"Through policy analysis and close reading of two films, this article reveals films’ increasing role in China’s geopolitical plan, the Belt and Road Initiative (BRI). The co-production film Xuanzang shows that the Silk Road past is used to illustrate BRI’s pledge for a beneficial future. Even
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though Xuanzang’s story alludes to history, itwas selected for its significance in popular culture, thereby reflecting ‘hyperreality’. In any event, the Silk Road is insufficient for connecting a region characterized by complex histories and societies. As shown in The Composer, the Silk Road is a convenient metaphor used to portray any friendly history." (Abstract)
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"Based on theoretical frameworks of media sociology, political economy of communication and cultural studies, the book traces the development of Chinese documentary and discusses social transformation and cultural representation embodied in documentaries related to China. It is revealed how these wo
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rks witness, reflect and interact with social transitions in all aspects of a modernizing China, as well as how documentary production struggles among and mediates between technology, market, ideology, social forces and professionalism. In terms of future prospects of documentary in an era when media convergence is burgeoning, the author explores feasible paths to further promotion of cross-cultural communication and China’s national image, by analyzing documentary aesthetics and representative cases of documentary practice." (Publisher description)
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"This paper examines the recent shifts and debates in the organization of the television landscape following the implementation of digital migration in Zambia. It ponders Zambia’s experience in the digital migration exercise, playing particular attention to the country’s interaction with the Chi
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nese company, StarTimes. It discusses the implications of this interaction on ownership and control in the new digitalized television landscape, highlighting the political economic implications on the broadcast sector. The paper also highlights various debates relating to local broadcasting policy in a digitalized environment and offers a timely contribution to the growing academic interest in Chinese involvement and interactions with African media." (Abstract)
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"As the world was distracted by the long, drawn out economic and social disruptions caused by the coronavirus, Beijing seized the “opportunity” offered by the crisis to accelerate its national digital strategy, titled unassumingly “Digital China.” With a decades-long personal tie to General
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Secretary Xi Jinping, the strategy is designed to lift China’s core competitiveness and societal efficiency through comprehensive digital transformation at the national level. Mostly unknown in the West, Digital China has profound implications for China’s developmental path, great power competition, and for the norms that will undergird the international system for decades to come. Beijing hopes to leverage a latecomer’s advantage to win what it sees as the new focal point of great power competition in the digital age: the race to design and build the world’s first nationally integrated system of rules, institutions, and technology to comprehensively manage big data and its intelligent application. This expresses itself in the Digital China strategy’s intense focus on the governance and control of data, a process Beijing calls the “new stage” in national informatization. Equally important, the Communist Party also now considers the “control of data” to be essential to its own survival, on par with the control of media, the military, and personnel. Rooted in Marxist theory, the Digital China strategy is both deeply transformative and deeply competitive. In effect, it is the world’s first digital grand strategy. Internally, the party’s deft control of data will create the world’s first “Smart Society,” demonstrating to China’s citizens and the world that capitalism has nothing to offer over socialism. Externally, a successful Digital China strategy will usher in an era of Chinese innovation that brings with it great power status across multiple strategic domains, civilian and military. Although a self-described monumental task, party leaders believe that Digital China is the strategy that will enable China to win the digital age." (Executive summary)
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"This article examines China–US competition for narratives by analyzing whether and how Chinese and American diplomats engage each other in routine diplomatic outreach to African audiences on Twitter. Drawing on case studies of Kenya and South Africa, our study uncovers “asymmetrical discursive
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competition”—Chinese diplomatic accounts selectively launch discursive attacks (both defensive and offensive) on the United States, while the US diplomatic accounts tend to ignore China. We further find that in invoking the United States, Chinese diplomats largely bypass Africa and African issues, and instead, focus on contesting larger claims about China’s legitimacy." (Abstract)
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"This study looks at the effects of Chinese cultural diplomacy on the African continent. While for a long time China's investments in large infrastructure projects were viewed positively, Joffe now notes a growing awareness both in civil society and in government agencies of ambivalent consequences.
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Many African countries are now groaning under the burden of debt, and about two-thirds of new loans now come from China. This study provides insight into Chinese investments, particularly in the area of international cultural policy. The study's findings highlight the complexity of Chinese engagement in Africa and the various facets of its associated impacts. The author suggests that African actors should ensure that a more equitable engagement develops, where conditions are determined by local needs and culture, and more aggressively advocate for equality, needs, and respect for national sovereignty." (Back cover)
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"Combining an innovative mix of traditional chapters, autoethnography, case studies, and dialogue within an intercultural framework, the handbook focuses on the future of media education and provides a deeper understanding of the challenges and affordances of media education as we move forward. Topi
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cs range from fighting disinformation, how vulnerable communities coped with disadvantages using media, transforming educational TV or YouTube to reach larger audiences, supporting students’ wellbeing through various online strategies, examining early childhood, parents, and media mentoring using digital tools, reflecting on educators’ intersectionality on video platforms, youth-produced media to fight injustice, teaching remotely and providing low-tech solutions to address the digital divide, search for solutions collaboratively using social media, and many more." (Publisher description)
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"This book observes and analyses transnational interactions of East Asian pop culture and current cultural practices, comparing them to the production and consumption of Western popular culture and providing a theoretical discussion regarding the specific paradigm of East Asian pop culture. Drawing
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on innovative theoretical perspectives and grounded empirical research, an international team of authors consider the history of transnational flows within pop culture and then systematically address pop culture, digital technologies, and the media industry. Chapters cover the Hallyu—or Korean Wave—phenomenon, as well as Japanese and Chinese cultural industries. Throughout the book, the authors address the convergence of the once-separated practical, industrial, and business aspects of popular culture under the influence of digital culture. They further coherently synthesize a vast collection of research to examine the specific realities and practices of consumers that exist beyond regional boundaries, shared cultural identities, and historical constructs." (Publisher description)
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"This study assesses the impact of China’s mediated communication strategies implemented in Latin America from 2013 to 2021. We content-analyzed the press coverage about China in nine countries and unveiled tones, topics, and frames which were then examined further across different sources. Public
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sentiments toward China were gauged to infer a potential link to China’s communication efforts. Overall, China’s program to influence Latin American media outlets and public opinion has not resulted in substantial gains; the region’s sentiment toward China actually deteriorated. There is a communication gap between Chinese and Latin American publics, which is inimical to public diplomacy." (Abstract)
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"Using a multimodal discourse analysis approach, this dynamic collection examines various discourses, modes and media in circulation during the early stages of the pandemic, and how these have impacted our daily lives in terms of the various meanings they express. Examples include how national and i
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nternational news organisations communicate important information about the virus and the crisis, the public’s reactions to such communications, the resultant (counter- )discourses as manifested in social media posts and memes, as well as the impact social distancing policies and mobility restrictions have had on people’s communication and interaction practices. The book offers a synoptic view of how the pandemic was communicated, represented and (re- )contextualised across different spheres, and ultimately hopes to help account for the significant changes we are continuing to witness in our everyday lives as the pandemic unfolds." (Publisher description)
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"The Palgrave Handbook of Media Misinformation provides a comprehensive and cutting-edge resource on the critical debates surrounding fake news and misinformation online. Spanning all continents and linking academic, journalistic, and educational communities, this collection offers authoritative cov
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erage of conspiracy theories, the post-Trump and Brexit landscape, and the role of big tech in threats to democracy and free speech. The collection moves through a diagnosis of misinformation and its impacts on democracy and civic societies, the 'mainstreaming' of conspiracy theory, the impacts of misinformation on health and science, and the increasing significance of data visualization. Following these diagnoses, the handbook moves to responses from two communities of practice - the world of journalism and the field of media literacy." (Publisher description)
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"This book focuses on China’s media diplomacy and its interplay with a range of international conflicts. It assesses the representation and framing of China, as well as the perception and reception of China’s media communication in relation to various crises and conflicts. Including detailed ana
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lyses of many cases, it highlights the complex, fluid and dynamic relationship between media and conflict, and discusses how this both exemplifies and also affects China’s relations with the outside world." (Publisher description)
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"Mit parteistaatlicher Unterstützung avancierten die großen IT-Unternehmen Chinas seit Ende der 1990er Jahre schnell zu den Motoren der am dynamischsten wachsenden Digitalwirtschaft der Welt. Sie adaptierten zunächst Produkte und Geschäftsmodelle aus dem Ausland, gingen danach aber eigene Wege.
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Millionen von Chinesinnen und Chinesen entdeckten auf Diskussionsplattformen, in Spielen oder durch Blogs neue Möglichkeiten der Identitätsgestaltung und erlernten neue Formen des Austauschs. Diese Technik-Begeisterung überlagerte lange die mahnenden Stimmen, die auf die destruktiven Folgen der Digitalisierung und des flächendeckenden staatlichen Datenmissbrauchs hinwiesen. Rund um die Olympischen Sommerspiele 2008 in Beijing begann die Staats- und Parteiführung, den internationalen Informationsfluss einzuschränken, indem etwa Twitter und Facebook in China offiziell geblockt wurden, und investierte systematisch in eigene digitale Technologien. Diese Entwicklung hat unter Xi Jinping und durch den neuen «Kalten Krieg» mit den USA noch einmal Fahrt aufgenommen. Wer sind heute die zentralen Akteure auf Chinas digitalem Weg in die Zukunft? Wie abhängig sind sie von Staat und Partei? Und welche Potenziale bergen die neuen Technologien für den Wunsch nach interner Öffnung und Demokratisierung?" (Verlagsbeschreibung)
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"This paper explores China’s increasing media engagement with Latin American partners. It examines the case of Mundo China (MC), a China-news segment broadcast by the Brazilian news channel BandNews TV and co-produced in partnership with CCTV. By conducting content analysis, we assess how China is
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presented, contrast the framing of China before and since the partnership agreement, and compare the televised image of China between BandNews TV and other news channels in Brazil. The findings show that MC has assisted in diversifying and balancing the ratio of positive frames in relation to the overall China-related reporting across the broadcasters sampled." (Abstract)
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"In many countries, censorship, blocking of internet access and internet content for political purposes are still part of everyday life. Will filtering, blocking, and hacking replace scissors and black ink? This book argues that only a broader understanding of censorship can effectively protect free
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dom of expression. for centuries, church and state controlled the content available to the public through political, moral and religious censorship. As technology evolved, the legal and political tools were refined, but the classic censorship system continued until the end of the 20th century. However, the myth of total freedom of communication and a law-free space that had been expected with the advent of the internet was soon challenged. the new rulers of the digital world, tech companies, emerged and gained enormous power over free speech and content management. All this happened alongside cautious regulation attempts on the part of various states, either by granting platforms near-total immunity (US) or by setting up new rules that were not fully developed (EU). China has established the Great Firewall and the Golden Shield as a third way. in the book, particular attention is paid to developments since the 2010s, when Internet-related problems began to multiply. the state's solutions have mostly pointed in one direction: towards greater control of platforms and the content they host. Similarities can be found in the US debates, the Chinese and Russian positions on internet sovereignty, and the new European digital regulations (DSA-DMA). The book addresses them all." (Publisher description)
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"This collection considers how digital images and social media reconfigure the way conflicts are played out, represented and perceived around the globe. Devoted to developing original theoretical frameworks and empirical insights, the volume addresses the role of user images and social media in rela
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tion to urgent subjects such as public opinion and emotion, solidarity, evidence and verification, censorship and fake news, which are all central to the ways current conflicts are represented and unfold. Essays include a unique range of case studies from different regional and political contexts (Middle East, Europe, Asia, North America) and in connection with different conflict types (war, terror, riots, everyday resistance, etc.). They also consider performative genres such as memes, selfies and appropriations as well as images conforming to the realism and authenticity of conventional photojournalism. In this way, the collection responds to the challenges of swiftly evolving image genres as well as to the continually shifting policies and algorithms of commercial digital platforms." (Publisher description)
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