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Promoting National Unity: The Role of Radio Broadcasting in the Process of Decolonisation in Namibia and Zambia

Robert Heinze

Universität Konstanz, Doctoral Thesis (2012), iv, 313 pp.

"This thesis operates from the observation that "Decolonising the Mind", i.e. a cultural decolonisation process, was needed after the independence of African countries to support and flesh out political decolonisation. Culture, as shown, played a major role in the mobilisation of support for nationa ... list movements, but after independence nationalist culture was just one among many. In both cases presented here, the most pressing issue after political independence was how to deal with the different identities that had previously existed and were onyl partially cushioned by political and cultural nationalism. Now that the political kingdom had been attained, the different language, cultural and political groups started to ask questions about their place in this kingdom. Although many politicians shared the idea that "once you have a national identity, the question of culture becomes something which flows automatically", it soon turned out to be misguided. Media and education were seen to be the major tools in "decolonising the mind". However, a close analysis of the electronic media in the two cases presented here shows that the policies for promoting national unity in programmes were largely ineffective. Instead, radio programmes, both before and after independence, provided a space to negotiate issues of national identity. This space was sometimes more, sometimes less restricted, but listeners used it as much as they could. Colonial media had, for all their focus on political control and censorship, accompanied and mediated social change. As described, this happened specifically in cultural programmes, where broadcasters were much freer in their work. However, Northern Rhodesian media were supposed to work as a catalyst to further the process of modernisation, and to help its listeners come to terms with the transition from being 'traditional' to becoming 'modern' Africans. In the Apartheid broadcasting system, culture was used consciously to construct a specific 'ethnic' identity, emphasising cultural traditions of the different language groups. But while the intentions were different, both broadcasting institutions were at the centre of negotiating ideas of tradition and modernity. Both were also established because there was a need to legitimate the respective political system. Be it the Central African Federation or a 'democratic' "South West Africa/ Namibia", the political models promoted by the authorities could not just be imposed on the people. The radios were established to give reality to these constructs, to make listeners identify with a social, political and cultural space that had been defined by colonial authorities. As shown, colonial ideologies not only surfaced in obvious propaganda programmes but also significantly determined the technical and managerial setup of the stations. While radio infrastructure was formed and reformed to structure that space – by linking three territories with different political and social power structures or, following Apartheid ideology, by assigning each language group their own space according to the homeland system – culturally as well as geographically. As shown, infrastructure mirrored the proposed political models, not just in its technical aspects (i.e., the stations' footprints, transmitting posts and frequencies), but also in management structure. As the Federal Broadcasting Services were subdivided in European and African Services, respectively catering for the whole White or Black population of all three territories, the South West African Broadcasting Corporation separated first Black and White, then subdivided the three Departments in the several language Services, each broadcasting to the designated "homeland". This infrastructure not only formed the whole process of programme production and reception but was also part of it as it imparted ideological considerations. The first order of business for independent countries was therfore to restructure the radio according to the needs of the new nations." (Conclusion, page 274-275) more

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50 Jahre afrikanische Un-Abhängigkeiten: Eine (selbst)-kritische Bilanz

AfricAvenir International

Bonn: Bundeszentrale für politische Bildung (bpb), Lizenzausg. (2012), 260 pp.

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Images et paix: Les Rwandais et les Burundais face au cinéma et à l'audiovisuel
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Guido Convents

Leuven: Afrika Filmfestival (2008), 605 pp.

"Les Rwandais et les Burundais ont une culture cinématographique et audiovisuelle captivante et centenaire. Elle a été introduite pendant l’époque coloniale allemande et est ensuite tombée dans les mains des Belges qui l’ont développée après. Au Rwanda/Burundi, ils produisaient des films ... more

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Media and the British Empire

Chandrika Kaul (ed.)

Basingstoke; New York: Palgrave Macmillan (2006), 266 pp.

"'The only true history of a country', wrote Thomas Macaulay, 'is to be found in its newspapers'. This book explores how the media shaped and defined the economic, social, political and cultural dynamics of the British Empire by viewing it from the perspective of the colonised as well as the colonis ... more

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Images et démocratie: Les Congolais face au cinéma et à l'audiovisuel. Une histoire politico-culturelle du Congo des Belges jusqu'á la République démocratique du Congo (1896-2006)
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Guido Convents

Kessel-Lo: Afrika Filmfestival (2006), 487 pp.

"Les Congolais ont une histoire et une culture cinématographique et audiovisuelle fascinante. Dès la naissance du cinéma, ils ont été confrontés à cette invention qui était à la fois un art et un instrument de propagande. La politique du gouvernement colonial, dans un premier temps, puis ce ... more

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Power and Press Freedom in Liberia, 1830-1970: The Impact of Globalization and Civil Society on Media-Government Relations

Carl Patrick Burrowes

Asmara: Africa World Press (2004), 312 pp.

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L'Afrique? Quel cinéma! Un siècle de propagande coloniale et de films africains

Guido Convents

Anvers: EPO;Africalia (2003), 367 pp.

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The Role of Mass Media for the Pastoral Development of the Catholic Church in Nigeria

Eugene Dike

Münster: Lit (2001), 327 pp.

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Orality and Cultural Identities in Zimbabwe

Maurice Taonezvi Vambe (ed.)

Gweru (ZW): Mambo Press (2001), xii, 127 pp.

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Journaux et radios en Afrique aux XIXe et XXe siècles

André-Jean Tudesq

Serge Nédélec (collab.)

Paris: Groupe de recherche et d’échanges technologiques (GRET) (1998), 198 pp.

"Ces 200 pages retracent l'évolution de la presse en Afrique, depuis les origines au XVIIIe siècle jusqu'à l'émergence de la " nouvelle presse " privée audiovisuelle et écrite dans les années 1980 et 1990. Analyses par régions, encadrés consacrés à un journal, portraits de journalistes et ... more

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Journais e rádios em África: Nos séculos XIX e XX

André-Jean Tudesq, Serge Nédélec

Lisboa; Paris: Intercooperação e Desenvolvimento (INDE);Groupe de recherche et d’échanges technologiques (GRET) (1998), 190 pp.

Images et paix: Les Rwandais et les Burundais face au cinéma et à l'audiovisuel Top Insights

Images et démocratie: Les Congolais face au cinéma et à l'audiovisuel. Une histoire politico-culturelle du Congo des Belges jusqu'á la République démocratique du Congo (1896-2006) Top Insights

Images et paix: Les Rwandais et les Burundais face au cinéma et à l'audiovisuel
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Images et démocratie: Les Congolais face au cinéma et à l'audiovisuel. Une histoire politico-culturelle du Congo des Belges jusqu'á la République démocratique du Congo (1896-2006)
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