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Internationalisation of China’s Television: History, Development and New Trends

In: Routledge Handbook of Chinese Media
Gary D. Rawnsley; Ming-Yeh T. Rawnsley (eds.)
London; New York: Routledge (2018), pp. 427-445
"In general, the internationalisation of China's television in the past several decades can be divided into four intertwined paths. The first is importing media and cultural products from other countries, which initiated the exchange of China's television with the outside world, and so far is still ... more
"This Yearbook is divided into three parts. The first is an introduction chapter, containing a comparative synthesis of fiction in the Obitel countries. This comparison is made from a quantitative and qualitative point of view, which makes possible to observe the development of fiction in each count ... more
"Die Autorin geht der Frage nach, welche deutschen Fernsehsendungen nach China importiert und wie diese in einer Gesellschaft aufgenommen werden, die kulturell vollkommen anders geprägt ist als die deutsche. Der Fokus der Arbeit liegt auf der Herausarbeitung von Kriterien für die Auswahl von Ferns ... more

Creative Economy Outlook and Country Profiles: Trends in International Trade in Creative Industries

United Nations Conference on Trade and Development (UNCTAD) (2016), vii, 161 pp.
"International trade in creative industries showed sustained growth in the last decade. The global market for traded creative goods and services totaled a record $547billion in 2012, as compared to $302 billion in 2003. Exports from developing countries, led by Asian countries, were growing faster t ... more
"Since the mid-2000s, an ever-increasing number of Turkish dramas have been exported to several markets and commanded high prices and ratings. To explain the transnationalization of Turkish dramas, this article explores the political economic imperatives as opposed to the commonly cited cultural pro ... more
"In 2014, Mexico, Brazil, Portugal, Colombia and Argentina, in that order, were the top five countries in the production of national fiction hours. Once again, Brazil and Mexico, despite the drop suffered by the latter, continued to be the largest producers of fiction in the Ibero-American region. I ... more

Hallyu: Der Boom der südkoreanischen Populärkultur in Asien

In: Länderbericht Korea
Eun-Jeung Lee (ed.)
Bonn: Bundeszentrale für politische Bildung (bpb) (2015), pp. 391-404
"Tatsächlich erfreuen sich koreanische Fernsehserien und Filme sowie die koreanische Popmusik (K-pop) im Ausland, insbesondere in Ost- und Südostasien, ganz unerwartet großer Beliebtheit. In Südkorea selbst ist man stolz darauf, es - zumindest in der eigenen Wahrnehmung - endlich geschafft zu ha ... more
"The structure of this Yearbook is divided in three parts. The first part is an introduction chapter that makes a comparative synthesis of fiction in Obitel countries. This comparison is made from a quantitative and qualitative perspective that allows us to observe fiction development in each countr ... more
"In Global Entertainment Media, Tanner Mirrlees undertakes an analysis of the ownership, production, distribution, marketing, exhibition and consumption of global films and television shows, with an eye to political economy and cultural studies. Among other topics, Mirrlees examines: paradigms of gl ... more
"Daya Thussu's book rescues the concept of soft power from American hands and applies it insightfully to India, and the concept is made richer and more useful as a result. With its dynamic and prosperous diaspora, the growing global popularity of its spiritual beliefs and practice, its reach as a gl ... more
"The first part, “Fiction in the Ibero-American Space”, presents a comparative synthesis of fiction in the Obitel countries. This comparison is made from a quantitative and qualitative perspective that allows to observe the development of fiction in each country, highlighting their main producti ... more
The general analysis of this Yearbook is divided into three parts. The first is an introductory chapter that contains a comparative synthesis of fiction in the Obitel countries. This comparison is made from a quantitative and qualitative point of view that makes it possible to observe the developmen ... more
"For decades, television scholars have viewed global television through the lens of cultural imperialism, focusing primarily on programs produced by US and UK markets and exported to foreign markets. Global Television Formats revolutionizes television studies by de-provincializing its approach to me ... more
"A critical examination of Betty's adaptation process sheds light on the disjuncture between global television distribution trends and national television markets' business cultures. The process of bringing the "ugly duckling" format to the English-language mainstream media market can be better unde ... more
"Dieser Band behandelt in sechs Abschnitten Grundlagen, Probleme, Ursachen und Folgen von Markt- und Unternehmensstrukturen in der Unterhaltungsindustrie. Wissenschaftler und Praktiker aus Großbritannien, Schweden, der Schweiz und Deutschland beschäftigen sich mit dem Produktionssektor in Großbri ... more

The Business and Cultural Functions of Global Television Fairs

In: Handbuch Unterhaltungsproduktion: Beschaffung und Produktion Von Fernsehunterhaltung
Katja Lantzsch; Klaus-Dieter Altmeppen; Andreas Will (eds.)
Wiesbaden: VS Verlag für Sozialwissenschaften (2010), pp. 195-208
"While the technical capacity for worldwide television broadcasting has existed at least since 1967, when the live program Our World was beamed to thirty-one countries (Parks, 2003), the cultural challenges facing transnational television exchanges have proved more formidable. Even within a single n ... more
"This book is a critical study of the political economy of communications in India. It explores the ways in which contexts, policies, and processes at national and international levels shape media structures and studies how a political economy-inspired approach can be used to understand both media d ... more