"The study examines Global Times’ strategic narratives on the Russia-Ukraine War (2022–2024) by analysing 301 articles through issue, identity and systemic frameworks. It reveals China’s framing of the conflict as a US-Russia proxy war, positioning itself as a neutral mediator advocating multi
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lateral dialogue while critiquing Western hegemony. The narratives portray Russia as a rational actor defending sovereignty, Ukraine as weakened yet reckless, and Europe-EU as internally fractured. Systemically, China projects a multipolar vision, blending realist power dynamics with idealist peace-building. The findings underscore China’s media diplomacy in contesting Western discourse and advancing its global governance agenda." (Abstract)
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"China’s biggest media conglomerate, Xinhua, has 37 bureaus in Africa. This dwarves any other news agency—African or non-African—and is a dramatic increase from just a handful two decades ago. Another Chinese media giant, StarTimes, is China’s biggest player in African digital TV and the sec
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ond largest in Africa after South Africa’s DSTV. StarTimes is installing satellite dishes in 10,000 rural homes across 20 African countries, linking them to Chinese digital TV, further embedding itself on the continent.
Many of Africa’s young journalists are trained in China and paid by Chinese media entities. In Kenya alone, 500 journalists and local staff are employed by Chinese media agencies, dispatching 1,800 news items monthly. Veteran China-trained Kenyan journalist Joseph Odindo, the former editorial director of Nation Media Group (East and Central Africa’s largest media conglomerate), notes that he had to keep close watch on his workforce while at the Standard Group. “[W]e had to draw up a chart which would enable us to see who was out on a Chinese training at any given time, who was due to come back, and who was next—otherwise you could find half of your newsroom is in Beijing undergoing training.”
The surge in Chinese investments in the African media space is part of a global strategy by the Chinese Communist Party (CCP) to gain influence in the developing countries by shaping their information environments. The CCP views the media as a battleground for “telling China’s story well,” a phrase coined by CCP General Secretary Xi Jinping in 2013 at the party’s National Propaganda and Ideology Work Conference. China’s ruling party, according to its own policies, regards the media as an arena of combat to advance its narratives and policies and to discredit those of its adversaries without using military force. This invokes the Sun Tzu concept of “winning battles without fighting,” a concept CCP propagandists frequently use to describe their media offensives." (Introduction)
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"China’s extensive media presence in Africa aims to distinguish itself through the use of constructive journalism in contrast with the perceived dominance of conflict journalism by Western media outlets. However, many scholars have raised questions of consistency surrounding Chinese media’s use
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of constructive journalism in representing Africa (e.g. Marsh, 2016). With perspectives from Galtung’s (1987, p. 1998) conflict and peace journalism, this research applies Critical Discourse Analysis to examine Chinese media’s representation of Africa to an international audience. Using linguistic data from China Radio International’s Today, it challenges the distinctions among peace journalism, solutions journalism and constructive journalism. The findings show that China’s claim of constructive journalism strongly favors the coverage of China, yet is largely absent in the coverage of the African continent. It suggests that while Chinese state-sponsored media utilizes the so-called constructive journalism when presenting information about a specific region to that region, these representations are not consistent across their international coverage. Hence, Africa remains a victim of conflict journalism." (Abstract)
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"This book explores how journalism is practiced around the world and how there are multiple factors at the structural and contextual level shaping journalism practice. Drawing on case studies of how conflicts, pandemics, political developments, or human rights violations are covered in an online-fir
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st era, the volume analyzes how journalism is conducted as a process in different parts of the world and how such knowledge can benefit today's globally connected journalist. A global team of scholars and practicing journalists combine theoretical knowledge and empirically rich scholarship with real-life experiences and case studies to offer a storehouse of knowledge on key aspects of international journalism. Divided into four sections – journalistic autonomy, safety, and freedom; mis(information), crises, and trust; technology, news flow, and audiences; and diversity, marginalization, and journalism education – the volume examines both trends and patterns, as well as cultural and geographical uniqueness that distinguish journalism in different parts of the world." (Publisher description)
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"This book focuses on China’s media diplomacy and its interplay with a range of international conflicts. It assesses the representation and framing of China, as well as the perception and reception of China’s media communication in relation to various crises and conflicts. Including detailed ana
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lyses of many cases, it highlights the complex, fluid and dynamic relationship between media and conflict, and discusses how this both exemplifies and also affects China’s relations with the outside world." (Publisher description)
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"This article examines China–US competition for narratives by analyzing whether and how Chinese and American diplomats engage each other in routine diplomatic outreach to African audiences on Twitter. Drawing on case studies of Kenya and South Africa, our study uncovers “asymmetrical discursive
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competition”—Chinese diplomatic accounts selectively launch discursive attacks (both defensive and offensive) on the United States, while the US diplomatic accounts tend to ignore China. We further find that in invoking the United States, Chinese diplomats largely bypass Africa and African issues, and instead, focus on contesting larger claims about China’s legitimacy." (Abstract)
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"The year 2012 stands as a significant milestone in China's government-led external communication activities. It was in early 2012 that Beijing launched television broadcasting and production centres in Washington, DC, USA (CCTV America, now CGTN America) and Nairobi, Kenya (CGTN Africa). Later in t
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he year, it began publishing an African weekly edition of the English-language newspaper China Daily; European and Asian weekly editions had launched in 2010 (Zhang, 2013). Set in motion under the leadership of President Hu Jintao, China's global media expansion, part of a larger 'going out' policy for the economy in general, sought to improve the country's image overseas, and to give Beijing a larger say in global information flows (Thussu et al., 2018). Ten years on, Chinese media's global engagement has not only grown, but diversified. Today, Chinese media companies, both State-owned and privately owned, are engaged all over the world in content production and distribution, direct investment in foreign media ventures, infrastructure development, training and media development efforts, and 'managing' public opinion overseas (Madrid-Morales and Wasserman, 2018). The growth and diversification of communication strategies can be partly explained by the fact that the global political and economic context under which Hu Jintao set out to improve China's international image through external media expansion has changed." (Introduction)
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"Beijing's state-backed media, which once seemed incapable having a significant effect globally, has been overhauled and expanded. At a time when many democracies' media outlets are consolidating due to financial pressures, China's biggest state media outlets, like the newswire Xinhua, are modernizi
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ng, professionalizing, and expanding in attempt to reach an international audience. Overseas, Beijing also attempts to impact local media, civil society, and politics by having Chinese firms or individuals with close links buy up local media outlets, by signing content-sharing deals with local media, by expanding China's social media giants, and by controlling the wireless and wired technology through which information now flows, among other efforts. In Beijing's Global Media Offensive - a major analysis of how China is attempting to build a media and information superpower around the world, and how this media power integrates with other forms of Chinese influence - Joshua Kurlantzick focuses on how all of this is playing out in both China's immediate neighborhood - Southeast Asia, Taiwan, Australia, and New Zealand - and also in the United States and many other parts of the world. He traces the ways in which China is trying to build an information and influence superpower, but also critically examines the new conventional wisdom that Beijing has enjoyed great success with these efforts. While China has worked hard to build a global media and information superpower, it often has failed to reap gains from its efforts, and has undermined itself with overly assertive, alienating diplomacy. Still, Kurlantzick contends, China's media, information and political influence campaigns will continue to expand and adapt, helping Beijing exports its political model and protect the ruling Party, and potentially damaging press freedoms, human rights, and democracy abroad." (Publisher description)
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"Through policy analysis and close reading of two films, this article reveals films’ increasing role in China’s geopolitical plan, the Belt and Road Initiative (BRI). The co-production film Xuanzang shows that the Silk Road past is used to illustrate BRI’s pledge for a beneficial future. Even
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though Xuanzang’s story alludes to history, itwas selected for its significance in popular culture, thereby reflecting ‘hyperreality’. In any event, the Silk Road is insufficient for connecting a region characterized by complex histories and societies. As shown in The Composer, the Silk Road is a convenient metaphor used to portray any friendly history." (Abstract)
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"This study looks at the effects of Chinese cultural diplomacy on the African continent. While for a long time China's investments in large infrastructure projects were viewed positively, Joffe now notes a growing awareness both in civil society and in government agencies of ambivalent consequences.
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Many African countries are now groaning under the burden of debt, and about two-thirds of new loans now come from China. This study provides insight into Chinese investments, particularly in the area of international cultural policy. The study's findings highlight the complexity of Chinese engagement in Africa and the various facets of its associated impacts. The author suggests that African actors should ensure that a more equitable engagement develops, where conditions are determined by local needs and culture, and more aggressively advocate for equality, needs, and respect for national sovereignty." (Back cover)
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"This paper explores China’s increasing media engagement with Latin American partners. It examines the case of Mundo China (MC), a China-news segment broadcast by the Brazilian news channel BandNews TV and co-produced in partnership with CCTV. By conducting content analysis, we assess how China is
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presented, contrast the framing of China before and since the partnership agreement, and compare the televised image of China between BandNews TV and other news channels in Brazil. The findings show that MC has assisted in diversifying and balancing the ratio of positive frames in relation to the overall China-related reporting across the broadcasters sampled." (Abstract)
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"Through policy analysis and close reading of two films, this article reveals films’ increasing role in China’s geopolitical plan, the Belt and Road Initiative (BRI). The co-production film Xuanzang shows that the Silk Road past is used to illustrate BRI’s pledge for a beneficial future. Even
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though Xuanzang’s story alludes to history, itwas selected for its significance in popular culture, thereby reflecting ‘hyperreality’. In any event, the Silk Road is insufficient for connecting a region characterized by complex histories and societies. As shown in The Composer, the Silk Road is a convenient metaphor used to portray any friendly history." (Abstract
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"This paper examines the recent shifts and debates in the organization of the television landscape following the implementation of digital migration in Zambia. It ponders Zambia’s experience in the digital migration exercise, playing particular attention to the country’s interaction with the Chi
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nese company, StarTimes. It discusses the implications of this interaction on ownership and control in the new digitalized television landscape, highlighting the political economic implications on the broadcast sector. The paper also highlights various debates relating to local broadcasting policy in a digitalized environment and offers a timely contribution to the growing academic interest in Chinese involvement and interactions with African media." (Abstract)
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"This paper examines the influence of international political actors in perpetuating disinformation in fragile states, using Iraq as a case study. The advent of modern technology and social media has transformed the global information landscape, providing new avenues for the dissemination of disinfo
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rmation. This study delves into the history of disinformation in Iraq, particularly during and after the fall of the Baathist regime, and investigates how national and international actors utilise disinformation as a political tool. Through three case studies, the overlapping interests of regional, international, and local actors are explored, focusing on their use of social and legacy media platforms to execute influence operations targeting the Iraqi public. The first case study examines the Iranian-aligned Iraqi Radio and Television Union and their deployment of disinformation narratives during the 2021 national election. The second case study investigates unofficial Iranian-aligned Telegram media outlets and their promotion of the Russian narrative in the Russia-Ukraine War. The final case study analyses Pro-China and Belt and Road Initiative (BRI) Facebook influencers in Iraq and their engagement in coordinated inauthentic behavior. By connecting the interactions of these actors, this paper reveals a complex web of disinformation in the Iraqi digital information ecosystem, emphasising the role played by national and international actors in perpetuating it. The findings contribute to a better understanding of disinformation dynamics, enabling more effective strategies to combat disinformation and foster informed and democratic societies." (Abstract)
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"This report explores how the Chinese party-state's globally focused propaganda and disinformation capabilities are evolving and increasing in sophistication. Concerningly, this emerging approach by the Chinese party-state to influence international discourse on China, including obfuscating its reco
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rd of human rights violations, is largely flying under the radar of US social media platforms and western policymakers." (Executive summary, page 3)
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"In posts by Chinese diplomats, the US, NATO and the West were almost exclusively blamed or criticised for Russia’s unprovoked invasion of Ukraine. Russia was not specifically blamed. The most common posts shared news relating to the conflict (including readouts of Xi Jinping’s calls with world
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leaders), primarily from Chinese state media. Those articles usually presented China’s and, where they aligned, Russia’s views of the conflict. They frequently reported on the actions of Chinese officials reiterating China’s position. Chinese diplomats repeated Russian conspiracy theories about US biological weapon labs in Ukraine with gusto and linked the alleged activities to conspiracy theories about the origin of Covid-19. Posts about Ukraine on Facebook mostly underperformed compared to regular posts, except in Europe. On Twitter, Ukraine material appeared to broadly perform better than non-Ukraine material, particularly when the content attacked or blamed the West. Chinese diplomats did not appear to specifically target the Chinese diaspora (by posting in Chinese) in posts about Ukraine to any significant extent on Facebook or Twitter. A selection of CGTN content on YouTube largely mirrored the narratives of the Chinese officials on Twitter and Facebook." (Executive summary)
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