"Cultural diplomacy has been one component of China’s foreign policy since its very foundation. However, it is only in recent decades that culture has been wielded as a tool to serve high-reaching goals commensurate with China’s rising superpower status and its capacity to contend for global heg
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emony. This study examines China’s recent efforts to enhance cultural exchanges in multilateral and regional platforms. The primary aim is to analyse the rationale, motivations, main initiatives and strategies underpinning China’s cultural diplomacy based on a conceptual framework centred on the notions of cultural diplomacy and hegemonic transition. The author begins by presenting the guiding conceptual framework and providing an overview of China’s overall cultural diplomacy approach over the last two decades. The analysis then delves into China’s engagement in well-established and new multilateral platforms such as UNESCO, the Belt and Road Initiative (BRI), the BRICS group, and regional forums established between China and developing regions. Shifting the focus to Latin America, the research investigates the China-Community of Latin American and Caribbean States (CELAC) Forum (CCF) as a platform for cultural exchanges and an instrument of China’s cultural diplomacy, and systematizes its cultural initiatives, prioritized areas, key actors involved, and strategies." (Back cover)
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"This paper explores China’s increasing media engagement with Latin American partners. It examines the case of Mundo China (MC), a China-news segment broadcast by the Brazilian news channel BandNews TV and co-produced in partnership with CCTV. By conducting content analysis, we assess how China is
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presented, contrast the framing of China before and since the partnership agreement, and compare the televised image of China between BandNews TV and other news channels in Brazil. The findings show that MC has assisted in diversifying and balancing the ratio of positive frames in relation to the overall China-related reporting across the broadcasters sampled." (Abstract)
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"Through policy analysis and close reading of two films, this article reveals films’ increasing role in China’s geopolitical plan, the Belt and Road Initiative (BRI). The co-production film Xuanzang shows that the Silk Road past is used to illustrate BRI’s pledge for a beneficial future. Even
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though Xuanzang’s story alludes to history, itwas selected for its significance in popular culture, thereby reflecting ‘hyperreality’. In any event, the Silk Road is insufficient for connecting a region characterized by complex histories and societies. As shown in The Composer, the Silk Road is a convenient metaphor used to portray any friendly history." (Abstract
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"Chinese idol fans have been identified among the main forces in cyber nationalist activisms in recent years, acting as the nationalist fans protecting the state as an idol in response to external political shocks. Their skills in acknowledging, involving, and even reinventing the image of the state
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and national pride in cyber nationalist activisms do not emerge in a vacuum. This article examines how idol fans involve and reinvent the nationalist discourse in their everyday fan activities – idol promotion. We focus on the pandemic in 2020 as it provides a specific social and political context that allows us to understand better the interaction between idol fans and the state in their mundane fan activities. We construct our analysis under the computational grounded theory framework with over 6 million fan posts collected from Weibo and 11 in-depth interviews with active idol fans. Our findings show that when engaging in pandemic-related discussion, idol fans actively borrowed official discourse on nationalism and strategically responded to key political and social events in their idol promotion activities. The idol images they built are not only positive but also nationalist. Therefore, they play not only the commercial logic commonly seen in the Japanese and Korean K-pop/idol culture but also the political logic propagated by the state in China." (Abstract)
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"This paper examines the recent shifts and debates in the organization of the television landscape following the implementation of digital migration in Zambia. It ponders Zambia’s experience in the digital migration exercise, playing particular attention to the country’s interaction with the Chi
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nese company, StarTimes. It discusses the implications of this interaction on ownership and control in the new digitalized television landscape, highlighting the political economic implications on the broadcast sector. The paper also highlights various debates relating to local broadcasting policy in a digitalized environment and offers a timely contribution to the growing academic interest in Chinese involvement and interactions with African media." (Abstract)
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"Covid Conspiracy Theories in Global Perspective examines how conspiracy theories and related forms of misinformation and disinformation about the Covid-19 pandemic have circulated widely around the world. Covid conspiracy theories have attracted considerable attention from researchers, journalists,
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and politicians, not least because conspiracy beliefs have the potential to negatively affect adherence to public health measures. While most of this focus has been on the United States and Western Europe, this collection provides a unique global perspective on the emergence and development of conspiracy theories through a series of case studies. The chapters have been commissioned by recognized experts on area studies and conspiracy theories. The chapters present case studies on how Covid conspiracism has played out (some focused on a single country, others on regions), using a range of methods from a variety of disciplinary perspectives, including history, politics, sociology, anthropology, and psychology. Collectively, the authors reveal that, although there are many narratives that have spread virally, they have been adapted for different uses and take on different meanings in local contexts." (Publisher description)
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"Democracies must say no to the technologies, platforms, standards, and frameworks shrewdly proposed by China in various international fora and technical or standards bodies in order to make our Internet more like the one in China. Internet governance must be kept open and participatory for all stak
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eholders, not just governments. Research into and the development of privacy-preserving and anti-censorship technologies must be supported. A vision for a free and open global Internet must be integrated into future foreign policy formulation, not only because it should be, but also because China has already begun to integrate its own contrary vision." (Executive summary)
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"Over the past few years, India has taken decisive steps to reduce its dependence on Chinese technology and investments. This was triggered by border skirmishes with China in 2020, but built on longstanding national security concerns about China, given the history of conflict between the two countri
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es. India has banned hundreds of Chinese apps like TikTok and UC Browser, restricted Chinese investments in Indian companies, and mandated that telecom infrastructure be from “trusted sources”, and tried to reduce the import of products from China. These actions have come along with active support and development of regulations in favour of domestic companies and innovation, a push for manufacturing in India, and global alliances to ensure that China doesn’t dominate emerging technologies. Not all of these moves have been successful: it hasn’t been able to address its trade gap with China, Chinese technology is still implemented in Indian telecom networks, and Indian alternatives to Chinese applications haven’t successfully replaced TikTok. India has, however, been opportunistic, and demonstrated agility in leveraging geopolitical developments to further its goals: there is a clear sense of direction in its approach. Its actions underscore striking a balance between economic gains and strategic interests. Thus far, the anti-China measures instituted by the Indian government haven’t gravely harmed India. They have benefitted a few Indian companies, and American companies even more so. The impact on trade has been minimal so far. It is, however, probably still too early to understand the full impact of these policies as the efforts are part of a long-term approach, but an approach that so far looks promising." (Executive summary)
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"The religious dimension of Chinese cinema is, it has been observed, a "triple lacuna" in contemporary scholarship: in research on religion in China, in research on Chinese cinema, and in interdisciplinary research on film and religion. From 2002 to 2012, independent filmmaker Gan Xiao'er directed t
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hree low-budget features that portrayed rural Christianity in China, a subject almost entirely absent from both Chinese mainstream media and independent films. In this article, I analyze Gan's films by locating them in their social, political, and religious contexts, by comparing them with other Chinese films, and by linking them to the tradition of Western films that portray spirituality. I observe a progression in themes and style from Gan's first feature, The Only Sons, CN 2002, to his third, Waiting for God, CN 2012. I seek to show that Gan developed a restrained directorial style in order to connect with the spirituality of Chinese peasants. Although he had to grope in the dark on many aspects, his engagement with Christian themes has greatly expanded the narrative space of Chinese cinema. "(Abstract)
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"Drawing on field observations and extensive interviews, this study investigates how Kenyan media practitioners exercise their agency when interacting with Chinese stakeholders. When dealing with Chinese stakeholders or China-related stories, Kenyan media practitioners developed three strategies to
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exercise their journalistic agency: (a) situational negotiation, (b) collective reflection, and (c) resistance, through which they have approached, negotiated with, and resisted their relations with their Chinese counterparts. This article challenges the misconceptions that Chinese media organizations always hold a powerful position vis-à-vis African media organizations, and that African agents are dependents or innocent victims with neither agency nor creativity." (Abstract)
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"In many countries, censorship, blocking of internet access and internet content for political purposes are still part of everyday life. Will filtering, blocking, and hacking replace scissors and black ink? This book argues that only a broader understanding of censorship can effectively protect free
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dom of expression. for centuries, church and state controlled the content available to the public through political, moral and religious censorship. As technology evolved, the legal and political tools were refined, but the classic censorship system continued until the end of the 20th century. However, the myth of total freedom of communication and a law-free space that had been expected with the advent of the internet was soon challenged. the new rulers of the digital world, tech companies, emerged and gained enormous power over free speech and content management. All this happened alongside cautious regulation attempts on the part of various states, either by granting platforms near-total immunity (US) or by setting up new rules that were not fully developed (EU). China has established the Great Firewall and the Golden Shield as a third way. in the book, particular attention is paid to developments since the 2010s, when Internet-related problems began to multiply. the state's solutions have mostly pointed in one direction: towards greater control of platforms and the content they host. Similarities can be found in the US debates, the Chinese and Russian positions on internet sovereignty, and the new European digital regulations (DSA-DMA). The book addresses them all." (Publisher description)
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"Measuring disaster resilience from the perspective of long-term recovery ability is important for the planning and construction of urban sustainability, whereas short-term resilient recovery can better reflect a city’s ability to recover quickly after a disaster occurs. This study proposes an ana
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lytical framework for urban disaster recovery and resilience based on social media data that can analyze short-term disaster recovery and assess disaster resilience from the perspectives of infrastructure and people’s psychological states. We consider the downpour in Henan, China, in July 2021. The results show that (1) social media data can effectively reflect short-term disaster recovery, (2) disaster resilience can be assessed using social media data combined with rainfall and damage data, and (3) the framework can quantitatively reflect the differences in disaster recovery and resilience across regions. The findings can facilitate better decision-making in disaster emergency management for precise and effective post-disaster reconstruction and psychological intervention, and provide references for cities to improve disaster resilience." (Abstract)
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"Unruly Speech explores how Uyghurs in China and in the diaspora transgress sociopolitical limits with "unruly" communication practices in a quest for change. Drawing on research in China, the United States, and Germany, Saskia Witteborn situates her study against the backdrop of displacement and sh
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ows how naming practices and witness accounts become potent ways of resistance in everyday interactions and in global activism. Featuring the voices of Uyghurs from three continents, Unruly Speech analyzes the discursive and material force of place names, social media, surveillance, and the link between witnessing and the discourse on human rights. The book provides a granular view of disruptive communication: its global political moorings and socio-technical control. The rich ethnographic study will appeal to audiences interested in migration and displacement, language and social interaction, advocacy, digital surveillance, and a transnational China." (Publisher description)
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"This book examines the nexus of East Asian media, culture, and digital technologies in the early 21st century from a Global South perspective. Providing an empirically rich analysis of the emergence of Asian culture, histories, texts, and state policies as they relate to both Asian media and global
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media, the author discusses relevant theoretical frameworks as East Asian popular culture and media have shifted the contours of globalization. After overviewing Western media/cultural theories and histories, the book explores the ways in which East Asia-focused analytical frameworks are able to shift people’s understanding of globalization and media, drawing upon examples from different East Asian countries to illustrate how current cultural flows have influenced and have been influenced by a handful of dimensions." (Publisher description)
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"In the algorithmic era, both users and the platform battle for visibility. Chinese fans are savvy users who explore the hidden algorithms behind platform functions. With the collectively developed algorithmic imaginary, digital fandom communities negotiate with the platform over algorithms to optim
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ize the visibility of celebrities they endorse. Drawing from participatory observation and semi-structured interviews in Chinese online fandoms of an idol group, INTO1, we detailed how fans as digital users collectively explore, interpret, and creatively utilize algorithms to increase their idol’s visibility. We conclude that visibility, as a representation of algorithm power, is co-defined through the constant push-and-pull between digital users and the platform. This paper contributes to both algorithm and fandom studies by describing large-scale non-professional users’ daily construction of the algorithmic imaginary in the unique context of Chinese fandom and beyond. It also discusses broader civic implications of fans’ algorithmic practices to wider digital users in China." (Abstract)
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