"This article analyses how ethnicity influences the ethical decisions of journalists at the Nation Media Group (NMG) in Kenya. Ethnic identity is regarded as one of the key factors that shape the political beliefs of Kenyans in general, and for journalists and media practitioners in particular ethni
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c identities also influence their normative positions. The conflicting loyalties between ethnic belonging and journalistic norms of professionalism and independence especially come to the fore during democratic processes such as general elections and national referenda. Based on Shoemaker and Reese’s Hierarchy of Influences Model, the article draws on qualitative interviews of journalists at the Nation Media to argue that the highly ethnicized publics as audience and the media institution at the macro level and individual journalists at the micro level act as key levels of ethnic influence in the news production process at the NMG in Kenya. Shoemaker and Reese in their model argue that the power to shape content is not the media’s alone, but is shared with a variety of other sectors in the society, including the public. The article then proposes the inclusion of ethnicity as a ‘key level of Influence’ in Shoemaker and Reese’s model, especially when applying the model to the African media context. The article will address the following questions: How does ethnicity at the micro level of individual journalists and at the macro level of the media institution influence the ethical decisions of journalists at the NMG in Kenya? How do the highly ethnicized publics in Kenya influence the decisions of journalists at the NMG? How does this ethnic level of influence impact on the Nation Media’s capacity to fulfil its democratic roles in the society?" (Abstract)
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"Through case studies, analysis of emerging practices, and theoretical discussion, a team of leading journalism and communication experts investigate the impact of major global trends on responsible journalism and lead readers to better understand changes in media ethics. Chapters look at how these
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changes promote or inhibit responsible journalism, how such changes challenge existing standards, and how media ethics can develop to take account of global news media. In light of the fact that media journalism is now, and will increasingly become, multimedia in format and global in its scope and influence, the book argues that global media impact entails global responsibilities: It is therefore critical that media ethics rethinks its basic notions, standards, and practices from a more cosmopolitan perspective." (Publisher description)
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"The tabloid news genre has been chastized for depoliticizing its public by causing cynicism about the democratic process and lowering the standards of rational public discourse. Counter-arguments point to the alternative public sphere offered by popular media such as ‘tabloid TV’ which is the f
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ocus of this study. The ‘tabloid TV’ genre is relatively new in Zambia and in the African context in general. This article sets out to examine the rapid rise in popularity of the Zambian private television station, Muvi TV. It examines Muvi TV’s main evening news as an example of the ‘tabloid TV’ news genre vis-à-vis the criticisms levelled against tabloidization. The article presents results from a reception study of viewers in the capital city, Lusaka. A three-stage qualitative study was carried out, consisting of a thematic/content analysis of news bulletins, focus groups and individual, semi-structured interviews. The findings suggest that audiences attach greater credibility to Muvi TV’s news broadcasts than those of the public broadcaster, the Zambia National Broadcasting Corporation (ZNBC). As such, Muvi TV can be seen to fulfil a political function despite its sensationalized approach." (Abstract)
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"Popular Media, Democracy and Development in Africa examines the role that popular media could play to encourage political debate, provide information for development, or critique the very definitions of 'democracy' and 'development'. Drawing on diverse case studies from various regions of the Afric
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an continent, essays employ a range of theoretical and methodological approaches to ask critical questions about the potential of popular media to contribute to democratic culture, provide sites of resistance, or, conversely, act as agents for the spread of Americanized entertainment culture to the detriment of local traditions. A wide variety of media formats and platforms are discussed, ranging from radio and television to the Internet, mobile phones, street posters, film and music." (Publisher description)
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"Literature about China’s role in Africa suggests that China’s presence on the continent is often viewed in stark binary terms, as either an exploitative, predatory force or a benevolent, development partner. An analysis of attitudes in the South African media over the last three years (if De Be
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er & Schreiner’s 2009 study is included), suggest that overall a more balanced view of China is emerging. Individual reports may still take an either/or stance, but when considered on the whole and across a range of media platforms, China is not represented in either a starkly positive or starkly negative light. It would seem that a cautiously optimistic attitude characterizes South African media coverage. The overall balance between positive, negative and neutral statements may suggest an understanding that China’s role in Africa is a complex one, which cannot be pigeonholed as either a ‘bad’ or ‘good’ news story. South Africa’s association with China as a partner country in the BRICS formation might in future continue to shape positive coverage. The large component ‘neutral’ statements may also reflect the strong influence of the normative values of ‘objectivity’ and ‘balance’ on South African professional journalism practice." (Conclusion, page 16-17)
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"Less than a decade after the advent of democracy in South Africa, tabloid newspapers have taken the country by storm. One of these papers—the Daily Sun—is now the largest in the country, but it has generated controversy for its perceived lack of respect for privacy, brazen sexual content, and u
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nrestrained truth-stretching. Herman Wasserman examines the success of tabloid journalism in South Africa at a time when global print media are in decline. He considers the social significance of the tabloids and how they play a role in integrating readers and their daily struggles with the political and social sphere of the new democracy. Wasserman shows how these papers have found an important niche in popular and civic culture largely ignored by the mainstream media and formal political channels." (Publisher description)
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"Almost entirely rewritten and updated, Global Journalism addresses the most pertinent issues and problems in today's global journalism and media environments, whilst providing an extensive overview of journalism throughout the world. This new edition recognizes the vast and rapid changes taking pla
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ce in international journalism. Its three interlinking parts first offer a thorough discussion of global media theoretical approaches; then survey the main issues confronting journalists, media organizations, audiences, and others in the media world, and thirdly focus on the media of the world's eight major regions." (Publisher description)
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"South Africa offers a rich context for the study of the interrelationship between the media and identity. The essays collected here explore the many diverse elements of this interconnection, and give fresh focus to topics that scholarship has tended to overlook, such as the pervasive impact of tabl
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oid newspapers. Interrogating contemporary theory, the authors shed new light on how identities are constructed through the media, and provide case studies that illustrate the complex process of identity renegotiation taking place currently in post-apartheid South Africa. The contributors include established scholars as well as many new voices. Collectively, they represent some of South Africas finest media analysts pooling skills to grapple with one of the countrys most vexing issues: who are we?" (Publisher description)
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"Media on the Move provides a critical analysis of the dynamics of the international flow of images and ideas. This comes at a time when the political, economic and technological contexts within which media organisations operate are becoming increasingly global. The surge in transnational traffic in
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media products has primarily benefited the major corporations such as Disney, AOL, Time Warner and News Corporation. However, as this book argues, new networks have emerged which buck this trend: Brazilian TV is watched in China, Indian films have a huge following in the Arab world and Al Jazeera has become a household name in the West. Combining a theoretical perspective on contra-flow of media with grounded case studies into one up-to-date and accessible volume, Media on the Move provides a much-needed guide to the globalization of media, going beyond the standard Anglo-American view of this evolving phenomenon." (Publisher description)
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