadcasting Corporation), three vernacular radio stations, and one Swahili broadcaster based in the coastal region. The findings of Citizen Watchdog showed a sharp decline in cases of dangerous speech documented over the six month period: from 20 in November 2012 to zero in April 2013." (Executive summary)
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