"Today’s discourses on Africa are manifold – as manifold as the images we have of everyday life there. Both are fed by a Western narrative that saddles the “Black Continent” with all kinds of clichés – whether the stuff of dreams or of nightmares. In images that are at times documentary,
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at times artistic, these nine photographers from Morocco, Algeria, Senegal, the Democratic Republic of the Congo, Uganda and South Africa provide a picture of the self-assurance and the vitality of the people in their respective home country. In particular, they tell stories that stem from their immediate surroundings: they tell of everyday life in Africa’s cities and industry, they trace remnants of the past, and they portray strands of popular culture. Their topics include the mining industry’s mixed legacy in South Africa, the impact of environmental pollution, life in the Democratic Republic of the Congo and the atmosphere inside Algeria’s football stadiums. The desire to rethink Africa and, above all, to retell its stories is a leitmotif for all of the participating photographers. With its powerful pictorial narratives, this exhibition generates a fascinating dialogue between different cultures." (https://voelklinger-huette.org)
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"This book examines small cinemas and their presentation of society in times of crisis and conflict from an interdisciplinary and intercultural point of view. The authors concentrate on economic, social and political challenges and point to new phenomena which have been exposed by film directors. Th
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ey present essays on, among others, Basque cinema; gendered controversies in post-communist small cinemas in Slovakia and Czech Republic; ethnic stereotypes in the works of Polish filmmakers; stereotypical representation of women in Japanese avant-garde; post-communist political myths in Hungary; the separatist movements of Catalonia; people in diasporas and during migrations. In view of these timely topics, the book touches on the most serious social and political problems. The films discussed provide an excellent platform for enhancing debates on politics, gender, migration and new aesthetics in cinema at departments of history, sociology, literature and film." (Back cover)
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"Today, DIY- do-it-yourself - describes more than self-taught carpentry. Social media enables DIY citizens to organize and protest in new ways (as in Egypt's "Twitter revolution" of 2011) and to repurpose corporate content (or create new user-generated content) in order to offer political counternar
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ratives. This book examines the usefulness and limits of DIY citizenship, exploring the diverse forms of political participation and "critical making" that have emerged in recent years. The authors and artists in this collection describe DIY citizens whose activities range from activist fan blogging and video production to knitting and the creation of community gardens. Contributors examine DIY activism, describing new modes of civic engagement that include Harry Potter fan activism and the activities of the Yes Men. They consider DIY making in learning, culture, hacking, and the arts, including do-it-yourself media production and collaborative documentary making." (Back cover)
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"Der Schwerpunkt der Missionschronik 2006 ist Papua-Neuguinea. Neben dem Bildteil stellen auch viele Artikel Aspekte der missionarischen Situation vor sowie die Antworten, die die Steyler Ordensfamilie heute dort gibt." (Vorwort)