"Das Gedenken an den Ersten Weltkrieg in Deutschland und Europa ist nach wie vor sehr auf die europäische Perspektive beschränkt. Tatsächlich war der Krieg ein globaler: Millionen Soldaten aus kolonisierten Gebieten nahmen an den Kämpfen teil. Die Kolonialtruppen bildeten ein wesentliches Elemen
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t der Kriegsführung bei fast allen Kriegsparteien. Als Soldaten "zweiter Klasse" erhielten sie allerdings deutlich weniger Sold sowie schlechtere Verpflegung und Ausrüstung. Zudem waren sie während des Krieges und danach rassistischen kolonialen Unterdrückungsmechanismen unterworfen, an deren Fortbestand auch der Kriegseinsatz wenig änderte. In der dominanten Erinnerungskultur wird das Schicksal der Kolonialsoldaten folglich fast vollständig ausgeblendet – auch deswegen, weil das, was sie erlebt haben, oft nur als "oral history" verfügbar war und von der westlichen Geschichtsschreibung nicht berücksichtigt wurde. Dieses Buch widmet sich der Geschichte der Kolonialsoldaten in neun Comics, die auch eine künstlerische Auseinandersetzung mit Möglichkeiten historischer Überlieferung und dem Fortwirken kolonialer Bildproduktion leisten." (Klappentext)
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"Correspondants de guerre. Qui sont-ils : des "hyènes de l'info", des sténographes du pouvoir, comme le clament ceux qui ne les aiment guère ? Des envoyés spéciaux mus par de fortes convictions morales ou politiques et qui espèrent peser sur la marche du monde ? À l'image d'une Martha Gellhor
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n qui, en pleine guerre d'Espagne, pensait que tout ce qu'elle avait à faire pour vaincre l'injustice, c'était de la révéler ? Les temps ont changé depuis l'"invention" de ce métier par l'envoyé spécial du Times en Crimée en 1854. Les nouvelles technologies et les réseaux sociaux ont révolutionné l'écosystème médiatique. Pourtant, pour le journaliste, l'essence de sa mission reste la même : aller sur le terrain, au plus près des lignes de front; vérifier, valider; contester la censure et contrer la propagande; ouvrir le grand angle sur le contexte social, culturel, géopolitique et historique des conflits; "dire la vérité au pouvoir" et prendre, s'il le faut, l'opinion, souvent chauvine et suiviste, à rebrousse-poil. L'histoire du journalisme de guerre offre des exemples exceptionnels de courage et d'excellence, d'erreurs et de dérives aussi. Ce livre dépasse le portrait complice des "baroudeurs de l'info" pour soulever les grandes questions auxquelles ceux-ci ne peuvent se soustraire : comment préserver son indépendance alors que tout pousse au parti pris ? Comment gérer la peur et les risques ? Comment dire l'horreur ? Comment oser aller à contre-courant de l'actualité, pour prévenir des nuages qui s'accumulent, couvrir les "conflits oubliés" du bout du monde, revenir sur les guerres passées ?"
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"The book develops the analytics of grievability as an analytical framework that unpacks the ways in which news about death constructs grievable death and articulates relational ties between spectators and sufferers. The book employs the analytics of grievability in a comparative manner and analyses
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the coverage of three different case studies (terror attack, war and natural disaster) by two transnational news networks (BBC World News and Al-Jazeera English). This comparative analysis showcases the centrality of news media in selectively cultivating a sense of cosmopolitan solidarity in a global age." (Publisher description)
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"It is often argued that non-governmental organizations (NGOs) have become increasingly visible in media discourses on armed conflict and thus play a growing role in shaping states’ foreign policies. However, there is little investigation of their influence on specific conflict coverage and what t
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ypes of NGOs are influential, in what way and under what conditions. The authors elaborate a ‘supply and demand’ model of growing or declining NGO influence to theorize these dynamics and take Syria’s civil war from 2011–2014 as a ‘best case’ for testing it. They conducted an interpretative analysis of NGO output and media coverage to investigate the relative visibility of NGOs in the media over time. Further, they examine how different NGOs were referred to during two highly salient phases of the conflict for debates about foreign policy: the first escalation of protests and their repression in 2011 and the use of chemical weapons in 2013. They find evidence of rising NGO visibility and growing reliance on new types of semi-local NGOs for the provision of factual news about the conflict and human rights violations. Yet, large international NGOs such as Amnesty International and Human Rights Watch remained the most influential in pushing normative frames and advocating a tough stance on the Assad regime. The article discusses the implications of the findings for the theoretical argument and for broader accounts of NGOs influence." (Abstract)
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"In October 1967, early in the Nigerian Civil War, government troops entered Asaba in pursuit of the retreating Biafran army, slaughtering thousands of civilians and leaving the town in ruins. News of the atrocity was suppressed by the Nigerian government, with the complicity of Britain, and its sig
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nificance in the subsequent progress of that conflict was misunderstood. Drawing on archival sources on both sides of the Atlantic and interviews with survivors of the killing, pillaging and rape, as well as with high-ranking Nigerian military and political leaders, S. Elizabeth Bird and Fraser M. Ottanelli offer an interdisciplinary reconstruction of the history of the Asaba Massacre, redefining it as a pivotal point in the history of the war. Through this, they also explore the long afterlife of trauma, the reconstruction of memory and how it intersects with justice, and the task of reconciliation in a nation where a legacy of ethnic suspicion continues to reverberate." (Publisher description)
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"This Field Guide summarises the legal protection and responsibilities of media professionals operating in armed conflicts. It focuses on international humanitarian law (IHL) – also known as the ‘law of armed conflict’ – and sets out some aspects of international and UK criminal law. It is i
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mportant for media professionals reporting from armed conflict to be familiar with the rules of IHL. The Field Guide is a summary version of a Handbook for media professionals on IHL also produced by the British Red Cross, and can be read in conjunction with it. The Handbook contains a more detailed discussion of the legal provisions set out in the Field Guide, using a similar structure." (Introduction, page 1)
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"Although war journalism has existed for centuries, changes in the nature of armed conflict and its coverage have put the danger for modern journalists at an all time high. The traditional war correspondent has been replaced in recent years by the independent freelance journalist. While the former r
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eceives the full protection and financial backing of his respective news organization and the American military, the latter works on his own, often living in dangerous war zones with little or no training, insurance, or equipment. This new mode of journalism has proved especially dangerous in the current conflict in Syria, where terrorist organizations such as the Islamic State intentionally capture journalists for use as propaganda pieces and bargaining chips. The U.S. government and news organizations worldwide have issued policies and entered into agreements aimed at offering better protection to journalists reporting from dangerous conflict zones. Recently, many voices have advocated for legislative amendments to the Geneva Convention that would establish new protections such as a press emblem or a special status. This will not solve the problem, however, as the major players in current conflicts systematically ignore codified law. The most feasible action to mitigate danger and reduce targeted attacks against journalists is to put an end to the impunity that has allowed the Islamic State and other violent military groups to carry out these acts unprosecuted." (Abstract)
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"The Iraq War was a landmark in war reporting. The design and implementation of the embedded system enabled nearly 700 journalists to live and work alongside soldiers of the United States and British armies. Nearly 30 countries took part in the system, including Spain, one of the main supporters of
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the USA in its decision to start the war. This article discusses the advantages and drawbacks of the embedded system and the risks it entails for the security and protection of journalists. It offers a reflection on the challenges to be faced now that the embedded system has been consolidated as a way of covering a conflict… and has also proved to be the most economical way of doing so. This research focuses on the situation in Spain, where this debate has not been addressed by either academia or journalism. An in-depth interview method was chosen as the principal research tool." (Abstract)
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"The article addresses in what way gender matters when dealing with war – and peace journalism. Issues discussed are to what extent the experiences of male and female reporters differ when they cover stories from the front line, especially regarding safety and working conditions. One important que
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stion is whether the increased presence of women in the frontline might be indicative of a change in war storylines. Are the stories framed differently dependent on the gender of the reporter? Will women’s perspectives allow for greater engagement with the lives of the victims of war rather than its technical and strategic aspects? The article also addresses how gender perspectives can contribute new ideas on peace journalism and even challenge our understanding of Johan Galtung’s theory." (Abstract)
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"Das Handeln von Fotojournalisten in Konflikten stellt einen bisher wenig beachteten Teilbereich des Auslands- und Konfliktjournalismus dar. Felix Koltermann wirft erstmals in Form einer vergleichenden Kommunikatorstudie einen differenzierten Blick auf journalistisches Handeln internationaler, israe
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lischer und palästinensischer Fotoreporter in Israel/Palästina. Ausgehend von 40 qualitativen Interviews arbeitet er Unterschiede in den Routinen und Praktiken der Nachrichten- und Dokumentarfotografie heraus und rekonstruiert den Einfluss des israelischen Besatzungsregimes auf die Akteure und Strukturen des internationalen Fotojournalismus in der Region." (Klappentext)
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"This chapter deals with whether war journalism in mainstream media is fit to take a fourth estate role in reporting the new wars, from the end of the Cold War in 1989 to the present war against the so-called Islamic State. In particular, it is a critical study of shortcomings when it comes to provi
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ding the public with relevant information about the legality and legitimacy of the ways in which the humanitarian operations under the UN declaration on the “Responsibility to Protect (R2P)” are pursued. However, in almost all respects, journalism is a national institution with competence deficits in the field of international law and humanitarian rights. The new and asymmetric wars – in which established distinctions, e.g., between civilians and soldiers, between embedded reporters and combatants as well as between war and peace are blurred – make such shortcomings a growing and severe democratic problem. A global journalism with higher professional standards in this field is important as one of several correctives in order to reverse the current threat spirals that jeopardize our collective security." (Abstract)
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"The spread of Internet and mobile phone access around the world has implications for both the processes of contentious politics and subsequent reporting of protest, terrorism, and war. In this paper, we explore whether political violent events that occur close to modern communication networks are s
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ystematically better reported than others. Our analysis approximates information availability by the level of detail provided about the date of each political violent event in Africa from 2008 to 2010 and finds that although access to communication technology improves reporting, the size of the effect is very small. Additional investigation finds that the effect can be attributed to the ability of journalists to access more diverse primary sources in remote areas due to increased local access to modern communication technology." (Abstract)
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"Building on critical theory, most notably Herman and Chomsky's Propaganda Model, Florian Zollmann's pioneering study brings propaganda back to the forefront of the debate. On the basis of a forensic examination of 1,911 newspaper articles, Zollmann investigates US, UK and German media reporting of
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the military operations in Kosovo, Iraq, Libya, Syria and Egypt. The book demonstrates how 'humanitarian intervention' and 'R2P' are only evoked in the news media if so called 'enemy' countries of Western states are the perpetrators of human rights violations. Zollmann's work evidences that the news media plays a crucial propaganda role in facilitating a selective process of shaming during the build-up towards military interventions." (Back cover)
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"Journalism is a dangerous business when one’s "beat" is a war zone. Armoudian reveals the complications facing frontline journalists who cover warzones, hot spots and other hazardous situations. It compares yesterday’s conflict journalism, which was fraught with its own dangers, with today’s
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even more perilous situations—in the face of shrinking journalism budgets, greater reliance on freelancers, tracking technologies, and increasingly hostile adversaries. It also contrasts the difficulties of foreign correspondents who navigate alien sources, languages and land, with domestically-situated correspondents who witness their own homelands being torn apart." (Publisher description)
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"This book has presented a critical, historically grounded analysis of the role of the war correspondent. It has highlighted the risks, the problems and the failures that have defined the role but it has also given credit where that is due and acknowledged the inspirational example of correspondents
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such as William Howard Russell, Morgan Philips Price, Martha Gellhorn, Wilfred Burchett, John Pilger and Robert Fisk. Their work seems to bear testament to the ideal beloved of all journalists and writers, of ‘telling truth to power’. But as Arundhati Roy has argued, ‘Power owns the truth [and] knows the truth just as well if not better than the powerless know the truth’ (2004, page 68). In view of everything that has gone before in this book, I think she is right. Telling truth to power does not change or lessen the risks and dangers that accompany the journalist in the war zone. And as we have seen, the risks are not equal; the level of special training, protection and institutional support journalists receive depends on the size and wealth of their media employer." (Conclusion, page 214)
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"Das Thema Medien und Krieg wird in diesem Buch aus einer vierfachen Perspektive heraus behandelt. Es geht zum einen um die Frage nach der Berichterstattung über Kriege, zum zweiten um die Rolle von Medien im Krieg, drittens geht es darum, welche strukturellen Bedingungen von Krieg und Gesellschaft
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die Inhalte der Medien wie prägen und viertens um eine friedensstiftende Sicht auf diese Zusammenhänge. Das Fazit: Definitorisch gibt es kaum noch einen Unterschied zwischen medialer Kommunikation und Krieg." (Publisher description)
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"This book explores the complex organisational issues surrounding the capture or kidnapping of journalists in areas of conflict and risk. It explores how journalists 'becoming news' is covered and the implications of that coverage, how news organisations prepare for and respond to such events, and h
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ow kidnapping and ransom insurers, victim recovery firms, journalists' families, and governments influence the actions of news enterprises. It considers how and why journalists are kidnapped, how employers and journalists' organisations respond to kidnappings and why freelancers are particularly at risk as well as suggesting best practices for preventing and responding to kidnappings." (Back cover)
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