"Narrative is essential for public engagement with global poverty. Stand Up Planet, a documentary about global development, was produced to evaluate the effects of a little-utilized nonfiction comedy narrative. Using a pretest–posttest experimental design, this study examines shifts in U.S. audien
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ce engagement with global poverty after watching Stand Up Planet, compared with a somber documentary, The End Game. Both documentaries increased awareness of global poverty, support for government aid, knowledge, and intended actions. However, Stand Up Planet produced significantly larger gains in awareness, knowledge, and actions; these effects were mediated by the narrative’s relatability, positive emotions, and entertainment value. The End Game’s effects were mediated by narrative transportation and negative emotions. Implications for narrative in social change campaigns are discussed." (Abstract)
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"'Half the Sky' is an ambitious humanitarian documentary about the global crises in gender discrimination. Based on Nicholas Kristof and Sheryl WuDunn's book (Kristof and WuDunn 2010), the nearly four-hour documentary visits six countries to explore six issues: gender-based violence in Sierra Leone,
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sex trafficking in Cambodia, education in Vietnam, female genital mutilation in Somaliland, intergenerational prostitution in India, and economic empowerment in Kenya. Heather McIntosh explores the role of celebrity in telling these stories. Six American actresses, each of whom visits a country, meet local activists and survivors, and leam about the situation. Drawing on scholarship about documentary representation and celebrity, McIntosh engages critical perspectives that charge that the appearance of notable personalities simplifies complex issues, and overshadows survivors' voices. She evaluates the success of 'Half the Sky' and the film's attempt to cast celebrities as moral agents helping viewers emotionally connect to the issues and the people involved. Ultimately, she questions the film's ability to overcome the tensions between suffering and poverty, and glamour and Western privilege." (Introduction to part 7, page 380-381)
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"This paper explores the impact that emerging partnerships - particularly between freelancers and nonprofits - are having on the practices of contemporary foreign news reporting. Through an exploration of a widely published project on a health crisis in East Africa-funded by the Pulitzer Center on C
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risis Reporting and reported by the study's author-this study ultimately argues that issues of framing, representation, and ideology are not dominating foreign news production; they are being hotly contested within it. The importance of having a journalist on the ground and the urgency of "liveness", however, is argued to be losing significance within the current model, which often destines foreign news imagery to be decontextualized for universal appeal." (Abstract)
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"The internet is often celebrated for the abundant opportunities it appears to offer citizens to become more informed about and inspired to act on issues related to international development and distant suffering. But to what extent do users actually make use of such opportunities? And what social p
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rocesses are such decisions governed by? This article begins to answer these questions by analysing the results of a two-month study of UK internet users’ online behaviour. The results reveal, not just a general resistance to using the internet to develop a cosmopolitan consciousness, but also the dominant modes of avoidance that participants used to justify their inactivity. I conclude that the potential for digital cosmopolitanism appears to be primarily governed, not by the peculiarities of individual texts or even the properties of the technology, but by the nature and acceptability of pre-existing discursive resources and how they are deployed by users." (Abstract)
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"In Blaming the Victim, Jairo Lugo-Ocando sets out to deconstruct and reconsider the variety of ways in which the global news media misrepresent and decontextualise the causes and consequences of poverty worldwide. The result is that the fundamental determinant of poverty - inequality - is removed f
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rom their accounts. The books asks many biting questions. When - and how - does poverty become newsworthy? How does ideology come into play when determining the ways in which 'poverty' is constructed in newsrooms - and how do the resulting narratives frame the issue? And why do so many journalists and news editors tend to obscure the structural causes of poverty? In analysing the processes of news production and presentation around the world, Lugo-Ocando reveals that the news-makers' agendas are often as problematic as the geopolitics they seek to represent." (Publisher description)
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"How effective are celebrities, not just in helping to draw attention to distant suffering, but in actually regulating spectators’ mediated experiences of the lives of distant strangers? What function does the perceived authenticity of a celebrity play in their role as mediator? This article seeks
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to address such questions by analysing the results of an audience study involving two phases of focus groups separated by a two-month diary study. The results show that celebrities certainly help to shape our mediated experiences of distant suffering – but not always in the ways and to the extent we might expect. What is clear is that celebrities are generally ineffective in cultivating a cosmopolitan engagement with distant suffering." (Abstract)
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"International non-governmental organizations (INGOs) are known to employ freelancers to produce multimedia and to pitch it for them to mainstream news outlets. So it seems odd that research about the blurring of news organizations and INGOs has been largely focused upon the practices of full-time s
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taff at these kinds of organizations. To help fill this lacuna, this article constructs a model capable of interrogating the multiple forms of structure and agency at the heart of such forms of freelancing by blending Critical Realist theory with work by Bourdieu. It then uses this model to analyse semi-structured interviews with six freelancers who were involved in the production of media items about sub-Saharan countries. All of them were found to erode the distinction between INGOs and news organizations through different kinds of commissioning and syndication practices. But this article's main critical contribution lies in its efforts to illuminate why freelancers chose to engage in such liminal work; for the legitimating rationales they employed enabled them to avoid the “inter-role conflicts” experienced by freelancers who work for news outlets and commercial public relations organizations." (Abstract)
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"From encouraging charitable donations and delivering public health messages to promoting democratic participation and state accountability, the media can play a crucial role in development. Yet the influence of the media is not always welcome. It can also be used as a mechanism of surveillance and
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control or to disseminate hate speech and propaganda. How then should we respond to the growing importance of the media - including journalism, radio, television, community media and social media - for poverty and inequality? The first step is to acquire an informed and critical understanding of the multiple roles that the media can have in development. To help achieve this, this book provides concise and original introductions to the study and practice of communication for development (C4D), media development and media representations of development. In doing so it highlights the increasing importance of the media, whilst at the same time emphasising the varieties, complexities and contingencies of its role in social change." (Publisher description)
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"Natürlich ist Grundlage unserer Arbeit auch der Pressekodex. Darüber hinaus haben wir überlegt, was ist das Besondere von uns als katholisches Lateinamerika-Hilfswerk, als „Adveniat“. Wie spielt das mit rein in unsere Bildethik, unsere Ethik in der Öffentlichkeitsarbeit, die Ethik unserer B
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erichterstattung. Die Grundlage für uns ist der Mensch als Ebenbild Gottes mit seiner unveräußerlichen Würde. Notleidende Menschen und Menschen in Krisensituation wollen wir daher immer auch als Subjekte ihres Handelns darstellen und nicht als Opfer. Ganz wichtig ist außerdem: Wir akzeptieren das Recht auf das eigene Bild. Es gibt bei uns auch keine gestellten Bilder, selbst wenn das möglicherweise auf Kosten der Bildauswahl geht, die hinterher zur Verfügung steht. Wenn zum Beispiel ein Journalistenteam in einem Armenviertel für uns ein Projekt, das von „Adveniat“ unterstützt wird, recherchiert und dazu Familien in diesem Viertel besucht, dann werden nur mit Einwilligung dieser Menschen Fotos gemacht. Wenn eine Familie sich also schämt für ihre ärmliche Hütte und nicht möchte, dass man drinnen Bilder macht, dann gibt es eben nur ein Bild vor der Hütte – und damit müssen wir auskommen. Es kommt durchaus vor, dass wir Bilder, die wir gerne gesehen hätten, nicht bekommen. Möglicherweise gibt es dann am Ende sogar mal kein Motiv, bei dem wir sagen, das ist richtig plakattauglich oder es muss lange darum gerungen werden, weil kein entsprechendes Bild verfügbar ist." (S439-440)
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"Based on analysis of 17 in-depth interviews with professionals in 10 UK-based international NGOs engaged in planning, designing and producing humanitarian communications, this article explores how intimacy figures in NGOs' thinking about and practice of humanitarian communication. Drawing on discus
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sions of 'intimacy at a distance' and the 'intimization' of the mediated public sphere, the analysis explores three metaphors of intimacy used by interviewees to articulate the relationships they seek to develop with and between their beneficiaries and UK audiences: (1) sitting together underneath a tree; (2) being there; and (3) going on a journey. The article situates the governance of intimacy of practitioners' thinking and practice as NGOs' attempt to respond to criticisms from the humanitarian and international development sector, policymakers and scholars. It concludes by calling for a revisiting of the centrality of intimacy in humanitarian communication and the logic of emotional capitalism within which it is embedded, outlining its implications for both academic scholarship and practice." (Abstract)
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"Building a body of empirical evidence about why and how journalists use such multimedia and the consequences of this for journalism, NGO-work and those represented, is the central focus of this thesis. Unlike previous research on news coverage of Africa and journalists’ use of NGO-provided multim
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edia that tends to focus on the coverage of ‘disasters’ or ‘humanitarian emergencies’, this study analyses journalists’ use of NGO-provided multimedia about Africa during a very different news-making period – what journalists call a ‘quiet news week’.
The research involved sixty semi-structured interviews with those whose decisions shaped the production of six media items, which were also subject to qualitative content analysis. These items were about a range of topics and African countries: all of which were published or broadcast in news readily available to British audiences. But why and how journalists used NGO-provided multimedia was shaped most powerfully by the ‘moral economies’ (Sayer 2007) structuring each news outlet. These moral economies were found to have brought about a ‘quiet revolution’: leading to the emergence of a number of heterogeneous, normatively-laden coalitions between NGOs and news outlets, often hidden from the view of audiences. Consequently, journalists’ use of NGO-provided multimedia was found to have limited progressive potential: for it inhibited collective reasoning by preventing critical scrutiny, as well as systematically excluding the political value of ‘voice’ in ways which further marginalised the disadvantaged and powerless (Sen 2010)." (Abstract)
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"For Al Jazeera English (AJE), the Arab revolutions of 2011 offered an opportunity that news executives dream about. It was the biggest story of the century, it was happening on home territory, and the channel had the expertise and the reportorial staff on the ground at levels its competitors could
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not match. For English speakers around the world, AJE was the indispensable, go-to source of information about what was happening in the streets of Tunis, Cairo, Sanaa, and elsewhere in the suddenly rebellious region." (Publisher description)
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"This article investigates what the news says about inequity-driven civil wars and economic underdevelopment. Dewey argued that the lack of causal knowledge that distinguishes between symptoms and root causes would limit potential effective and transformative public action. Political scientists have
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demonstrated that increases in just the number of news stories about a foreign country in both US print and TV news in one year produced a clearly significant relationship to increases in commitments of US foreign aid the following year. This study of reporting on a 2003-2005 African crisis by ten news organizations over 26 months found few articles predominantly focused on causes against conditions on the ground or remedies. It raises questions about the conditions under which news organizations might be expected to provide causal knowledge and when such information can lead to more enlightened long term aid for national transformation." (Abstract)
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"Audience segmentation is generally associated with strategic communication (such as advertising and public relations), where content is manipulated to suit reader preferences. News has generally been considered truth-telling unvarnished by such concerns. This article compares how news of the same h
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umanitarian crisis [in Darfur, Sudan] was designed by 10 news organizations in seven countries for different market segments. Comparisons showed statistically significant differences in representation, influenced in part by what the audience-market was. Like advertising, news seemed to share an attribute with the strategic design of advertising and public relations. Increasingly carried online, news will be vulnerable to click-based customization of content like advertising is, taking us beyond currently observed geopolitical influences on segmentation to advertiser and market-based differences." (Abstract)
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"This article examines the many factors influencing NGO advertisements and their visual representations of the Third World. Focusing on two specific advertisements, this work explores the influence of practical constraints and specific marketing techniques. Applying the work of Edward Said and Homi
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Bhabha in its analysis, this article will consider the relationship of the NGO advertisements to colonial discourse. Visual representations of the Third World that circulated into Europe during colonialism naturalized the division between white and black racial categories. This distinction, as utilized in the advertisements, is explored through Paulette Goudge's The Whiteness of Power. Following, an examination of imagery as grounded in a specific understanding of development is undertaken with reference to Arturo Escobar's work. Both advertisements' imagery is argued to be an essential part of justifying the development practices. It is concluded that as producers of visual representations, NGOs are in a position to disseminate alternative depictions of the Third World1 and, consequently, contribute to the production of new discourses within the field of development." (Abstract)
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"In 2007 nearly 17,000 people died because of natural disasters and more than 211 million others were directly affected. News media play a basic role in giving publicity to these numerous instances of global suffering as it is mainly through media reports that the world perceives international crise
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s. Drawing upon theories on distant suffering, this study investigates the mediated representation of international crises, with a focus on natural disasters occurring in Australia, Indonesia, Pakistan and the USA. Applying critical discourse analysis, this article explores how discourses of hierarchy and inequality are realised in news texts about distant suffering. The cases of analysis are nine news items that were broadcast on a public and a commercial Belgian television channel on 2 January 2006. The comparative analysis of these news texts reveals glaring differences that reflect global hierarchies of place and human life. Suffering in the West (USA and Australia) was portrayed as comprehensible and close to the spectator, who could identify with the distant sufferers as if they are like us. While being of a greater magnitude, the Indonesian disaster was in contrast presented as no cause for concern or action, which blocked the engagement with the distant sufferers who were portrayed as ‘Others’, with a capital ‘o’. Pakistan sufferers were also articulated as distant others, but close-ups of gazing children urged the spectator to care for them and potentially act on the represented misfortune. In general, the critical discourse analysis supports the claim that Western news media reproduce a certain kind of global hierarchy, mainly a Euro-American-centred world order, and that news discourse normalises inequalities. This article argues that mediated representations of international crises reflect and consolidate the power relations and divisions that characterise our contemporary world." (Abstract)
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"The overall aim of this thesis is to investigate how UK television shapes spectators’ experiences of distant Others. Specifically, I aim to build on and extend existing work in this field, and particularly the work of Lilie Chouliaraki in Spectatorship of Suffering, in three directions. Firstly,
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I argue that we can learn more about how spectators of UK television respond to distant Others if we expand our focus beyond ‘peak moments’ of news coverage of suffering to include a focus on routine coverage of all distant Others, suffering or otherwise, across a range of television genres. Secondly, I contend that it is important to preface investigations into how distant Others are mediated by television with a study of the extent to which people from Other countries even appear on UK television. Thirdly, I argue that in order to take seriously an understanding of mediation as a dialectical process, any analysis of media texts should be complemented by audience research that takes time to listen to the accounts of spectators. The results of a series of content analyses reveal that distant Others seldom appear on UK television, particularly those from certain parts of the world. My application of a modified version of Chouliraki’s analytics of mediation and the results of a series of focus groups and a diary study reveal that television news texts routinely offer spectators a position of indifference with respect to distant and dehumanised distant Others. My results also show that non-news factual television programming has greater capacity than news items for appealing to a more intense mediated experience of distant Others, even if this capacity is often not fully realised. I conclude by arguing that these findings have important implications for broadcasters, producers, policy makers, regulators and academics." (Abstract)
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