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Countries / Regions
Authors & Publishers
Media focus
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Methods applied
Journals
Output Type
Internationalisation of China’s Television: History, Development and New Trends
"In general, the internationalisation of China's television in the past several decades can be divided into four intertwined paths. The first is importing media and cultural products from other countries, which initiated the exchange of China's television with the outside world, and so far is still
...
Ibero-American Observatory of Television Fiction Obitel 2018: Ibero-American TV Fiction on Video on Demand Platforms
Deep Insights
Porto Alegre: Sulina; Globo Comunicação e Participações (2018), 410 pp.
"This Yearbook is divided into three parts. The first is an introduction chapter, containing a comparative synthesis of fiction in the Obitel countries. This comparison is made from a quantitative and qualitative point of view, which makes possible to observe the development of fiction in each count
...
Creative Economy Outlook and Country Profiles: Trends in International Trade in Creative Industries
United Nations Conference on Trade and Development (UNCTAD) (2016), vii, 161 pp.
"International trade in creative industries showed sustained growth in the last decade. The global market for traded creative goods and services totaled a record $547billion in 2012, as compared to $302 billion in 2003. Exports from developing countries, led by Asian countries, were growing faster t
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Grenzen und Grenzüberschreitungen: Auswahl und Adaptionen deutscher Fernsehsendungen für den chinesischen Markt
Berlin: Lit (2016), 230 pp.
"Die Autorin geht der Frage nach, welche deutschen Fernsehsendungen nach China importiert und wie diese in einer Gesellschaft aufgenommen werden, die kulturell vollkommen anders geprägt ist als die deutsche. Der Fokus der Arbeit liegt auf der Herausarbeitung von Kriterien für die Auswahl von Ferns
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Transnationalization of Turkish Dramas: Exploring the Convergence of Local and Global Market Imperatives
Global Media and Communication, volume 11, issue 1 (2015), pp. 43-60
"Since the mid-2000s, an ever-increasing number of Turkish dramas have been exported to several markets and commanded high prices and ratings. To explain the transnationalization of Turkish dramas, this article explores the political economic imperatives as opposed to the commonly cited cultural pro
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Ibero-American Observatory of Television Fiction Obitel 2015: Gender Relations in Television Fiction
Porto Alegre: Sulina; Globo Comunicação e Participações (2015), 526 pp.
"In 2014, Mexico, Brazil, Portugal, Colombia and Argentina, in that order, were the top five countries in the production of national fiction hours. Once again, Brazil and Mexico, despite the drop suffered by the latter, continued to be the largest producers of fiction in the Ibero-American region. I
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Hallyu: Der Boom der südkoreanischen Populärkultur in Asien
"Tatsächlich erfreuen sich koreanische Fernsehserien und Filme sowie die koreanische Popmusik (K-pop) im Ausland, insbesondere in Ost- und Südostasien, ganz unerwartet großer Beliebtheit. In Südkorea selbst ist man stolz darauf, es - zumindest in der eigenen Wahrnehmung - endlich geschafft zu ha
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Ibero-American Television Fiction Observatory Obitel 2014: Transmedia Production Strategies in Television Fiction
Porto Alegre: Sulina; Globo Comunicação e Participações (2014), 536 pp.
"The structure of this Yearbook is divided in three parts. The first part is an introduction chapter that makes a comparative synthesis of fiction in Obitel countries. This comparison is made from a quantitative and qualitative perspective that allows us to observe fiction development in each countr
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Global Entertainment Media: Between Cultural Imperialism and Cultural Globalization
New York; London: Routledge (2013), xi, 301 pp.
"In Global Entertainment Media, Tanner Mirrlees undertakes an analysis of the ownership, production, distribution, marketing, exhibition and consumption of global films and television shows, with an eye to political economy and cultural studies. Among other topics, Mirrlees examines: paradigms of gl
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Ibero-American Television Fiction Observatory Obitel 2013: Social Memory and Television Fiction in Ibero-American Countries
Porto Alegre: Sulina; Globo Comunicação e Participações (2013), 523 pp.
"The first part, “Fiction in the Ibero-American Space”, presents a comparative synthesis of fiction in the Obitel countries. This comparison is made from a quantitative and qualitative perspective that allows to observe the development of fiction in each country, highlighting their main producti
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Communicating India's Soft Power: Buddha to Bollywood
New York: Palgrave Macmillan (2013), 227 pp.
"Daya Thussu's book rescues the concept of soft power from American hands and applies it insightfully to India, and the concept is made richer and more useful as a result. With its dynamic and prosperous diaspora, the growing global popularity of its spiritual beliefs and practice, its reach as a gl
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Ibero-American Observatory on Television Fiction Obitel 2012: Transnationalization of Television Fiction in Ibero-American Countries
São Paulo: Sulina; Globo Comunicação e Participações (2012), 618 pp.
The general analysis of this Yearbook is divided into three parts. The first is an introductory chapter that contains a comparative synthesis of fiction in the Obitel countries. This comparison is made from a quantitative and qualitative point of view that makes it possible to observe the developmen
...
Global Television Formats: Understanding Television Across Borders
New York; London: Routledge (2012), xii, 392 pp.
"For decades, television scholars have viewed global television through the lens of cultural imperialism, focusing primarily on programs produced by US and UK markets and exported to foreign markets. Global Television Formats revolutionizes television studies by de-provincializing its approach to me
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"Ugly Betty" and the Emergence of the Latina/o Producers as Cultural Translators
Communication Theory, volume 21, issue 4 (2011), pp. 392-412
"A critical examination of Betty's adaptation process sheds light on the disjuncture between global television distribution trends and national television markets' business cultures. The process of bringing the "ugly duckling" format to the English-language mainstream media market can be better unde
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Political Economy of Communications in India: The Good, the Bad and the Ugly
New Delhi et al.: Sage (2010), xix, 267 pp.
"This book is a critical study of the political economy of communications in India. It explores the ways in which contexts, policies, and processes at national and international levels shape media structures and studies how a political economy-inspired approach can be used to understand both media d
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Handbuch Unterhaltungsproduktion: Beschaffung und Produktion von Fernsehunterhaltung
Wiesbaden: VS Verlag für Sozialwissenschaften (2010), 365 pp.
"Dieser Band behandelt in sechs Abschnitten Grundlagen, Probleme, Ursachen und Folgen von Markt- und Unternehmensstrukturen in der Unterhaltungsindustrie. Wissenschaftler und Praktiker aus Großbritannien, Schweden, der Schweiz und Deutschland beschäftigen sich mit dem Produktionssektor in Großbri
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Ugly Betty Goes Global: Global Networks of Localized Content in the Telenovela Industry
Global Media and Communication, volume 6, issue 2 (2010), pp. 177-197
"Betty la Fea, the phenomenally popular Colombian telenovela, has been exported as both canned (e.g. either dubbed or unaltered) programming and format to approximately 70 countries, including the recent US prime-time hit Ugly Betty. Guided by an examination of the extended global success of this Co
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