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The power of humour
D+C: Development and Cooperation, issue 4 (2025), pp. 28-54
"All over the world, satirists courageously stand up for democratic values, often under extremely difficult conditions. Through their art, they create spaces for freedom and challenge authorities. On the other hand, extremists use humour for their political purposes too: They ridicule those who diss
...
Political Entertainment in a Post-Authoritarian Democracy: Humor and the Mexican Media
London; New York: Routledge (2024), 202 pp.
"Centered around Mexico as a case study, the book explores the production of political entertainment in post-authoritarian legacy media and how political and economic conditions constrain the range and edge of discourse; how political entertainment in social media is shaped by the structure of platf
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Media and Democracy in the Middle East
London; New York: Routledge (2024), 176 pp.
"Since the outburst and spread of what was known as the ‘Arab Uprisings’ in 2010, the political and media landscapes in the Middle East region have dramatically changed. The initial hope for democratic change and governance quality improvements has faded, as several regimes in the Middle East ha
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No relief from war: The use of humour in memes by the government of Ukraine and the limitation of laughter
International Journal of Media & Cultural Politics, volume 20, issue 1 (2024), pp. 3-26
"The article is interested in the role of humour employed in memes on X by the government of Ukraine in the war following the invasion by Russia in 2022. It brings insights from cultural and humour studies as well as psychology into politics and shows how and what kind of humour the government aroun
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Digital Satire in Latin America: Online Video Humor as Hybrid Alternative Media
Gainesville: University Press of Florida (2024), x, 193 pp.
"This book analyzes how digital-native audiovisual satire has become increasingly influential in national public debates within Latin America. Paul Alonso illuminates the role of online video in filling gaps in sociopolitical critique left by television, traditional journalism, and commercial entert
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Memes, humor, and the far right’s strategic mainstreaming
Information, Communication & Society (2024), 20 pp.
"The far right is increasingly relying on visual and less extreme online communication, for instance by using memes, to strategically mainstream their ideology. The use of humor in particular renders their communication more relatable to a mainstream audience. However, little is known about the actu
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Fernsehen in Deutschland: Ein politisches Medium im Wandel
Bonn: Bundeszentrale für politische Bildung (bpb) (2023), 391 pp.
"Das Fernsehen ist ein politisches Medium. Es ist in seiner institutionellen Gestalt geprägt durch Entscheidungen im politischen System und durch verfassungsgerichtliche Rechtsprechung. Politische Akteure versuchen immer wieder, Einfluss zu nehmen und das Medium für eigene Zwecke zu nutzen. Gleich
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Cryptopolitics: Exposure, Concealment, and Digital Media
New York: Berghahn (2023), vii, 245 pp.
"Hidden information, double meanings, double-crossing, and the constant processes of encoding and decoding messages have always been important techniques in negotiating social and political power dynamics. Yet these tools, "cryptopolitics," are transformed when used within digital media. Focusing on
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Memes: Formen und Folgen eines Internetphänomens
Bielefeld: transcript Verlag (2022), 258 pp.
"Memes dienen nicht nur der popkulturellen Unterhaltung oder der Kunst, sie werden auch in der Politik, in lokalen und internationalen Wahlkämpfen oder auf Demonstrationen verwendet. In ihrer typischsten Form sind sie Text-Bild-Gefüge, die sich digital mit viraler Geschwindigkeit verbreiten und tr
...
Participatory Media Cultures: Virality, Humour, and Online Political Contestations in Kenya
Africa Spectrum, volume 55, issue 2 (2020), pp. 148-169
"The article seeks to discuss varied forms of citizen engagement in the era of Internet viral cultures, ranging from (1) the use of social media for online protest, characterised by political contestation and fleeting outbursts of anger and backlash in the Twittersphere, to (2) the appropriation of
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Are Punchlines the New Front Lines of Media Development?
Washington, DC: Center for International Media Assistance (CIMA) (2020)
"Satirical comedy is uniquely effective in its ability to bolster media development objectives. Through its ability to attract audiences and provide news commentary in an entertaining way, it can be used as an important tool to promote freedom of expression, foster accountability and transparency, c
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Satire and Protest: The Middle East Through Egyptian Cartoons
Oxford: Reuters Institute for the Study of Journalism (2019), 23 pp.
"This paper aims at examining how Egyptian popular culture shapes perception of the Israeli – Palestinian conflict through the widespread medium of political cartoons. The paper examines cartoons published in Egyptian newspapers after the American president, Donald Trump, announced in 2017 that th
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Satiric TV in the Americas: Critical Metatainment As Negotiated Dissent
Oxford: Oxford University Press USA (2018), ix, 176 pp.
"Satiric TV in the Americas analyzes some of the most representative and influential satiric TV shows on the continent (focusing on cases in Argentina, Peru, Ecuador, Mexico, Chile, and the United States) in order to understand their critical role in challenging the status quo, traditional journalis
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Cultural Revolution in Iran: Contemporary Popular Culture in the Islamic Republic
London; New York: Tauris, new paperback ed. (2017), xiv, 287 pp.
"Despite the repressive power of the current regime the immense creativity of popular cultural practices, that negotiate and resist a repressive system, is a potent and dynamic force. This book draws on the expertise and experience of Iranian and international academics and activists to address dive
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Political Parody and Satire as Subversive Speech in the Global Digital Sphere
International Communication Gazette, volume 77, issue 3 (2015), pp. 211-311
Bongo Media Worlds: Producing and Consuming Popular Culture in Dar Es Salaam
Köln: Köppe (2014), 286 pp.
"In the wake of the transformation from a socialist to a neoliberal capitalist economy, Tanzania has witnessed an unprecedented proliferation of cultural production which went hand in hand with a steep rise in formal and informal media outlets. Bongo Media Worlds provides insights into the diverse a
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Visual Culture in the Modern Middle East: Rhetoric of the Image
Bloomington: Indiana University Press (2013), xxvii, 343 pp.
"The essays explore the role and function of image making to highlight the ways in which the images "speak" and what visual languages mean for the construction of Islamic subjectivities, the distribution of power, and the formation of identity and belonging. Visual Culture in the Modern Middle East
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Out of Control: Palestinian News Satire and Government Power in the Age of Social Media
Popular Communication, volume 10, issue 1-2 (2012), pp. 106-118
"This article analyzes the Palestinian sketch comedy show Watan Ala Watar, placing the groundbreaking program in the context of theories of satire, government control, and popular resistance. Detailing the show’s tumultuous relationship with the Palestinian Authority, the article argues that despi
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Politische Satire in der Türkei: Die Istanbuler Wochenzeitung "Zübück"
Neue Deutsche Presse (Verband der Journalisten der DDR), issue 11 (1962), pp. 34-35
"Entwicklung und Plan einer türkischen Zeitschrift, die seit Februar 1962 „kritische“ Situationen in humorvoller und satirischer Form aufgreift." (Jean-Marie Van Bol, Abdelfattah Fakhfakh: The use of mass media in the developing countries. Brussels: CIDESA, 1971 Nr. 1444, topic code 110.2)
