"Can residents of Ukraine discern between pro-Kremlin disinformation and true statements? Moreover, which pro-Kremlin disinformation claims are more likely to be believed, and by which audiences? We present the results from two surveys carried out in 2019—one online and the other face-to-face—th
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at address these questions in Ukraine, where the Russian government and its supporters have heavily targeted disinformation campaigns. We find that, on average, respondents can distinguish between true stories and disinformation. However, many Ukrainians remain uncertain about a variety of disinformation claims’ truthfulness. We show that the topic of the disinformation claim matters. Disinformation about the economy is more likely to be believed than disinformation about politics, historical experience, or the military. Additionally, Ukrainians with partisan and ethnolinguistic ties to Russia are more likely to believe pro-Kremlin disinformation across topics. Our findings underscore the importance of evaluating multiple types of disinformation claims present in a country and examining these claims’ target audiences." (Abstract)
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"During the six months of the gender-based disinformation study (January 1 – June 30, 2023), the following trends were revealed: A total of 42 cases of gendered disinformation were identified, of which 24 were homophobic and 18 were sexist or attacked women based on moral criteria. In most cases,
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the target of homophobic or gendered disinformation was the West, while false content related to Ukraine was predominantly homophobic. In connection with internal socio-political processes in Georgia, disinformation was directed against politicians, persons associated with them, journalists, and civic activists, who, in addition to disinformation, were targeted in discrediting campaigns." (Key findings, page 8)
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"Russia's full-scale invasion of Ukraine dominates observed Foreign Information Manipulation and Interference (FIMI) activity. Ukraine and its representatives have been the direct target of 33 incidents. In 60 out of 100 incidents, supporting the invasion was the main motivation behind the attack. D
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iplomatic channels are an integral part of FIMI incidents. Russia's diplomatic channels regularly serve as enablers of FIMI operations. They are deployed across wide range of topics. China also uses diplomatic channels, mostly targeting the US. Impersonation techniques become more sophisticated. Impersonations of international and trusted organisations and individuals are used by Russian actors particularly to target Ukraine. Print and TV media are most often impersonated, with magazines seeing their entire style copied. FIMI actor collusion exists but is limited. Official Russian actors were involved in 88 analysed FIMI incidents. Chinese actors were involved in 17. In at least 5 cases, both actors engaged jointly. FIMI is multilingual. Incidents do not occur in just one language; content is translated and amplified in multiple languages. Incidents featured at least 30 languages, 16 of which are EU-languages. Russia used a larger variety of languages than Chinese actors but 44% of Russian content targeted a Russian-speaking populations, while 36% targeted English-speaking populations. FIMI is mostly intended to distract and distort. Russia (42%) and China (56%) mostly intend to direct attention to a different actor or narrative or to shift blame ('distract'). Russia attempts to change the framing and narrative ('distort') relatively more often (35%) than China (18%). FIMI remains mostly image and video based. The cheap and easy production and distribution of image and video material online makes these formats still the most commonly used." (Executive summary)
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"In order to spread Russian narratives about Ukraine that create a false impression of the country among external and internal audiences, the Russian Federation uses a whole complex of information and communication channels. Their main task is to replace the target audience's existing ideas about th
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e real, factual state of affairs with ideas that are considered to be more beneficial to the aggressor country. Russia rejects democratic principles and Ukraine's desire for a European future. Depending on the tasks and results (successes/failures) of operations to influence the internal politics of Ukraine and the formation of its image among the Western audience, Russian narratives changed from a presentation of Ukrainians and Russians as “brotherly” peoples or even one people to the importance of the complete extermination of "Ukrainian nationalists and Nazis," denial of the very existence of Ukrainians as a distinct ethnic group (thereby “justifying” genocide), returning supposed "historical territories of Russia," and promoting the idea that Ukraine has never really been a proper state or is a historic mistake. The narratives of Russian propaganda intertwine, sometimes reinforcing and sometimes contradicting each other. But whatever the Russian narrative may be, its main goal is to undermine Ukraine’s democratic development and its integration into the Western world, to weaken the desire of Ukrainians to determine their future outside Russian influence, within the European family, as well as to weaken international support for Ukraine. The Kremlin's disinformation campaign led to the emergence of a number of stereotypes that influenced the decision-making of Ukraine's partners at the beginning of the full-scale invasion, which led to numerous human casualties, the destruction of Ukrainian economy and infrastructure, and a real threat to the country’s territorial integrity and sovereignty. Fortunately, Ukraine has persevered. Unbreakable people of an unbreakable country continues its fight not only for itself but the whole democratic world." (Summary)
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"Many fear that social media enable more potent influence operations than traditional mass media. This belief is widely shared yet rarely tested. We challenge this emerging wisdom by comparing social media and television as vectors for influence operations targeting Ukraine. This article develops a
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theoretical framework based on media structure, showing how and why decentralized and centralized media offer distinct opportunities and challenges for conducting influence operations. This framework indicates a relative advantage for television in both dissemination and persuasiveness. We test this framework against the Russo-Ukrainian conflict (before the 2022 escalation), contributing new data from a national survey and a new dataset of Telegram activity. We identify fifteen disinformation narratives, and, using statistical analysis, examine correlations between media consumption, audience exposure to, and agreement with, narratives, and foreign policy preferences. To explore causal mechanisms, we follow up with content analysis. Findings strongly support our theoretical framework. While consuming some partisan social media channels is correlated with narrative exposure, there is no correlation with narrative agreement. Meanwhile, consumption of partisan television channels shows clear and consistent correlation. Finally, agreement with narratives also correlates with foreign policy preferences. However, and importantly, findings indicate the overall limitations of influence operations." (Abstract)
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"Russia uses a strategy of gendered disinformation in Ukraine to silence women journalists and create a certain negative image of gender equality and the role of women in democratic societies. Online violence can take on a variety of worms: doxxing, sectoring, trolling, cyberstalking, threats of vio
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lence and cyberbullying, as well as certain forms of disinformation and malinformation. There are essentially no data or research about the nature and scope of gendered disinformation as a phenomenon in Ukraine. This subject is not yet the focus of the Center for Combating Disinformation or the The Center for Strategic Communication under the Ministry of Culture and Information Policy of Ukraine. It can be assumed that this problem is erroneously believed to be insignificant. Content analysis of the information space of Ukraine and Russia (media, social networks, radio, television) using the information and analytical service Attack Index in the period from February 24, 2022 to August 2023 showed the presence of gendered disinformation about Ukrainian journalists." (Key findings)
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"Propaganda has been an age-old part of warmongering. It is thus no surprise that the Russian invasion of Ukraine was preceded by, and continues to be fuelled by, propaganda transmitted by state-controlled Russian media. What is more unusual about the Russian (dis)information campaigns is the sheer
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volume of distorted narratives or complete fictional accounts about the conflict. This article explores the content and technologies of Russian information manipulation of domestic audiences in the context of the invasion of Ukraine. We also examine the bases for the sustained robust public support for the war within Russia during the first 12 months of the conflict, despite being based on mostly fabricated (dis)information. Relying on political psychology and communication theory we explain how emotions and associative memories have played an important role in the Russian public's sustained approval to the war. Our findings point to that in the absence of contrasted and independently-verified information, the volume, frequency, emotional intensity of slick, plug-and-play media packages on Ukraine have acted to displace and distort the average Russian's associative social monitoring processes." (Abstract)
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"To ensure that Ukrainian media move from mere survival to long-term vitality, we propose a comprehensive strategy encompassing the following five pillars: 1. Innovative funding mechanisms; 2. Prioritisation of local-level media; 3. Constructive enabling environment; 4. Professional development; 5.
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Media literacy. This holistic strategy aims to foster a resilient, independent, and effective media sector integral to Ukraine’s ongoing development and recovery." (Page 1)
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"ReSounding Poverty offers a microethnography of economic networks that impact the daily lives of Romani musicians on the borders of the former Soviet Union and the European Union. It argues that the development aid allotted to provide economic assistance to Romani communities, when analyzed from th
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e perspective of the performance arts, continues to marginalize the poorest among them. Through their structure and programming, NGOs choose which segments of the population are the most vulnerable and in the greatest need of assistance. Drawing on ethnographic research in development contexts, ReSounding Poverty asks who speaks for whom within the Romani rights movement today. Framing the critique of development aid in musical terms, it engages with Romani marginalization and economic deprivation through a closer listening to vocal inflections, physical vocalizations of health and disease, and emotional affect. ReSounding Poverty brings us into the back rooms of saman, mud and straw brick, houses not visited by media reporters and politicians, amplifying the cultural expressions of the Romani poor, silenced in the business of development." (Publisher description)
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"Neun Illustratorinnen und ein Illustrator der ukrainischen Organisation Pictoric zeigen in diesem Band politische Karikaturen und Illustrationen, in denen sie ihre Kriegseindrücke verarbeiten. Dabei überführen sie mit der Stärke ihres Berufsstandes anspruchsvolle Themen und Gefühle in eine lei
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cht verständliche Bildsprache und machen sie auf diese Weise zugänglich. Die Arbeiten sollen sowohl die Schrecken des Krieges festhalten als auch die Vielfalt der ukrainischen Gesellschaft abbilden, Hoffnung wecken und durch ironische Verzerrungen den Mut zum Durchhalten stärken." (Klappentext)
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"Online media is a blessing and a curse for academic research on war. On the one hand, the internet provides unprecedented access to information from conflict zones. On the other hand, the prevalence of disinformation can make it difficult to use this information in a transparent way. This article p
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roposes digital forensic process tracing as a methodological innovation to tackle this challenge and make case study research on the causes of war fit for the social media age. It argues that two important features of process-tracing methodology – source criticism and Bayesian updating – are well developed in theory but are rarely applied to the study of armed conflict. Digital forensic process tracing applies these features to online media sources by drawing on the journalistic practice of open source intelligence (OSINT) analysis. This article uses the case of the war in eastern Ukraine’s Donbas region to illustrate the usefulness of the proposed methodology." (Abstract)
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